'Broken Lance' is a remake of 'House Of Strangers' (1949) which was also remade as 'The Big Show' (1961). All three are based loosely on Shakespeare's play 'King Lear'. Tyrannical cattle baron Matt Devereaux (Spencer Tracy) has raised his older sons harshly leaving them neglected and bitter particularly Ben (Richard Widmark). Matt's youngest son Joe (Robert Wagner) however receives the most attention from Matt's wife a Comanche Indian (Katy Jurado). Joe remains loyal even t
When the nuclear-powered submarine - Tiger Shark - sets out to investigate a ba ing series of naval disasters near the Arctic Circle, its fearless crew quickly fi nd themselves besieged by electrical storms, under attack from an unidentifi ed fl oating saucer, and in the grip of hairy tentacles in this superb science-fi ction potboiler from the golden age of Sci-Fi!
'Franz Ferdinand' is the band's first DVD featuring over four and a half hours of live performances and extras showcasing why they are one of the biggest bands in the world today. Disc 1: 1. Michael (Brixton Academy - London) 2. Tell Her Tonight (Pianos - New York) 3. 40ft (The Regency Grand - San Francisco) 4. Take Me Out (T in the Park - Scotland) 5. Cheating on You (Rock Wercheter - Belgium) 6. Love & Destroy (The Avalon - Los Angeles) 7. The Dark Of T
This DVD set features the 2 disc special editions of all four Die Hard films! Die Hard (John McTiernan) (1988): New York cop John McClane facing Christmas alone flies to Los Angeles to see his estranged wife Holly (Bonnie Bedelia) and their kids in an attempt to patch things up. He arrives at his wife's high tech office building in the middle of their Christmas party just as it is gatecrashed by the ruthless master criminal Hans Gruber (Alan Rickman) and a dozen fellow activists intent on relieving the Nakatomi Corporation of six hundred million dollars in negotiable bonds... Die Hard 2 - Die Harder (Dir. Renny Harlin) (1990): On a snowy Christmas Eve in the nation's capital a team of terrorists has seized a major International Airport and now holds thousands of holiday travellers hostage. The terrorists a renegade band of crack military commandos led by a murderous rogue officer (William Sadler) have come to rescue a drug lord from justice. They've prepared for every contingency except one: John McClane an off-duty cop seized by a feeling of deadly de-ja-vu. Die Hard With A Vengeance (Dir. John McTiernan) (1995): This time New York cop John McClane (Willis) is the personal target of the mysterious Simon (Jeremy Irons) a terrorist determined to blow up the entire city if he doesn't get what he wants. Accompanied by an unwilling civilian partner (Samuel L. Jackson) McClane careens wildly from one end of New York City to the other as he struggles to keep up with Simon's deadly game. Die Hard 4.0: Live Free Or Die Hard (Dir. Len Wiseman) (2007): A computer genius is systematically shutting down the computer infrastructure of the US. The mysterious figure behind the scheme seems to have figured out every digital angle but he hasn't counted on an old fashioned 'analogue' cop John McClane.
Richard Strauss's wildest and most passionate opera gets an almost ideal performance in this 1989 production with three great female singers at the height of their powers. Marton is terrifyingly unreasonable as Elektra, determined to mourn her dead father in the face of her mother who had him killed, and to hope and pray for the vengeance that her brother will one day bring. Told he is dead, her emotional collapse is equally total, and her eventual self-destructive dance of triumph is a bittersweet ecstasy of anger and joy. Studer gives the sometimes underplayed role of the normal, compromising "feminine" sister the weight and sympathy Strauss intended it to have. Fassbaender is electric as Clytemnestra, collapsing under the weight of her guilt and paranoia, but still scarily sexy and regal in her manipulation of those around her. Abbado's conducting is electric--from the opening "Agamemnon" chords to the final dying fall of Elektra's dance, he never puts a foot wrong or misjudges the pacing of this most difficult of opera scores. The DVD has subtitles in English, German and French. --Roz Kaveney
A band of commandos led by a murderous officer seize an international airport. Their aim is to rescue a drug baron (Franco Nero) from justice. Detective McClane (Bruce Willis) finds himself having to battle tough anti-terrorists squads and a deadly snowstorm to break the grip of the terrorists who have control of the plane that is carrying his wife...
Fifteen years previously three friends were drafted into the Vietnam War and only two came home. Still traumatised by their experiences and estranged from each other for many years Dave and 'Jacknife' meet again in a confrontation which will test their friendship and shape their futures.
