A perfect marriage of novel but incisive writing, acting and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a30-year-old man (Tom Hanks). The script by Gary Ross(Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humour and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh
Marilyn Monroe invented her public persona at the expense of concealing a private side known only to her close confidants. Fifty years after her death her creation still blazes brightly in our cultural imagination while the creator continues to lurk in the shadows. Drawing on never-before-seen personal papers diaries and letters Academy-award nominated director Liz Garbus worked with acclaimed actresses to evoke the multiple aspects of the real Marilyn - passion ambition soul-searching power and fear - in an absorbing and astonishing portrait. These documents brought to life in this film by some of our contemporary icons and stars give us a new and revelatory understanding of Monroe revealing her carefully guarded inner life. Love Marilyn features Elizabeth Banks Ellen Burstyn Glenn Close Viola Davis Jennifer Ehle Lindsay Lohan Lili Taylor Uma Thurman Marisa Tomei Evan Rachel Wood. Rounding out this portrait Adrien Brody Hope Davis Ben Foster Paul Giamatti Janet McTeer Oliver Platt and David Strathairn bring to life the writings of Billy Wilder Natasha Lytess Truman Capote Gloria Steinem and Norman Mailer completing the image of this very flesh-and-blood young woman in thrall to ambition imagination demons and fear who over time came to embrace life friendship and the possibility of her future.
From acclaimed director Steve McQueen (12 Years a Slave) and co-writer Gillian Flynn (Gone Girl) comes a blistering, modern-day thriller with a powerful ensemble cast. When four armed robbers are killed in a failed heist attempt, their widowswith nothing in common except a debt left by their dead husbands' criminal activitiestake fate into their own hands to forge a future on their own terms.
How a legend was born! Ruthless. Shameless. Clueless! Celebrity interviewer Jiminy Glick (Martin Short) tackles the big screen with his first feature film: a wildly irreverent laugh-till-it-hurts movie experience. Hungry for an A-list interview that could launch him into the gossip-page stratosphere the small-time journalist with big aspirations and an even bigger appetite drags his wife and kids across the country to the star-studded Toronto Film Festival. But in between t
One interesting thing about Cleopatra 2525 is that it works far better on video or DVD than as a weekly television show, because the action in the tightly packed half-hour episodes is so fast and furious that you can miss crucial developments in the admittedly simple plots just by nipping into the kitchen to put the kettle on. Furthermore, despite appearances, the scripts do allow for character development, but this has to be delivered in snippets rather than dollops. Far better, then, to settle down with a large pizza and watch the several episodes back to back like this. There's no shortage of humour in this camp post-apocalypse shoot-em-up-fest. Cleopatra is a dippy exotic dancer who suffers complications during surgery for a boob job! Placed in cryogenic suspension until such time as medical science can help her, she wakes up in the year 2525 to find a world seemingly dominated by plot ideas stolen from classic sci-fi movies such as The Terminator--humanity has been driven underground in a world ruled by machines, morphing androids are used as spies etc. etc. etc.--where she's "adopted" by a couple of firm-midriffed female resistance fighters who take their orders from a mysterious voice (called Voice). It's all great fun and the action and effects are excellent (especially the airborne robot thingies). --Roger Thomas
In Unbreakable, writer-director M. Night Shyamalan reunites with Sixth Sense star Bruce Willis, comes up with another story of everyday folk baffled by the supernatural (or at least unknown-to-science) and returns to his home town, presenting Philadelphia as a wintry haunt of the bizarre yet transcendent. This time around, Willis (in earnest, agonised, frankly bald Twelve Monkeys mode) has the paranormal abilities, and a superbly un-typecast Samuel L. Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. David Dunn (Willis), an ex-jock security guard with a failing marriage (to Robin Wright Penn), is the stunned sole survivor of a train derailment. Approached by Elijah Price (Jackson), a dealer in comic book art who suffers from a rare brittle bone syndrome, Dunn comes to wonder whether Price's theory that he has superhuman abilities might not hold water. Dunn's young son Joseph (Spencer Treat Clark) encourages him to test his powers and the primal scene of Superman bouncing a bullet off his chest is rewritten as an amazing kitchen confrontation when Joseph pulls the family gun on Dad in a desperate attempt to convince him that he really is unbreakable (surely, "Invulnerable" would have been a more apt title). Half-convinced he is the real-world equivalent of a superhero, Dunn commences a never-ending battle against crime but learns a hard lesson about balancing forces in the universe. Throughout, the film refers to comic-book imagery--with Dunn's security guard slicker coming to look like a cape, and Price's gallery taking on elements of a Batcave-like lair--while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers might find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness offputting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman
The year is 2525 and the world has been turned upside down. Monstrous airborne machines known as Baileys have taken over the surface of the earth and driven the people underground. While most of humanity has abandoned hope of ever reclaiming the surface of the earth there are those who remain fiercely committed to the cause. Among these brave souls are the female warriors Hel and Sarge. They are joined by Cleopatra a 21st Century girl who wakes up 500 years after being cryogenically frozen. They are united in the most courageous of quests: to restore humanity to its rightful place on the planet! Episode titles: Quest For Firepower Creegan Flying Lessons Mind Games Home/Rescue Run Cleo Run Choices.
