"Actor: Grace KELLY"

  • Rear Window - 60th Anniversary Edition [Blu-ray] [1954] [Region Free]Rear Window - 60th Anniversary Edition | Blu Ray | (04/08/2014) from £14.99   |  Saving you £5.00 (38.49%)   |  RRP £17.99

    Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. Photographer L.B. "Jeff" Jeffries (James Stewart) is, in fact, a voyeur by trade, a professional photographer sidelined by an accident while on assignment. His immersion in the human drama (and comedy) visible from his window is a by-product of boredom, underlined by the disapproval of his girlfriend, Lisa (Grace Kelly), and a wisecracking visiting nurse (Thelma Ritter). Yet when the invalid wife of Lars Thorwald (Raymond Burr) disappears, Jeff enlists the two women to help him to determine whether she's really left town, as Thorwald insists, or been murdered. Hitchcock scholar Donald Spoto convincingly argues that the crime at the center of this mystery is the MacGuffin--a mere pretext--in a film that's more interested in the implications of Jeff's sentinel perspective. We actually learn more about the lives of the other neighbors (given generic names by Jeff, even as he's drawn into their lives) he, and we, watch undetected than we do the putative murderer and his victim. Jeff's evident fear of intimacy and commitment with the elegant, adoring Lisa provides the other vital thread to the script, one woven not only into the couple's own relationship, but reflected and even commented upon through the various neighbours' lives. At minimum, Hitchcock's skill at making us accomplices to Jeff's spying, coupled with an ingenious escalation of suspense as the teasingly vague evidence coalesces into ominous proof, deliver a superb thriller spiked with droll humour, right up to its nail-biting, nightmarish climax. At deeper levels, however, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland

  • High Noon (Masters of Cinema) Blu-rayHigh Noon (Masters of Cinema) Blu-ray | Blu Ray | (02/03/2020) from £14.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

    One of the most treasured Hollywood classics, and one of the most influential and iconic Westerns ever made, High Noon remains a powerful study of heroism, and the tension between the individual and the society around him. One of the best films by director Fred Zinnemann (From Here to Eternity) -- and produced by Stanley Kramer -- High Noon is riveting entertainment and an acknowledged American masterpiece, yet one with surprisingly tumultuous roots. In his Oscar-winning performance, Gary Cooper stars as small town Marshal Will Kane, preparing to retire and leave town with his young bride Amy (Grace Kelly). However, plans are derailed with the impending arrival of outlaw Frank and his brutal gang. Unfolding in real time, High Noon follows Will as he futilely tries to assemble a posse with the reluctant townspeople, who want Will to forget about a conflict -- as does Amy, a Quaker pacifist who just wants to avoid violence. But as high noon approaches, Will realises he must do the moral thing...with or without help. Special Features 4K Digital Restoration Optional English subtitles for the deaf and hard-of-hearing Exclusive audio commentary by historian Glenn Frankel, author of High Noon: The Hollywood Blacklist and the Making of an American Classic Exclusive audio commentary by western authority Stephen Prince Video interview with film historian Neil Sinyard, author of Fred Zinnemann: Films of Character and Conscience A 1969 audio interview with writer Carl Foreman from the National Film Theatre in London The Making of ˜High Noon' [22 mins] a documentary on the making of the film Inside ˜High Noon' [47 mins] and Behind ˜High Noon' [10 mins] two video pieces on the making and context of the film Theatrical Trailer PLUS: A collector's booklet featuring an essay by Philip Kemp; two archival pieces on the film by critic Richard Combs, including an analysis of the film's timekeeping; and On The Wayne, an article by Carl Foreman originally published in Punch Magazine in 1974

  • High Society [1956]High Society | DVD | (17/04/2019) from £7.99   |  Saving you £8.00 (133.56%)   |  RRP £13.99

