Joker is an original, standalone story. Arthur Fleck (Joaquin Phoenix), a man disregarded by society, is not only a gritty character study, but also a broader cautionary tale. Please Welcome...Joker! - Through various takes of Joker's entrance on The Murray Franklin Show, learn why Todd Phillips describes Joaquin Phoenix as the most nimble actor' he has ever worked with.
""47 875 survivors in search of a home called Earth."" ""The cylons were created by man. They evolved. They rebelled. There are many copies. And they have a plan."" The Sci-fi Channel's hottest TV series returns as Battlestar Galactica 2.0 blasts onto DVD. As the epic second season begins the fight to save humanity rages on - even as civil war looms within the fleet between the followers of President Roslin and Commander Adama. Relive all the intensity and exciteme
Joker is an original, standalone story. Arthur Fleck (Joaquin Phoenix), a man disregarded by society, is not only a gritty character study, but also a broader cautionary tale. Extras Becoming Joker - Watch the haunting evolution of Arthur Fleck to Joker with this peek into the costume test process. Joker: A Chronicle of Chaos-Through a series of photos shot on-set, explore the production of Joker through a new lens. Joker: Vision & Fury-Todd Phillips, Joaquin Phoenix, and others take you inside the seedy underbelly of their Gotham for this comprehensive look at the making of Joker.
1966s Cast a Giant Shadow is based on Ted Berkmans biography of Colonel "Mickey" Marcus, the American soldier who served as an adviser in the fight to establish the state of Israel in 1948. It stars Kirk Douglas as the likeable "stiffneck" and WWII veteran persuaded to take up the cause. Israel back then was depicted as a negligible military force under threat of extinction at the hands of its Arab neighbours, hamstrung by a UN embargo on arms supplies. It takes Douglas at his most square-jawed to see off the Egyptian military and defy a blockade to beat a path through to Jerusalem. This is not cinema verité but Hollywood. Marcus dilemma--to settle into peacetime in America or follow his more natural, combative instincts abroad--is symbolised by a love triangle, involving wife Angie Dickinson and Santa Berger as Magda, the soldier whom he falls for in Palestine. Although lavish and spectacular, especially in the war scenes--filmed in the actual Middle Eastern locations in which they occurred--Cast a Giant Shadow is not entirely authentic (for a start, theyre driving 1950s vehicles in the 40s). Moreover, in the light of later troubles in the region, not everyone will be heart warmed by this depiction of plucky little Israel coping against Arab foes who are barely depicted as human throughout the film, merely as tanks and gunfire. Still, its an impressive enough relic of epic 1960s cinema, with cameos from Yul Brynner, John Wayne as Marcus wartime general, and Frank Sinatra as a pilot scattering the enemy by dropping soda dispensers on them. On the DVD: Cast a Giant Shadows restoration here is visually immaculate. The mono sound, however, is often indistinct, with a good deal of sibilant hiss. Disappointingly, the only extra is the original trailer.--David Stubbs
Director Richard Lester (A Hard Day's Night) took over the franchise with this first sequel in the series, though the film doesn't look much like his usual stylish work. (Superman III is far more Lesteresque.) Still, there is a lot to like about this film, which finds Superman grappling with the conflict between his responsibilities as Earth's saviour and his own needs of the heart. Choosing the latter, he gives up his powers to be with Lois Lane (Margot Kidder), but the timing is awful: three renegades from his home planet, Krypton, are smashing up the White House, aided by the mocking Lex Luthor (Gene Hackman). The film isn't nearly as ambitious as its predecessor, but the accent on relationships over special effects (not that there aren't plenty of them) is very satisfying. --Tom Keogh
Joker is an original, standalone story. Arthur Fleck (Joaquin Phoenix), a man disregarded by society, is not only a gritty character study, but also a broader cautionary tale. Extras Becoming Joker - Watch the haunting evolution of Arthur Fleck to Joker with this peek into the costume test process. Joker: A Chronicle of Chaos-Through a series of photos shot on-set, explore the production of Joker through a new lens. Joker: Vision & Fury-Todd Phillips, Joaquin Phoenix, and others take you inside the seedy underbelly of their Gotham for this comprehensive look at the making of Joker.
Series two picks up where series one left off with Cutter having been deceived by his estranged wife Helen and the world as he knows it has changed but he and Helen are the only one's who know. Claudia Brown no longer exists in the world Nick has found himself. Can he convince his team that their actions have inadvertently altered the course of nature? But he has absolutely no idea what went wrong or how he can fix it...
