"Actor: George"

• Citizen Smith: Series 3 and 4 | DVD | (02/06/2003) from £30.86   |  Saving you £-5.87 (N/A%)   |  RRP £24.99

  Series 3 and 4 of the sitcom adventures of Wolfie Smith. Power to the people! In Tooting London SW17 revolution is still brewing. But will the Glorious Day ever come? Will Wolfie (Robert Lindsay) Ken Tucker and Speed - the Tooting Popular Front - ever manage to drag the proletariat out of its lethargy to strike at the heart of capitalism? Or will Wolfie's domestic problems lack of money and the dreadful performance of his beloved Fulham Football Club once again prove effective

• To Catch A Thief | DVD | (13/01/2003) from £5.94   |  Saving you £7.05 (118.69%)   |  RRP £12.99

  To Catch a Thief is not one of Alfred Hitchcock's greatest, but it's arguably his most stylish thriller, loved as much for the elegantly erotic banter between Grace Kelly and Cary Grant as for the suspense that ensues when retired burglar Grant attempts to net the copycat diamond thief. The action, much of it shot on location, hugs the coast of the French Riviera; John Michael Hayes' screenplay crackles with doubles entendres; and Edith Head's dresses define the aloof poise of one of cinema's more enigmatic icons. If anything is missing, it's the undertow of black humour which snags the unsuspecting viewer in so many of Hitchcock's greater films. Here, the edge is supplied by the splendid Jessie Royce Landis as Kelly's vulgar, worldly mother; her special way with a fried egg is one of those cinematic moments which linger in the mind with almost pornographic disgust. History, of course, delivered its own ironic blow years later when the then Princess Grace of Monaco died in an accident on the very road where Kelly and Grant shot their exhilarating car chase. Portents aside, she remains Hitchcock's most alluring and sophisticated heroine. On the DVD: To Catch a Thief is presented in 1.85:1 anamorphic widescreen, which distils the distinctive qualities of the VistaVision cinematography, and with a mono Dolby Digital 5.1 soundtrack. Interesting extras include several mini-documentaries in which Hitchcock's daughter and granddaughter, among others, reminisce about the great director, censor problems over the risqué dialogue, the talents of costume designer Edith Head, and the peculiar difficulties of shooting in VistaVision. An original theatrical trailer is another bonus. --Piers Ford

• The Ladykillers | DVD | (25/10/2004) from £6.31   |  Saving you £11.68 (185.10%)   |  RRP £17.99

  Tom Hanks teams up with the Coen brothers for a remake of the classic 1955 Ealing comedy about a group of thieves trying to bump off their landlady.

• Good Will Hunting | DVD | (22/01/2001) from £4.99   |  Saving you £11.00 (220.44%)   |  RRP £15.99

  Robin Williams won the Oscar for Best Supporting Actor, and actors Matt Damon and Ben Affleck nabbed one for Best Original Screenplay, but the feel-good hit Good Will Hunting triumphs because of its gifted director, Gus Van Sant. The unconventional director (My Own Private Idaho, Drugstore Cowboy) saves a script marred by vanity and clunky character development by yanking soulful, touching performances out of his entire cast (amazingly, even one by Williams that's relatively schtick-free). Van Sant pulls off the equivalent of what George Cukor accomplished for women's melodrama in the 1930s and 40s: He's crafted an intelligent, unabashedly emotional male weepie about men trying to find inner-wisdom. Matt Damon stars as Will Hunting, a closet maths genius who ignores his gift in favour of nightly boozing and fighting with South Boston buddies (co-writer Ben Affleck among them). While working as a university janitor, he solves an impossible calculus problem scribbled on a hallway blackboard and reluctantly becomes the prodigy of an arrogant MIT professor (Stellan Skarsgård). Damon only avoids prison by agreeing to see psychiatrists, all of whom he mocks or psychologically destroys until he meets his match in the professor's former childhood friend, played by Williams. Both doctor and patient are haunted by the past and, as mutual respect develops, the healing process begins. The film's beauty lies not with grand climaxes, but with small, quiet moments. Scenes such as Affleck's clumsy pep talk to Damon while they drink beer after work, or any number of therapy session between Williams and Damon offer poignant looks at the awkward ways men show affection and feeling for one another. --Dave McCoy

