If they hear you, they hunt you! Silence is survival in these 3 terrifyingly suspenseful thrillers. Follow the Abbott family (Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe) as they face the terror of mysterious creatures that hunt by sound. Plus experience the day the world went quiet in A Quiet Place: Day One (Lupita Nyong'o, Joseph Quinn, Djimon Hounsou, Alex Wolff). A Quiet Place In this MIND-BLOWINGLY TENSE* thriller, a family must navigate their lives in silence to avoid mysterious creatures that hunt by sound. Knowing that even the slightest whisper or footstep can bring death, Evelyn (EMILY BLUNT) and Lee (JOHN KRASINSKI) are determined to find a way to protect their children at all costs while they desperately search for a way to fight back. A Quiet Place Part IIFollowing the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path in this terrifyingly suspenseful thriller written and directed by John Krasinski. A Quiet Place: Day OneExperience the day the world went quiet.
The story of European women living in Singapore at the outbreak of war in the Far East and their capture by the Japanese. Features the complete episodes from the television series.
Definitely not your average retelling of the classic Snow White fairy tale, Snow White and the Huntsman is a dark, action-fantasy film that's based more on the Brothers Grimm fairy tale than the well-known Disney version of the story. It features intriguing concepts, impressive special effects, and some disappointingly lackluster acting. The essence of the "Snow White" story is preserved in this recounting: the queen's beautiful daughter Snow White, who is heir to the throne, is displaced and persecuted by an evil stepmother after her mother dies. Here, the evil stepmother Ravenna possesses a disturbing power to maintain her own perpetual youth by stealing youthfulness from the hearts of the young and beautiful, but her magic mirror warns that Snow White's innocence and purity as she comes of age will destroy Ravenna's chance at immortality. When Snow White escapes from the castle prison, Ravenna hires a downtrodden Huntsman to bring her back so that Ravenna can steal her youth and achieve personal immortality. But Snow White runs into a dark and sinister forest where mushrooms disperse hallucinogenic spores, trees come to life, flocks of bats spring from inanimate objects, and dwarves lurk in the shadows. The roles of the seven dwarves and the Huntsman in this version of the story prove to be quite different from the original, but what remain steadfast are Snow White's inner strength and absolute goodness, and her stepmother's innate evilness. This film is full of fascinating imagery that's brought to life through powerful special effects, great costuming, and captivating cinematography--the scenes in the dark forest and the fairy-filled wilderness beyond are reason enough to see it. Unfortunately, the story moves a bit slowly and the acting by Kristen Stewart (Snow White) and Chris Hemsworth (Huntsman) is rather stoical and passionless and lacks chemistry, though Charlize Theron does stand out as a particularly disturbing Ravenna. --Tami Horiuchi
When Shadow Moon is released from prison, he meets the mysterious Mr. Wednesday and a storm begins to brew. Little does Shadow know, this storm will change the course of his entire life. Left adrift by the recent, tragic death of his wife, and suddenly hired as Mr. Wednesday's bodyguard, Shadow finds himself in the centre of a world that he struggles to understand. It's a hidden world where magic is real, where the Old Gods fear both irrelevance and the growing power of the New Gods, like Technology and Media. Mr. Wednesday seeks to build a coalition of Old Gods to defend their existence in this new America, and reclaim some of the influence that they've lost. As Shadow travels across the country with Mr. Wednesday, he struggles to accept this new reality, and his place in it.
An adaptation of the best-selling books by Jim Benton Dear Dumb Diary stars Emily Alyn Lind as Jamie the disgruntled diarist of Mackerel Middle School. When her school's art program is threatened with closure the district holds a Jump-a-thon fundraiser. Jamie sees it as her chance to save the day on behalf of the Average People while at the same time impressing her boy-crush Hudson by beating Angeline (one of the Perfect People). But in the end once Jaime stops judging people by appearance alone she discovers her own sparkling inner beauty which was there all along. Special Features: Behind the Scenes Featurette Interviews with Cast Crew and Writer Jim Benton Trailer Diary Collection
Cider With Rosie
Do we control our destiny, or do unseen forces manipulate us? Matt Damon stars in the thriller The Adjustment Bureau as a man who glimpses the future Fate has planned for him and realises he wants something else.
