Guy Pearce stars in this innovative thriller that begins with a crime and then goes back through time to trace its origins.
When the going gets tough the tough get going! In the blockbuster 'Romancing The Stone' novelist Joan Wilder (Turner) and wanderer Jack Colton (Douglas) went sailing off into the sunset together. In this thrill-packed sequel Ralph is back on their trail and they're back in the fast lane on a perilous trek through the fierce North African Desert with treacherous tribes deadly dungeons and seemingly endless villains to contend with!
Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation. The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon, Amazon.com
The hilarious fifth series of Jimmy Perry and David Croft's wartime sitcom in which cafe owner Rene Artois (Gordon Kaye) avoids his wife (Carmen Silvera) chases after his waitresses and hides two British airmen all the while trying to avoid investigation by the ineffectual German army...
Ten To Midnight: The clock is ticking and time is running out as ace detectives Leo Kessler and Paul McAnn track down a psychotic killer who is brutally slaying young women. Caught in a web of red tape they seem unable to bring the murderer to justice until Kessler's daughter becomes the next victim and revenge becomes the most powerful of motives... Kinjite - Forbidden Subjects: A cop full of hatred can't work by the book. Charles Bronson is at his two-fisted best in this gritty action-packed thriller about a cop hellbent on wiping out a vicious child prostitution ring. Lt. Crow (Bronson) is a veteran L.A. vice cop who nearly goes berserk after his young daughter is molested by an unidentified Asian man. As he battles his own racial prejudices and feelings of rage Crowe is ordered to hunt down a brutal pimp who has kidnapped thedaughter of a Japanese businessman. Hindered by police force superiors Crowe is pushed into a personal war of vengeance pitting himself against a savage urban empire of drugs and sexual depravity. Messenger Of Death: Could a simple feud between brothers lead to the brutal massacre of an entire family? Garret Smith (Bronson) travels to a remote Rocky Mountain town to investigate and uncovers far more sinister motives. As he gets closer to the bizarre truth Smith unravels a plot of greed revenge and religious zealotry. But can he get to the bottom of the murders before an 'avenging angel' visits him with an equally deadly message? Murphy's Law: Charles Bronson is Jack Murphy an L.A. cop and the toughest loner who ever hit the streets. For years Jack made his own rules but now he has been set up accused of murdering his own wife. Handcuffed to a foulmouthed female thief with the police on his trail and the Mob after his blood Murphy must track down the real killer before it's too late!
A director with a dark sensibility comparable to Chabrol, Claude Miller made these two twisty Polars (French Police-Noir films) with Michel Serrault (Kill the Referee), showcasing the actor in stunning performances alongside stars including Lino Ventura (Army of Shadows) and Isabelle Adjani (Possession, The Story of Adele H).In The Inquisitor cops Gallien (Ventura) and Belmont (Guy Marchand) interrogate Martinaud (Serrault), a wealthy lawyer, for the rape and murder of two young girls. The investigation becomes further complicated when his wife (Romy Schneider, Le combat dans l'ile) gives her statement A gripping thriller with intense performances, The Inquisitor was a critical and commercial success on release, nominated for 8 César Awards, winning Best Screenplay and acting prizes for Serrault and Marchand.Serrault returns in Deadly Circuit as a P.I. who becomes obsessed with the target of his investigation, a murderer (Adjani) who he follows across Europe as she moves from one victim to another. Switching gears to pitch black humour this wild crime film features both leads on top form alongside a stunning supporting cast including Stephane Audran (The Discreet Charm of the Bourgeoisie), Macha Méril (Deep Red), Sami Frey (Bande à part), and Jean-Claude Brialy (The Bride Wore Black) among others.4K UHD & BLU-RAY DUAL FORMAT LIMITED EDITION SPECIAL FEATURES4K UHD and Blu-ray presentation of The Inquisitor, Blu-ray presentation of Deadly Circuit (3 Discs)Original uncompressed mono audioSuccess Story - a documentary on the making of The Inquisitor (2016)Interview with Claude Miller and Michel Audiard on (1981) An appreciation of the film by filmmaker Patrice Leconte (2016)Reverse Short [Champ contrechamp] - a TV episode on crime fiction featuring Claude Miller, Michel Serrault, Alain Corneau, Michel Audiard, and others (1981)Audio commentary on Deadly Circuit by critic Rachael Nisbet (2025)A documentary on Deadly Circuit featuring co-screenwriter Jacques Adiard, director of photography Pierre Lhomme and producer Charles Gassot (2016)A Hypnotic Fascination - an interview with filmmaker Philippe Le Guay (2016)Original theatrical trailersNewly translated English subtitles for each filmReversible sleeve featuring designs based on original postersLimited edition booklet featuring new writing by Adam Scovell and an archival interview with MillerLimited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
