A fantastic double bill from the legendary Bing Crosby. Birth Of The Blues (Dir. Victor Schertzinger 1941): Bing Crosby and Mary Martin star as two jazz artists in the swinging world of 1920's New Orleans. Crosby is Jeff Lambert a clarinet player who is out to start a band called the Basin Street Hot-Shots. When Betty Lou (Martin) joins as vocalist romance ensues between everyone involved stirring things up a bit. The film pays homage to Dixieland greats such as Duke Ellin
Will Ferrell stars as a top-rated 70s news anchorman whose world falls apart when a woman arrives behind his news desk.
Derivative fluff from 1987, The Secret of My Success is made tolerable by its bawdy exuberance and an appealing performance by Michael J Fox, who was still enjoying TV stardom and the career momentum he earned by travelling Back to the Future. Here he plays a Kansas farm boy who dreams of scoring big in New York City... but reality turns out to be brutal to his ambition. When his uncle (Richard Jordan) gives him a mail-room job in the high-rise headquarters of a major corporation, Fox occupies an empty office and poses as a young executive, winning the attention of a lovely young colleague (Helen Slater) and having an affair with his boss's wife (Margaret Whitton). Sporadically amusing as a yuppie comedy and rather off-putting as a wannabe sex farce, the film's still recommendable for its lively cast and a breezy style that almost succeeds in updating the conventions of vintage screwball comedy. Whitton is a standout performer here, so you may wonder why her comedic talent has been underrated, apart from a good role in the first two Major League movies. This may be little more than a big-screen sitcom, but it's not without its charms. --Jeff Shannon, Amazon.com
Four elderly, affluent friends form The Chowder Society, meeting regularly to drink brandy, smoke cigars and share chilling ghost stories. Following the suspicious death of one of the member's sons and the subsequent apparition of a mysterious young woman, the old friends are forced to confront a terrible secret from their past. What follows is the most terrifying ghost story of all, one in which they have all played a part.
In two new Nordic Noir thrillers, Rolf Lassgard, one of Scandinavia's most popular actors (Wallander, False Trail), assumes a powerful new role as Police profiler Sebastian Bergman. Bergman is strong-minded, politically incorrect, abrasive - and grief-stricken, since he has yet to come to terms with the loss of both his wife and daughter in the 2004 Thailand tsunami. In the first of the two thrillers, from the creators of the original Wallander TV films, he helps police in his home town solve the murder of a 15-year-old boy who had an affair with one of his teachers. In the second, he attempts to catch a serial killer who seems to be modelling his attacks on those of a jailed killer whom Bergman brought behind bars himself...
A MONSTER MOVIE THAT BREAKS NEW GROUND! A pulse-pounding love letter to 1950s creature features that delivers horror and humour in equal measure, Tremors is a bonafide cult classic that has grabbed audiences' affections ever since its release and spawned a successful franchise that continues to this day. Good-ol'-boy handymen Val (Kevin Bacon) and Earl (Fred Ward) are sick of their dead-end jobs in one-horse desert town Perfection, Nevada (population: 14). Just as they're about to escape Perfection forever, however, things start to get really weird: half-eaten corpses litter the road out of town; the phone lines stop working; and a plucky young scientist shows evidence of unusually strong seismic activity in the area. Something is coming for the citizens of Perfection and it's under the goddamn ground! Bursting with indelible characters, quotable dialogue and jaw-dropping special effects, Tremors is back and bigger than ever in this 4K-restored and fully loaded collectors' edition. SPECIAL EDITION BLU-RAY CONTENTS New 4K restoration from the original negative by Arrow Films, approved by director Ron Underwood and director of photography Alexander Gruszynski 60-page perfect-bound book featuring new writing by Kim Newman and Jonathan Melville and selected archive materials Large fold-out double-sided poster featuring original and newly commissioned artwork by Matt Frank Small fold-out double-sided poster featuring new Graboid X-ray art by Matt Frank Six double-sided, postcard-sized lobby card reproduction artcards Limited Edition packaging with reversible sleeve featuring original and newly commissioned artwork by Matt Frank DISC 1 FEATURE & EXTRAS High Definition Blu-ray (1080p) presentation Restored DTS-HD MA original theatrical 2.0 stereo, 4.0 surround, and remixed 5.1 surround audio options Optional English subtitles for the deaf and hard of hearing New audio commentary by director Ron Underwood and writers/producers Brent Maddock & S.S. Wilson New audio commentary by Jonathan Melville, author of Seeking Perfection: The