    MGM's bold idea to remake George Cukor's Oscar-winning upper-class romantic farce, The Philadelphia Story, into a star-studded technicolor musical with Cole Porter tunes somehow works splendidly and remains an underrated gem. Even the plot and character names--and some bits of dialogue--all remain the same as the original. Crooning Bing Crosby replaces Cary Grant as the wealthy ex-husband trying to win back his soon-to-be-remarried ex-wife, spoiled ice queen Tracy Lord (Grace Kelly, stunning and aloof in her last film role, originated in the earlier comedy by Katherine Hepburn). Unlike Grant, however, Crosby has jazz great Louis Armstrong, playing himself, in his corner for quixotic persuasion. Frank Sinatra (cocky in James Stewart's former role) and Celeste Holm add support as the nosy reporters covering, and subsequently complicating, the upcoming wedding. Sure, High Society lacks the original's witty satire, sarcasm and character complexity; but it's assuredly paced and wonderfully acted, and contains enough romantic chemistry to keep the plot engaging. And then there's the music. Unlike the grandiose production numbers of many 40s and 50s musicals, High Society's musical sequences are considerably low-key and intimate, focusing on Porter's lyrical content and the style in which it's delivered by the charismatic performers. Armstrong kicks the film off in telling style: he sings the title track, a calypso tune outlining the plot like a Greek chorus--not as an elaborately choreographed song-and-dance number, but instead stuffed claustrophobically in the back of a limousine with his jazz band. Other musical standouts include Sinatra and Crosby playfully tossing barbs during "Well, Did You Evah?"; Crosby and Armstrong teaming up for an energetic clash of styles in "Now You Has Jazz"; the two soaring, archetypal ballads by the leads--Crosby's "I Love You, Samantha" and Sinatra's superior "You're Sensational"; and, finally, the satirical Sinatra/Holm duet, "Who Wants to Be a Millionaire?", the closest High Society ever comes to social or class-commentary. --Dave McCoy, Amazon.com

  • Alfred Hitchcock - Essential Collection [DVD]Alfred Hitchcock - Essential Collection | DVD | (05/09/2011) from £9.99   |  Saving you £N/A (N/A%)   |  RRP £9.99

    Titles Comprise:Rear Window: When professional photographer J.B. Jeff Jeffries (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbours play out across the courtyard. When he suspects a salesman may have murdered his nagging wife, Jeffries enlists the help of his glamorous socialite girlfriend (Grace Kelly) to investigate the highly suspicious chain of events that lead to one of the most memorable and gripping endings in all of film history.The Birds: As beautiful blonde Melanie Daniels ('Tippi' Hedren) rolls into Bodega Bay in pursuit of eligible bachelor Mitch Brenner (Rod Taylor), she is inexplicably attacked by a seagull. Suddenly thousands of birds areflocking into town, preying on school-children and residents in a terrifying series of attacks. Soon Mitch and Melanie are fighting for their lives against a deadly force that can't be explained and can't be stopped in one of Hollywood's most horrific films of nature gone berserk.Vertigo: Set in San Francisco, James Stewart portrays an acrophobic detective hired to trail a friend's suicidal wife (Kim Novak). After he successfully rescues her from a leap into the bay, he finds himself becoming obsessed with the beautifully troubled woman. One of cinema's most chilling romantic endeavours - this film is a must for collectors.Psycho: Anthony Perkins stars in Alfred Hitchcock's landmark masterpiece as the troubled Norman Bates whose old dark house and adjoining motel are not the place to spend a quiet evening. Janet Leigh plays Marion Crane, the ill-fated traveller whose journey ends in the notorious shower scene. Horror and suspense mount to a terrifying climax where the mysterious killer is finally revealed after both Marion's sister and a private detective search for her.

  • Alfred Hitchcock Collection: Dial M for Murder / North By Northwest / Strangers on a Train [Blu-ray] [1951] [Region Free]Alfred Hitchcock Collection: Dial M for Murder / North By Northwest / Strangers on a Train | Blu Ray | (26/11/2012) from £12.79   |  Saving you £N/A (N/A%)   |  RRP £N/A

    Titles Comprise: North by Northwest Dial M for Murder Strangers on a Train

  • The Bridges At Toko-Ri [1954]The Bridges At Toko-Ri | DVD | (13/10/2003) from £8.08   |  Saving you £7.91 (49.50%)   |  RRP £15.99

