Richard Attenborough's award-winning epic recounts the life and times of Mahatma Gandhi. In South Africa a young Indian lawyer is booted off a train for refusing to ride second-class. Upon his return to his native India and fed up with the unjust political system he joins the Indian Congress Party which encourages social change through passive resistance. When his ""subversive"" activities land him in jail masses of low-skilled workers strike to support his non-violent yet revolutionary position. Back in India Gandhi renounces the Western way of life and struggles to organize Indian labor against British colonialism. A strike costs many British soldiers their lives so the crown responds by slaughtering 1 500 Indians. Enraged the ascetic spiritual leader continues to preach pacifism until he has lead India out from under the tyranny of British imperialism.
He abandoned crown and country for the woman he loved. Everything that is known about Edward VIII is almost totally eclipsed by the world-shattering act which brought his short reign to a close in 1936. To many it seemed a selfish and irresponsible abandonment of duty. To others it was the supreme sacrifice of a man who put love above all things. Based on the definitive biography by Frances Donaldson Edward and Mrs Simpson focuses on the riveting truth behind the sensational headline
The Noel Coward play about a Hollywood star and the english aristocracy. With Julie Andrews, Stephen Fry, Jeanne Tripplehorn and Colin Firth.
A reporter, Lanie Kerrigan, interviews a psychic homeless man for a fluff piece about a football game's score. Instead, he tells her that her life going to end in just a few days, which sparks her to change the pattern of her life.
What do you do with a former First Lady who's unpredictable ornery and impossible to please? Anything she wants!! Shirley MacLaine and Nicolas Cage star in this comic compassionate look at life after the White House for two former Washington insiders : First Lady Tess Carlisle and Secret Service agent Doug Chesnic. As uproarious as it is uplifting Guarding Tess is ""a grand mixture of laughter and tears"" (Gary Franklin KCOP-TV).
As accomplished as it is superfluous, Willard is a stylish horror film with plenty of style but precious little horror. Genre buffs will appreciate it as a visually superior sequel/remake of its popular 1971 predecessor, giving Crispin Glover a title role perfectly suited to his uniquely odd persona, in the same league as Psycho's Norman Bates. This time, Willard's the psychotically lonely son of the original film's now-deceased protagonist: a milquetoast introvert who befriends an army of obedient rats--lethal allies when Willard's pushed to his emotional breaking point by his abusive boss (R. Lee Ermey). In keeping with his memorably macabre episodes of X-Files, writer-director Glen Morgan excels with dreary atmosphere and mischievously morbid humor (including an ill-fated cat named Scully), and Glover gives his best performance since River's Edge. But even the furry villain Ben--an oversized rat with attitude--is more funny than frightful. With some justification, Glover's fans will appreciate the open door to a sequel. --Jeff Shannon
This tremendous box set features a quartet of Jimmy Stewart's classic performances. Harvey (Dir. Henry Koster 1950): James Stewart stars as Elwood P. Dowd a wealthy alcoholic whose sunny disposition and drunken antics are tolerated by most of the citizens of his community. That is until Elwood begins to claim that he has a friend named Harvey who is an invisible six foot rabbit. Elwood's snooty socialite sister Veta determined to marry off her daughter Myrtle to a respec
Set in Dublin during the Lockout of 1913 Hugh Leonard's faithful adapttion portrrays the lives of the Irish workers the strike the riots and the hardships of early 20th Century Ireland. It's a story bursting with unforgetable characters caught up in the bitter struggles of the age driven by love and hate pride and devotion.
Norman Wisdom reprises his best-loved character, the comically inept Pitkin, in 1965's The Early Bird, ably supported once again by Edward Chapman in his final appearance as Mr Grimsdale. This time around Wisdom is the only milkman working for Grimsdale's Dairy, a small business threatened by a menacing large corporation in the shape of Consolidated Dairies and their electric milk floats. Grimsdale and Pitkin must evoke the Dunkirk spirit to save their family firm from the grasp of the faceless giant. Of course, the wafer-thin plot is the merest excuse for a series of calamitous set pieces in which Wisdom wreaks havoc in his trademark bumbling manner. The best bits involve a disastrous game of golf, the usual shenanigans with a fire hose and a virtuoso tour de force opening sequence as the household struggles to wake up in the morning, all set to Ron Goodwin's tongue-in-cheek music score. --Mark Walker In Press for Time Norman Wisdom offered his version of the crusading reporter movie, though by 1966 time was running out for Norman's style of big-screen comedy. Perhaps a sign of his growing frustration with the formulaic nature of his pictures was that he stretched himself to play not just his usual underdog hero, but also his own mother and his grandfather, the Prime Minister. Wisdom also cowrote the movie in which, as a reporter in a small seaside town, he causes chaos for the council, organises a beauty parade and dresses as a suffragette. Though now nearing the end of his years as a movie star, Wisdom shows himself to still be as polished as ever at his own brand of good-natured slapstick. --Gary S Dalkin
Norman Wisdom reprises his best-loved character, the comically inept Pitkin, in 1965's The Early Bird, ably supported once again by Edward Chapman in his final appearance as Mr Grimsdale. This time around Wisdom is the only milkman working for Grimsdale's Dairy, a small business threatened by a menacing large corporation in the shape of Consolidated Dairies and their electric milk floats. Grimsdale and Pitkin must evoke the Dunkirk spirit to save their family firm from the grasp of the faceless giant. Of course, the wafer-thin plot is the merest excuse for a series of calamitous set pieces in which Wisdom wreaks havoc in his trademark bumbling manner. The best bits involve a disastrous game of golf, the usual shenanigans with a fire hose and a virtuoso tour de force opening sequence as the household struggles to wake up in the morning. Wisdom's own brand of Jerry Lewis-inspired clowning, with mugging and pratfalls aplenty, is all good clean fun with little or none of the smutty innuendo that characterised the contemporary Carry On series. He carries this film, as he does all his others, solely on the strength of his winningly naïve charm: this is innocent comedy from the days before supermarkets really did wreck all the local businesses, not to mention from the days before The Godfather gave a whole new spin on the comedy value of going to bed with your horse. On the DVD: There are no extra features on this disc at all. Given Wisdom's household-name status and the longevity of these much-loved movies, this seems like a sadly missed opportunity. The 4:3 picture has not been digitally remastered and shows its age, as does the muddy mono soundtrack. Only Ron Goodwin's wonderfully tongue-in-cheek music score comes across reasonably well. --Mark Walker
Mr And Mrs Smith (Dir. Doug Liman 2005): A sexy action packed thrill ride about a bored married couple who discover that they are enemy assassins... Life Or Something like It:(Dir. Stephen Herek 2002): Lanie Kerrigan (Jolie) is a beautiful blonde reporter for a Seattle news station. With a baseball-superstar boyfriend a wonderful apartment and a job opportunity with a national network in New York Lanie's life is all going according to plan. The only thorn in her side is the cameraman and ex-lover she's been teamed with called Pete (Burns). Pete is funny charming and utterly disinterested in a career much to Lanie's disbelief but the pair have an undeniable chemistry that Pete exploits at every turn. Everything changes for Lanie in an instant when she meets homeless Prophet Jack (Shalhoub) for an interview. After he gives her routine predications about the weather and football scores he breaks the ominous news that she will be dead in seven days...
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