Sinister events bring together a writer (David Soul) fascinated with an old hilltop house; a suave antiques dealer (James Mason) whose expertise goes beyond bric-a-brac; and the dealer's mysterious, pale-skinned partner (Reggie Nalder) in Salem's Lot - a blood-curdling shocker based on Stephen King's novel and directed by Tobe Hooper (Poltergeist).
""Everything in Salem's Lot is connected to that house. You can see it from every part of the town. It's like a beacon throwing off an energy force."" - Ben Mears (David Soul) At last! Salem's Lot the 1979 horror mini-series from 1979 gets the much-desired DVD treatment. Based on Stephen King's terrifying vampire novel Tobe Hooper's cult movie is a supernatural journey into the strange world of the titular town and its oddball inhabitants. Ben Mears (Soul) returns to
For Rosemarys Baby, his modern horror tale about Satanic worship and a pregnant womans decline into madness, Roman Polanski moves from the traditional monolithic mansions of Gothic flicks to an apartment building in New York City. Based on Ira Levins novel, the story concerns Rosemary (Mia Farrow) and Guy Woodhouse who find the apartment of their dreams in a luxurious complex in Manhattan. Soon after moving in and making friends with a group of elderly neighbours, Guys career takes off and Rosemary discovers she is pregnant. Their happiness seems complete. But gradually Rosemary begins to sense that something is wrong with this baby, and slowly and surely her life begins to unravel. Polanski uses such subtle means to build up the sense of preternatural disquiet that initially you suspect Rosemarys prenatal paranoia to be a figment of her imagination. But the guilty parties and their demonic plan to make Rosemary the receptacle of their masters child are eventually revealed and, as Rosemary looses her grip on reality, she realises that no one can be trusted. The performances are excellent throughout; Farrow as the young wife is so fragile that you wonder how she made it unscathed to adulthood and John Cassavetes is horrifyingly duplicitous as her husband Guy. But the real star is Polanskis masterful direction. The mood is at the same time oppressive and hysterical with the mounting terror coming from the situation and gradually unravelling plot rather than any schlock horror moments. On the DVD: the Dolby 5.1 soundtrack shows off Christopher Komedas eerie "lullaby" score to its haunting best. The film is presented in 1.85:1 anamorphic widescreen and is relatively free of speckle and dust, some scenes filmed in low light are slightly grainier but this adds to the oppressive tension that Polanski is building up in the film. In terms of extras there is a 20-minute "making of" feature from 1968 and retrospective interviews with Polanski, production designer Richard Sylbert and producer Robert Evans. --Kristen Bowditch
Humphrey Bogart and Lauren Bacall made screen history together more than once, but they were never more popular than in this 1946 adaptation of Raymond Chandler's novel, directed by Howard Hawks (To Have and Have Not). Bogart plays private eye Philip Marlowe, who is hired by a wealthy socialite (Bacall) to look into troubles stirred up by her wild, young sister (Martha Vickers). Legendarily complicated (so much so that even Chandler had trouble following the plot), the film is nonetheless hugely entertaining and atmospheric, an electrifying plunge into the exotica of detective fiction. William Faulkner wrote the screenplay. --Tom Keogh
The Maltese Falcon is still the tightest, sharpest, and most cynical of Hollywood's official deathless classics, bracingly tough even by post-Tarantino standards. Humphrey Bogart is Dashiell Hammett's definitive private eye, Sam Spade, struggling to keep his hard-boiled cool as the double-crosses pile up around his ankles. The plot, which dances all around the stolen Middle Eastern statuette of the title, is too baroque to try to follow, and it doesn't make a bit of difference. The dialogue, much of it lifted straight from Hammett, is delivered with whip-crack speed and sneering ferocity, as Bogie faces off against Peter Lorre and Sidney Greenstreet, fends off the duplicitous advances of Mary Astor, and roughs up a cringing "gunsel" played by Elisha Cook Jr. It's an action movie of sorts, at least by implication: the characters always seem keyed up, right on the verge of erupting into violence. This is a turning-point picture in several respects: John Huston (The African Queen) made his directorial debut here in 1941, and Bogart, who had mostly played bad guys, was a last-minute substitution for George Raft, who must have been kicking himself for years afterward. This is the role that made Bogart a star and established his trend-setting (and still influential) antihero persona. --David Chute END
