A hallucinatory journey into the heart of darkness, William Friedkin's pulse-pounding reimagining of the suspense classic The Wages of Fear was dismissed upon its release, only to be recognized decades later as one of the boldest auteur statements of the New Hollywood. In a remote Latin American village, four desperate fugitivesa New Jersey gangster (Roy Scheider), a Mexican assassin (Francisco Rabal), an unscrupulous Parisian businessman (Bruno Cremer), and an Arab terrorist (Amidou)take on a seemingly doomed mission: transporting two trucks full of highly explosive nitroglycerin through the treacherous jungle. Aided by Tangerine Dream's otherworldly synth score, Friedkin turns each bump in the road into a tour de force of cold-sweat tensionconjuring a hauntingly nihilistic vision of a world ruled by chance and fate. 4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack approved by director William Friedkin, and alternate original theatrical 2.0 surround DTS-HD Master Audio soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features Friedkin Uncut (2018), a documentary by Francesco Zippel featuring interviews with Friedkin, screenwriter Walon Green, filmmakers Wes Anderson and Francis Ford Coppola, and others New conversation between filmmaker James Gray and film critic Sean Fennessey Conversation from 2015 between Friedkin and filmmaker Nicolas Winding Refn Archival audio interviews with Green and editor Bud Smith, from the collection of Giulia D'Agnolo Vallan, author of William Friedkin (2003) Behind-the-scenes footage Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Justin Chang New cover by Nessim Higson
From 1946 to 1965, Luis Bunuel directed 21 films in Mexico, the country that became his naturalised home. Towards the end of this period, the great master of surrealism would meet two of his most important collaborators - the husband-and-wife duo of producer Gustavo Alatriste and actress Silvia Pinal - and together they would create three of his most provocative and enduring works: Viridiana (1961), The Exterminating Angel (1962) and Simon of the Desert (1965). Presented here in new restorations, all three films are frequently hailed as some of the greatest of all time. All of what makes Bunuel one of the greatest of directors can be found within them: the startling imagery, the uncompromising surrealism, the wicked humour, the unapologetic eroticism, and the overwhelming disdain for contemporary boundaries of good taste. In Viridiana, Pinal stars as a former nun who, believing she has been defiled by a relative, abandons nunhood and attempts to repent and lead a morally pure existence by turning a mansion into a shelter for vagrants. Hugely controversial on release, this brilliant satire remains shocking today, and was voted the best Spanish film of all time by Spanish critics in 2016. The Exterminating Angel is one of Bunuel's most extraordinary and enduring works: after a night at the opera, a group of bourgeois party guests realise that they are inexplicably unable to leave the dining room they are sequestered in, and quickly descend into savagery. An influential blend of horror, comedy, drama and social commentary, the film was named one of the 200 greatest of all time in the 2022 Sight and Sound Critics Poll. Simon of the Desert is a typically outrageous and provocative commentary on organised religion: a parable of Simon, the would-be saint who lives an ascetic life at the top of a ten foot pillar, the film features a memorable turn from Pinal as the Devil, and an unforgettably bizarre ending. New 4K restorations of Viridiana and Simon of the Desert from the original negatives A new restoration of The Exterminating Angel from a 4K scan by Radiance Films Uncompressed mono PCM audio for each film Newly filmed appreciations for each film and Buñuel by filmmakers Richard Ayoade, Alex Cox, Guillermo del Toro, and Lulu Wang The Life and Times of Don Luis Buñuel (98 minutes) - A 1983 BBC Arena documentary on Bunuel featuring contributions from Bunuel and collaborators including Catherine Deneuve, presented on Blu-ray for the first time A Mexican Buñuel (1995, 50 minutes) documentary directed by Emilio Maille on Buñuel's Mexican period Buñuel: A Surrealist Filmmaker (2021, 83 mins) - feature-length documentary directed by Javier Estpada on Buñuel's life and career, presented on Blu-ray for the first time An interview with Buñuel from 1964 recorded for French TV's Cinéastes de notre temps (1964, 43 mins) The Other Trinity: Alatriste, Buñuel and Pinal - visual essay on Bunuel in Mexico by Abraham Castillo Flores Dinner and Other Rituals - visual essay on The Exterminating Angel and the dinner party on film by critic and writer Alexandra Heller-Nicholas Audio commentary on Viridiana by critic Michael Brooke Audio commentary on Simon of the Desert by critic and filmmaker Kat Ellinger Gallery of stills Trailer Optional English subtitles for each film Reversible sleeves featuring original and newly commissioned artwork by Sister Hyde Limited edition 80-page book featuring new writing by Glenn Kenny, Justine Smith, Lindsay Hallam and David Hering, as well as archive material Limited edition of 6000 copies, presented in a rigid box with full-height Scanavo cases and removable OBI strip leaving packaging free of certificates and markings