• People Just Do Nothing: Series 1-5 Boxset | DVD | (21/01/2019) from £13.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  All 5 series of the hit BBC show, collected for the first time in this DVD set. Includes subtitles for the Hard Of Hearing

• The Exterminator | DVD | (14/05/2012) from £10.98   |  Saving you £2.00 (25.03%)   |  RRP £9.99

  Scorching the streets clean... Flamethrowers ready as the alleyways of skid row are set ablaze with the brutal vengeance of one man... The Exterminator!John Eastland has been to ‘Nam and he’s seen things... Things you wouldn’t believe. Surviving torture and witnessing the brutal deaths of his friends, John returns home to a tough neighbourhood in New York and his loving family. But when some local thugs take a crippling dislike to his best friend Mike, leaving him paralysed, something snaps in John. Did he fight the Vietcong for this? Taking the law into his own hands, Eastland sets out to clean the streets of every low life, good for nothing gang banger, mobster and ghetto ghoul across the city in director James Glickenhaus’ (McBain) brutally violent vigilante classic. Special Features: Also Includes an Interview with James Glickenhaus Collector’s Booklet by Author Calum Waddell

• 633 Squadron | DVD | (20/05/2019) from £6.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  British WWII drama starring Cliff Robertson, George Chakiris and Maria Perschy. An RAF flying unit are assigned with the dangerous task of destroying an overhanging cliff in order to demolish a German bomb factory located in Norway. The squadron Wing Commander Roy Grant (Robertson) must work with Norwegian resistance leader Erik Bergman (Chakiris) in order to eliminate the Nazi threat.

• Ealing Studios Rarities Collection: Volume 6 | DVD | (16/09/2013) from £6.59   |  Saving you £8.40 (127.47%)   |  RRP £14.99

  A global byword for cinematic quality of a quintessentially British nature, Ealing Studios made more than 150 films over a three decade period. A cherished and significant part of British film history, only selected films from both the Ealing and Associated Talking Pictures strands have previously been made available on home video format - with some remaining unseen since their original theatrical release. The Ealing Rarities Collection redresses this imbalance - featuring new transfers from...

• Mae West in Hollywood, 1932-1943 (Limited Edition) | Blu Ray | (13/12/2021) from £59.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  When Mae West went to Hollywood in the early 1930s, she was already a major star. Having sensationalised Broadway, it was time for the movies to receive the same. Her fame allowed her control, picking her co-stars (including a young Cary Grant), receiving screenwriter credits, and baiting censors and audiences alike as the pre-Code era gave way to a more sanitised period in American filmmaking. This six-disc collection brings together all ten of West's classic Hollywood features, from her supporting turn in 1932's Night After Night to 1943's musical extravaganza, The Heat's On. Special Features 4K restoration of I'm No Angel 2021 restorations of Belle of the Nineties, Go West Young Man and Every Day's a Holiday from 4K scans 2018 restorations of Goin' to Town and My Little Chickadee from 4K scans 2017 restoration of She Done Him Wrong from a 4K scan High Definition remasters of Night After Night, Klondike Annie and The Heat's On Original mono soundtracks Audio commentary on She Done Him Wrong by critic and film historian Pamela Hutchinson (2021) Audio commentary on I'm No Angel by critic and writer Farran Smith Nehme (2021) Audio commentary on Klondike Annie by academic and curator Eloise Ross (2021) Audio commentary on Go West Young Man by writer and film historian Nora Fiore (2021) Mae West at UCLA (1971): archival audio recording of the great performer in conversation at the University of California, Los Angeles Introduction to My Little Chickadee by Harriet Fields, granddaughter of W C Fields (2021) Lucy Bolton on Mae West (2021): the writer and academic discusses the irrepressible stardom of West Christina Newland on Mae West (2021): the writer and critic looks at West's glamour and attitudes to sex Two Super 8 versions of I'm No Angel: a pair of original cut-down home-cinema presentations, each consisting of unique scenes Super 8 version of The Heat's On Original theatrical trailers New and improved subtitles for the deaf and hard-of-hearing Limited edition exclusive 120-page book with a new essay by Iris Veysey, archival articles, a critical archive, and film credits World and UK premieres on Blu-ray Limited edition of 6,000 numbered units MORE TO BE ANNOUNCED! All extras subject to change

