This heart warming comedy stars Brenda Blethyn (Little Voice, Secrets & Lies) as Grace Trevethan whose idyllic life on the Cornish coast is turning upside down.
The French Alps provides the setting for this enduring French thirteen part serial in which the friendship between Sebastien an eight-year-old boy and Belle a huge Pyrenees dog causes astonishment and spitefulness among the people of a frontier village near the Italian border. This black and white dubbed-English series was first broadcast on the BBC in 1967. Episode titles: 1. The Meeting 2. The Refuge Hut 3. The Hunt 4. The Stranger 5. Norbert's Suitcase 6. The Customs
Continuing its mission to unearth the very best in weird and wonderful horror obscura from the golden age of US independent genre moviemaking, Arrow Video is proud to present the second volume in its American Horror Project series co-curated by author Stephen Thrower (Nightmare USA: The Untold Story of the Exploitation Independents). Starting off with a little-seen 1970 offering from underrated cult auteur John Hayes (Grave of the Vampire, Garden of the Dead), Dream No Evil is a haunting, moving tale of a young woman's desperate quest to be reunited with her long-lost father only to find herself drawn into a fantasyland of homicidal madness. Meanwhile, 1976's Dark August stars Academy Award winner Kim Hunter (A Streetcar Named Desire) in a story of a man pursued by a terrifying and deadly curse in the wake of a hit-and-run accident. Lastly, 1977's Harry Novak-produced The Child is a gloriously delirious slice of horror mayhem in which a young girl raises an army of the dead against the people she holds responsible for her mother's death. With all three films having been remastered from the best surviving film elements and appearing here alongside a wealth of supplementary material, American Horror Project Volume Two offers up yet another fascinating and blood-chilling foray into the deepest, darkest corners of stars-and-stripes terror. 3-DISC SPECIAL EDITION CONTENTS 2K restorations from original film elements High Definition Blu-ray presentation Original uncompressed PCM mono audio English subtitles for the deaf and hard of hearing Reversible sleeves featuring original and newly-commissioned artwork by The Twins of Evil DREAM NO EVIL Filmed appreciation by Stephen Thrower Audio commentary with Kat Ellinger and Samm Deighan Hollywood After Dark: The Early Films of John Hayes, 1959-1971 video essay by Stephen Thrower looking at Hayes' filmography leading up to Dream No Evil Writer Chris Poggiali on the prodigious career of celebrated character actor Edmond O'Brien Excerpts from an audio interview with actress Rue McClanahan (The Golden Girls) discussing her many cinematic collaborations with director John Hayes DARK AUGUST Filmed appreciation by Stephen Thrower Audio commentary with writer-director Martin Goldman On-camera interview with Martin Goldman On-camera interview with producer Marianne Kanter The Hills Are Alive: Dark August and Vermont Folk Horror author and artist Stephen R. Bissette on Dark August and its context within the wider realm of genre filmmaking out of Vermont Original Press Book THE CHILD 1.37:1 and 1.85:1 presentations of the feature Filmed appreciation by Stephen Thrower Audio commentary with director Robert Voskanian and producer Robert Dadashian, moderated by Stephen Thrower On-camera interviews with Robert Voskanian and Robert Dadashian Original Theatrical Trailer Original Press Book
A film by Abel Gance Music composed and conducted by Carl Davis Marking a new chapter in the history of one of the world's greatest films, the release of Abel Gance's Napoleon is the culmination of a project spanning 50 years. Digitally restored by the BFI National Archive and Academy Award-winning film historian Kevin Brownlow, this cinematic triumph is available to experience on Blu-ray for the very first time Originally conceived by Gance as the first of six films about Napoleon, this five-and-a-half-hour epic features full-scale historical creations of episodes from his personal and political life, that see Bonaparte overcome fierce rivals and political machinations to seal his imperial destiny. Utilising a number of groundbreaking cinematic techniques, Napoleon is accompanied by Carl Davis monumental score (newly recorded in 7.1), and offers one of the most thrilling experiences in the entire history of film. Product Features New 2K restoration The Charm of Dynamite (Kevin Brownlow, 1968, 51 mins): BBC documentary on Glance's silent films, narrated by Lindsay Anderson Composing Napoleon-An Interview with Carl Davis) (2016, 45 mins) Feature-length commentary by Paul Cuff Napoleon digital restoration featurette (2016, 5 mins) Stills and Special Collections Gallery Alternative single-screening ending Individual triptych panel presentations Illustrated 36-page book with writing by Paul Cuff, Kevin Brownlow and Hervé Dumont, an interview with Carl Davis; and full film, music and restoration credits