Exiled from their home nations, four strangers from separate corners of the earth agree to undertake a dangerous mission to transport unstable dynamite through the dense jungle of South America in order to earn their passage home. When the slightest bump in the road could equal instant death, the real question is not whether these men will survive this nerve-shredding ordeal but who will they have become if they return at all? After the success of The French Connection and The Exorcist, William Friedkin began work on his biggest project to date. Seizing the moment, he embarked on an ambitious and lengthy shoot in the dense jungles of the Dominican Republic and like Werner Herzog with Fitzcoraldo and Francis Ford Coppola on Apocalypse Now, Friedkin battled the elements, came face-to-face with nature and emerged victorious. Now, 40 years since its release, Sorcerer is regarded by critics and ï¬lmmakers alike as a true lost cinematic masterpiece a feat of ï¬lmmaking that encapsulates the revolutionary artistry of 1970s American cinema that is a triumph to behold Special Features: Sorcerers A Conversation with William Friedkin and Nicolas Winding Refn (74 mins) The Mystery of Fate A letter from director William Friedkin Newly commissioned artwork to celebrate the 40th Anniversary Reversible sleeve containing the newly commissioned and original theatrical artwork
A love story with strings attached! Recently released from a mental institution Ricky (Banderas) sets in motion his grand plan. Hunting down the porn star with whom he once had sex Ricky tries to convince her to be his wife. However when she's somewhat reluctant to say the least to take up his offer of marriage he vows to tie her down to endear himself to her...
L’Eclisse was the final film in Antonioni’s informal trilogy on contemporary malaise (following L’Avventura and La Notte), a series of films that redefined the concept of narrative cinema. Filmed in sumptuous black and white, and full of scenes of lush, strange beauty, it tells the story of Vittoria (the beautiful Monica Vitti - Red Desert - Antonioni’s partner at the time), a young woman who leaves her older lover (Francisco Rabal – Viridiana), then drifts into a relationship with a confident, ambitious young stockbroker (Alain Delon – Le Cercle Rouge). But this base narrative is the starting point for much, much more, including an analysis of the city as a place of estrangement and alienation and an implicit critique of colonialism. Using the architecture of Rome - old and new - as a backdrop for this doomed affair, Antonioni achieves the apotheosis of his style in this return to the theme that preoccupied him the most: the difficulty of forming true connections amidst the meaninglessness of the modern world. The final shot remains one of the greatest endings in cinema.
Based on the true story of the Iron Prefect, Cesare Mori, who was sent to Sicily for an Eliot Ness-The Untouchables style clean up of the mafia. Mori approaches organised crime on the island with uncompromising force even in the face of mass murders designed to scare him off. Pasquale Squitieri (The Climber) directs this stunning period piece which won the David di Donatello award for best film and features spaghetti western icon Giuliano Gemma brilliantly playing against type as the titular hero, winning him an award for his performance at the prestigious Karlovy Vary Film Festival. Alongside Gemma are the cream of international film from the period with co-stars Claudia Cardinale (The Day of the Owl) and Francisco Rabal (Sorcerer), the key surveyor of Italy's civic cinema screenwriter Ugo Pirro (The Working Class Goes to Heaven) and legendary composer Ennio Morricone (Once Upon a Time in America). Product Features 2K restoration of the film from the original negative presented with Italian and English audio options Uncompressed mono PCM audio Archival interview with director Pasquale Squitieri and star Giuliano Gemma (2009) New interview with Squitieri biographer Domenico Monetti (2023) New appreciation of Giuliano Gemma and the film by filmmaker Alex Cox (2023) Original trailer New and improved English subtitles for Italian audio and English subtitles for the deaf and hard of hearing for English audio
Banned in Spain and denounced by the Vatican Luis Bunuel's hilarious vision of life as a beggar's banquet is regarded by many as his masterpiece. In it the young novice Viridiana does her utmost to maintain her Catholic principles but her lecherous uncle and a motley assemblage of paupers force her to confront the limits of her idealism. Winner of the Palme d'Or at the 1961 Cannes Film Festival this anti-clerical free-for-all is as shocking today as ever.