Unofficial Guide to Tremors Making Perfection, a brand new documentary by Universal Pictures interviewing key cast and crew from the franchise (including Kevin Bacon, Michael Gross, Ariana Richards, Ron Underwood, Brent Maddock & S.S. Wilson, among many others) and revisiting the original locations The Truth About Tremors, a newly filmed interview with co-producer Nancy Roberts on the film's rocky road to the screen Bad Vibrations, a newly filmed interview with director of photography Alexander Gruszynski Aftershocks and Other Rumblings, newly filmed on-set stories from associate producer Ellen Collett Digging in the Dirt, a new featurette interviewing the crews behind the film's extensive visual effects Music for Graboids, a new featurette on the film's music with composers Ernest Troost and Robert Folk Pardon My French!, a newly assembled compilation of overdubs from the edited-for television version The Making of Tremors, an archive documentary from 1995 by Laurent Bouzereau, interviewing the filmmakers and special effects teams Creature Featurette, an archive compilation of on-set camcorder footage showing the making of the Graboids Electronic press kit featurette and interviews with Kevin Bacon, Michael Gross and Reba McEntire Deleted scenes, including the original opening scene Theatrical trailers, TV and radio spots for the original film as well as trailers for the entire Tremors franchise Comprehensive image galleries, including rare behind-the-scenes stills, storyboards and two different drafts of the screenplay DISC 2 INTERVIEWS & SHORT FILMS (LIMITED EDITION EXCLUSIVE) Extended hour-long interviews from Making Perfection with Ron Underwood, Brent Maddock, S.S. Wilson, Nancy Roberts and creature designer Alec Gillis Outtakes with optional introduction and commentary by S.S. Wilson Three early short films by the makers of Tremors, remastered in high definition, including S.S. Wilson's stop-motion horror/comedy classic Recorded Live (1975)
This 1955 Oscar-nominated musical romance features the incomparable Fred Astaire in some of his most stunning dance sequences.Daddy Long Legs is a magical musical, following a young French girl (Leslie Caron) through college, her education sponsored by a mysterious man with long legs. Millionaire Jervis Pendleton III (Fred Astaire) is from old money, and although generous with his wealth, he must learn how to give of his emotions. Amid sparkling musical numbers and dream sequences, comic relief comes from Fred Clark as Griggs, Jervis' assistant, and Thelma Ritter as Jervis' secretary.
Titles Comprise: Breakfast at Tiffany's Funny Face Sabrina
A clean-faced 20-year-old Sebastien leads an impoverished life with his immigrant family constantly struggling to find the money for their next meal. When hired to repair the roof of the morphine-addicted Godon (Philippe Passon) Sebastien eavesdrops in on a conversation which appears to offer a quick and easy solution to his money troubles. When Godon suddenly falls dead Sebastien decides to follow the instructions meant for the recently deceased addict in a desperate bit to se
Michael Caine was robbed of an Oscar. He gives his finest performance in a decade as big-talking small-time agent Ray Say, a paunchy, pale life of the party hiding his desperation under gold chains and cool bravura. When he hears the almost magical voice of Jane Horrocks's meek little LV (short for Little Voice) fill her bedroom with the rich voice of Judy Garland, he sees his ticket to the big time. Little Voice is ostensibly LV's story, and in fact the original play was written for Horrocks, whose amazing vocal impressions of Garland, Shirley Bassey and Marilyn Monroe (among others) form the centrepiece performance of the film. But as directed by Mark Herman (Brassed Off), the story of this mousy girl who shuts herself in from a bellowing world is just as overwhelmed by the bombastic characters as LV herself. Brenda Blethyn babbles a blue streak as LV's overbearing mother, Mari, an ageing widow who escapes her unhappiness in carousing and becomes almost pathologically jealous when Ray's attentions turn from her to LV. As Ray puts his dreams on the line for LV's showcase, he reveals his true self: a venal man who spits and barks out his bottled-up anger in an astoundingly bile-filled delivery of Roy Orbison's "It's Over." The showstopping moment once again overwhelms LV's tale, but Caine's performance is so astounding it seems a fair trade. --Sean Axmaker
Legendary producer Pandro S. Berman acquired this sell out Broadway success and turned it into a hit motion picture starring Fred Astaire and not one but two of the greatest stage and screen dancers Irene Dunne and Ginger Rogers. The magic of 1920''s Paris is the backdrop as the City of Lights illuminates this film and also brings us the first great rendition of Smoke Get''s In Your Eyes. A template for future great Hollywood musicals. This is the third screen pairing of Fred Astaire and Ginger Rogers.