• Rita, Sue and Bob Too (DVD + Blu-ray) | Blu Ray | (22/05/2017) from £18.75   |  Saving you £N/A (N/A%)   |  RRP £N/A

  British films about sex are fairly rare, and mostly embarrassing: from the painfully anxious (Brief Encounter) to the hopelessly naff (the Carry On films). What a treat then is Rita, Sue and Bob Too, Alan Clarke's filming of a stage play by young Andrea Dunbar. It's an unsentimental, gleefully lewd comedy about shagging. Tagged for its cinema release in 1987 as "Thatcher's Britain with its knickers down", it even provoked a minor moral hullabaloo in the newspapers. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two giggly Bradford lasses stuck on a ramshackle housing estate. They keep themselves in fags by occasional baby-sitting for nouveau riche couple Bob (George Costigan) and Michelle (Lesley Sharp). Bob fancies himself rotten, but Michelle has ruled that sex is off the menu. So one night, driving Rita and Sue home, Bob detours to the Yorkshire moors and offers the girls a little something extra in his front seat. Rita and Sue decide to grab it while they can. Alan Clarke's cult following is founded on his bleak, brilliant films about violent young men (Scum, The Firm, Made in Britain). But Rita, Sue is a tribute to Clarkey's ribald sense of humour. It even sports a cameo from novelty pop-act Black Lace, performing their non-hit "Gang-Bang". Teenage debutantes Holmes and Finneran are terrific--just watch them dancing lustily around Bob's red leather sofa to Bananarama. In support, Clarke wisely cast skilled northern comedians like Patti Nicholls and Willie Ross, as Sue's foul-mouthed mum and dad. Amid the laughs, Clarke as usual doesn't stint from showing us the harsh, unlovely side of life. He shot the film on location at Bradford's Buttershaw estate, where Andrea Dunbar grew up and where, tragically, she died of a brain haemorrhage only a few years after the film's release. --Richard Kelly

• Shampoo | DVD | (08/12/2003) from £14.51   |  Saving you £-8.52 (N/A%)   |  RRP £5.99

  A modish creation teased into life by Warren Beatty, Shampoo was an offbeat Hollywood hit back in 1975. Made after Watergate, it reflects on the hedonism of late-60s Los Angeles with a sad, somewhat cynical eye. Basically a bedroom farce, fuelled by some famously raunchy dialogue, its comedy is nevertheless underlain with melancholy. Screenwriter Robert Towne was inspired by Wycherly's Restoration comedy The Country Wife, wherein a wily fellow convinces friends of his impotence even while he is merrily seducing their wives. Hence, Towne invented handsome Beverly Hills hairdresser George Roundy (Beatty), who ought to be gay, but emphatically isn't. Shampoo begins on US Election Day, 1968, as Nixon is trouncing McGovern at the polls, and George Roundy is trying to sort his life out. An earnest advocate of sensual pleasure, he beds most of his female clients, from the fretful Jill (Goldie Hawn) to the wealthy Felicia (Lee Grant). Yet George is himself unfulfilled, and imagines that owning his own salon will satisfy him. He asks Felicia's husband Lester (Jack Warden) to back him, but first Lester coerces George into squiring his mistress Jackie (Julie Christie) to a Nixon victory party. Inevitably, Jackie is another of George's girls and, having seduced Felicia's vivacious daughter (Carrie Fisher) earlier that day, George has much to conceal from Lester and Felicia as the evening's festivities unravel. Shampoo shows the 60s turning sour. The characters are rich hippies, superficially liberated but deeply unhappy, and blandly indifferent to the dawning of the Nixon era. The excellent Lee Grant won an Oscar, but Shampoo is Beatty's film. He produced it, had a substantive hand in Towne's script, and deputised the nominal director, Hal Ashby. The film mildly exploits legends of Beatty's real-life sexual prowess, but mainly it embodies his commitment to making thoughtful movies for grown-ups. Richard Kelly

• The First Great Train Robbery | DVD | (19/03/2001) from £20.00   |  Saving you £-7.01 (N/A%)   |  RRP £12.99