White Feather
This two-hour DVD from director Tony Palmer celebrates the extraordinary life of Bobby Moore. Described by veteran sports journalist the late Ian Wooldridge as the best sports documentary I have ever seen the film stars all the 1966 World Cup heroes plus contributions from Michael Caine Pele Harry Redknapp David Beckham George Best Jimmy Greaves and members of Moore's family. Bobby Moore remains an iconic figure and inspiration for generations of football players and fans - a rags-to-riches fairy tale and a special moment in English history. He was the first (and so far only) English captain to hold the World Cup in his hands. Bobby Moore's journey from the poverty-stricken East End to becoming the most famous man in England came to symbolise the triumph of a country and of an entire generation. This film tells the true story of the man and the footballer. All his football contemporaries in the England team of 1966 were interviewed - among them Bobby and Jack Charlton Geoff Hurst Martin Peters Alan Ball and George Cohen - as well as iconic figures such as David Beckham George Best Harry Redknapp Jimmy Greaves Terry Venables Franz Beckenbauer Pel'' Michael Caine Denis Law Jimmy Tarbuck Alan Shearer and Malcolm Allison; and most importantly Bobby Moore's Aunt Ina daughter Roberta and son Dean as well as both his wives Tina & Stephanie. Their eye-witness accounts together with a special contribution from Alf Garnett (Warren Mitchell) football footage of England's campaigns in 1966 and 1970 and archive film of Bobby Moore's parents and of Alf Ramsey throughout that period make this film a unique family record of an extraordinary man.
Even Brian De Palma's staunchest defenders had to swallow hard with this gaudily gory bauble of a thriller that is built around a gruesome (yet surprisingly wittily staged) stalking and murder involving a female victim and a killer with a giant power drill. This is De Palma at his most sensational, in a story about a B-movie actor (Craig Wasson) with career problems and a habit as a voyeur. He witnesses the aforementioned murder, then teams up with a porn actress (Melanie Griffith) to try and find the killer. De Palma has a blast going inside the porn film industry, and even films a pseudo rock video with one-hit wonders Frankie Goes to Hollywood. Wasson is an unlikely leading man, bland and pasty, but he is perfect in the role of a decidedly imperfect hero. --Marshall Fine, Amazon.com
A Muslim detective teams with an American posing as a graduate student to find the man behind a series of deadly terrorist bombings in Indonesia.
In 1976 French director Patrice Chereau's centenary staging of Wagner's Ring cycle unleashed the greatest scandal in Bayreuth Festival history but by the end of its last performances in 1980 this epoch-making production was acclaimed with an hour and a half of thunderous applause.
A plot to steal a potentially valuable buffalo-head nickel binds together two mistrusting, disaffected schlubs and their young, would-be accomplice. David Mamet adapted the screenplay from his hard-biting 1975 stage play.
To condemn Dressed to Kill as a Hitchcock rip-off is to miss the sheer enjoyment of Brian De Palma's delirious thriller. Homages to Hitchcock run rampant through most of De Palma's earlier films, and this one's chock-full of visual quotes, mostly cribbed from Vertigo and Psycho. But De Palma's indulgent depravity transcends simple mimicry to assume a vitality all its own. It's smothered in thickly atmospheric obsessions with sex, dread, paranoia, and voyeurism, not to mention a heavy dose of Psycho-like psychobabble about a wannabe transsexual who is compelled to slash up any attractive female who reminds him--the horror--that he's still very much a man. Angie Dickinson plays the sexually unsatisfied, forty-something wife who's the killer's first target, relaying her sexual fantasies to her psychiatrist (Michael Caine) before actually living one of them out after the film's celebrated cat-and-mouse sequence in a Manhattan art museum. The focus then switches to a murder witness (De Palma's then-girlfriend Nancy Allen) and Dickinson's grieving whiz-kid son (Keith Gordon), who attempt to solve the murder while staying one step ahead (or so they think) of the crude detective (Dennis Franz) assigned to the case. Propelled by Pino Donaggio's lush and stimulating score, De Palma's visuals provide seductive counterpoint to his brashly candid dialogue, and the plot conceals its own implausibility with morbid thrills and intoxicating suspense. If you're not laughing at De Palma's shameless audacity, you're sure to be on the edge of your seat. --Jeff Shannon, Amazon.com
A performance of Dvorak's opera 'Rusalka' which tells the story of a water nymph who becomes human. James Conlon conducts.
Der Graf Von LuxemburgThe Count Of LuxembourgLe COmte De LuxembourgOperette In Drei AktenOperetta In Three ActsOperette En Trois Actes
Psycho: The classic Hitchcock thriller involving a series of murders at a lonely motel where the deaths are attributed to the mother of the young owner. (Dir. Alfred Hitchcock 1960) (Dolby Digital 1.0 Mono - English Spanish French) Psycho 2: Norman Bates is coming home after spending 22 years in a mental institution. He plans to renovate the old Bates Motel the place where his first murders occurred... (Dir. Richard Franklin 1983) (Dolby Digital 5.1 - English French German ; Dolby Digital 2.0 - Italian Spanish) Psycho 3: The Bates Motel is again the site of some nasty doings as the rehabilitated Norman who has installed a new ice machine attempts to put his life back together. But old habits die hard... (Dir. Anthony Perkins 1986) (Dolby Digital 5.1 - English French Italian ; Dolby Digital 2.0 - German Spanish)
There's nobody to hear your scream...except your killer Having committed a crime some years previously and sworn themselves to secrecy a group of very beautiful women find that they are being stalked and murdered one by one in an unsettling old resort...
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