Kirk Douglas produced the trendsetting barbarian epic The Vikings and took the showiest, most aggressive role: lusty Viking Prince Einar, the "only son in wedlock" of King Ragnar (a cackling, wild-eyed Ernest Borgnine). With jagged scars down his face and a milky-white blind eye that almost glows in his skull, Douglas has a rowdy time battling defiant slave Tony Curtis (the long-lost heir to the British throne) for the hand of the beautiful princess Janet Leigh. It's pure Hollywood hokum, sure, but spectacular hokum: the great cinematographer Jack Cardiff turns his Norway locations into a lush Valhalla on earth. Faced with an absurd story, journeyman director Richard Fleischer goes for the gusto in brawling Viking parties, furious sieges, and clanging broadsword battles. An enormous hit, the film spawned a huge wave of Viking movies, some perhaps smarter but none as much fun. --Sean Axmaker
The swashbuckler genre bumped into science fiction in 1954 for one of Hollywood's great entertainments, 20,000 Leagues Under the Sea. The Jules Verne story of adventure under the sea was Walt Disney's magnificent debut into live-action films. A professor (Paul Lukas) seeks the truth about a legendary sea monster in the years just after the Civil War. When his ship is sunk, he, his aide (Peter Lorre), and a harpoon master (Kirk Douglas) survive to discover that the monster is actually a metal submarine run by Captain Nemo (James Mason). Along with the rollicking adventure, it's fun to see the future technology that Verne dreamed up in his novel, including diving equipment and sea farming. The film's physical prowess is anchored by the Nautilus, an impressive full-scale gothic submarine complete with red carpet and pipe organ. In the era of big sets, 20,000 Leagues set a precedent for films shot on the water and deservedly won Oscars for art direction and special effects. Lost in the inventiveness of the film and great set pieces including a giant squid attack are two great performances. Mason is the perfect Nemo, taut and private, clothed in dark fabric that counters the Technicolor dreamboat that is the beaming red-and-white-stripe-shirted Kirk Douglas as the heroic Ned Land. The film works as peerless family adventure nearly half a century later. --Doug Thomas
Upon his release from prison for a burglary conviction Max Washington returns to his old haunt The Hoofer Club - an old tap dancing joint. His ex-girlfriend Amy is now working at the club as an instructor and is less than thrilled to see her old flame return. However Amy's father is delighted that one of his star pupils has re-emerged and convinces Max to get involved with his latest show. Unfortunately Max's old friends also want to hire him but for something strictly less th
If, as they say, you're in a certain mood, Message in a Bottle can be just the ticket. Based on Nicholas Sparks' bestselling novel, this handsome but overly calculated romantic tale stars Robin Wright Penn as Theresa, a Chicago Tribune researcher who finds a note encased in a green bottle that has floated onto a Cape Cod shore. The message within is a heartfelt, yearning declaration of love to a woman named Catherine but the author is unknown until Theresa (rather improbably) tracks him down in North Carolina. He's Garret Blake (Kevin Costner), a taciturn builder of sailboats and a grieving widower whose late wife, poetically speaking, was the intended recipient of the seafaring note Theresa found. Theresa, a divorcée with a son, decides to meet Garret, only to find him as bottled-up as his message. Nevertheless, a romance blooms on the strength of quality time in a sailboat and lots of cuddling, though the script tosses in bits of conflict to keep their relationship spicy. Directed by Luis Mandoki (When a Man Loves a Woman), this love story is entirely by the numbers, with Costner inhabiting (rather than performing) a stock fantasy of a man perfect in every way save his broken heart. Penn brings more vibrancy to her equally predictable part but fortunately for all, Paul Newman, John Savage, Robbie Coltrane and Illeana Douglas are on hand in nicely textured character parts. Sometimes predictability is exactly what one wants when settling in for an evening of home video, and this movie fits the bill nicely. The appealing cinematography is by ace cameraman Caleb Deschanel. --Tom Keogh
Based on the critically acclaimed novel by Patrick Ness and brought to life by visionary director J.A. Bayona (The Impossible) A Monster Calls is a stunning and fantastical tale of loss, courage and hope. A Monster Calls is the story of 12 year-old Conor O'Malley (newcomer Lewis MacDougall) and his attempts to come to terms with his mother's (Felicity Jones The Theory of Everything) illness and the ever-growing presence of his strict grandmother (Sigourney Weaver Alien Anthology). Confused, angry and alone as he struggles to deal with the forces shaping his life, Conor retreats to a magical world where he meets The Monster (Liam Neeson Schindler's List) who tells him three tales that will help Conor confront his nightmare and the truths that threaten to destroy him.
