While spear fishing off the rocky beach of Kauai 12-year-old Booton MacAvoy makes a fearful discovery. What he has mistaken for a fish is a man floating half submerged in the churning sea. The rescued stranger turns out to be Lincoln Costain (James Garner) a shanghaied Texas cowpoke who jumps ship in Hawaii and lands boots-first in island intrigue and adventure! Costain and Henrieatta MacAvoy (Vera Miles) team up to turn a scrubby potato plantation into the island's first cattle s
They call it Giant because everything in this picture is big, from the generous running time (more than 200 minutes) to the sprawling ranch location (a horizon-to-horizon plain with a lonely, modest mansion dropped in the middle) to the high-powered stars. Stocky Rock Hudson stars as the confident, stubborn young ranch baron Bick Benedict, who woos and wins the hand of Southern belle Elizabeth Taylor, a seemingly demure young beauty who proves to be Hudson's match after she settles into the family homestead. For many the film is chiefly remembered for James Dean's final performance, as poor former ranch hand Jett Rink, who strikes oil and transforms himself into a flamboyant millionaire playboy. Director George Stevens won his second Oscar for this ambitious, grandly realised (if sometimes slow moving) epic of the changing socio-economic (and physical) landscape of modern Texas, based on Edna Ferber's bestselling novel. The talented supporting cast includes Mercedes McCambridge as Bick's frustrated sister, put out by the new "woman of the house"; Chill Wills as the Benedicts' garrulous rancher neighbour; Carroll Baker and Dennis Hopper as the Benedicts' rebellious children; and Earl Holliman and Sal Mineo as dedicated ranch hands.--Sean Axmaker, Amazon.com
A notorious femme fatale renowned for her ruthless pursuit of power reveals poignant vulnerability when she comes face to face with her long-lost son in this captivating, elegant production from San Francisco Opera.
Adapted from the best-selling novel My Wife Melissa by Francis Durbridge this classic serial thriller features journalist Guy Foster who returns home to find that his wife Melissa has been murdered. Foster retraces her steps and discovers that she has been leading a double life.
Something is alive in the funhouse... Something that has the form of a human but not the face... Something that feeds of the flesh and blood of young innocents... Something that tinight will turn the funhouse into a carnival of terror! Four teens decide to spend a night in the spooky funhouse of a travelling carnival but when they witness a horrific murder by a masked monster they are trapped and their nightmare begins!
Nick Chen (Chow Yun-Fat) is not your average New York cop. Working in Chinatown has its multifarious cultural nuances and its fair share of ubiquitous enticement, both of which are reflected in detective Chen's weary face. He had to get into bed with the highest echelons of the Chinese Mafia as a way of augmenting his own career, while maintaining a semblance of control over the dime-a-dozen hoods who proliferate on this turf. To make matters worse, he now has to break in rookie detective Danny Wallace (Mark Wahlberg), who has asked to be assigned to the Chinatown division. Apparently Wallace is infatuated with all things Chinese, or is suffering from "Yellow Fever," as his fellow colleagues would have us believe. Chen, not one to suffer fools gladly, takes young Wallace under his protective wing, oft-warning the shady powers of the neighbourhood not to sink Danny into their sordid pool of corruption. But before he knows it, both he and Wallace are caught in a deadly ring of double-crosses, shady-dealings, murders, and car chases. And all of this under the suspicious eye of Internal Affairs. Part Serpico and part Hard Boiled, this film seems at first to be a major departure from director James Foley's previous work. However, Foley has frequently revealed a keen eye and understanding for emotionally complex relationships, especially between teacher and pupil (Glengarry Glen Ross) or father and son (At Close Range). This movie is no different. In fact, Foley's meticulous attention to the relationship between the wise, morally burdened Chen, and the naove, innocent Wallace morphs this otherwise tedious plot into a thoroughly enjoyable experience. Hats off to Chow Yun-Fat and Mark Wahlberg, whose sympathetic chemistry creates an authentic and deeply personal connection, a factor that proves crucial to the film's poignant, disturbing finale. --Jeremy Storey
Meryl Streep tried her hand at action films with this Curtis Hanson film and proved herself quite credible, bringing emotion as well as the willingness to kick butt. She plays a suburban mum and former white-water rafting guide who is taking her family on a raft trip for summer vacation. But overworked Dad (David Strathairn) can't make the trip so she and her son leave without him--and walk right into trouble. Killers on the run (Kevin Bacon and John C. Reilly) abduct them and force Streep to take them down the most dangerous stretch of river to elude the cops. Hanson understands how to pace and construct this kind of action fodder but it's strictly formula stuff, enlivened only by the depth of Streep's portrayal and the viciousness of Bacon's character. --Marshall Fine
It's time to speak of unspoken things... This offbeat psycho-drama follows a wealthy mentally unbalanced young woman who mistakenly believes an aging prostitute is her dead mother. The hooker Leonora has lost her own daughter and is in mourning. But because she has strong maternal feelings she is more than happy to play mother to the orphaned Cenci. However the two women's strange relationship takes a problematic turn when Cenci's stepfather Albert enters her life onc
The second series of Weeds is funnier darker and more daring! Mary-Louise Parker returns as Nancy Botwin who after her husband's unexpected death and struggling to survive financially has become the neighbourhood pot dealer! Her new business is a hit as everyone seems to want what she's selling!