  A lively, humorous caper film of the first order, The First Great Train Robbery is Michael Crichton's ambitious adaptation of his own novel, which was inspired by the facts of the first known train robbery. Crichton sets this attractive, highly enjoyable film in London in 1855, where Edward Pierce (Sean Connery) and Agar (Donald Sutherland) plot to steal £25,000 in gold that is being transported by train to pay British troops in the Crimean War. Lesley-Anne Down plays Miriam, Pierce's sophisticated paramour and the third partner in the scheme; while Pierce and Agar make copies of four keys for the train's closely guarded safes, she uses her feminine wiles to distract a variety of officials and businessmen with connections to the gold.The film boasts a vividly authentic recreation of mid-Victorian England, all the more remarkable since the production was filmed primarily in Ireland on a budget of $6 million--a miraculously modest sum (even in 1978) for such a lavish-looking film. Credit is due to the splendid cinematography of Geoffrey Unsworth and Jerry Goldsmith's ebullient score, both of which enhance the film's look and feel. Although Crichton's directorial style seems somewhat detached and bloodless, he maintains a vivid respect for place and time, and his three leads are splendid in their charismatic roles. Meticulous attention to details of costuming and production design enhance the breezy fun of the heist, which climaxes with an exciting sequence on the rushing train, with Connery performing his own stunt work. While the later hit Mission: Impossible would take a similar sequence to its high-tech, high -velocity extreme, The First Great Train Robbbery remains an entertaining study of crime in a less hectic age, allowing Crichton to emphasise ingenuity over special effects. --Jeff Shannon, Amazon.com

• A Hard Day's Night | Blu Ray | (07/07/2025) from £29.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Meet the Beatles! Just one month after they exploded onto the U.S. scene with their Ed Sullivan Show appearance, John, Paul, George, and Ringo began working on a project that would bring their revolutionary talent to the big screen. This film, in which the bandmates play slapstick versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever. Directed with raucous, anything-goes verve by Richard Lester (The Knack . . . and How to Get It) and featuring a slew of iconic pop anthemsincluding the title track, Can't Buy Me Love, I Should Have Known Better, and If I FellA Hard Day's Night, which reconceived the movie musical and exerted an incalculable influence on the music video, is one of the most deliriously entertaining movies of all time. Director-Approved 4K UHD + Blu-Ray Special Edition Features New 4K digital restoration, approved by director Richard Lester, with three audio optionsa monaural soundtrack as well as stereo and 5.1 surround mixes supervised by sound producer Giles Martin at Abbey Road Studiospresented in uncompressed monaural, uncompressed stereo, and DTS-HD Master Audio One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Audio commentary featuring cast and crew In Their Own Voices, a program featuring 1964 interviews with the Beatles and behind-the- scenes footage and photos You Can't Do That: The Making of A Hard Day's Night, a 1994 documentary by producer Walter Shenson including an outtake performance by the Beatles Things They Said Today, a 2002 documentary about the film featuring Lester, music producer George Martin, screenwriter Alun Owen, and cinematographer Gilbert Taylor Picturewise, a program about Lester's early work, featuring a 2014 audio interview with the director The Running Jumping & Standing Still Film (1960), Lester's Oscar-nominated short Anatomy of a Style, a 2014 program on Lester's methods Interview from 2014 with Beatles biographer Mark Lewisohn English subtitles for the deaf and hard of hearing PLUS: An essay by critic Howard Hampton and excerpts from a 1970 interview with Lester Cover by Rodrigo Corral

• Breakfast at Tiffany's | Blu Ray | (12/09/2011) from £11.98   |  Saving you £10.00 (100.10%)   |  RRP £19.99

  No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker

• Robin Hood | DVD | (22/07/2002) from £4.85   |  Saving you £15.14 (312.16%)   |  RRP £19.99

  A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story of Robin Hood is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy. --Tom Keogh, Amazon.com

• Paranormal Activity: The Ghost Dimension | Blu Ray | (29/02/2016) from £9.98   |  Saving you £17.00 (212.77%)   |  RRP £24.99

  For the first time, see the unseen in Paranormal Activity: The Ghost Dimension the horrifying conclusion to the Paranormal Activity films.