Based on the critically acclaimed novel by Patrick Ness and brought to life by visionary director J.A. Bayona (The Impossible) A Monster Calls is a stunning and fantastical tale of loss, courage and hope. A Monster Calls is the story of 12 year-old Conor O'Malley (newcomer Lewis MacDougall) and his attempts to come to terms with his mother's (Felicity Jones The Theory of Everything) illness and the ever-growing presence of his strict grandmother (Sigourney Weaver Alien Anthology). Confused, angry and alone as he struggles to deal with the forces shaping his life, Conor retreats to a magical world where he meets The Monster (Liam Neeson Schindler's List) who tells him three tales that will help Conor confront his nightmare and the truths that threaten to destroy him.
The mythical world starts a rebellion against the human realm in order to rule the Earth, so Hellboy and his team must save the world from the myriad creatures.
With a tantalising "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: what if a modern-era navy aircraft carrier--in this case the real-life nuclear-powered USS Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the navy's generous cooperation. That makes The Final Countdown a better navy film than a fully fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double bill with The Philadelphia Experiment. --Jeff Shannon
Six of your favourite Western Classics in one box set! Disc One Geronimo! Chuck Connors stars in the title role as the Indian Chief who, having reluctantly surrendered to the US forces in return for food and land, finds the white man's promises broken as their land is revoked. He leads the Apache tribe in all-out war against the Americans, which they can never hope to win. However, as his tribe is depleted, Geronimo continues to hold his ground. Disc Two Hour of the Gun Guns don't stay in their holsters long when vigilantes Wyatt Earp and Doc Holliday meet outlaws in the Wild West. With the dust settled at the OK Corral the notorious Clanton brothers unleash their revenge. One by one they gun down Wyatt Earp's brothers - but they won't have the last shot. Using his US Marshal's badge as his authority and Doc Holliday (Jason Robards) as his deputized right-hand man Earp (James Garner) begins a zealous pursuit of vengeance that the West will never forget. ...Hour of the Gun Disc Three Man of the East By his dying father's last wish Joe is sent to the Wild West to become a real guy. The dreamy young man despises guns and fights, likes poems and prefers bicycles to horses. Now his three teachers, footpads all of them, shall teach him otherwise. This doesn't work, until Joe has to defend himself against gunman Morton, who's jealous of Joe's love to rancher Ohlsen's beautiful daughter. Disc Four The Spikes Gang Will (Gary Grimes), Les (Ron Howard) and Tod (Charlie Martin Smith), teenage farm boys living near the Mexican border, stumble upon Harry Spikes (Lee Marvin), a local bandit near death in the middle of nowhere. After helping bring the aging man back to health, the trio decides to escape their humdrum lives by becoming outlaws themselves. Failing at their first attempt to rob a bank, the boys convince the gruff Spikes to teach them the ways of the desperado. Disc Five The Way West Senator William J. Tadlock (Kirk Douglas) enlists the help of veteran scout Dick Summers (Robert Mitchum) to lead a wagon train of settlers from Missouri to Oregon in this plodding, routine western. A scared settler accidently shoots an Indian boy who is mistaken for a wolf, prompting Summers to order newlywed triggerman Johnny Mack (Michael Witney) to be hanged to avoid an Indian attack. The highlight of the film is the expert cinematography. Watch for Sally Field in her first big-screen role as the slatternly Mercy McBee. Disc Six Comanche In 1875, near Durango, Mexico, Renegade Comanche leader Black Cloud (Henry Brandon) attacks a Mexican village and kidnaps the beautiful Margarita Alvarez (Linda Cristal). Fleeing to the United States, they come across a band of scalp hunters and are prevented from massacring them by the Comanche chief of the Antelope tribe, Quanah (Kent Smith). Despite the efforts of frontier scout Jim Read (Dana Andrews), turmoil erupts between the whites and the rebel Comanche, and Quanah and Read struggle to restore peace.
Featuring an all-star cast, including Mark Wahlberg, Kurt Russell, John Malkovich, Gina Rodriguez, Dylan O'Brien and Kate Hudson.On April 20th, 2010, one of the world's largest man-made disasters occurred on the Deepwater Horizon in the Gulf of Mexico. Directed by Peter Berg (Lone Survivor), this story honors the brave men and women whose heroism would save many on board, and change everyone's lives forever.
Ealing Studios comedy set in the Scottish isles. Hollywood's Paul Douglas plays Marshall, an American businessman who becomes involved with The Maggie, a rundown old shipping vessel captained by the taciturn skipper (Alex Mackenzie), when he is trying to find a way to convey his luggage to a remote island. It doesn't take Marshall long to realise that the skipper and his crew have pulled a fast one on him - but what can he do to stop them?
The mythical world starts a rebellion against the human realm in order to rule the Earth, so Hellboy and his team must save the world from the myriad creatures.
Commencing a risky game of cat and mouse with corrupt D.A. Martin Hunter (Michael Douglas), ambitious reporter C.J. (Jesse Metcalfe) frames himself as a murder suspect to catch Hunter in the act!
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