They came too late and stayed too long. Director Sam Peckinpah's film The Wild Bunch a powerful tale of hangdog desperados bound by a code of honor rates as one of the all-time greatest Westerns. In 1994 it was restored to a complete pristine condition unseen since its July 1969 theatrical debut - and this digitally remastered anamorphic transfer showcases it to renewed blood-and-thunder effect. Watch William Holden Ernest Borgnine Robert Ryan and more great stars saddle up for the roles of a lifetime.
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The director's cut of the bloody, violent western from one of the masters of the genre, Sam Peckinpah. In 1913, a gang of outlaws (William Holden, Ernest Borgnine and Robert Ryan, amongst others) ride into a Texan border town where the railroad office is their target. The robbery turns into a blood-bath so the gang flee to a desert hideout where they discover that their loot is worthless. With the railroad company's hired guns snapping at their heels, they decide to escape to the apparent safety of the Mexican revolutionaries.
As a counterpoint to the heroic horde of THE MAGNIFICENT SEVEN, the ageing gunmen of Sam Peckinpah's masterpiece break the very laws of honour which bind them in this bloody and meditative tale of the American West widely considered to be the self-conscious nail in the coffin of the genre. William Holden, Robert Ryan, and Ernest Borgnine star as the leaders of a grizzled crew of Texan bandits who ride to Mexico, where, one by one, they are unceremoniously slaughtered by a Mexican revolutionary. The western, a genre steeped in legend and the concept of loyalty, was a dying breed when Sam Peckinpah unleashed this amoral and violent opus. Along with BONNIE AND CLYDE, it ushered in a new breed of Hollywood film, depicting a harsh reality where lines between right and wrong became blurred. Peckinpah brilliantly used ageing Western stars such as Ryan and Holden to convey this passing of the cinematic torch. The film brought issues of violence and morality in movies to the forefront of American film criticism. Instead of appreciating the film as a critique of brutal violence, many critics responded by rejecting what they saw as a superfluous spectacle of dead bodies.