• The Nineties | DVD | (21/05/2018) from £10.39   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Produced by Emmyaward winning Tom Hanks, Gary Goetzman and Mark Herzog, The Nineties is the fourth series in the acclaimed documentary strand chronicling American society and popular culture in the later twentieth century. A decade that saw technological triumphs and terrorist tragedies, inter-racial conflict in Los Angeles to New York and all points in between, the grunge revolution and hip-hop's ascendance to the mainstream. A series of extraordinary events crowded across the world stage, including the collapse of the Soviet Union, the reunification of Germany and the end of apartheid in South Africa, while everything from culture to commerce was irrevocably altered as the world went online, and a groundbreaking, genre-bending new era of television changed the world forever. This epic series uses rare archival footage and interviews with renowned journalists, historians, musicians and television cast and crew to give us a window into the decade that set the stage for the way we live today.

• The A-Team - Series 5 | DVD | (21/06/2010) from £11.99   |  Saving you £23.00 (191.83%)   |  RRP £34.99

  In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped a maximum security stockade to the Los Angeles underground. Today still wanted by the government they survive as soldiers of fortune. If you have a problem if no one else can help and if you can find them maybe you can hire the A-Team! Everybody's favourite soldiers of fortune return in Season Five of The A-Team! Episodes Comprise: 1. Dishpan Man 2. Trial By Fire 3. Firing Line 4. Quarterback Sneak 5. The Theory Of Revolution 6. The Say U.N.C.L.E. Affair 7. Alive At Five 8. Family Reunion 9. Point Of No Return 10. The Crystal Skull 11. The Spy Who Mugged Me 12. The Grey Team 13. Without Reservations

• Bubble Boy | DVD | (05/08/2002) from £5.38   |  Saving you £9.61 (178.62%)   |  RRP £14.99

  Innocuous, innocent and somewhat idiotic, Disney's bubbleheaded road-movie comedy Bubble Boy plays as a farcical remake of the 1976 cult TV-movie melodrama The Boy in the Plastic Bubble. Jake Gyllenhaal is the good-hearted innocent raised in a sort of human Habitrail of plastic rooms and rubber tunnels. To win back the girl of his dreams (Marley Shelton), he steps out of his indoor greenhouse and into a homemade Ziplock bubble suit. It's the usual story: naive innocent bounces down the highway like a beach ball with legs and wins over the wacky supporting cast of soft-hearted bikers, zombie-like teenage cultists and orphaned "freaks" through purity and pluck. The premise wears thin after a while, but Gyllenhaal keeps the film bounding along with goofy innocence and energetic eagerness. Swoosie Kurtz costars as his religious-zealot clinging mom. Watch for Fabio in an inspired cameo. --Sean Axmaker On the DVD: Bubble Boy contains a surprising amount of special features for what is essentially a B-movie comedy. These include a long winded multi-interview about the main star of the film, the Bubble suit itself; a director's diary, charting the events around the time of filming the movie; a "Production Design Gallery" including intricate pencil drawings and a story board of the Niagara Falls sequence. Along with this, director Blair Hayes and Jake Gyllenhaal offer a gabbled conversation rather than a commentary. --Nikki Disney

• When We Were Kings | DVD | (02/02/2009) from £3.99   |  Saving you £8.00 (200.50%)   |  RRP £11.99

  Muhammad Ali's 1974 knockout of George Foreman to regain the heavyweight championship of the world at the age of 32 was probably the greatest sporting moment of the 20th century. Leon Gast's documentary on the "Rumble In The Jungle", When We Were Kings, eventually released in 1996, is probably the finest ever boxing film. The background to the contest was almost as dramatic as the fight itself. It was the first major coup for promoter Don King, a character described in this film as "very clever but completely amoral"--yet this was his finest hour. President Mobutu, unsavoury dictator of Zaire and a more frightening figure than either boxer, had spent millions of his country's money to host the event. George Foreman, like Sonny Liston before him and Mike Tyson after him, was considered unbeatable, expected to slaughter Ali. Seeing him pounding a dent the size of a grapefruit into a heavy bag during training, you can understand why. Ringside American journalists George Plimpton and in particular Norman Mailer offer exceptionally shrewd insights. As we stare into Ali's face during the minute interval at the end of round one, Mailer talks us through his probable thought processes. "That was the only time I ever saw fear in his eyes." Ali, of course, is the star, besting the sullen Foreman in the build-up with his freewheeling, hilarious braggadocio then outfoxing him in the fight with his "rope-a-dope" technique. Like Ali, the "Rumble In The Jungle" transcended sports in its inspirational significance. --David Stubbs