Volume 1 of a collection of classic Marilyn Monroe movies including: Gentlemen Prefer Blondes (1956) Gentlemen may prefer blondes but this blonde bombshell prefers diamonds and lots of them! Glamorous showgirl Marilyn sets sail for France intent on marrying a rich yet boring beau. But anything can - and does - happen with the beautiful and fun-loving Jane Russell acting as chaperone. From celebrated director Howard Hawks this musical comedy classic features Marilyn's s
Consciously crafted by director George Stevens as a piece of American myth making, Shane is on nearly everyone's shortlist of great movie Westerns. A buckskin knight, Shane (Alan Ladd) rides into the middle of a range war between farmers and cattlemen, quickly siding with the "sod-busters". While helping a kindly farmer (Van Heflin), Shane falls platonically in love with the man's wife (Jean Arthur, in the last screen performance of a marvellous career). Though the showdowns are exciting, and the story simple but involving, what most people will remember about this movie is the friendship between the stoical Shane and the young son of the farmers. The kid is played by Brandon De Wilde, an amazing child performer; his parting scene with Shane is guaranteed to draw tears from even the most stony-hearted moviegoer. And speaking of stony hearts, Jack Palance made a sensational impression as the evil gunslinger sent to clean house--he has fewer lines of dialogue than he has lines in his magnificently craggy face, but he makes them count. The photography, highlighting the landscape near Jackson Hole, Wyoming, won an Oscar. --Robert Horton
A woman arrives in a sleepy seaside town after receiving unsettling letters from her father, only to discover the town is under the influence of a strange cult that weeps tears of blood and hunger for human flesh.Product FeaturesComing Soon
A ratings hit for eight seasons on CBS, the action-mystery series Magnum, P.I. makes its DVD boxed set debut in an impressive five-disc package that offers not only the entire first season, but some rarely seen episodes. Positioned in the old Hawaii Five-O time slot (Thursdays at 9) in December of 1980, Magnum quickly became a hit, thanks to the combination of smart and witty scripting, gorgeous locations, and the considerable charm of lead Tom Selleck as former Naval Intelligence officer Thomas Magnum, who gives up his position to become a private investigator on Oahu with the help of fellow Vietnam vets T.C. (Roger E. Mosley) and Rick (Larry Manetti). Magnum also provided security for the lavish estate of wealthy (and never-seen) mystery writer Robin Masters, which gave him access to the author's expensive vehicles (including a prized Ferrari), much to the disapproval of Masters's manservant Higgins (Jonathan Hillerman). A rare series that skillfully blended action, humor, drama, and suspense, Magnum, P.I.'s first season gets the boxed set treatment its fans have been hoping for, with all 18 first-season episodes (including the two-part pilot, "Don't Eat the Snow in Hawaii") included on four discs. The fifth disc contains four rarely shown bonus episodes, including season 3's "Ki'ls Don't Lie," which featured a crossover plot with Simon and Simon, as well as its conclusion ("Emeralds Are Not a Girl's Best Friend"), which kicked off S&S's second season; the latter episode has never been aired as part of Magnum's syndicated package, which is another reason for fans to pick up and enjoy this long-awaited set. --Paul Gaita
Among Stanley Kubrick's early film output The Killing stands out as the most lastingly influential: Quentin Tarantino credits the film as a huge inspiration for Reservoir Dogs and just about any movie or TV show that plays around with its own internal chronology owes the same debt. This sort of convoluted crime caper had really kicked off with John Huston's The Asphalt Jungle in 1950. From then on, nouveau noir scripts kept trying to find new ways of telling very similar stories. Here the novel Clean Break is adapted for the screen in a jigsaw-puzzle structure that caught Kubrick's eye. With a dry narration we're introduced to the key players in a racetrack heist as it's being planned, but the story bounces back and forth between what happens to each of them during and before the big event. All of this keeps the audience guessing as to exactly how it will go wrong, while the downbeat telling, the unsympathetic characters and the excessively dramatic score clearly foretell that it will go wrong from the start. The denouement is comically daft no matter how many times you see it. On the DVD: The Killing is a no-frills DVD transfer, in 4:3 ratio and with its original mono soundtrack. Criminally, just one trailer is all that's been dug up as an extra. --Paul Tonks
A talented musician struggles to survive the destruction of the Warsaw ghetto and the concentration camps of World War II.
