A lively, humorous caper film of the first order, The First Great Train Robbery is Michael Crichton's ambitious adaptation of his own novel, which was inspired by the facts of the first known train robbery. Crichton sets this attractive, highly enjoyable film in London in 1855, where Edward Pierce (Sean Connery) and Agar (Donald Sutherland) plot to steal £25,000 in gold that is being transported by train to pay British troops in the Crimean War. Lesley-Anne Down plays Miriam, Pierce's sophisticated paramour and the third partner in the scheme; while Pierce and Agar make copies of four keys for the train's closely guarded safes, she uses her feminine wiles to distract a variety of officials and businessmen with connections to the gold.The film boasts a vividly authentic recreation of mid-Victorian England, all the more remarkable since the production was filmed primarily in Ireland on a budget of $6 million--a miraculously modest sum (even in 1978) for such a lavish-looking film. Credit is due to the splendid cinematography of Geoffrey Unsworth and Jerry Goldsmith's ebullient score, both of which enhance the film's look and feel. Although Crichton's directorial style seems somewhat detached and bloodless, he maintains a vivid respect for place and time, and his three leads are splendid in their charismatic roles. Meticulous attention to details of costuming and production design enhance the breezy fun of the heist, which climaxes with an exciting sequence on the rushing train, with Connery performing his own stunt work. While the later hit Mission: Impossible would take a similar sequence to its high-tech, high -velocity extreme, The First Great Train Robbbery remains an entertaining study of crime in a less hectic age, allowing Crichton to emphasise ingenuity over special effects. --Jeff Shannon, Amazon.com
No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker
A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story of Robin Hood is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy. --Tom Keogh, Amazon.com
For the first time, see the unseen in Paranormal Activity: The Ghost Dimension the horrifying conclusion to the Paranormal Activity films.
Produced by Emmyaward winning Tom Hanks, Gary Goetzman and Mark Herzog, The Nineties is the fourth series in the acclaimed documentary strand chronicling American society and popular culture in the later twentieth century. A decade that saw technological triumphs and terrorist tragedies, inter-racial conflict in Los Angeles to New York and all points in between, the grunge revolution and hip-hop's ascendance to the mainstream. A series of extraordinary events crowded across the world stage, including the collapse of the Soviet Union, the reunification of Germany and the end of apartheid in South Africa, while everything from culture to commerce was irrevocably altered as the world went online, and a groundbreaking, genre-bending new era of television changed the world forever. This epic series uses rare archival footage and interviews with renowned journalists, historians, musicians and television cast and crew to give us a window into the decade that set the stage for the way we live today.
In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped a maximum security stockade to the Los Angeles underground. Today still wanted by the government they survive as soldiers of fortune. If you have a problem if no one else can help and if you can find them maybe you can hire the A-Team! Everybody's favourite soldiers of fortune return in Season Five of The A-Team! Episodes Comprise: 1. Dishpan Man 2. Trial By Fire 3. Firing Line 4. Quarterback Sneak 5. The Theory Of Revolution 6. The Say U.N.C.L.E. Affair 7. Alive At Five 8. Family Reunion 9. Point Of No Return 10. The Crystal Skull 11. The Spy Who Mugged Me 12. The Grey Team 13. Without Reservations