    A powerful study of courage in the face of irrational odds, The Bridges at Toko-Ri (based on James Michener's novel) is no less patriotic than many other war films, but it dispenses with the gung-ho bluster to focus on the very real and tragic consequences of war. This is also one of the first films to openly criticise the morality of the Korean War while praising the honour and integrity of the men who fought it. Lt Harry Brubaker (William Holden) is one of those men: a lawyer with a loving wife (Grace Kelly) and two young daughters, who is recalled to duty from the Navy Reserve, his mission; to fly with a bomber jet squadron over one of the Communists' most heavily protected targets, the strategically vital bridges in the Korean canyon of Toko-Ri. Brubaker has his own noble protection from his fellow pilots (including Charles McGraw in a fine supporting role), admiring admiral (Frederic March), and from the helicopter scouts (Mickey Rooney, Earl Holliman) who saved his life on a previous missions. But his ambivalence--and his fear that the Toko-Ri mission will be his last--is what gives the film its potent emotional impact. Holden is perfect in his role, and director Mark Robson steadfastly avoids any false sentiment or macho theatrics that would diminish the film's devastating climax. The Bridges at Toko-Ri is also a superlative showcase for the naval operations; the aerial sequences earned an Oscar for special effects and the Navy's cooperation assures total authenticity in the "flat-top" aircraft carrier scenes. --Jeff Shannon, Amazon.com

  • Rear Window [1954]Rear Window | DVD | (04/06/2007) from £3.99   |  Saving you £6.00 (60.10%)   |  RRP £9.99

    None of Hitchcock's films has ever given a clearer view of his genius for suspense than Rear Window. When professional photographer J.B. ""Jeff"" Jeffries (James Stewart) is confined to a wheelchair with a broken leg he becomes obsessed with watching the private dramas of his neighbours play out across the courtyard. When he suspects a salesman may have murdered his nagging wife Jeffries enlists the help of his glamorous socialite girlfriend (Grace Kelly) to investigate the highly suspicious chain of events... Events that ultimately lead to one of the most memorable and gripping endings in all of film history.

  • To Catch a Thief [DVD] [1955]To Catch a Thief | DVD | (14/01/2013) from £4.99   |  Saving you £15.00 (300.60%)   |  RRP £19.99

    The French Riviera… two luminous stars (Grace Kelly, Cary Grant)… and the Master of Suspense, Alfred Hitchcock, behind the camera. They all add up to one romantic, dazzling screen thriller. Grant plays John Robie, a retired jewel thief once known as 'The Cat', who catches the eye of Frances Stevens (Kelly), a pampered, vacationing heiress. But when a new rash of gem thefts occurs amongst the luxury hotels of the spectacular French playground, it appears that 'The Cat' is on the prowl once again. Is Robie truly reformed? Or is he deviously using Frances to gain access to the tempting collection of fabulous jewellery belonging to her mother (Jessie Royce Landis)? Romantic sparks fly as the suspense builds in this glittering Hitchcock classic that nabbed an Oscar for Best Cinematography. Special Features: Commentary by Peter Bogdanovich and Laurent Bouzereau Featurettes: 1.) Writing and Casting To Catch A Thief 2.) The Making Of To Catch A Thief 3.) Alfred Hitchcock and To Catch A Thief: An Appreciation 4.) Edith Head- The Paramount Years Featurette Theatrical Trailer

  • Rear Window [1954]Rear Window | DVD | (17/10/2005) from £4.99   |  Saving you £7.00 (58.40%)   |  RRP £11.99

    Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbours. Cheerful voyeurism, as well as the behaviour glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. Photographer LB "Jeff" Jeffries (James Stewart) is, in fact, a voyeur by trade, a professional photographer sidelined by an accident while on assignment. His immersion in the human drama (and comedy) visible from his window is a by-product of boredom, underlined by the disapproval of his girlfriend, Lisa (Grace Kelly), and a wisecracking visiting nurse (Thelma Ritter). Yet when the invalid wife of Lars Thorwald (Raymond Burr) disappears, Jeff enlists the two women to help him to determine whether she's really left town, as Thorwald insists, or been murdered. Hitchcock scholar Donald Spoto convincingly argues that the crime at the centre of this mystery is the MacGuffin--a mere pretext--in a film that's more interested in the implications of Jeff's sentinel perspective. We actually learn more about the lives of the other neighbours (given generic names by Jeff, even as he's drawn into their lives) he, and we, watch undetected than we do the putative murderer and his victim. Jeff's evident fear of intimacy and commitment with the elegant, adoring Lisa provides the other vital thread to the script, one woven not only into the couple's own relationship, but reflected and even commented upon through the various neighbours' lives. At a minimum, Hitchcock's skill at making us accomplices to Jeff's spying, coupled with an ingenious escalation of suspense as the teasingly vague evidence coalesces into ominous proof, deliver a superb thriller spiked with droll humour, right up to its nail-biting, nightmarish climax. At deeper levels, however, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. -- Sam Sutherland, Amazon.com

  • Hitchcock Complete BoxsetHitchcock Complete Boxset | DVD | (17/10/2005) from £18.99   |  Saving you £16.67 (98.12%)   |  RRP £33.66

    From the 'Master of Suspense' this box set features many of his very best films. Titles comprise: 1. Vertigo 2. The Birds 3. Rear Window 4. Marnie 5. Frenzy 6. Topaz 7. The Trouble With Harry 8. Torn Curtain 9. Psycho: Special Edition (includes the Bonus disc the Hitchcock legacy) 10. Family Plot 11. Saboteur 12. Shadow Of A Doubt 13. The Man Who Knew Too Much 14. Rope For individual synopses please refer to the individual products.

  • To Catch A Thief [1955]To Catch A Thief | DVD | (13/01/2003) from £10.25   |  Saving you £2.74 (26.73%)   |  RRP £12.99

    To Catch a Thief is not one of Alfred Hitchcock's greatest, but it's arguably his most stylish thriller, loved as much for the elegantly erotic banter between Grace Kelly and Cary Grant as for the suspense that ensues when retired burglar Grant attempts to net the copycat diamond thief. The action, much of it shot on location, hugs the coast of the French Riviera; John Michael Hayes' screenplay crackles with doubles entendres; and Edith Head's dresses define the aloof poise of one of cinema's more enigmatic icons. If anything is missing, it's the undertow of black humour which snags the unsuspecting viewer in so many of Hitchcock's greater films. Here, the edge is supplied by the splendid Jessie Royce Landis as Kelly's vulgar, worldly mother; her special way with a fried egg is one of those cinematic moments which linger in the mind with almost pornographic disgust. History, of course, delivered its own ironic blow years later when the then Princess Grace of Monaco died in an accident on the very road where Kelly and Grant shot their exhilarating car chase. Portents aside, she remains Hitchcock's most alluring and sophisticated heroine. On the DVD: To Catch a Thief is presented in 1.85:1 anamorphic widescreen, which distils the distinctive qualities of the VistaVision cinematography, and with a mono Dolby Digital 5.1 soundtrack. Interesting extras include several mini-documentaries in which Hitchcock's daughter and granddaughter, among others, reminisce about the great director, censor problems over the risqué dialogue, the talents of costume designer Edith Head, and the peculiar difficulties of shooting in VistaVision. An original theatrical trailer is another bonus. --Piers Ford

  • Country GirlCountry Girl | DVD | (08/11/2004) from £21.02   |  Saving you £-8.03 (-61.80%)   |  RRP £12.99

    Failing singer/actor Frank Elgin (Crosby) has the chance to make a comeback when director Bernie Dodds (Holden) offers him the lead role in a new musical. Georgie (Kelly) Frank's wife finds herself coping with everything as her husband turns to alcohol in an attempt to shield his insecurities. Georgie decides to team up with Bernie in an attempt to boost Frank's self-esteem. Some fantastic performances especially from the three leads; Grace Kelly won an Oscar for her performance

  • High Noon [1952]High Noon | DVD | (15/01/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £9.99