Whilst in transit between Australia and the USA a crate of genetically created scorpions are exposed to a dangerous unrefined oxygen. Their growth hormones are sent into overdrive and the mutant arachnids are on the rampage. One by one they attack the aircraft crew then the passengers and knock out the communications system crippling the aircraft. As the jet limps blindly on autopilot across the Atlantic the passengers and crew must use all their ingenuity to survive this nightmar
The Russian government has collapsed. Amidst the chaos riots and struggle for power a terrible weapon has leaked out. Virulent microflage a deadly germ of the cold war has begun to spread across Eastern Europe killing massive numbers of people. Now in a quarentene camp set up for immigrants in 2017 Boston one vicious murderer has the disease. Within two hours he will become violently contagious and it is up to a team of officers (Christopher Lambert Natasha Henstridge) in a r
It's a crime what prison can do to a girl! 1983 marked a landmark in cinematic history - the birth of the 'Chicks in Chains' genre. The idea of babes behind bars trapped in close confines with the ever present threat of violence and promise of titillation proved a massive hit with audiences who flocked to see Chained Heat in the US and on our side of the pond Scrubbers. Scrubbers was a bleak look at life in an English girls' borstal and despite it's fair share of bare breasts demanded by the genre it is perhaps most notable for the early career appearances by the likes of Kathy Burke Robbie Coltrane Miriam Margolyes and Pam St. Clement (Pat Butcher in Eastenders) and for appearing uncannily like a youth version of the cult Australian TV series Prisoner: Cell Block H. Taking this caged heat idea to a new level Scrubbers actually sees a recently released lesbian inmate breaking back into the prison to be reunited with her lover. Meanwhile another inmate moved to a separate cell from her girlfriend breaks out of prison re-offends and is luckily incarcerated only one cell block away from her beloved. Unfortunately her former lover has since found a new companion. As passions burn and tensions run high betrayal bitchiness and jealousy all play their part in leading the inmates into a vicious feud that can only end in tears.
Edward is a struggling young scientist whose experiments using the memories of dead killers worry his beautiful artist girlfriend Brit (Pamela Anderson). After meeting an elderly scientist Edward sees the opportunity to prove his worth to Brit with a special experiment steeped in mysticism and voodoo. The results turn Edward into a terrifying half-man tormented by the memories of the dead men he experimented on...
Voluptuous nymphets young studs the last virgin in school a bald nutcase and an obsessed detective are all plagued by the return of the infamous 'Lawnmower Killer' in this comedy that satirises scenes from such films as 'Alien' 'Saturday Night Fever' 'Grease' and 'The Exorcist'!
One of Herschell Gordon Lewis' most weird and wonderful films The Gruesome Twosome saw a return to form for its director after a short diversion into less gory (and less commercially successful) celluloid territory. Mrs Pringle's Little Wig Shop is a family business specialising in hairpieces crafted from human hair. Located on a college campus the shop is well served by the number of young women eager to change their style. But the laws of supply and demand are such that the Pringles are forced to make a few sacrifices... human sacrifices. Wielding his trusty electric carving knife Mrs Pringle's son Ronald helps his Mom out by scalping those unfortunate enough to enquire about the room that the old lady has to rent. This outrageous and blackly comic movie features a truly surreal opening sequence that has to be seen to be believed. You'll flip your wig!
