Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time. Special Features: LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET - An exploration of the development and production of the film as told by the cast and crew. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: I. THE PRINCIPLE OF BELIEF - Christopher Nolan talks about why he wanted to make this film and the twists he wanted to bring to the spy genre. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: II. MOBILIZING THE TROUPE - The filmmakers to talk about casting and what the actors brought to their roles. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: III. THE APPROACH - The company discusses how Nolan's filmmaking philosophies and in-camera approach applied to the challenges in this film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IV. THE PROVING WINDOW - A look at the cinematography and the unique ways they shot the movie. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: V. THE ROADMAP - Examining the ways the cast and crew kept track of the continuity across multiple perspectives and timelines. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VI. ENTROPY IN ACTION - Breaking down the complex action in the film and the stunt requirements for the actors. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VII. TRAVERSING THE GLOBE - Exploring the logistics of travelling and shooting in real locations as well as capturing the epic marine sequences in different countries around the world. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VIII. HOW BIG A PLANE? - The story of the dramatic crashing of a real 747. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IX. THE DRESS CODE - Costume Designer Jeffrey Kurland takes us through some of the iconic costumes from the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: X. CONSTRUCTING THE TWILIGHT WORLD - A look at the practical sets designed and built by Nathan Crowley's team and the techniques they used to enhance the scope and scale of the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XI. THE FINAL BATTLE - Inside the epic sequence which had the cast and crew using everything that they had learned on the film to pull it off. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XII. COHESION - Nolan discusses his approach of involving the composer and the editor early on in the pre-production and all the way through the completion of the film to truly integrate them into the creative process. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XIII. DOESN'T US BEING HERE NOW MEAN IT NEVER HAPPENED? - The cast and crew discuss the unique experience of working on the film.
Richard Burton (Absolution) and Elizabeth Taylor (Secret Ceremony) star in The Taming of the Shrew, a vibrant and bawdy adaptation of Shakespeare's immortal romantic comedy from director Franco Zeffirelli (Romeo and Juliet). Nobleman Baptista (Michael Hordern, Girl Stroke Boy) seeks husbands for his two daughters. Bianca (Natasha Pyne, The Devil-Ship Pirates) has no trouble attracting suitors, but the headstrong and acerbic Kate (Taylor) drives men away... until the nobleman Petruchio (Burton) is inspired by a sizeable dowry to take on the challenge. This lavish production's all-star cast is rounded out by Cyril Cusack (Gideon's Day), Michael York (Cabaret), Alan Webb (The Third Secret), and Victor Spinetti (A Hard Day's Night), and features a lush soundtrack by the great Nino Rota (The Godfather, 8½). INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remaster Original mono audio Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson (2025) Matthew Sweet on The Taming of the Shrew' (2025): the broadcaster and writer examines the background behind the film's production Royal Film Performance screening (1967): newsreel footage capturing an audience of special guests, including Princess Margaret and a who's who of British cinema greats French premiere (1967): newsreel footage of Elizabeth Taylor and Richard Burton attending the film's Paris premiere Original theatrical trailer Teaser trailer Image gallery: promotional and publicity material New English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with new essay by Bethan Roberts, a contemporary on-set report by John Francis Taylor, an overview of critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All features subject to change
