"Actor: Francisco Rabal"

• The White Dove | DVD | (16/09/2002) from £8.91   |  Saving you £-2.93 (N/A%)   |  RRP £2.99

  A tragic love story set during a disturbed period of Spanish history... Mario (Banderas) is a 'Basco' a political activist involved in popular protest against the government. After losing his brother Mario becomes attracted to the sultry daughter (Suarez) of the owner of a bar. When he finds out that his new lover is being sexually abused by her father Mario's attempts to end the abuse end in tragedy...

• Nightmare City | DVD | (23/10/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  When a radioactve spill causes mass contamination thousands of infected citizens are transformed into bloodthirsty undead fiends. But these are not your standard stumbling gut-munchers; this is an all-out attack by fast-moving flesh-ripping ass-kicking maniacs that can only be stopped by a bullet to the brain. Get ready for an all-you-can-eat buffet of gunfire gore and gratuitous aerobics where zombies run chaos reigns and heads explode. This is Nighmare City! Hugo Stiglitz (Survive) Mel Ferrer (The Antichrist) and Francisco Rabal (Belle De Jour) star in this wild splatterfest directed by the notorious Umberto Lenzi (Cannibal Ferox Eaten Alive). Originally released in America as the heavily edited City of The Walking Dead Nightmare City has been newly transferred from original vault materials and is now proudly presented completely uncut and uncensored.

• Belle De Jour 50th Anniversary | DVD | (02/10/2017) from £9.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Stunningly restored for the 50th anniversary, BELLE DE JOUR is an elegant and erotic masterpiece and undoubtedly Luis Buñuel's most accessible film. Screen icon Catherine Deneuve plays Séverine, the glacially beautiful, sexually unfulfilled wife of a surgeon, whose blood runs icy with ennui until she takes a day-job in a brothel. There she meets a charismatic but sinister young gangster (Pierre Clémenti), and ignites an obsession that will court peril. Buñuel uses diffused lighting, dark colours, and shadows throughout the film to temper the gravity and emotional impact of each uncomfortable scene. Left to our own imaginative devices, the result is a film that is highly unsettling, perverse, and inevitably tragic. SPECIAL FEATURES: The Last Script A Story of Perversion or Emancipation? Interview with Dr Sylvain Mimoun Commentary by Professor Peter W. Evans NEW Interview with Jean-Claude Carrière NEW Masterclass with Diego Bunuel and Jean-Claude Carrière NEW Trailer INCLUDES 6 ARTCARDS