Innocuous, innocent and somewhat idiotic, Disney's bubbleheaded road-movie comedy Bubble Boy plays as a farcical remake of the 1976 cult TV-movie melodrama The Boy in the Plastic Bubble. Jake Gyllenhaal is the good-hearted innocent raised in a sort of human Habitrail of plastic rooms and rubber tunnels. To win back the girl of his dreams (Marley Shelton), he steps out of his indoor greenhouse and into a homemade Ziplock bubble suit. It's the usual story: naive innocent bounces down the highway like a beach ball with legs and wins over the wacky supporting cast of soft-hearted bikers, zombie-like teenage cultists and orphaned "freaks" through purity and pluck. The premise wears thin after a while, but Gyllenhaal keeps the film bounding along with goofy innocence and energetic eagerness. Swoosie Kurtz costars as his religious-zealot clinging mom. Watch for Fabio in an inspired cameo. --Sean Axmaker On the DVD: Bubble Boy contains a surprising amount of special features for what is essentially a B-movie comedy. These include a long winded multi-interview about the main star of the film, the Bubble suit itself; a director's diary, charting the events around the time of filming the movie; a "Production Design Gallery" including intricate pencil drawings and a story board of the Niagara Falls sequence. Along with this, director Blair Hayes and Jake Gyllenhaal offer a gabbled conversation rather than a commentary. --Nikki Disney
Muhammad Ali's 1974 knockout of George Foreman to regain the heavyweight championship of the world at the age of 32 was probably the greatest sporting moment of the 20th century. Leon Gast's documentary on the "Rumble In The Jungle", When We Were Kings, eventually released in 1996, is probably the finest ever boxing film. The background to the contest was almost as dramatic as the fight itself. It was the first major coup for promoter Don King, a character described in this film as "very clever but completely amoral"--yet this was his finest hour. President Mobutu, unsavoury dictator of Zaire and a more frightening figure than either boxer, had spent millions of his country's money to host the event. George Foreman, like Sonny Liston before him and Mike Tyson after him, was considered unbeatable, expected to slaughter Ali. Seeing him pounding a dent the size of a grapefruit into a heavy bag during training, you can understand why. Ringside American journalists George Plimpton and in particular Norman Mailer offer exceptionally shrewd insights. As we stare into Ali's face during the minute interval at the end of round one, Mailer talks us through his probable thought processes. "That was the only time I ever saw fear in his eyes." Ali, of course, is the star, besting the sullen Foreman in the build-up with his freewheeling, hilarious braggadocio then outfoxing him in the fight with his "rope-a-dope" technique. Like Ali, the "Rumble In The Jungle" transcended sports in its inspirational significance. --David Stubbs
A comical and delightful tale of community spirit, written by celebrated Ealing regular and Academy Award Winner T.E.B. Clarke (The Lavender Hill Mob, Barnacle Bill), directed by Charles Crichton (A Fish Called Wanda, The Lavender Hill Mob) and celebrating its 60th Anniversary, The Titfield Thunderbolt has been expertly digitally restored from the much loved, Golden Age of the Ealing Comedies. When British Railways announce the closure of the Titfield to Mallingford branch line, a group of local village residents make a bid to run it themselves, backed by a monied member of the community who is attracted by the complete lack of licensing hours on trains. Unfortunately this puts them into direct competition with the local bus company. Special Features: Making the Titfield Thunderbolt Douglas Slocombe Home Movie Footage The Lion Locomotive Featurette Locations Feaurette Stills Gallery Restoration Comparison Douglas Slocombe on Charles Crichton Audio Interview Trailer
The film packed with stunning images jaw-dropping scenes and superb performances from Robert De Niro and Mickey Rourke is a fusion of two genres - the classic Chandleresque detective story and the supernatural. Harry Angel is hired for $125 a day to track down the big band swinger Johnny Favourite. What seems like a straight-forward missing person case dramatically becomes a murder hunt for this down-and-out private detective. His client Louis Cypher a mysterious stranger is forced to up his fee to keep Angel on the case. Each of Angel's leads ends up as a victim of a ritualistic act of murder as he begins to put together the pieces in the jigsaw of Johnny's strange story... the nightmare has just begun.
An out of work actor (Richard Lewis) and a just-jilted woman (Sean Young) find they are competing to return a lost dachshund to it's owner and collect the $5,000 reward. They go from Rome to Monte Carlo together but when they find the owner, he has been murdered and they are the prime suspects, along with a compulsive gambler (John Candy) and a hideous American (James Belushi).