Stand and pledge loyalty - or prepare to lie cold beneath your shields. Chivalrous knight Wilfred of Ivanhoe is determined to restore Richard the Lion-Hearted to England's throne.Gallantry and costumed pageantry combine in this crowd-pleasing nominee for 3 Academy Awards, including Best Picture. Robert Taylor plays the title role, and Elizabeth Taylor and Joan Fontaine also star in a rousing adaptation of Sir Walter Scott's novel. The film's jousting tournament is a galloping display of steeds and stouthearted men. Most spectacular of all is the siege of Torquilstone Castle, a wave-after-wave onslaught of arrows, fire, boulders, battering rams and blades. To the battlements!Product FeaturesOscar-winning Tom and Jerry Cartoon The Two MouseketeersTheatrical Trailer
Directed by Joseph L Mankiewicz (Dragonwyck, All About Eve, Cleopatra) from the play by Tennessee Williams (A Streetcar Named Desire, Cat on a Hot Tin Roof) and brilliantly adapted for the screen by Gore Vidal (Ben-Hur, Myra Breckinridge), Suddenly, Last Summer casts three of Hollywood's most iconic talents (Elizabeth Taylor, Katharine Hepburn, Montgomery Clift) in a daring and often delirious mix of lurid drama and Gothic horror. Sensational and wildly controversial at the time of its release, Suddenly, Last Summer now stands as a classic and stills packs a provocative punch. Extras 4K restoration from the original negative Original mono audio Joseph L Mankiewicz Interview (1990, 10 mins): the renowned filmmaker discusses his career in a segment from the French TV series Cinéma cinémas Elizabeth Taylor on Montgomery Clift (1966, 2 mins): the celebrated actress pays tribute to her friend and co-star shortly after his tragic death in July 1966 Gary Raymond on 'Suddenly, Last Summer' (2018): a new interview with the versatile British actor About Last Summer (2018, 16 mins): second assistant editor John Crome shares his experience of making Suddenly, Last Summer Remembering Last Summer (2018, 3 mins): continuity supervisor Elaine Schreyeck recalls working with Mankiewicz, Hepburn and Clift The Predator and the Prey (2017, 26 mins): critic and film historian Michel Ciment examines the film's production and explores its complex themes and concerns Isolated music and effects track Original theatrical trailer Trailer commentary with Dan Ireland (2013, 3 mins): a short critical appreciation Image gallery: on-set photography, publicity stills and promotional materials New and improved English subtitles for the deaf and hard-of-hearing
Elizabeth Taylor and Richard Burton are ideal as malevolent marrieds Martha and George in first-time film director Mike Nichols' searing film of Edward Albee's groundbreaking Who's Afraid of Virginia Woolf? Taylor won her second Academy Award'' (and New York Film Critics National Board of Review and British Film Academy Best Actress Awards). Burton matches her as her emotionally spent spouse. And George Segal and Best Supporting Actress Oscar'' winner Sandy Dennis score as another couple straying into their destructive path. The movie won a total of five Academy Awards'' and remains after 40 years a taboo-toppling landmark.
Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time.
Cat on a Hot Tin Roof offers a smouldering, angry Elizabeth Taylor as Maggie, the feline in question. Paul Newman is her ex-athlete husband, Brick Pollitt, an alcoholic who frustrates and disappoints his wife and his overbearing father, Burl Ives, the vulgar patriarch of this positively Gothic Southern family whose children return to the nest like vultures when they learn he is dying of cancer. Infidelities, addictions, latent homosexuality, depression, unrequited love and mendacity are woven into this powerful adaptation of Tennessee Williams' Pulitzer Prize-winning play. Though it was somewhat whitewashed by Hollywood, the sentiment remains powerful due to the provocative performances. The film was nominated for several Academy Awards, including Best Picture and Best Actor and Actress for Newman and Taylor. --Rochelle O'Gorman, Amazon.com
This box set includes That's Entertainment That's Entertainment Part II That's Entertainment Part III.
