A high point of Hitchcock's pre-Hollywood career, 1935's The Thirty-Nine Steps is the first and best of three film versions of John Buchan's rather stiff novel. Robert Donat plays Richard Hannay, who becomes embroiled in a plot to steal military secrets. He finds himself on the run; falsely accused of murder, while also pursuing the dastardly web of spies alluded to in the title. With a plot whose twists and turns match the hilly Scottish terrain in which much of the film is set, The Thirty-Nine Steps combines a breezy suavity with a palpable psychological tension. Hitchcock was already a master at conveying such tension through his cinematic methods, rather than relying just on situation or dialogue. Sometimes his ways of bringing the best out of his actors brought the worst out in himself. If the scene in which Donat is handcuffed to co-star Madeline Carroll has a certain edge, for instance, that's perhaps because the director mischievously cuffed them together in a rehearsal, then left them attached for a whole afternoon, pretending to have lost the key. The movie also introduces Hitchcock's favoured plot device, the "McGuffin" (here, the military secret), the unexplained device or "non-point" on which the movie turns. --David Stubbs
George Formby plays a newspaper compositor with dreams of becoming a detective. He unmasks a gang of counterfeiters after a big win on the horses unfortunately he is paid off in counterfeit bills. To avoid the long arm of the law Formby sets about collaring the crooks himself whose leader also happens to be the newspapers editor.
One of the successful run of pre-war Ealing comedies that secured George Formby's enduring popularity with the British public, Keep Fit sees everyone's favourite gawp trying, once again, to win the girl of his dreams! It is presented here as a brand-new High Definition remaster from original film elements in its original theatrical aspect ratio. Gormless George, a feeble department store barber's assistant, has a thing for attractive manicurist Joan. Hector, his rival for Joan's attention, is a handsome, moustache-sporting man-about-town who is no stranger to playing dirty tricks. When scrawny George becomes mistakenly involved in a local fitness campaign, he finds himself competing against the caddish Hector for his true love's affections! Special Feature: Extensive image gallery
An eccentric old lady decides the best way to pass on her fortune to her idiot nephew and keep it safe from her rapacious relatives is to hide it in a chair and get the nephew to buy it at auction. How could such a simple plan go wrong?
This jaunty musical comedy marked another success for former stage star Gene Gerrard playing here opposite Molly Lamont – his frequent screen partner during the early 1930s who enjoyed a flourishing career in Hollywood during the later half of the decade. Co-directed by Gerrard Lucky Girl is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Gerrard plays Stephan Gregorovitch the unwilling king of a bankrupt Ruritanian country who along with his chancellor is accused of stealing jewels at a party held by Duke Hugo. It is the delightful Lady Moira who comes to their aid… Special Features: Image Gallery
One of the successful run of pre-war Ealing comedies that secured George Formby's enduring popularity with the British public, Trouble Brewing sees everyone's favourite gawp turn amateur detective when he's swindled out of his racing winnings! Co-starring Googie Withers, Gus McNaughton, Martita Hunt and Ronald Shiner, it is presented here as a High Definition remaster from original film elements in its original theatrical aspect ratio. Feeble George, a newspaper compositor with delusions of being a detective, wins big at the races. But when he changes his three tenners down to more manageable fivers he's slipped counterfeit notes. Suitably annoyed, George puts his sleuthing skills to the test and goes undercover!
Keep Fit
Gloria Swanson and Laurence Olivier star in this 1930s comedy drama directed by Cyril Gardner. Newlyweds Judy and Nicholas Randall (Swanson and Olivier) seem to have the ideal marriage based on perfect understanding and mutual respect. While away on their honeymoon Nicholas gets drunk and sleeps with his former mistress Stephanie (Nora Swinburne). Overcome with guilt Nicholas confesses to Judy who promptly forgives him although deep down she conceals feelings of anger and betrayal. When Nicholas suspects Judy of having an affair he confronts her and the pair realise that maybe their marriage isn't perfect after all.
Hitchcock's first great romantic thriller is a prime example of the "macguffin" principle in action. Robert Donat is Richard Hannay, an affable Canadian tourist in London who becomes embroiled in a deadly conspiracy when a mysterious spy winds up murdered in Hannay's rented flat--and both the police and a secret organisation wind up hot on his trail. With only a seemingly meaningless phrase ("the 39 steps"), a small Scottish town circled on a map, and a criminal mastermind identified by a missing finger as clues, quick-witted Hannay eludes police and spies alike as he works his way across the countryside to reveal the mystery and clear his name. At one point he finds himself making his escape manacled to blonde beauty Pamela (Madeleine Carroll), whose initial antagonism is smoothed by Hannay's charm. It's classic Hitchcock all the way, a seemingly effortless balance of romance and adventure set against a picturesque landscape populated by eccentrics and social-register smoothies, none of whom is what he or she appears to be. Hitchcock would play similar games of innocents plunged into deadly conspiracies, most delightfully in North by Northwest, but in this breezy 1935 classic, Hitch proves that, as in any quest, the object of the search isn't nearly as satisfying as the journey. --Sean Axmaker, Amazon.com
This exuberant comedy tells the story of an old man who is to inherit a large legacy from a distant cousin but only if he can prove he is in need. Determined to get the bequest he tries to fritter away all his remaining cash but just can't seem to stop making money! One of several popular early-thirties comedies by director Norman Lee noted for his collaborations with Leslie Fuller and Josser creator Ernie Lotinga Money Talks boasts a rare appearance by legendary East-End boxing champion Jack Kid Berg ( the Whitechapel Windmill ). It is featured here in a new High Definition transfer from the original film elements, in its as-exhibited theatrical aspect ratio. SPECIAL FEATURE: Image gallery
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