The John Woo gangster classic that started it all, a romantic, violent, swirlingly stylish melodrama about duelling brothers--with a mesmerizing lead performance by Hong Kong's favourite actor, Chow Yun-Fat. In repose, Chow's sleepy magnetism recalls the glory days of Robert Mitchum, Steve McQueen, and Takakura Ken; when he's stepping high, Chow has a unique, ebullient star presence, a man who embraces life so unselfconsciously that he becomes vulnerable to all kinds of suffering and heartache (he endures masochistic megadoses of violence here). The sequence in which Chow's Mark avenges his betrayed best friend---by blasting his way into, and then out of, a Chinese restaurant, twin .45s blazing---is a swashbuckling standout. Woo's film technique may have been more polished in later efforts, but A Better Tomorrow has a direct emotional power that is still unique. Kung fu star of the 1970s, Ti Lung is also terrific here as the 40ish established mobster, relied upon by all, who allows conflicting loyalties toward Mark and toward his younger brother, now a cop, to undermine the stability of his position. --David Chute, Amazon.com
'Shattered Homes' and 'Broken Dreams': 2 episodes previously aired on TV plus 'Secrets And The City' an exclusive DVD episode never to be seen on TV!
From the mind of Aaron Sorkin, creator of The West Wing and screenwriter of The Social Network and Moneyball, comes The Newsroom, a behind-the-scenes look at the people who make a nightly cable-news program. Focusing on network anchor (played by Jeff Daniels), his new executive producer (Emily Mortimer), the newsroom staff (John Gallagher, Jr., Alison Pill, Thomas Sadoski, Olivia Munn, Dev Patel) and their boss (Sam Waterston), the series tracks their quixotic mission to do the news well in the face of corporate and commercial obstacles-not to mention their own personal entanglements.
Director Jim Sheridan links up once more with Daniel Day-Lewis for 1997's The Boxer, a study of a violent Belfast's uneasy crossover into the peace process (they had previously worked on My Left Foot among other films). Day-Lewis stars as Danny Flynn, imprisoned in his late teens for terrorism, now out after 14 years. A once promising boxer, he's initially looking to resume what's left of his career. However, his rekindled love for Maggie (Emily Watson), daughter of local IRA boss (Brian Cox), is coupled with a need to be a part of the healing process in Northern Ireland. With the help of his former trainer (Ken Stott), he reopens a non-sectarian gym. However, the non-pacific wing of the IRA, personified by Gerard McSorley, resents Flynn, not least for consorting with Maggie, who is another IRA prisoner's wife. Day-Lewis plays Flynn as an almost spiritual figure, still caught in the introspection that enshrouded him during his years in jail. Ironically, the well-executed boxing scenes provide a respite from the air of serious violence that pervades the rest of the film, symbolised by the ominous rotorblades of the ever-present helicopters, from which much of the action of this sad, yet gripping and ultimately uplifting movie, is shot.On the DVD: Generous extras include commentaries from producer Arthur Lappin, who offers a tourist's guide to various locations, as well as one from director Jim Sheridan, who offers technical info and remarks drily of a brief, tart exchange between Maggie and Flynn, "This is an Irish love scene". There's also an alternative (though not that alternative) ending, extra scenes which probably deserved to stay on the cutting room floor and, most illuminatingly, a featurette on the movie. This reveals that the career of Barry McGuigan (boxing advisor here) provided Sheridan with the impetus to make The Boxer, inspired by the courage and grace he showed in the ring to rise above partisanship. --David Stubbs
The Man Who Sued God defies simple definition, managing to be several types of movie all at the same time. As a theological-romantic-comedy-drama, it's in a somewhat unique category all of its own. Perhaps only Billy Connolly could carry off a central role that combines slapstick with raging anger, puppy-dog disappointment and strong language delivered in his distinctive accent. These facets of performance are used and abused in a tale that feels like it really ought to be based on a true story, but isn't. Connolly's life as a fisherman is sunk by the destruction of his boat by a bolt of lightning. The insurance company won't pay up because it falls under that age-old excuse of being an "Act of God". So Connolly decides to sue the deity. The premise raises issues about how the law and the church have apparently conspired together. But at heart the film is a simple character study, so any pondering on legal or theological implications will have to be done on your own time; the screen is occupied with family issues, underhand dealings and a maybe-maybe romance with Judy Davis. Big Yin fans at least will enjoy the Connolly's composite character. --Paul Tonks