Proving once and for all that you can’t keep a good Slayer down, Joss Whedon’s Buffy the Vampire Slayer: Season Eight Motion Comic picks up where the smash hit TV show left off! Based on the Dark Horse comic book series, these eye-popping motion comic adventures breathe new life into the Buffyverse for long-time fans and new “watchers” alike. The Hellmouth may have been destroyed, but the world still needs saving and Buffy Summers is back at her butt-kicking, demon-slaying best to do the job. She’s relocated her base of operations to a castle in Scotland to lead the Scooby Gang, including hundreds of newly activated Slayers scattered around the world to battle the supernatural forces of evil. But in the wake of Sunnydale’s destruction, the U.S. government thinks Buffy and her legions of followers have grown too powerful and are now terrorist threats. Meanwhile, a seemingly unstoppable group of Japanese vampires hatch a nefarious plot, while the biggest, baddest Big Bad of them all, Twilight, is on a mission to destroy every Slayer on Earth! Special Features: Buffy Season 8 Motion Comic Test Pilot The Buffy Trivia Experience Featurette “Under Buffy's Spell” Season 8 Comic Book Covers Gallery Create Your Own Buffy Comic
Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time. Special Features: LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET - An exploration of the development and production of the film as told by the cast and crew. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: I. THE PRINCIPLE OF BELIEF - Christopher Nolan talks about why he wanted to make this film and the twists he wanted to bring to the spy genre. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: II. MOBILIZING THE TROUPE - The filmmakers to talk about casting and what the actors brought to their roles. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: III. THE APPROACH - The company discusses how Nolan's filmmaking philosophies and in-camera approach applied to the challenges in this film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IV. THE PROVING WINDOW - A look at the cinematography and the unique ways they shot the movie. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: V. THE ROADMAP - Examining the ways the cast and crew kept track of the continuity across multiple perspectives and timelines. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VI. ENTROPY IN ACTION - Breaking down the complex action in the film and the stunt requirements for the actors. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VII. TRAVERSING THE GLOBE - Exploring the logistics of travelling and shooting in real locations as well as capturing the epic marine sequences in different countries around the world. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VIII. HOW BIG A PLANE? - The story of the dramatic crashing of a real 747. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IX. THE DRESS CODE - Costume Designer Jeffrey Kurland takes us through some of the iconic costumes from the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: X. CONSTRUCTING THE TWILIGHT WORLD - A look at the practical sets designed and built by Nathan Crowley's team and the techniques they used to enhance the scope and scale of the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XI. THE FINAL BATTLE - Inside the epic sequence which had the cast and crew using everything that they had learned on the film to pull it off. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XII. COHESION - Nolan discusses his approach of involving the composer and the editor early on in the pre-production and all the way through the completion of the film to truly integrate them into the creative process. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XIII. DOESN'T US BEING HERE NOW MEAN IT NEVER HAPPENED? - The cast and crew discuss the unique experience of working on the film.
Still the most expensive movie ever made, Cleopatra nearly bankrupted 20th Century Fox. It also scandalised the world with the very public affair of its two major stars, Elizabeth Taylor and Richard Burton. But Joseph L Mankiewicz's 1963 epic deserves to be remembered for more than its off-screen troubles. An extravagantly elaborate production, the sets and costumes alone are awe-inspiring; Mankiewicz's own literate screenplay draws heavily on the classics and Shakespeare; while the supporting cast, led by Rex Harrison as Caesar and Roddy McDowall as his nephew (and future emperor) Octavian, are all first-rate thespians and generally put in more convincing performances than either of the two leads. Mankiewicz's original intention was to make two three-hour films: the first being Caesar and Cleopatra, the second Antony and Cleopatra. But before the films completion, and following a boardroom coup worthy of Ancient Rome itself, legendary mogul Darryl F Zanuck took back control of Fox and insisted that Cleopatra be cut to a more economical length. A heartbroken Mankiewicz was forced to trim his six-hour vision down to four. This was the "roadshow" version shown at the films premiere and now restored here. Then following adverse criticism and pressure from cinema chains Zanuck demanded more cuts, and the final released version ran a mere three hours--half the original length. Capitalising on the feverish publicity surrounding Burton and Taylor, the shortened version played up both their on- and off-screen romance. This longer four-hour roadshow version allows for a broader view of the film, adding some depth to the politics and manipulation of the characters. But the directors original six-hour edit has been lost. Perhaps one day it will be rediscovered in the vaults and Mankiewiczs much-maligned movie will finally be seen the way it was meant to be. Until then, Cleopatra remains an epic curiosity rather than the complete spectacle it should be.
