Directed by Alberto Cavalcanti (Went the Day Well?, Dead of Night), They Made Me a Fugitive is a prime example of British film noir. Trevor Howard (Who?, The Missionary) plays Clem Morgan, an RAF officer during the war, now unemployed since demobilisation. Turning to the black market, he finds himself embroiled in a life of crime that will lead to prison, a daring escape, and a deadly manhunt. Boasting striking cinematography by Otto Heller, whose later credits would include Michael Powell's Peeping Tom and classic Cold War thriller The Ipcress File, They Made Me a Fugitive is accompanied by two rare short films, made during Howard's own time in the RAF during WWII, featuring his earliest known on-screen appearances. Product Features 2K restoration by the British Film Institute Original mono audio The John Player Lecture with Alberto Cavalcanti (1970, 62 mins): archival audio recording of the celebrated director at London's National Film Theatre, including an audience Q&A with fellow filmmakers Michael Balcon, Paul Rotha and Basil Wright After Effects (2019, 29 mins): appreciation by author and film historian Neil Sinyard About the Restoration (2019, 14 mins): the BFI's Kieron Webb discusses the process of restoring the film Squaring the Circle (1941, 33 mins): dramatised Royal Air Force training film, starring Trevor Howard in his first known film role The Aircraft Rocket (1944, 9 mins): extract from a multi-part RAF technical film, featuring Howard Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
Laurence Olivier was Oscar-nominated for his mesmerising performance as King Henry V which was made to boost the morale of British troops during World War Two.
A Texas baseball coach makes the major league after agreeing to try out if his high school team made the playoffs.
A global byword for cinematic quality of a quintessentially British nature, Ealing Studios made more than 150 films over a three decade period. A cherished and significant part of British film history, only selected films from both the Ealing and Associated Talking Pictures strands have previously been made available on home video format - with some remaining unseen since their original theatrical release. The Ealing Rarities Collection redresses this imbalance - featuring new transfers from...
The latest instalment in the Harry Potter series finds young wizard Harry and his friends Ron and Hermoine facing new challenges during their second year at Hogwarts as they try to uncover a dark force that is terrorising the school.
Hugh Williams, Ralph Richardson and Deborah Kerr star in this British wartime drama. As Hitler invades Poland in 1939, British journalist Colin Metcalfe (Williams) is appointed as Norway's new foreign correspondent. During a sea voyage of his new home, his boat comes under fire from a German U-boat despite the country's neutrality. But when he reports the attack to the British embassy they disbelieve him and - to add insult to injury - remove him from his post. When German forces later invade Norway, Metcalfe returns, determined to uncover what is going on and to stop the Nazis in their tracks.
The cult classic about two unemployed actors returns ot the big screens some twenty years after it's debut.
An extraordinarily racy movie for its time, The Wicked Lady was and still is as notable for its acres of heaving bosom as for its radical challenge to female stereotypes. This bodice-ripper about a bored aristocratic woman who turns highwayman just for kicks became a huge box-office success in post-war Britain, but Margaret Lockwood's eloquent bust proved a bit too expressive for Hollywood, so the film was expensively reshot for a sanitised US release. (From 1945 right up to Janet Jackson at the 2004 Superbowl, American audiences apparently have an enduring problem with those prominent parts of the female anatomy). This is the definitive Gainsborough picture, a period romp crammed with cads, in which the camera gazes lasciviously down (it's all shot from a male eyelevel) at the low-cut ladies' dresses. But this time the female anti-heroine gives as good as she gets... and then some. Lockwood's Lady Barbara Skelton is quite gleefully amoral--more so even than Thackeray's arch-manipulator Becky Sharp from Vanity Fair--failing even to pay lip service to the moral standards of the 1940s, let alone those of the 17th century. It is she who wears the trousers (quite literally, in her highwayman guise) while the weak-chinned and weak-willed men around her crumble under the weight of their conventionality. Only James Mason's handsome dandy highwayman can keep up with her, but even he has to draw the line somewhere. Ultimately, social mores reassert their grip and Lady Barbara gets her comeuppance, but not before she's overturned every contemporary movie convention about femininity. "She was the wickedest woman ever seen on the screen", trumpets the original theatrical trailer on this otherwise bare-bones DVD release: it's still probably true even today. --Mark Walker
Director Brian De Palma pits sexuality against physical violence in a roller coaster of a thriller starring Craig Wasson and Melanie Griffith. A beautiful young woman performs a seductive striptease at the window of her fabulous Hollywood home. A struggling young actor watches entranced from a house nearby drawn into her obsession. Suddenly he becomes a helpless witness to her savage murder. Compelled to track down the psychopath responsible his investigations lead him into the stark and perverted world of the body double.