One interesting thing about Cleopatra 2525 is that it works far better on video or DVD than as a weekly television show, because the action in the tightly packed half-hour episodes is so fast and furious that you can miss crucial developments in the admittedly simple plots just by nipping into the kitchen to put the kettle on. Furthermore, despite appearances, the scripts do allow for character development, but this has to be delivered in snippets rather than dollops. Far better, then, to settle down with a large pizza and watch several episodes back to back. There's no shortage of humour in this camp post-apocalypse shoot-em-up-fest. Cleopatra is a dippy exotic dancer who suffers complications during surgery for a boob job! Placed in cryogenic suspension until such time as medical science can help her, she wakes up in the year 2525 to find a world seemingly dominated by plot ideas stolen from classic sci-fi movies such as The Terminator--humanity has been driven underground in a world ruled by machines, morphing androids are used as spies etc. etc. etc.--where she's "adopted" by a couple of firm-midriffed female resistance fighters who take their orders from a mysterious voice (called Voice). It's all great fun and the action and effects are excellent (especially the airborne robot thingies). --Roger Thomas
Oh Yes... Our Wigs Are Made From Genuine Human Hair And How! Mrs Pringle's Little Wig Shop is a family business specialising in hairpieces crafted from human hair. Located on a college campus the shop is well served by the number of young women eager to change their style. But the laws of supply and demand are such that the Pringles are forced to make a few sacrifices... human sacrifices. Wielding his trusty electric carving knife Mrs Pringle's son Ronald helps his Mom out by scalping those unfortunate enough to enquire about the room that the old lady has ""to rent"". This outrageous and blackly comic movie features a truly surreal opening sequence that has to be seen to be believed. You'll flip your wig! This release is completely uncut!
This fantastic box set features some of the most iconic actresses like Monroe Judy Garland and Shirley Temple in some of their most revered films. Featuring: 1.The Outlaw 2.Home Town Story 3.The Last Time I Saw Paris 4.'Till The Clouds Roll By 5.The Little Princess 6.Royal Wedding 7.Rain 8.Smash Up 9.Of Human Bondage 10.Lady Of Burlesque For individual synopses' please refer to the individual products.
This 4 DVD Box Set contains 4 of Herschell Gordon Lewis' greatest films! 2000 Maniacs: To celebrate the 100th anniversary of the Civil War the inhabitants of a small Southern US town organise the festival to end all festivals. With a captured audience of North Americans the townsfolk amuse themselves by playing roll-the-man-in-the-nail-lined-barrel and compete at target practice using a pretty girl and a boulder. With all this chaos erupting around them a young couple make a desperate attempt to leave the town before they too fall victim to Two Thousand Maniacs! Wizard of Gore: With his unique stage show small-time illusionist Montag the Magnificent becomes an overnight success. As crowds flock to witness his incredible and fantastical act Montag recruits pretty ladies from his audience publicly disembowels hacks tortures and otherwise mutilates their bodies only to have them return unmarked and unscathed to their seats. But not all is as it seems. When as if by magic these female participants start turning up as the victims of horrific crimes that exactly imitate his on-stage violations Montag finds it necessary to conceive of a grander illusion to keep suspicion at bay. Art imitates life imitates death in this fine slice of blood-soaked shock cinema. And it ain''t done with mirrors! Gruesome Twosome: Mrs Pringle's Little Wig Shop is a family business specialising in hairpieces crafted from human hair. Located on a college campus the shop is well served by the number of young women eager to change their style. But the laws of supply and demand are such that the Pringles are forced to make a few sacrifices... human sacrifices. Wielding his trusty electric carving knife Mrs Pringle's son Ronald helps his Mom out by scalping those unfortunate enough to enquire about the room that the old lady has to rent. This outrageous and blackly comic movie features a truly surreal opening sequence that has to be seen to be believed. You'll flip your wig! Colour Me Blood Red:When temperamental artist Adam Sorg's latest paintings fail to impress his critics he finds himself unable to change his style using the materials at his disposal. Searching in vein for the perfect pigment he discovers that it is the deep red of his girlfriends's blood that has the shade he has been looking for. However when his supply runs dry Sorg is forced to look elsewhere for the colour he needs...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy