Gregory Peck won an Oscar for his brilliant performance as the Southern lawyer who defends a black man accused of rape in this film version of the Pulitzer Prize winning novel. The setting is a dusty Southern town during the Depression. A white woman accuses a black man of rape. Though he is obviously innocent the outcome of his trial is such a foregone conclusion that no lawyer will step forward to defend him - except Peck the town's most distinguished citizen. His compassionate de
Gregory Peck (MacArthur), Omar Sharif (Lawrence of Arabia), and Anthony Quinn (R.P.M.) lead the cast of Behold a Pale Horse, a powerful drama from director Fred Zinnemann (The Day of the Jackal).Twenty years after the Spanish Civil War, Republican guerilla Manuel (Peck) lives in exile in France. Francoist Captain Viñolas (Quinn) is tasked with capturing him, and senses an opportunity when Manuel's mother (Mildred Dunnock) falls ill, but hasn't counted on the involvement of priest Father Francisco (Sharif), who tries to protect Manuel and guide him away from his path to violence. Adapted by J P Miller (Days of Wine and Roses) from a novel by Emeric Pressburger (The Red Shoes), Behold a Pale Horse is a riveting tale of morality, betrayal, and resistance.
William Wyler directed this epic Western, about the clash of East and West, intellect and action. Gregory Peck stars as a sea captain who moves way out West to marry Carroll Baker and become part of the ranch owned by her father (Charles Bickford). But he discovers that daddy's top hand (Charlton Heston) carries a torch for Baker and doesn't particularly like Peck stepping into his place. Peck also finds himself caught in the midst of a power struggle between Bickford and his surly neighbour, Burl Ives (and his reprehensibly bullying son, Chuck Connors). The Big Country is a long, sprawling tale that works because its characters are played by movie stars who know how to command the big screen in a big story. --Marshall Fine
One of the most exciting action films ever made! It's W.W. II and concealed deep within the solid rock of a cliff impregnable to assault by sea or air are the German Army's mighty guns of Navarone. Because they control a strategic channel in the Aegean Sea it's imperative that the guns are destroyed. A specialised commando team is assembled. Included are mountaineer Keith Mallory explosive expert Corporal Miller Greek resistance fighter Andrea Stravos and British Major Franklin. Led by Mallory the team's goal is to reach Navarone and sabotage the colossal guns....
For the first time ever on Blu-ray, remastered from a 4K film transfer, Roman Holiday features a legendary, Oscar®-winning* performance from Audrey Hepburn (in her first starring role). Nominated for a total of 10 Oscars®, including Best Picture, it's the story of a modern-day princess who, rebelling against the royal obligations, explores Rome on her own. She soon meets an American newspaperman (Gregory Peck) who pretends ignorance of her true identity, in the hopes of obtaining an exclusive story. Naturally, his plan falters as they inevitably fall in love. Featuring Eddie Albert as a carefree cameraman pal, a classic Dalton Trumbo screenplay, expert direction from William Wyler, and featuring Edith Head's Oscar®-winning* costumes, it's a timeless romantic comedy considered to be one of the greatest films from the Golden Age of Hollywood. Includes the film on both Remastered Blu-ray and DVD as well as extensive bonus content going behind the scenes of old Hollywood and this timeless classic Leonard Maltin on Roman Holiday HD Behind the Gates: Costumes HD Rome with a Princess HD Audrey Hepburn: The Paramount Years HD Dalton Trumbo: From A-List to Blacklist HD Paramount in the 50s Remembering Audrey
During the German occupation of Rome in 1943 an athletic Irish priest Monsignor Hugh O'Flaherty (Gregory Peck) devotes all the time he can spare from his work at the Vatican to hiding Allied POWs from the Nazis. Col. Herbert Kappler (Christopher Plummer) Rome's chief Gestapo Officer suspects O'Flaherty of hiding escapees but can do little about it because of the priest's Vatican diplomatic immunity. But when he unearths proof of O'Flaherty's complicity he orders that the priest be
This rousing, explosive 1961 World War II adventure, based on Alistair MacLean's thrilling novel, turns the war thriller into a deadly caper film. Gregory Peck heads a star-studded cast charged with a near impossible mission: destroy a pair of German guns nestled in a protective cave on the strategic Mediterranean island of Navarone, from where they can control a vital sea passage. As world-famous mountain climber turned British army Captain, Mallory (Peck) leads a guerrilla force composed of the humanitarian explosives expert, Miller (David Niven), the ruthless Greek patriot with a grudge, Stavros (Anthony Quinn), veteran special forces soldier Brown (Stanley Baker) and the cool, quiet young marksman Pappadimos (James Darren). This disparate collection of classic types must overcome internal conflicts, enemy attacks, betrayal and capture to complete their mission. Director J. Lee Thompson sets a driving pace for this exciting (if familiar) military operation, a succession of close calls, pitched battles and last-minute escapes as our heroes infiltrate the garrisoned town with the help of resistance leader Maria (Irene Papas) and plot their entry into the heavily guarded mountain fort. Carl Foreman's screenplay embraces MacLean's role call of clichés and delivers them with style, creating one of the liveliest mixes of espionage, combat and good old-fashioned military derring-do put on film, while Dimitri Tiomkin's score is as sturdy as the rock of Navarone itself. --Sean AxmakerOn the DVD: This special-edition DVD gives the modern-day viewer a taste of what movies were like in 1961. Four curious featurettes are included, produced as publicity for the film. James Darren narrates a little ditty at his honeymoon in Malta during filming; Irene Papas narrates a giddy, old-fashioned look at "Two Girls on the Town". There is even a filmed bit with producer-writer Carl Foreman that was shown once at the premiere. The 30-minute retrospective, "Memories of Navarone", made in 1999 has the expected reminiscences from Gregory Peck and Anthony Quinn. Director J. Lee Thompson's audio commentary is a bit frustrating; he's now in his 80s, and most of his recollections are slow in coming. A historian could have brought out the film's history (it was the most expensive movie ever made at time of release) and produced a more vital viewing. --Doug Thomas