Hilary and Jackie tells the remarkable story of one of the world's best known cellists the late Jaquelline du Pre. The exquisite passion of Jackie's playing provides a magnificent backdrop to a story of volatile passions thwarted ambitions and sibling rivalry. Both Emily Watson as Jackie and Rachel Griffiths as Hilary were nominated for Oscars in this powerful and affecting film of musical genius and personal tragedy. Like the music itself the story of Jaqueline du Pre once seen
Dramatic and extremely well made. Daily Mirror Don't miss the first ever DVD release of this crime film starring Trevor Howard and Sally Gray! A superb gritty film noir in which a bored and cynical ex-RAF flyer Clem Morgan (Trevor Howard) joins a criminal gang led by Narcy (Griffith Jones). On his first job the getaway car crashes after killing a policeman and Morgan is knocked unconscious and framed as the driver. He is sent to jail but escapes and heads to London seeking revenge on the gang. In the midst of a massive police hunt he is sheltered by Sally (Sally Gray) who is an associate of Narcy. As the police close in Morgan must prove his innocence as he confronts the gang in an abandoned warehouse.
Directed by Alberto Cavalcanti (Went the Day Well?, Dead of Night), They Made Me a Fugitive is a prime example of British film noir. Trevor Howard (Who?, The Missionary) plays Clem Morgan, an RAF officer during the war, now unemployed since demobilisation. Turning to the black market, he finds himself embroiled in a life of crime that will lead to prison, a daring escape, and a deadly manhunt. Boasting striking cinematography by Otto Heller, whose later credits would include Michael Powell's Peeping Tom and classic Cold War thriller The Ipcress File, this UK Blu-ray premiere of They Made Me a Fugitive is accompanied by two rare short films, made during Howard's own time in the RAF during WWII, featuring his earliest known on-screen appearances.
Police find that everyone had a motive for the murder of a wealthy woman.
It earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned and wholly unconventional playing style, and who died at age 42--was criticised for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tuckers gorgeous, involving movie--du Prés sister, Hilary, whose book,A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackies sleeping with Hilarys husband. But dont let that deter you from this ebullient movie experience. Hilary and Jackie is a bisected story (each sisters tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. Its stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, its Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his characters heads. Hes helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula Nechak
Produced by Michael Balcon for Ealing Studios on the eve of the Second World War, The Four Just Men recounts crime novelist Edgar Wallace's tale of the clandestine band of vigilantes who have united to uphold democracy, fight tyranny and protect British interests worldwide. A patriotic remake of George Ridgeway's silent of 1921 - also inspiring ITC's cult series of 1959 - this innovative thriller sees the unconventional heroes thwarting a dictator's plan to destroy the British Empire. Origin...
The Most Dangerous Choices Are Made With The Heart. When guileless Irish drifter Brendan (Bean) arrives in town he befriends a shady nightclub owner Finney (Sting) locked in a power struggle over the fate of his bar with villainous developer Cosmo (Jones) and falls in love with a ill-used waitress Kate (Griffith) who just happens to be Cosmo's mistress...
Excessive Force
A Texas baseball coach makes the major league after agreeing to try out if his high school team made the playoffs.
Xmas Is Here Again
In 'Hamlet' we find Olivier acting and directing Shakespeare's immortal story of murder intrigue madness and despair. 'Henry V' is one of Shakespeare's most compelling histories complete with the great Battle Of Agincourt and directed by Olivier in lush technicolour became the most expensive film made by a British studio...
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