In 1978 in Hong Kong, a grisly murder takes place. Eight years later on a Macao beach, kids discover the severed hands of a fresh victim. A squadron of coarse, happy-go-lucky cops investigate and suspicion falls on Wong Chi Hang, the new owner of The Eight Immortals Restaurant famous for its delicious pork buns. The hands belong to the missing mother of the restaurant's former owner who has disappeared along with the rest of his family. Staff at the restaurant continue to go missing but the police can't find any hard evidence that Wong is responsible. When he can't produce a bill of sale proving his purchase of the restaurant, Wong is arrested and the police try to torture him into a confession. Can they make him talk? And what was in those famous pork buns? Written by and starring Danny Lee (CITY ON FIRE), Anthony Wong (EBOLA SYNDROME) and Directed by Herman Yau (TAXI HUNTER), 88 Films is proud to release the most notorious Category 3 film ever produced in Hong Kong remastered from the Original Negative. High Definition (1080p) Blu-ray⢠presentation in 1.85:1 Aspect RatioLossless 2.0 Cantonese MonoNewly Translated English SubtitlesAudio Commentary by Hong Kong Film Expert Frank DjengArchive Commentary with Anthony WongArchive Commentary with Herman YauTheatrical Trailer
Stella Grant (Haley Lu Richardson) is every bit a seventeen-year-old she's attached to her laptop and loves her best friends. But unlike most teenagers, she spends much of her time living in a hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control all of which is put to the test when she meets an impossibly charming fellow patient named Will Newman (Cole Sprouse). There's an instant flirtation, though restrictions dictate that they must maintain a safe distance between them. As their connection intensifies, so does the temptation to throw the rules out the window and embrace that attraction. Further complicating matters is Will's potentially dangerous rebellion against his ongoing medical treatment. Stella gradually inspires Will to live life to the fullest, but can she ultimately save the person she loves when even a single touch is off limits?
A young man must face his demons - literally - in this chilling horror.
All episodes from the first 13 seasons of the JAG spin-off series NCIS, centering on the Naval Criminal Investigative Service, a crack team of government agents who operate outside the military chain of command. These special agents traverse the globe, investigating crimes linked to the Navy or Marine Corps from murder and espionage, to terrorism and stolen submarines. More than just an action-packed drama, NCIS shows the sometimes complex, always amusing dynamics of a team forced to work together under high-stress situations.
Alan Rickman and Sigourney Weaver star in this movie about a two people touched by loss - one a quiet, brooding man, the other a highly functioning autistic woman.
One of his earliest pieces of choreography, Matthew Bourne's Nutcracker is also one of his most charming and imaginative. Moving the Christmas party from a comfortable middle-class home to a Dickensian orphanage whose proprietors starve their wards to spoil their own children, it then shifts to a wonderland where sweets and sugar are a none-too-subtle metaphor for sexual awakening. In both worlds, Clara (Etta Murfitt) has to struggle to be heroine, or even a participant, in her own story and her struggle for the muscular, sexy Alan Vincent with her bitchy rival Sugar (Soranne Curtin) is not resolved until the last moments of the ballet. Along the way, Bourne finds charming and sexy ways to make all of the well-known genre moments of the score fresh and new--the Chinese dancers are a bunch of daffy marshmallow girls in pink, for example, whose dance is all strutting cuteness. There is a truly stunning transformation scene at the beginning of the waltz, which like much else in the score becomes a complex ensemble in which all the character dancers have their own things to do. Bourne's Nutcracker has become a popular favourite, and deservedly so. On the DVD: Matthew Bourne's Nutcrackercomes to DVD with no additional features. It is presented in a 16:9 anamorphic ratio and has sumptuous sound in both Dolby Digital 5.1 and L-PCM Stereo that does full justice to the Royal Philharmonic's eloquent performance of the score. --Roz Kaveney
The year is 872, and many of the separate kingdoms of what we now know as England have fallen to the invading Danes, leaving the great kingdom of Wessex standing alone and defiant under the command of King Alfred (David Dawson, Peaky Blinders). Against this turbulent backdrop lives our hero, Uhtred (Alexander Dreymon, American Horror Story). Born the son of a Saxon nobleman, he is captured by the Danes and raised as one of their own. Forced to choose between the country of his birth and the peopl e of his upbringing, his loyalties are ever tested. What is he? Saxon or Dane? On a quest to reclaim his birthright , Uhtred must tread a dangerous path between bot h sides if he is to play his part in the birth of a new nation and, ult imately, recapture his ancestral lands. From the Producers of Downton Abbey. Also starring Rutger Hauer (Blade Runner), Matthew Macfadyen (Anna Karenina), Jason Flemyng (X-Men: First Class), Tobias Santelmann (Point Break), Emily Cox (Futuro Beach) and Ian Hart (Boardwalk Empire).
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