Sherlock Holmes and Watson are on the trail of a criminal and scientific mastermind who seems to control monsters and creations which defy belief.
The Third Man (Dir. Carol Reed 1949): This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. 'The Third Man' features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. 'The Third Man' is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas. Brighton Rock (Dir. John Boulting 1947): The elegant and respectable facade of Brighton hides a sinister underworld ruled by intimidation and terror. Richard Attenborough stars as Pinkie a ruthless and sadistic young criminal whose trail of killings and double crossings lead to his eventual downfall when savage justice is finally meted out in a thrilling and memorable climax... Fallen Idol (Dir. Carol Reed 1948): A lonely young boy is caught up in a sinister and intriguing murder-mystery in this classic British film based on a short story by Graham Greene and directed with great style by Carol Reed both of who received Academy Award nominations. It was the first film on which Greene and Reed collaborated and remains both a moving portrayal of lost innocence and a genuine classic of British cinema. Heart Of The Matter (Dir. George More O'Ferrall 1953): Adapted from Graham Greene's novel Trevor Howard stars as Harry Scobie an assistant police commisioner working in Sierra Leone during WWII. Harry finds himself drawn to Helen a survivor of a U-boat attack and whilst the cat is away he decides that he can no longer stay married. However his catholic union threatens the outcome of both relationships. Harry soon convinces himself that desperate measures need to be taken...
Giant (1956): George Stevens' sweeping Oscar-winning epic about the cataclysmic effect the discovery of oil in Texas has on the lifestyle of the former cattle barons. Dean is Jett Rink a sullen-farm hand who becomes a millionaire overnight. Tough always angry restless bewildered and reckless Rink's animal charm and tycoon's magnetism means he always gets his way. But when he fails in love with Leslie he loses his way with an equal violence... East Of Eden (1955): James Dean plays Cal a wayward Salinas Valley youth who vies for the affection of his hardened father (Raymond Massey) with his favored brother Aron (Richard Davalos). Playing off the haunting sensitivity of Julie Harris Dean's performance earned one of the film's four Academy Award nominations. Among the movie's stellar performers Jo Van Fleet won the Oscar for Best Supporting Actress. Rebel Without A Cause (1955): In one of cinemas most influential and gripping roles James Dean plays Jim Stark the new kid in town whose loneliness frustration and anger mirrored those of most postwar teens - and reverberates more than 40 years later. Natalie Wood (as Jim's girlfriend Judy) and Sal Mineo (in his screen debut as Jim's tag-along pal Plato) were Academy Award nominees for their achingly true performances. Director Nicholas Ray was also an Oscar nominee for this landmark film chosen as one of the Top-100 American Films by the American Film Institute.