NOW THEY ARE EVERYWHERE! THERE IS NO ESCAPE! Long before zombies took up jogging in 28 Days Later and Zack Snyder’s Dawn of the Dead remake they were brandishing axes and other sharp implements in Umberto Lenzi’s utterly insane radiation-sickness opus Nightmare City. In true Zombie Flesh Eaters form our story begins with the arrival of an ominous seemingly unmanned craft – in this instance a military plane making an unscheduled landing at a European airport. Upon forcing the aircraft doors open the waiting soldiers get a nasty shock when out bursts a horde of flesh-hungry pizza-faced radioactive ghouls. The walking dead are here and they’re hungry! Counting amongst its fans the likes of Quentin Tarantino and Eli Roth Nightmare City (aka City of the Walking Dead) is a bonkers slice of Italian zombie carnage from the man who shocked the world with the notorious Cannibal Ferox. Special Edition Contents Brand new 2K restoration of the film from the original camera negative High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original Mono audio (uncompressed PCM on the Blu-ray) Newly translated subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Brand new audio commentary by filmmaker Fangoria editor and Nightmare City super-fan Chris Alexander Brand new interview with director Umberto Lenzi Eli Roth on Nightmare City Trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys Fully-illustrated collector’s booklet featuring new writing on the film by critic John Martin
L’Eclisse was the final film in Antonioni’s informal trilogy on contemporary malaise (following L’Avventura and La Notte), a series of films that redefined the concept of narrative cinema. Filmed in sumptuous black and white, and full of scenes of lush, strange beauty, it tells the story of Vittoria (the beautiful Monica Vitti - Red Desert - Antonioni’s partner at the time), a young woman who leaves her older lover (Francisco Rabal – Viridiana), then drifts into a relationship with a confident, ambitious young stockbroker (Alain Delon – Le Cercle Rouge). But this base narrative is the starting point for much, much more, including an analysis of the city as a place of estrangement and alienation and an implicit critique of colonialism. Using the architecture of Rome - old and new - as a backdrop for this doomed affair, Antonioni achieves the apotheosis of his style in this return to the theme that preoccupied him the most: the difficulty of forming true connections amidst the meaninglessness of the modern world. The final shot remains one of the greatest endings in cinema.
When a radioactve spill causes mass contamination thousands of infected citizens are transformed into bloodthirsty undead fiends. But these are not your standard stumbling gut-munchers; this is an all-out attack by fast-moving flesh-ripping ass-kicking maniacs that can only be stopped by a bullet to the brain... Get ready for an all-you-can-eat buffet of gunfire gore and gratuitous aerobics where zombies run chaos reigns and heads explode. This is Nighmare City!
Stunningly restored for the 50th anniversary, BELLE DE JOUR is an elegant and erotic masterpiece and undoubtedly Luis Buñuel's most accessible film. Screen icon Catherine Deneuve plays Séverine, the glacially beautiful, sexually unfulfilled wife of a surgeon, whose blood runs icy with ennui until she takes a day-job in a brothel. There she meets a charismatic but sinister young gangster (Pierre Clémenti), and ignites an obsession that will court peril. Buñuel uses diffused lighting, dark colours, and shadows throughout the film to temper the gravity and emotional impact of each uncomfortable scene. Left to our own imaginative devices, the result is a film that is highly unsettling, perverse, and inevitably tragic. SPECIAL FEATURES: The Last Script A Story of Perversion or Emancipation? Interview with Dr Sylvain Mimoun Commentary by Professor Peter W. Evans NEW Interview with Jean-Claude Carrière NEW Masterclass with Diego Bunuel and Jean-Claude Carrière NEW Trailer INCLUDES 6 ARTCARDS
Undoubtedly Luis Bunuel's most accessible film Belle de Jour is an elegant and erotic masterpiece that maintains as hypnotic a grip on modern audiences as it did on its debut 30 years ago. Screen icon Catherine Deneuve (Repulsion) plays Severine the glacially beautiful sexually unfulfilled wife of a surgeon whose blood runs icy with ennui until she takes a day-job in a brothel. There she meets a charismatic but sinister young gangster (Pierre Cl''menti) and ignites an obsession that will court peril.
Alongside L'Avventura and La Notte L'Eclisse completes director Michelangelo Antonioni's ambitious 60s trilogy on doomed relationships in a fractured world. The tale involves a woman Vittoria (Monica Vitti The Red Desert) who has just suffered the break-up of an imperfect relationship with a staunch intellectual (Francisco Rabal). Piero (Alain Delon The Leopard) a brash young stockbroker casts his romantic gaze in Vittoria's direction and Vittoria's
Titles Comprise: Inglorious Bastards: It's World War II the Ardennes mountains. During a bombing five no-good soldiers headed to military prison for a variety of transgressions ranging from murder to desertion get a chance to escape when their convoy is attacked. They decide to make for Switzerland and freedom now as fugitives on the run from both the Americans and the Germans their only hope of escape is the barrel of a gun. After mistakenly killing a group of American agents disguised as a German patrol the party is caught by the French resistance who give them a last chance at redemption by forcing them to carry out an impossible mission to sneak into the most heavily guarded Nazi fortress steal their most precious weapon and return it to the Allies undetected. Starring Fred 'The Hammer' Williamson (Black Caesar From Dusk Till Dawn) and Bo Svenson (The Delta Force Kill Bill) Inglorious Bastards is an explosive thrill ride that will have you on the edge of your seat! Cross of Iron: 1943: a German platoon suffers heavy bombardment from surrounding Soviet troops as they try to affect their withdrawal from Russia: knowing that defeat is inevitable their only goal is survival... Eagles Over London: In this World War II action-thriller the British High Command finds itself in the thick of a huge dilemma when it is realised that they have long been infiltrated by spies form a German intelligence group. This all happens during the preliminary stages of the Battle of Britain.
