Based on Margaret Atwood's award-winning, best-selling novel, The Handmaid's Tale is the story of life in the dystopia of Gilead, a totalitarian society in what was formerly the United States. Facing environmental disasters and a plunging birthrate, Gilead is ruled by a twisted fundamentalism in its militarized return to traditional values. As one of the few remaining fertile women, Offred (Elisabeth Moss) is a Handmaid in the Commander's household, belonging to the caste of women forced into sexual servitude as a last desperate attempt to repopulate the world. In this terrifying society, Offred must navigate between Commanders, their cruel Wives, domestic Marthas, and her fellow Handmaids where anyone could be a spy for Gilead with one goal: to survive and find the daughter who was taken from her. Also featuring Yvonne Strahovski and Samira Wiley. Features: Script to Screen Hope in Gilead
After being held captive for 36 days by terrorists who broadcast their ordeal live on television Cliff and Wendy become national idols. But by the time they escape TV's most popular hostages realise they're still prisoners - this time of the media...
D.C. 'Steve' Stephenson is visiting Indiana and mounting a campaign to increase the membership of the Ku Klux Klan. There he meets schoolteacher Madge Oberholtzer and tries to seduce her but having no luck he abducts her rapes and tortures her and eventually kills her. The trial that follows marks the end of the Klan's popularity as Stephenson implicates them in the murder. Based on a true story.
The violent story of two young lovers on a doomed journey outside of the law, Love & a .45 is perhaps most notable for the appearance of a pre-fame Renee Zellweger. The premise is not particularly original but has spawned some great movies over the years, from Bonnie and Clyde to A Life Less Ordinary. CM Talkington's film, however, fails to break free of cliché--whether it be through its cinematic techniques (voice-over, Tom Verlaine's blasting rock score) or Texan white-trash characterisation. There is much inspiration to be drawn from such a background (witness Brad Pitt's brooding performance in Kalifornia) but Gil Bellows simply isn't given the raw materials to work with. As for Zellweger, she spends most of the film wearing very few clothes, waving a gun around and generally being a million miles away from Bridget Jones. For a much better example of the couple-on-the-road movie look to True Romance or Jonathan Demme's underrated classic Something Wild. As for Love & A .45, it misses the target. On the DVD: the DVD format does enhance Love & A .45 to some degree. The picture quality is as bold and brash as the movie itself, and Verlaine's score sounds fantastic in Dolby Digital. Other than this slight additional polish to the original product, there's little of substance here.--Phil Udell
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