In 1976 The Omen scored a hit with critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the anti-Christ. Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon, Amazon.com Damien: Omen II takes place several years after the mysterious events that claimed the life of the US Ambassador and his wife as the now teenaged and militarily enrolled Damien Thorne is slowly being made aware of his unholy heritage and horrific destiny. Woe is he (including anyone in Damien's adoptive family and his classmates) who suspects the truth or gets in his way. While not as unrelentingly frightening as its blockbuster predecessor, this more-than-competent sequel raises some interesting questions about the nature of free will (can the anti-Christ deny his birthright?) before falling into a gory series of increasingly outlandish deaths, the best of which is a terrifyingly protracted scene beneath the ice of a frozen lake. Jerry Goldsmith (who won an Oscar for his work on the first film in the series) contributes another marvellously foreboding score. --Andrew Wright, Amazon.com The series concludes with The Omen III: The Final Conflict, starring Sam Neill as the adult Damien--aka the son of Satan--in a battle with the heavens for control of mankind. The film ends up depending more heavily on effects and spectacle than on the kind of basic horrors that made the first movie in the series so unsettling but at least this one gives some closure to the seemingly endless saga. --Tom Keogh, Amazon.com On the DVDs: On the original movie disc there is an all-new 45-minute documentary, "666: The Omen Revealed", with contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London!), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the movie. The second and third films lack as many extra features, being content with audio commentaries and theatrical trailers: the commentary for Omen II is by producer Harvey Bernhard, that for Omen III by director Graham Baker. --Mark Walker
Robustly entertaining and bracingly sinister, The Boys from Brazil stars Gregory Peck as the infamous Dr Josef Mengele, the former Nazi chief who intends to resurrect the Führer and create a Fourth Reich through genetic experiments that commence with the assassination of some 94 fathers. Elderly Nazi hunter Ezra Lieberman (Laurence Olivier, in an Oscar-nominated performance) is tipped to the plot, but his efforts to expose Peck (fiendishly cast against type) are thwarted by a set of menacing triplets played by Jeremy Black. Back in 1978, The Boys from Brazil (adapted from Ira Levin's novel) was an incalculably tense, straight-faced entertainment whose lack of irony allowed the viewer to indulge the film's outrageous premise without moral offence. But in view of the scientific advancements made since the release of the film, it's now a cautionary tale, and all the more compelling for being so. Jerry Goldsmith's richly conceived, Oscar-nominated score--replete with echoes of Mahler and Strauss--reinforces this impression.--Kevin Mulhall
In 1976 The Omen was a hit among critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the Antichrist. Directed by Richard Donner (best known later for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect, and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury, but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon, Amazon.com On the DVD: The all-new 45-minute documentary, "666: The Omen Revealed", has contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene--spooky. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the film, and the DVD package is completed by the original theatrical trailer. --Mark Walker
Scorsese's invigorating history of American movies avoids the straitjacket of chronology. Although he makes dutiful nods in the direction of Edwin S. Porter, D.W. Griffith and Orson Welles, he is equally interested in figures working at the margins, film-makers such as Andre De Toth, Ida Lupino, Sam Fuller and Edgar Ulmer, "who circumvented the system to get their vision onto the screen". He describes them as "illusionists", "smugglers", con artists who managed to hoodwink the money men into allowing them to make the films they wanted. Some worked in B-movies ("less money, more freedom") others (like Scorsese himself) struck their own Faustian bargains with the studios, making "one movie for them, one for yourself"His heroes are the outsiders, the film-makers who chafe against the assurances of the American dream. He offers a vivid, guilty vignette of himself as a four-year-old child, sitting in a darkened auditorium watching in amazement as Gregory Peck overpowers Jennifer Jones in Duel in the Sun, one of the first films his mother took him to. "The savage intensity of the music, the burning sun, the overt sexuality ... it seems that the two could only consummate their passion by killing each other". There's a certain irony in Scorsese, who once seriously considered becoming a priest, succumbing to a David O. Selznick Technicolor extravaganza which had already been condemned by the church.While often sounding like a serious-minded apprentice who watches old movies to pick up tips which will help him in his own work ("study the old masters, enrich your palette, expand the canvas-there's always so much more to learn") he never overlooks the illicit pleasure that cinema can bring. "I don't really see a conflict between the church and the movies, the sacred and the profane". --Geoffrey Macnab
After King David sees the beautiful Bathsheba bathing from the palace roof, he enters into an adulterous affair which has tragic consequences for his family and Israel
Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love...
One of Hollywood’s greatest directors teams with a cast of incredible screen legends for this bold sweeping tale of a ship’s captain who ventures west to find a hotbed of jealousy hatred and dangerous rivalries. As the reluctant hero is thrust into the maelstrom he must summon all of his resolve to save not only his own life but also the life of the woman he loves. Four-time Academy Award Winner William Wyler directs this action-packed adventure that triumphs as “a work of art” (Motion Picture Herald). Starring Gregory Peck Jean Simmons Charlton Heston Chuck Connors and Burl Ives (in an Oscar-Winning performance) this magnificently entertaining epic will take your breath away with unbridled suspense exhilarating excitement and explosive drama on a grand scale.
A team of allied saboteurs are assigned an impossible mission: infiltrate an impregnable Nazi-held island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers.
Set Comprises: The Omen (1976): He was born at 6am on the 6th day of the 6th month. The coming of Armageddon the sign of the final confrontation between the forces of good and evil as foretold in the Book of Revelations will begin with the birth of the son of Satan - in human form. The Omen II (1978): After the tragedy that befell his parents Robert and Katherine Thorn Damien is taken in by his caring Aunt and Uncle. However Damien is growing and so too are his mysterious powers - it is time for Damien to find out what his destiny really is... The Omen III (1981): Armageddon has come and the Evil One stands among us. His name is Damien Thorn and the power of evil is no longer in the hands of a child. The final and most terrifying chapter in the Omen Trilogy sees the fate of all mankind hanging in the balance as the battle lines are drawn for the ultimate war between good and evil for the Final Conflict.
Sam Bowden has always provided for his family's future. But the past is coming back to haunt them. Master filmmaker Martin Scorsese brings heart - pounding suspense to one of the most acclaimed thrillers of all time. Fourteen years after being imprisoned vicious psychopath Max Cady [Robert De Niro] emerges with a single - minded mission to seek revenge on his attorney Sam Bowden [Nick Nolte]. Cady becomes a terrifying presence as he menancingly circles Bowden's increasingly unstab
Gregory Peck and Robert Mitchum star in Hollywood's classic tale of revenge and murder. Robert Mitchum is unforgettable as Max Cady an ex-con determined to exact a terrible revenge on Sam Bowden (Peck) and his family. Sam is a small-town lawyer whose worst nightmare comes true when the criminal he helped put away returns to stalk his beautiful young wife (Bergen) and teenage daughter (Martin). Despite help from the local police chief (Balsam) and a private detective (Savalas) Sam i
After losing his parents and his childhood sweetheart to tragedy, Francis Chisholm (Gregory Peck) joins the priesthood and devotes himself to a life of service and compassion. But Chisholm's unorthodox beliefs raise eyebrows among his superiors, especially Bishop Angus Mealy (Vincent Price). And when he is sent to the farthest reaches of China to rebuild an abandoned mission, Chisholm faces his greatest challenge of all: to tame a hostile land, win over a superstitious people and save his parish from an invading army. Nominated for four Academy Awards, including Best Actor (Peck), The Keys of the Kingdom is a 'towering film stamped with greatness' (The Independent). Special Features: 'Gregory Peck: His Own Man' Documentary Stills Gallery Theatrical Trailer
A team of Allied saboteurs is assigned an impossible mission: infiltrate an impregnable Nazi-held Greek island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers
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