This cute, 1989 comedy directed by Amy Heckerling (Fast Times at Ridgemont High) helped keep John Travolta busy during some fallow years and extended America's then-love affair with Bruce Willis, whose voice is the only part of him that appears. Kirstie Alley costars as an unwed mother in search of a suitable man to become her baby's father. Travolta is a cab driver who doesn't match her ideal, but he gets involved anyway. Half the fun comes from Willis's risible reading of the newborn's thoughts. Look Who's Talking was followed by two lesser sequels, Look Who's Talking Too and Look Who's Talking Now. --Tom Keogh
Look Who's Talking: Led on and let down by boyfriend Albert (George Segal) 32 year old Mollie (Kirstie Alley) is looking for a proper father for her son. Little Mikey favours cab driver-turned-baby-sitter James (John Travolta). It's a case of baby knows best but by the time he learns to talk it could be too late! Look Who's Talking Too: A new baby is on the way and it's a girl. Wrapped together with the standard conflict between mother and father Mikey engages in a bit of sibling rivalry with his new sister voiced by Roseanne Barr... Look Who's Talking Now: The kids are growing and can now talk but the Ubriacco household is turned upside down with the arrival of two talking dogs...
Documentary series following architect George Clarke as he builds his own bolt-hole and meets others who have done the same. Buying an old caravan for a few hundred pounds, George sets about transforming it into a small holiday home for him and his family. Meanwhile, he visits various structures, including a horsebox, a beach hut, a tree tent and a war vehicle, that have been made into living and working spaces.
One of the better romantic comedies of the 1990s, this quirky love story stars Kevin Costner as washed-up golf pro, Roy "Tin Cup" McAvoy, who has the singular misfortune of falling in love with the girlfriend (Rene Russo) of his arch rival (Don Johnson). Although he is inspired to re-ignite his golf career, challenge his opponent in the US Open, and win the affection of the woman of his dreams, McAvoy has just one flaw: he's a show off when he should just focus on playing the game. Reunited with his Bull Durham writer-director Ron Shelton, Costner fits into his Tin Cup role like a favourite pair of shoes and costar Cheech Marin scores a memorable scene-stealing comeback as McAvoy's best buddy, Romeo Posar. Mixing his love of sports with his flair for fresh, comedic dialogue, Shelton takes this enjoyable movie down unexpected detours (although some may find it a bit too long), and his characters are delightfully unpredictable. --Jeff Shannon
How does bitter convict Robert Stroud cope with a lifetime of solitary confinement? The answer in a sense comes from above in the form of a feeble sparrow he finds in the isolation yard. Stroud brings this newfound companion to his cell nurses it to health and from that point on there's no turning back. Despite having only a third grade education and no hope of parole Stroud becomes a renowned ornithologist and achieves a greater sense of freedom and purpose behind prison walls
The Wild West Has Never Been Funnier! Goldie Hawn and George Segal star in this rough and tumble comedy that bounces from San Francisco's Barbary Coast to the wilderness of Utah. The Dirtwater Fox (Segal) is a slick gambler who wants to hold on to the $40 000 he's stolen from a gang of outlaws. The Duchess (Hawn) is a scheming saloon singer who wants to become a ""real lady."" But once they team up they begin to realize that what they really want is each other. Mixing clever di
Meet Sam. A spy for hire. A ruthless operative. A determined hunter. And herself hunted by a hidden enemy more brutal and dogged than any she's ever known. Sam has been running from her past her entire life. But when she returns to her job at Byzantium following a near fatal attempt on her life, she will discover the only way to escape that past... is to confront it. Trapped in an intricate web of suspense and paranoia, Sam must discover who wants her dead at the same time as completing her mission for Byzantium before it is too late.
The mysterious island village of Balfe is experiencing unexplainable phenomena...from grossly oversized sea life to half-buried bodies in the dark woods to strange Neanderthal-like men suffering from a rare disfiguring disease. Is this town afflicted by radioactive waste contaminating their water? Is there a vengeful mutant monster lurking in the woods? Or worse, are the townsfolk being punished by an act of God for their past sins? It is up to Dr. Del Shaw and the dedicated scientists at Doomwatch headquarters to discover the cause of these horrific mutations. Infuriating local villagers who cling to their secluded island's survival, Dr. Shaw (Ian Bannen) and local school teacher Victoria Brown (Judy Geeson) risk their lives to uncover the truth behind the strange happenings, no matter how frightening or dangerous it may be. Based on the British television series of the same name, DOOMWATCH is a haunting telltale film that just might be hazardous to your health!
Malignant marks director James Wan's return to his roots with this new original horror thriller. In the film, a woman is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.
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