Inspired by Robert Heinlein's pulp classic and executive-produced by Paul Verhoeven, who made the big-screen version, Roughnecks: Starship Troopers Chronicles is cutting-edge TV animation that's more for grown-ups than kids. The neat equipment, combat suits and weapons are as deadly as they are cool, and even though the extreme gore and violence of the movie has been toned down, the endless threat from all manner of nasty bugs is still pretty terrifying. Five roughly 20-minute episodes are spliced together into a movie-length feature, which makes for a satisfyingly lengthy story arc instead of the more usual self-contained individual episodes. Like all good war stories, at its heart Roughnecks celebrates that Band of Brothers-style bonding in extreme circumstances, which we viewers can only experience vicariously. On the DVD: Roughnecks, Volume 4: The Tophet Campaign finds Rico, Flores and co on the desert planet Tophet, where they team up with the humanoid Skinnies to fight massive crawler bugs--though all is not as it seems. The disc has a good 4:3 picture, although it's better to watch with the lights off to see all the detail in the moody (i.e., "dark") CG animation. The 5.1 sound shows off explosions and gunfire, but also the almost incessant techno soundtrack. There's a commentary from cast and crew members, a photo gallery of the human actors, filmographies and a trailer. --Mark Walker
Come and join in with Little Bear Duck Owl Cat and others in twelve enchanting adventures. Episodes comprise: What Will Little Bear Wear? Hide And Seek Little Bear Goes To The Moon Birthday Soup Polar Bear Gone Fishing Up All Night Little Bear's Bath Father Bear Comes Home A Flu Exploring Fishing With Father Bear.
Patrick Barr and Scotland Yard stalwart Russell Napier star in this sci-fi flavoured mid-fifties thriller, a rarely seen early feature by Ken Hughes - later to score box-office hits with Chitty Chitty Bang Bang and the BAFTA-nominated The Trials of Oscar Wilde. Produced at Merton Park Studios for Anglo-Amalgamated, The Brain Machine is presented here in a brand-new transfer from original film elements in its as-exhibited theatrical aspect ratio. A murderer, Edward Jarrit...
In a cosy corner of Brooklyn on a sweltering afternoon, best friends Lilly (Dakota Fanning, War of the Worlds, Coraline) and Gerri (Elizabeth Olsen, Godzilla, Kill Your Darlings) bump into a handsome, enigmatic stranger who quickly becomes an object of both their affections. Lilly finds herself growing closer to David (Boyd Holbrook, Behind the Candelabra, Out of the Furnace) and as she struggles to tell Gerri, becomes increasingly caught between loyalty to her friend and her new found love. .
Coupling is a witty, instantly addictive series that charts the tangled sex lives of a close-knit group comprising "exes and best friends": womaniser Jack, hapless nice guy Steve, "strange and disturbing" Jeff, uninhibited Susan, neurotic Sally and manipulative Jane. The obvious frame of reference is Friends (Steve and Susan are the Ross and Rachel equivalent), but this series also echoes Seinfeld in its coinage of catchphrases and plot lines (in episode one, Steve tries to dump Jane, who refuses to accept). But it's no mere British clone of US sitcoms: Coupling has its own fresh and provocative take on relationships. At one point, a furious Susan discovers that Patrick not only had a videotape of the former couple having sex, but that he also taped over her. --Donald Liebenson
A well-remembered police procedural drama from the late 1960s, Fraud Squad showcases the exploits of Detective Inspector Gamble and his aide, Detective Sergeant Vicky Hicks, Metropolitan officers on the trail of the con-men and fraudsters who operate at all levels of society - from boardroom to bingo hall. Fraud Squad was notable for being one of the earliest British television dramas to feature a female detective in a leading role, while several storylines focus on Gamble's tangled personal...
From the makers of 'World War 2 In Colour' comes this acclaimed ITV series chronicling Great Britain's wartime leader recently voted the 'Greatest Briton'.
One might reasonably expect Tomcats to be the Porky's of 2001: after all, it concerns a group of young, sexist morons and their fears and fantasies about young women. But Tomcats isn't quite as brain-dead as that, though it is phenomenally more neurotic. Jerry O'Connell plays one of two remaining bachelors within a group of wealthy pals who set aside a cash reward, years before, earmarked for the last among them to get married. O'Connell needs the money to pay off a gambling debt, but his problem is that the other bachelor is a horrendous pig (Jake Busey) unlikely ever to land a gal. A general mean-spiritedness flows through this wearying comedy, manifest in such ugly moments as watching someone's girlfriend run over by a golf cart and an excised, cancerous testicle kicked around hospital hallways. If you're looking for female flesh, however, forget it: Tomcats is far more driven to explore male nudity, while making equally naked today's masculine fears of impotence, mothers and lesbians. --Tom Keogh, Amazon.com
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