    One of the greatest Westerns ever made gets the deluxe treatment on this superior disc. Written by Carl Foreman (who was later blacklisted during the anticommunist hearings of the 1950s) and superbly directed by Fred Zinnemann, this 1952 classic stars Gary Cooper as just-married lawman Will Kane, who is about to retire as a small-town sheriff and begin a new life with his bride (Grace Kelly) when he learns that gunslinger Frank Miller (Ian MacDonald) is due to arrive at high noon to settle an old score. Kane seeks assistance from deputies and townsfolk, but soon realises he will have to stand alone in his showdown with Miller and his henchmen. Innovative for its time, the suspenseful story unfolds in approximate real time (from 10:40 a.m. to high noon in an 84-minute film), and many interpreted Foreman's drama as an allegorical reflection of apathy and passive acceptance of Senator Joseph McCarthy's anticommunist campaign. Political underpinnings aside, this remains a milestone of its genre (often referred to as the first "adult" Western), and Cooper is flawless in his Oscar-winning role. The first-rate DVD gives this landmark film all the respect it deserves, beginning with a digitally remastered transfer from the original film negative. --Jeff Shannon, Amazon.com

  • Dial M for MurderDial M for Murder | DVD | (17/04/2019) from £6.73   |  Saving you £1.26 (18.72%)   |  RRP £7.99

    Classic Hitchcock movie starring Grace Kelly & Ray Milland. Ex-tennis pro Tony Wendice decides to murder his wife for her money and because she had an affair the year before. He blackmails an old college associate to strangle her, but when things go wrong he sees a way to turn events to his advantage.

  • Rear Window [Blu-ray] [1954][Region Free]Rear Window | Blu Ray | (13/05/2013) from £12.49   |  Saving you £2.50 (20.02%)   |  RRP £14.99

    Alfred Hitchcock playfully explores the role of the voyeur in one of his best-loved suspense thrillers. After breaking his leg during a shoot, photo-journalist L.B. 'Jeff' Jeffries (James Stewart) is forced to spend a humid summer recuperating in his Greenwich Village apartment. The wheelchair-bound Jeff whiles away his time observing his neighbours through a telephoto lens, bestowing them with nicknames and growing familiar with their daily routines. However, his society girlfriend Lisa (Grace Kelly) is exasperated and then alarmed when Jeff becomes obsessed with the notion that Lars Thorwald (Raymond Burr), who lives in the apartment opposite, has murdered his wife. A 53-minute making of feature, 'Rear Window Ethics', is also included. Special Features: Rear Window Ethics: An Original Documentary A Conversation with Screenwriter John Michael Hayes Pure Cinema: Through the Eyes of The Master Breaking Barriers: The Sound of Hitchcock Rear Window Re-Release Trailer Narrated by James Stewart Feature Commentary with John Fawell Author of Hitchcock's Rear Window

  • To Catch A Thief [Blu-ray] [1955][Region Free]To Catch A Thief | Blu Ray | (24/09/2012) from £13.48   |  Saving you £6.51 (48.29%)   |  RRP £19.99

    The French Riviera... two luminous stars (Grace Kelly, Cary Grant)... and the Master of Suspense, Alfred Hitchcock, behind the camera. They all add up to one romantic, dazzling screen thriller in this first time on Blu-ray edition. Grant plays John Robie, a retired jewel thief once known as The Cat, who catches the eye of Frances Stevens (Kelly), a pampered, vacationing heiress. But when a new rash of gem thefts occurs amongst the luxury hotels of the spectacular French playground, it appears that The Cat is on the prowl once again. Is Robie truly reformed? Or is he deviously using Frances to gain access to the tempting collection of fabulous jewelry belonging to her mother (Jessie Royce Landis)? Romantic sparks fly as the suspense builds in this glittering Hitchcock classic that nabbed an Oscar for Best Cinematography.