This beautifully presented box set contains four of the best musicals from the Hollywood phenomenon that is Fred Astaire and Ginger Rogers. The Gay Divorcee: A lively adaptation of the stage musical which featured Astaire and his sister Adele and the first film in which Astaire and Rogers actually received star billing. While vacationing at an English seaside resort a soon-to-be-divorced woman mistakes a lovestruck song-and-dance man for her paid co-respondent. As usual th
Taken from a long-running DC Comics strip, Wonder Woman was made into a popular television series between 1978 and 1981, starring former Miss America, Lynda Carter. Capturing the hearts of TV audiences with her sexy outfit as much as her superheroine abilities, Wonder Woman quickly became a kitsch icon, battling the forces of evil with the unforgettably camp "garb of justice", including bullet-proof bangles, a golden lasso and the belt of strength built into her corset. She had an invisible plane, too. Originally Princess Diana of Paradise Island (an uncharted land of Amazon women in the Bermuda Triangle), Wonder Woman is sent as an emissary to the outside world to protect the human race from the forces of evil. And so she becomes Diana Prince, the geeky, bespectacled assistant to Steve Trevor of the Inter Agency Defence Command in Washington, whose father she assisted against the Nazis in the 1940s. --Laura Bushell
Give credit to director Betty Thomas for making the notorious Howard Stern, self-proclaimed "king of all media", into a nerdish but appealing media rebel who loves his wife and family. Even if you hate Stern's rude radio show, you may discover that the underdog charm of this warm, whimsical film (based on Stern's autobiography) turns you into a fan--for the length of the film at least. Stern delivers a winning performance as the clumsy college kid and aspiring disc-jockey-turned-demon-shock-jock, who becomes an unlikely hero as he battles station managers, network executives and conservative "arbiters of decency" in the name of unfettered bad taste. Mary McCormack is fine as his understanding wife, Alison, and long-time Stern sidekicks Robin Quivers and Fred Norris acquit themselves nicely appearing as themselves. --Sean Axmaker, Amazon.com
Series One: A badly beaten body of a young Romanian woman is discovered on a Parisian rubbish dump. Her identity and past life are gradually uncovered as the various parts of the French Justice System investigate her death. However it becomes apparent that her story is tied to a network of corruption touching the very people charged with uncovering the truth about her. Series Two: A burned corpse is found in the boot of a car in a seemingly isolated case of urban violence. However the case grows in complexity and danger as each new piece of evidence unearths a duplicitous world of international trafficking informers double lives and arms dealing. An audacious plan to strike at the heart of the crime network means that the slightest slip will result in certain death. Series Three: When the mutilated body of a young woman is found on a disused railway track in the North of Paris Police Captain Laure Berthaud seizes the opportunity to restore a tarnished reputation leads her squad on the hunt for what she believes to be a deranged serial killer. However with her personal life in tatters and a potential rift emerging from within her own ranks Berthaud's world is on the verge of disintegration.
Romance at its most anti-romantic--that is the Billy Wilder stamp of genius, and this Best Picture Academy Award winner from 1960 is no exception. Set in a decidedly unsavoury world of corporate climbing and philandering, the great filmmaker's trenchant, witty satire-melodrama takes the office politics of a corporation and plays them out in the apartment of lonely clerk CC Baxter (Jack Lemmon). By lending out his digs to the higher-ups for nightly extramarital flings with their secretaries, Baxter has managed to ascend the business ladder faster than even he imagined. The story turns even uglier, though, when Baxter's crush on the building's melancholy elevator operator (Shirley MacLaine) runs up against her long-standing affair with the big boss (a superbly smarmy Fred MacMurray). The situation comes to a head when she tries to commit suicide in Baxter's apartment. Not the happiest or cleanest of scenarios, and one that earned the famously caustic and cynically humoured Wilder his share of outraged responses, but looking at it now, it is a funny, startlingly clear-eyed vision of urban emptiness and is unfailingly understanding of the crazy decisions our hearts sometimes make. Lemmon and MacLaine are ideally matched and while everyone cites Wilder's Some Like It Hot closing line "Nobody's perfect" as his best, MacLaine's no-nonsense final words--"Shut up and deal"--are every bit as memorable. Wilder won three Oscars for The Apartment, for Best Picture, Best Director and Best Screenplay (cowritten with long-time collaborator I A L Diamond). --Robert Abele
Anaïs Nin (Maria de Medeiros) is a young woman in 1930s Paris whose husband is slowly defecting from art to working in a bank, leaving her very bored. When the then-unpublished Brooklyn writer Henry Miller (Fred Ward) enters her life, she embarks on a journey of seduction and sexual exploration that eventually leads from the writer to his wife, June (Uma Thurman), who finances her husband's life in Paris so he may praise her beauty in his writing. Unhappy with her husband's writing and her lovers' affair, June enters a jealous rage, forcing Henry into suffering-artist mode and Nin back to her husband. Despite having one of the more erotic scenes of the 1990s, between Nin and June, the film does not live up to its subject, largely due to a mediocre screenplay and flawed direction. The strength of the original material and Medeiros' strong performance make it worth viewing. -- James McGrath, Amazon.com
See Garfield as you have never seen him before in this all new 3D animated movie with your favourite cast of characters returning plus introducing hilarious new friends for a feature length adventure Garfield's lovable style!
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