This 1946 adaptation of Ernest Hemingway's short story adds well over an hour of new material to the original tale. The reason is, while director Robert Siodmak, star Burt Lancaster, and an outstanding supporting cast are faithful to Hemingway's work, his story only takes up about 15 minutes of screen time. Burt Lancaster plays the doomed man sought by hired guns in a small town. Hemingway's bruisingly concise dialogue makes an early sequence set in a diner quite unnerving, but after the killers dispense with their prey, Siodmak turns to an insurance investigator (Edmond O'Brien) who looks into the reasons behind the murder. An exemplary film noir (complete with a fickle femme fatale played by Ava Gardner), The Killers is all mood and fatalism.--Tom Keogh
They came too late and stayed too long. Director Sam Peckinpah's film The Wild Bunch a powerful tale of hangdog desperados bound by a code of honor rates as one of the all-time greatest Westerns. In 1994 it was restored to a complete pristine condition unseen since its July 1969 theatrical debut - and this digitally remastered anamorphic transfer showcases it to renewed blood-and-thunder effect. Watch William Holden Ernest Borgnine Robert Ryan and more great stars saddle up for the roles of a lifetime.
The classic `rock and roll' film of the 50's and the Jayne Mansfield movie featuring her legendary strut down the street to Little Richard's title song while holding a pair of strategically placed milk bottles melting ice and shattering glasses. Around a simple comic plot - gangster hires alcoholic press agent to make a singing star out of his incredibly voluptuous but tone-deaf girlfriend - director Frank Tashlin creates a feast for eyes and ears in `the grandeur of CinemaScope' a
Here's how director Sam Peckinpah described his motivation behind The Wild Bunch at the time of the film's 1969 release: "I was trying to tell a simple story about bad men in changing times. The Wild Bunch is simply what happens when killers go to Mexico. The strange thing is you feel a great sense of loss when these killers reach the end of the line." All of these statements are true, but they don't begin to cover the impact that Peckinpah's film had on the evolution of American movies. Now the film is most widely recognized as a milestone event in the escalation of screen violence, but that's a label of limited perspective. Of course, Peckinpah's bloody climactic gunfight became a masterfully directed, photographed, and edited ballet of graphic violence that transcended the conventional Western and moved into a slow-motion realm of pure cinematic intensity. But the film--surely one of the greatest Westerns ever made--is also a richly thematic tale of, as Peckinpah said, "bad men in changing times." The year is 1913 and the fading band of thieves known as the Wild Bunch (led by William Holden as Pike) decide to pull one last job before retirement. But an ambush foils their plans, and Peckinpah's film becomes an epic yet intimate tale of betrayed loyalties, tenacious rivalry, and the bunch's dogged determination to maintain their fading code of honor among thieves. The 144-minute director's cut enhances the theme of male bonding that recurs in many of Peckinpah's films, restoring deleted scenes to deepen the viewer's understanding of the friendship turned rivalry between Pike and his former friend Deke Thornton (Robert Ryan), who now leads a posse in pursuit of the bunch, a dimension that adds resonance to an already classic American film. The Wild Bunch is a masterpiece that should not be defined strictly in terms of its violence, but as a story of mythic proportion, brimming with rich characters and dialogue and the bittersweet irony of outlaw traditions on the wane. --Jeff Shannon
An incredible journey through the inner workings of the human body is now even more spectacular in dazzling Blu-ray high definition! In this Academy Award -Winning sci-fi adventure starring Stephen Boyd Donald Pleasence and Raquel Welch an elite medical team in their state-of-the-art submarine the Proteus is shrunk down to microscopic size and injected into the bloodstream of an ailing scientist to save his life. Battling the body's powerful natural defences - as well as a saboteur in their midst - the crew is in a race against time to complete their mission before the miniaturization wears off!