  • High Society [1956]High Society | DVD | (09/10/2006) from £8.41   |  Saving you £4.58 (35.30%)   |  RRP £12.99

    Beautiful aloof Newport heiress Tracy Lord (Kelly) is about to marry bland businessman George Kittredge (John Lund) but matters become complicated when her ex-husband C K Dexter-Haven (Crosby) moves to her neighbourhood determined to win back her hand. Things go from bad to worse for Tracy when journalist Mike Connor (Sinatra) arrives to cover the wedding for Spy Magazine. When Tracy is forced to choose between her suitors will she realise that ""safe"" doesn't always mean the best b

  • Hitchcock DVD CollectionHitchcock DVD Collection | DVD | (08/11/2004) from £80.98   |  Saving you £-18.99 (N/A%)   |  RRP £61.99

    The incomparable Alfred Hitchcock presents a collection of his finest suspenseful thrillers! Includes: 1. Strangers On A Train (1951) 2. Stage Fright (1950) 3. I Confess (1953) 4. Dial M For Murder (1954) 5. The Wrong Man (1956) 6. North By Northwest (1959)

  • High Noon [1952]High Noon | DVD | (13/10/2008) from £13.48   |  Saving you £-3.49 (N/A%)   |  RRP £9.99

    The story of a man who was too proud to run. On the day Lawman Will Kane trades in his tin star for his beautiful bride news arrives that a killer he helped send to jail is returning on the noon train to seek revenge. At the behest of his friends and concerned for his new bride's safety they quickly leave town to avoid a confrontation. But Cooper realises they'll never run far enough away and heads back to town to face the killer. But when Kane tries to drum up support one by one the townspeople he had protected turn their backs on him... until Kane stands alone to face four killers on the deserted streets of town in one of the most famous showdowns ever!

  • High Noon (1952) (Masters of Cinema) Limited Edition Blu-rayHigh Noon (1952) (Masters of Cinema) Limited Edition Blu-ray | Blu Ray | (16/09/2019) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

    Eureka Entertainment to release the acclaimed masterpiece HIGH NOON, Fred Zinnemann's iconic western starring Gary Cooper and Grace Kelly, available for the first time on Blu-ray in the UK from a 4K restoration, as part of The Masters of Cinema Series from 16 September 2019. Presented with a Limited Edition 100-page Collector's Book and Limited Edition Hardbound Slipcase [3000 copies ONLY]. One of the most treasured Hollywood classics, and one of the most influential and iconic Westerns ever made, High Noon remains a powerful study of heroism, and the tension between the individual and the society around him. One of the best films by director Fred Zinnemann (From Here to Eternity) -- and produced by Stanley Kramer -- High Noon is riveting entertainment and an acknowledged American masterpiece, yet one with surprisingly tumultuous roots. In his Oscar-winning performance, Gary Cooper stars as small town Marshal Will Kane, preparing to retire and leave town with his young bride Amy (Grace Kelly). However, plans are derailed with the impending arrival of outlaw Frank and his brutal gang. Unfolding in real time, High Noon follows Will as he futilely tries to assemble a posse with the reluctant townspeople, who want Will to forget about a conflict -- as does Amy, a Quaker pacifist who just wants to avoid violence. But as high noon approaches, Will realises he must do the moral thing...with or without help. While the film has become a favourite of U.S. presidents from Eisenhower and Reagan to Clinton, its release was controversial: John Wayne (who had turned down the role) and Howard Hawks hated it, precisely because it was viewed as a thinly veiled allegory for the House Un-American Activities Committee hearings investigating communism at the time. Its politics make it even more intriguing now, but regardless, High Noon is one of the most important -- and gripping films -- of the 1950s Limited Edtion Features: Hardbound Slipcase PLUS: A LIMITED EDITION 100-PAGE Collector's book featuring new writing on the film; the original short story The Tin Star by John W. Cunningham; excerpts from writings and interviews with director Fred Zinnemann; archival articles and materials relating to the film Blu-ray Features: 4K Digital Restoration Optional English subtitles for the deaf and hard-of-hearing Brand new and exclusive audio commentary by historian Glenn Frankel, author of High Noon: The Hollywood Blacklist and the Making of an American Classic Brand new and exclusive audio commentary by western authority Stephen Prince New video interview with film historian Neil Sinyard, author of Fred Zinnemann: Films of Character and Conscience A 1969 audio interview with writer Carl Foreman from the National Film Theatre in London The Making of ˜High Noon' [22 mins] a documentary on the making of the film Inside ˜High Noon' [47 mins] and Behind ˜High Noon' [10 mins] two video pieces on the making and context of the film Theatrical Trailer

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