This pleasant, lightweight live-action version of the popular cartoon is about as good as you might expect. The kids should love the broad humour and the Henson Studios creatures but like The Addams Family movies, the look and the cast are the best things going for it. Considering that the nature of the material is so sparse, the thinly plotted story works better than other TV-to-movie fare. Our fabulous Stone Age man is promoted per a calculated move by a scheming exec (Kyle MacLachlan, whose casting ensured at least one cute guy). As a comedy, the humour is one-note and flat for anyone older than 12. The special-effects creatures look wondrous, though not as seamless as in other movies, such as in Roger Rabbit. The most joyous moments come during the full-scale re-creations of the famous credits. The Flintstones provided a major launching pad for Halle Berry as a vamping secretary. --Doug Thomas
Hollywood icons Richard Burton Elizabeth Taylor and Peter O'Toole star in the screen adaptation of Dylan Thomas's classic play. A celebration of life and death the film follows the people and events in a small Welsh harbour village from one spring to the next. Captain Cat the blind sea captain awake or asleep yearns for Rosie Probert the greatest passion of his youth. Burton plays the key role of the first voice an all-seeing compassionate narrator.
Still the most expensive movie ever made, Cleopatra nearly bankrupted 20th Century Fox. It also scandalised the world with the very public affair of its two major stars, Elizabeth Taylor and Richard Burton. But Joseph L Mankiewicz's 1963 epic deserves to be remembered for more than its off-screen troubles. An extravagantly elaborate production, the sets and costumes alone are awe-inspiring; Mankiewicz's own literate screenplay draws heavily on the classics and Shakespeare; while the supporting cast, led by Rex Harrison as Caesar and Roddy McDowall as his nephew (and future emperor) Octavian, are all first-rate thespians and generally put in more convincing performances than either of the two leads. Mankiewicz's original intention was to make two three-hour films: the first being Caesar and Cleopatra, the second Antony and Cleopatra. But before the films completion, and following a boardroom coup worthy of Ancient Rome itself, legendary mogul Darryl F Zanuck took back control of Fox and insisted that Cleopatra be cut to a more economical length. A heartbroken Mankiewicz was forced to trim his six-hour vision down to four. This was the "roadshow" version shown at the films premiere and now restored here for the first time. Then following adverse criticism and pressure from cinema chains Zanuck demanded more cuts, and the final released version ran a mere three hours--half the original length. Capitalising on the feverish publicity surrounding Burton and Taylor, the shortened version played up both their on- and off-screen romance. This longer four-hour roadshow version allows for a broader view of the film, adding some depth to the politics and manipulation of the characters. But the directors original six-hour edit has been lost. Perhaps one day it will be rediscovered in the vaults and Mankiewiczs much-maligned movie will finally be seen the way it was meant to be. Until then, Cleopatra remains an epic curiosity rather than the complete spectacle it should be. On the DVD: this handsome three-disc set spreads the restored four-hour print of the movie across two discs. The anamorphic widescreen print looks quite magnificent and Alex Norths wondrous score comes up like new in Dolby 5.1 sound. Theres a patchy and only intermittently revealing commentary from Chris Mankiewicz, Tom Mankiewicz, Martin Landau and Jack Brodsky. Much better is the comprehensive two-hour documentary that occupies disc three, which tells in hair-raising detail the extraordinary story of a film production that became totally out of control. This is accompanied by some short archival material, but the documentary alone is a compelling reason to acquire this set. --Mark Walker
Three classic Lassie films! Lassie Come Home (Dir. Fred McLeod Wilcox) (1943): Lassie - a faithful collie dog is sold by her poor family - but she travels 1 000 miles to return home to her beloved master. Based on the novel by Eric Knight. Son Of Lassie (Dir. S. Sylvan Simon) (1945): Lassie's son Laddie sneaks off to the army with his owner and gets into all kinds of mischief. Courage Of Lassie (Dir. Fred McLeod Wilcox) (1946): Third in a series of 'Lassie' films made by MGM. Stars Lassie as Bill a pup who's been separated from his mother. At first he has no one to love except other animals. One day he's found by a young girl Kathie who adopts him for her own. But a car accident separates the two of them. Bill becomes part of a WWII K-9 unit until battle fatigue overwhelms him. He turns vicious and has to be rehabilitated.