"When the legend becomes fact, print the legend." That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honoured of American filmmakers. In this late film from a long career, Ford looks at the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. In the town's wide-open youth, two-fisted Westerner John Wayne and tenderfoot newcomer James Stewart clash over a woman (Vera Miles) but ultimately unite against the notorious outlaw Liberty Valance (Lee Marvin). Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, Wayne and Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. The Man Who Shot Liberty Valance may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
How does bitter convict Robert Stroud cope with a lifetime of solitary confinement? The answer in a sense comes from above in the form of a feeble sparrow he finds in the isolation yard. Stroud brings this newfound companion to his cell nurses it to health and from that point on there's no turning back. Despite having only a third grade education and no hope of parole Stroud becomes a renowned ornithologist and achieves a greater sense of freedom and purpose behind prison walls
Fantastic Voyage is the original psychedelic inner-space adventure. When a brilliant scientist falls into a coma with an inoperable blood clot in the brain, a surgical team embarks on a top-secret journey to the centre of the mind in a high-tech military submarine shrunk to microbial dimensions. Stephen Boyd stars as a colourless commander sent to keep an eye on things (though his eyes stay mostly on shapely medical assistant Raquel Welch), while Donald Pleasance is suitably twitchy as the claustrophobic medical consultant. The science is shaky at best, but the imaginative spectacle is marvellous: scuba-diving surgeons battle white blood cells, tap the lungs to replenish the oxygen supply, and shoot the aorta like daredevil surfers. The film took home a well-deserved Oscar for Best Visual Effects. Director Richard Fleischer, who had previously turned Disney's 1954 20,000 Leagues Under the Sea into one of the most riveting submarine adventures of all time, creates a picture so taut with cold-war tensions and cloak-and-dagger secrecy that niggling scientific contradictions (such as, how do miniaturised humans breathe full-sized air molecules?) seem moot. --Sean Axmaker
Ten classic film noirs in this gripping 5 disc collection! Disc 1: Scarlet Street / Robinson / Detour Disc 2: The Strange Love of Martha Ivers / Whistle Stop Disc 3: He Walked By Night / Trapped Disc 4: Impact / D.O.A. Disc 5: Quicksand / The Hitchhiker
Writer-director Woody Allen's 1975 comedy finds the familiar Allen persona transposed to 19th-century Russia, as a cowardly serf drafted into the war against Napoleon, when all he'd rather do is write poetry and obsess over his beautiful but pretentious cousin (Diane Keaton). A total disaster as a soldier, Allen's cowardice serves him well when he hides in a cannon and is shot into a tent of French soldiers, suddenly making him a national hero. After his cousin agrees to marry him, thinking he'll be killed in a duel he miraculously survives, the couple must hatch a ludicrous plot to assassinate Napoleon in order to keep the coward Allen out of yet another war. Allen and Keaton show what a perfect comic team they make in this film, even predating their most celebrated pairing in Annie Hall. Working so well as the most unlikely of comedies, of all things a hilarious parody of Russian literature, Love and Death is a must-see for fans of Woody Allen films. --Robert Lane
Often acknowledged as one of the best prison films ever made, Birdman of Alcatraz was director John Frankenheimer's first huge success and received rave reviews for its performances, cinematography (by the great Burnett Guffey; From Here to Eternity, Bonnie and Clyde) and Frankenheimer's directing. Burt Lancaster stars as the notorious prisoner, Robert Stroud, sentenced to a life of solitary confinement for murdering a prison guard. When he finds an injured sparrow in the prison yard, Stroud nurses it back to health and discovers a new calling in life. Over the years he becomes a renowned ornithologist, and even a respected author, achieving a greater sense of purpose behind prison walls than many in the outside world will ever know. With an all-star cast that includes Karl Malden (A Streetcar Named Desire), Thelma Ritter (Pickup on South Street), Telly Savalas (The Dirty Dozen) and Edmond O'Brien (The Barefoot Contessa), The Masters of Cinema Series is proud to present John Frankenheimer's Birdman of Alcatraz for the first time on Blu-ray in the UK. Features: 1080p presentation of the film on Blu-ray, with a progressive encode on the DVD. LPCM mono soundtrack (Uncompressed on the Blu-ray) Optional English subtitles for the deaf and hard-of-hearing Audio commentary with film historian and editor Paul Seydor, moderated by Twilight Time's Julie Kirgo and Nick Redman Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz (29 mins) a new video piece on the film An exclusive new video interview with film historian Sheldon Hall Original theatrical trailer A collector's booklet featuring new writing on the film by Travis Crawford, as well as a selection of archival imagery from the film's production
Seven years ago Rory McHoan set out to visit his brother Kenneth. He never got there. And despite exhaustive police investigation it was as if he had vanished from the face of the earth. Rory's nephew Prentice takes on the task of uncovering the truth about his missing uncle's disappearance. But with only Rory's inaccessible computer disks and a ghost at his shoulder there are discoveries to be made about himself before he can exhume the dark secrets that lie buried in his family
The Man Who Shot Liberty Valance is a late film from the long career of director John Ford that tells of the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, John Wayne and James Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
Abel Gance writes, directs and stars in this epic silent French drama about Napoleon Bonaparte's early career. The film follows the young Napoleon (Albert Dieudonne/Vladimir Roudenko) as he attends the elite military school Brienne College, joins the French Army, witnesses the French Revolution in 1792 and takes part in the First Italian Campaign, during which time he becomes increasingly influential in French politics and meets his future wife Josephine (Gina Manes).
When Sarah Hopson realises her successful high-rise New York lifestyle is devoid of meaning, she packs her bags and heads for her home town in the Scottish Borders to look for Sam, her childhood sweetheart and the only man she ever loved.
Return of the Living Dead III is the third go-round for a premise intended as both a sequel to and a satire of the George A Romero Living Dead films. This could just as easily have been an entry in director Brian Yuzna's Re-Animator series, and indeed the plot nugget seems derived from the last shot of Re-Animator itself, as a devoted youth (J. Trevor Edmond) revives his freshly dead girlfriend (Mindy Clarke) with trioxin, a military zombie-making gas, and learns to regret his actions. Though it has some left-field ideas--the heroine turns herself into a DIY Hellraiser Cenobite poster-girl with extreme body piercing to distract herself from the desire to eat her boyfriend's brain--and effective action, it is still confined by its low budget and thus stuck with ordinary acting, a minimal plot and too many dumb developments. The central thread is the necrophile/SM romance, which ends up in a liebestod clinch in the army base's furnace, but there's a sub-plot about a quartet of zombified gang members which serves mainly to get some violence going every few minutes. Clarke is a striking presence, studded with bits of metal like a punk porcupine, but her performance flat lines even before her death in a motorcycle crash and revival as a zombie, while the rest of the cast--with the honourable exceptions of Kent McCord as a senior officer and Basil Wallace as a mystical down-and-out--are typified by Sarah Douglas' strident militarist mad scientist, who wants to put zombies in armoured exoskeletons and deploy them as combat troops. Nevertheless, this is gruesome fun for the fans, with some imaginative zombie mutilation effects. On the DVD: It's a no-frills full-screen transfer. The only extra is a 50-second trailer.--Kim Newman
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