Robert Siodmark directs this 1940s film noir adapted from Cornell Woolrich's crime novel. Feeling down following another argument with his wife, Scott Henderson (Alan Curtis) heads out to the pub where he becomes acquainted with an equally dejected woman. Scott asks her to accompany him to the theatre and she agrees but mysteriously wishes to keep her name a secret. When he gets home later he discovers that his wife has been strangled to death and that he is the prime suspect in her murder. W...
Showing why he will forever rank among Hollywood's most virile leading men Kirk Douglas gallops fights and woos his way across the danger-filled prairie in this Western from director Andre DeToth. Douglas plays a frontier scout responsible for a wagon train of settlers headed for Oregon Territory. Though known as an Indian fighter he falls head over moccasins for a proud young Sioux girl. Thus sidetracked he's unaware of the bad blood caused by two gold hungry crooks who trade wh
3 classic Laurel & Hardy films from the Fox vaults featuring The Bullfighters The Dancing Masters and A-Haunting We Will Go.
Titles Comprise: Casablanca:easy to enter but much harder to leave especially if your name is on the Nazis' most wanted list. Atop that list is Czech resistance leader Victor Laszlo (Paul Henreid) whose only hope is Rick Blaine (Humphrey Bogart) a cynical American who sticks his neck out for no one especially Victor's wife Ilsa (Ingrid Bergman) the ex-lover who broke his heart. So when Ilsa offers herself in exchange for Laszlo's safe transport out of the country the bitter Rick must decide what's more important - his own happiness or the countless lives that hang in the balance... Treasure of Sierra Madre:Dobbs and Curtin meet up in Mexico and go to work for a contractor MacClane who takes them away to remote site and tells them they will be paid when the job is finished. When they are finished they return to town to find MacClane to get their wages. MacClane gives them a few dollars and says he'll just go to the bank and pick up the payroll for them. Dobbs and Curtin then meet up with an old prospector who claims the hills are still full of gold and if they can get the cash he'll go with them. They eventually get the cash from MacClane after a little persuasion and all three set off for the hills as good friends but will they return that way? The Maltese Falcon:A gallery of high-living lowlifes will stop at nothing to get their sweaty hands on a jewel-encrusted falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why - and who's gonna take the fall. This third screen version of Dashiell Hammett's novel is a film of firsts: John Huston's directorial debut rotund 62-year-old Sydney Greenstreet's screen debut film history's first film noir and Bogart's breakthrough role after years as a Warner contract player. When George Raft refused to work with a first-time director Bogart took on the role of Spade - and launched the most acclaimed period of his career. High Sierra:A seminal gangster film that focused attention on Bogart and writer Huston. Bogart plays a violent criminal just released from prison who knows he's got just one more job in him. An aging gang boss wants Bogart to lead a jewel heist at a resort. When he sees the inexperienced men he'll be leading (and fends off the attentions of Lupino the girlfriend of one of the thugs) Bogart suspects there will be trouble and there is when a cop is killed during the robbery. A manhunt drives Bogart to the highest peak in the High Sierras where he awaits death at the hands of the police. A gripping portrait of a desperate outlaw and a breakthrough for its creators.
Vincent Price stars in this classic haunted house screamer from director William Castle. Five guests are invited to a haunted house party by millionaire playboy Frederick Loren (Price) and his glamorous but scheming wife Annabelle (Carol Ohmart). The plot unfolds to reveal the manipulative couple have turned the party into a contest as each guest is offered $10 000 to spend just one night in ""the only truly haunted house in the World"". What starts out as a party soon evolves into a ni
A young reporter, Mike Ward (John McGuire) stumbled upon a murder victim and identifies a nervous cabbie (Elisha Cook Jr) as the person he saw previously arguing with the dead man. On the strength of Mike’s testimony, the cabbie is convicted. Mike however is haunted by the the knowledge that he may have sent an innocent man to the electric chair for murder and that means the real maniac is still on the loose! These doubts increase when he runs into a creepy psycho played by Peter Lorre. Things take a turn for the worse when another murder is committed, a murder which may point, ironically enough, back to Mike.
You never met her type before... An airline pilot dumped by his girlfriend pursues the affections of a baby-sitter in his hotel...and gradually realizes she's far more dangerous than she looks...
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