The Terror (Dir. Roger Corman 1963): A lieutentant in Napoleon's army (a young Jack Nicholson) traces a mysterious woman to a castle on the Baltic coast and finds himself trapped by a mad baron (Boris Karloff). This highly enjoyable atmopsheric slice of low-budget horror from the great Roger Corman was also reportedly directed at points by future talents Francis Coppola and Peter Bogdanovich. Zombie The Hitch-hiker (Dir. Ida Lupino 1953): Brilliantly directed
Casablanca::easy to enter but much harder to leave especially if your name is on the Nazis' most wanted list. Atop that list is Czech resistance leader Victor Laszlo (Paul Henreid) whose only hope is Rick Blaine (Humphrey Bogart) a cynical American who sticks his neck out for no one especially Victor's wife Ilsa (Ingrid Bergman) the ex-lover who broke his heart. So when Ilsa offers herself in exchange for Laszlo's safe transport out of the country the bitter Rick must decide what's more important - his own happiness or the countless lives that hang in the balance... Treasure of Sierra Madre:Dobbs and Curtin meet up in Mexico and go to work for a contractor MacClane who takes them away to remote site and tells them they will be paid when the job is finished. When they are finished they return to town to find MacClane to get their wages. MacClane gives them a few dollars and says he'll just go to the bank and pick up the payroll for them. Dobbs and Curtin then meet up with an old prospector who claims the hills are still full of gold and if they can get the cash he'll go with them. They eventually get the cash from MacClane after a little ""persuasion"" and all three set off for the hills as good friends but will they return that way? The Maltese Falcon:A gallery of high-living lowlifes will stop at nothing to get their sweaty hands on a jewel-encrusted falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why - and who's gonna take the fall. This third screen version of Dashiell Hammett's novel is a film of firsts: John Huston's directorial debut rotund 62-year-old Sydney Greenstreet's screen debut film history's first film noir and Bogart's breakthrough role after years as a Warner contract player. When George Raft refused to work with a first-time director Bogart took on the role of Spade - and launched the most acclaimed period of his career. High Sierra:A seminal gangster film that focused attention on Bogart and writer Huston. Bogart plays a violent criminal just released from prison who knows he's got just one more job in him. An aging gang boss wants Bogart to lead a jewel heist at a resort. When he sees the inexperienced men he'll be leading (and fends off the attentions of Lupino the girlfriend of one of the thugs) Bogart suspects there will be trouble and there is when a cop is killed during the robbery. A manhunt drives Bogart to the highest peak in the High Sierras where he awaits death at the hands of the police. A gripping portrait of a desperate outlaw and a breakthrough for its creators.
The Outlaw (Dir. Howard Hughes 1943): Jane Russell plays a busty siren who steals the heart of Billy the Kid in this Howard Hughes/Howard Hawks-directed story which centres on the rivalrous tentative friendships between Billy Doc Holiday and Pat Garrett. Vengeance Valley (Dir. Richard Thorpe 1941): An unusually adult Western for its time Vengeance Valley (1951) gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd
Outlaw Rio (Marlon Brando) is betrayed by his partner Dad Longworth (Karl Marden) and sentenced to five years in a Mexican prison. When he escapes he has revenge on his mind and tracks Longworth down to a town in California where Longworth has become the local Sheriff! This is Brando's only directorial film a position he took somewhat reluctantly replacing Stanley Kubrick after early shooting.
All the episodes from the first season of the classic U.S. cop show starring David Soul and Paul Michael Glaser as immortal detective Starsky and Hutch. Episodes comprise: Savage Sunday Texas Longhorn Death Ride Snowstorm The Fix Death Notice Pariah Kill Huggy Bear The Bait Lady Blue ""Captain Dobey You're Dead!"" Terror on the Docks The Deadly Impostor Shootout The Hostages Losing Streak Silence The Omaha Tiger Jojo Running A Coffin for Starsky The Bounty Hunter.
A woman arrives in a sleepy seaside town after receiving unsettling letters from her father, only to discover the town is under the influence of a strange cult that weeps tears of blood and hunger for human flesh. From Willard Huyck and Gloria Katz, the writers of American Grafitti, Indiana Jones and the Temple of Doom and Howard the Duck, this dreamy and atmospheric film transposes the post-Night of the Living Dead zombie movie to a surreal small-town American setting, presented through gorgeous Techniscope visuals that echo the stylish European horror of Mario Bava and Hammer. A true cult film, Messiah of Evil, which was also released as Dead People, has overcome distribution challenges to enjoy growing awareness and high acclaim after decades of word-of-mouth enthusiasm among horror cinema fans and critics around the world. rarely is a film as ripe with atmosphere and impending dread than this one... a high point in creativity for the independent American horror film movement of the 1970s Ian Jane, DVDTalk One of the decade's most visually audacious and inventive supernatural tales... certainly a film you'll never forget and well worth discovering, preferably late at night with a big bowl of popcorn. Nathaniel Thompson, Mondo Digital This surreal, coastal-set tale of the undead isn't merely underrated, it's perhaps the most criminally underseen 70s horror in existence. It's an unshakably creepy exercise in moody horror. Michael Gursky, Dread Central Product Features New 2023 restoration from a 4K scan of the best-surviving elements of the film, from the Academy Film Archive Uncompressed mono PCM audio Audio commentary by critics and horror experts Kim Newman and Stephen Thrower Archival interview with co-writer-director Willard Huyck by Mike White from the Projection Booth Podcast A new documentary on the film with more information to be revealed Visual essay on the American Gothic by critic Kat Ellinger Trailer English subtitles for the deaf and hard of hearing Reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow Limited edition 80-page booklet featuring new and archival writing Limited edition of 3000 copies, presented in rigid box and full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings More to be confirmed!
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