From acclaimed director Luis Bunuel comes another tale about morality and the church. Nazarin is one of Brunuel's quartet of adaptations of the great 19th century Spanish writer Benito Perez Galdos and with Simon Of The Desert forms the best of his explorations of religion. The story told in the manner of a Christian parable is about a humble and unworldly priest who attempts to live by the precepts of Christianity but is despised for his pains. The film was ambiguous enough to win the International Catholic Cinema Office Award - a supreme irony for the cinema's most famous anti-Catholic atheist - and also won the Grand Prix Internationale at the 1959 Cannes film festival// The theme of the impossibility of leading a pure Christian life was further explored in Viridiana (1961).
With Dagon, director Stuart (Re-Animator) Gordon returns once more to author HP Lovecraft, this time for an adaptation of the novella The Shadow Over Innsmouth, with the setting switched from the coast of New England to the creepy Spanish fishing village of Inboca. After a sudden storm and a yacht-wreck, a bespectacled and bewildered Paul Marsh (Ezra Gooden) finds himself stranded in the literally fishy town, which has thrown over Catholicism to devote itself to the worship of the Philistine sea-god Dagon. His influence means that the inhabitants are transforming into pop-eyed, tentacled and gilled creatures. Though Gooden perhaps strikes too strident a note to convince as an everyday guy, director Gordon orchestrates the rising terrors well. These range from a supremely damp and uncomfortable hotel room through an impressive flashback about the rise of the Esoteric Order of Dagon to some sinister business with a mad-eyed mermaid (Macarena Gomez), human sacrifice and nasty surprises all round. Unfortunately, Gordon still can't quite distinguish between acceptably gruesome and downright nasty, especially when it comes to disposing of secondary female characters. On the plus side, Dagon boasts an excellent score, which even tries to set to music some of Lovecraft's invented language ("Ia Ia Cthulhu fh'tagn"). --Kim Newman
With Dagon, director Stuart (Re-Animator) Gordon returns once more to author HP Lovecraft, this time for an adaptation of the novella The Shadow Over Innsmouth, with the setting switched from the coast of New England to the creepy Spanish fishing village of Inboca. After a sudden storm and a yacht-wreck, a bespectacled and bewildered Paul Marsh (Ezra Gooden) finds himself stranded in the literally fishy town, which has thrown over Catholicism to devote itself to the worship of the Philistine sea-god Dagon. His influence means that the inhabitants are transforming into pop-eyed, tentacled and gilled creatures. Though Gooden perhaps strikes too strident a note to convince as an everyday guy, director Gordon orchestrates the rising terrors well. These range from a supremely damp and uncomfortable hotel room through an impressive flashback about the rise of the Esoteric Order of Dagon to some sinister business with a mad-eyed mermaid (Macarena Gomez), human sacrifice and nasty surprises all round. Unfortunately, Gordon still can't quite distinguish between acceptably gruesome and downright nasty, especially when it comes to disposing of secondary female characters. On the plus side, Dagon boasts an excellent score, which even tries to set to music some of Lovecraft's invented language ("Ia Ia Cthulhu fh'tagn"). --Kim Newman
In this World War II action-thriller the British High Command finds itself in the thick of a huge dilemma when it is realised that they have long been infiltrated by spies form a German intelligence group. This all happens during the preliminary stages of the Battle of Britain. From the director of Inglorious Bastards and Bronx Warriors Enzo G. Castellari.
Nine years before his WWII cult classic Inglorious Bastards, Enzo Castellari virtually invented the 'Macaroni Combat' genre with this over-the-top saga of valour, vengeance and machine-gun mayhem. Hollywood legend Van Johnson The Caine Mutiny and Frederick Stafford (Hitchcock's Topaz) star as military officers pursuing a merciless team of Nazi saboteurs through war-ravaged London, featuring Castellari's jaw-dropping recreations of The Siege Of Dunkirk, The Battle Of Bri...
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