Angela Lansbury stars as supersleuth Miss Marple who sets about solving a mysterious death in the archetypal English village of St. Mary Mead. It features an all star cast including Tony Curtis, Rock Hudson and Elizabeth Taylor. EXTRAS: Interview with writer Barry Sandler Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Storyboard gallery
Marilyn Monroe invented her public persona at the expense of concealing a private side known only to her close confidants. Fifty years after her death her creation still blazes brightly in our cultural imagination while the creator continues to lurk in the shadows. Drawing on never-before-seen personal papers diaries and letters Academy-award nominated director Liz Garbus worked with acclaimed actresses to evoke the multiple aspects of the real Marilyn - passion ambition soul-searching power and fear - in an absorbing and astonishing portrait. These documents brought to life in this film by some of our contemporary icons and stars give us a new and revelatory understanding of Monroe revealing her carefully guarded inner life. Love Marilyn features Elizabeth Banks Ellen Burstyn Glenn Close Viola Davis Jennifer Ehle Lindsay Lohan Lili Taylor Uma Thurman Marisa Tomei Evan Rachel Wood. Rounding out this portrait Adrien Brody Hope Davis Ben Foster Paul Giamatti Janet McTeer Oliver Platt and David Strathairn bring to life the writings of Billy Wilder Natasha Lytess Truman Capote Gloria Steinem and Norman Mailer completing the image of this very flesh-and-blood young woman in thrall to ambition imagination demons and fear who over time came to embrace life friendship and the possibility of her future.
Joseph Losey's lurid and often misunderstood drama stars the great Elizabeth Taylor (Suddenly, Last Summer) as an ageing London prostitute who befriends a young woman (Mia Farrow, See No Evil) that reminds her of her long-dead daughter. As the bizarre relationship between the two evolves, the appearance of Robert Mitchum (Cape Fear), as Farrow's abusive stepfather, ignites deep emotions and dark passions. With its exquisite production design, stylish cinematography and elegant score, Joseph Losey's lost masterpiece finally makes its long-overdue premiere on Blu-ray. Extras Indicator Limited Blu-Ray Edition Special Features: High Definition remaster Original mono audio Audio commentary with authors and critics Dean Brandum and Alexandra Heller-Nicholas (2019) Archival Interview with Joseph Losey (1969, 15 mins): extract from the French television programme Cinéma critique, featuring the celebrated director promoting the release of Secret Ceremony and an appreciation by critic Michel Mourlet The Beholder's Share (2019, 25 mins): interview with Gavrik Losey, son of Joseph Losey TV version: additional scenes (1971, 18 mins): unique prologue and epilogue produced for US television screenings, with Robert Douglas and Michael Strong Original theatrical trailer Larry Karaszewski trailer commentary (2015, 3 mins): short critical appreciation Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 40-page booklet with a new essay by Neil Sinyard, an archival location report, Joseph Losey on Secret Ceremony, a look at the source novella, an overview of contemporary reviews, and film credits World premiere on Blu-ray Limited edition of 3,000 copies
Giant (1956): George Stevens' sweeping Oscar-winning epic about the cataclysmic effect the discovery of oil in Texas has on the lifestyle of the former cattle barons. Dean is Jett Rink a sullen-farm hand who becomes a millionaire overnight. Tough always angry restless bewildered and reckless Rink's animal charm and tycoon's magnetism means he always gets his way. But when he fails in love with Leslie he loses his way with an equal violence... East Of Eden (1955): J
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