Guy is on a mission to bring the past to life. 2019 marks the 75th Anniversary of D-Day the Allied fightback against Nazi Germany in the Second World War. Codenamed Operation Overlord, it remains the most complicated military action in history. Motorcycle racer and engineering enthusiast Guy Martin pays tribute to this crucial turning point in the war by recreating one of its most daring missions in the most hands-on way possible. Just hours before the Normandy beach landings that have become synonymous with D-Day, thousands of Allied troops covertly parachuted behind enemy lines to the clear the way. Guy becomes one of those troops first leading a team of experts to restore an original Douglas C-47 Dakota cargo plane, then flying to Normandy before completing the mission by jumping out of the plane. This two-hour special is a unique, first-hand insight into the meticulous training, planning and execution of the Second World War's key action and brings the history of D-Day to life in an unprecedented way.
Marvel Studios' Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy's hands he embarks on a harrowing quest to find those responsible. This journey at every turn will test his mettle. With his back against the wall Stark is left to survive by his own devices relying on his ingenuity and instincts to protect those closest to him. As he fights his way back Stark discovers the answer to the question that has secretly haunted him: Does the man make the suit or does the suit make the man? Starring Robert Downey Jr. Gwyneth Paltrow Don Cheadle Guy Pearce Rebecca Hall Stephanie Szostak James Badge Dale with Jon Favreau and Ben Kingsley Iron Man 3 is directed by Shane Black from a screenplay by Drew Pearce and Shane Black. Special Features: Deleted/Extended Scenes Audio Commentary Behind the Scenes Featurettes Gag Reel
When writer Bill (Jeremy Theobald) is confronted by his latest 'target' of inspiration a man called Cobb (Alex Haw) he is drawn into a life of snooping and breaking and entering...
From acclaimed film maker Jean-Jacques Annaud comes the stunning tale of two tiger siblings separated as cubs, only to be reunited a year later in captivity to fight one another.
It's a Wild West clash of personalities in Val Verde Texas for the warring Bishop brothers (Dean Martin and James Stewart) who must now join forces to escape a death sentence. Featuring an all-star cast including Raquel Welch and George Kennedy and exploding with action Bandolero! packs a smoking six-gun wallop from its first tense show-down to its last exciting shootout.
The four remaining relatives of famed practical joker Henry Russell are brought together to hear his last will and testament, revealing a £50,000 inheritance each if they can all complete a set task completely out of character. The assignments are designed to reflect their greatest shortcomings and test their abilities to adapt and ultimately change for the better. Law-abiding retired army officer Deniston (Alastair Sim), secretly writes scandalous novels until he is given a week to get himself arrested for an actual crime and jailed for exactly 28 days. Haughty Agnes (Fay Compton) must find employment as a housekeeper in a middle-class home and retain her position for a month despite her disdain. Simon (Guy Middleton), a penniless womanising rogue, would have to marry the first single woman he speaks to, such as the cigarette girl at the club he frequents (Audrey Hepburn). Finally, timid Herbert (George Cole) needs to hold up the bank manager he works for with a mask and a toy pistol. Can they all pull it off in order to grab the cash? Special Features NEW Alastair Sim and Laughter in Paradise: Interview with Stephen Fry Ministry of Information short Nero: Save Fuel (1943) starring Alastair Sim & George Cole Behind the Scenes Stills gallery Alastair Sim's Rectorial Address at Edinburgh University (1949)
101 Films presents Christopher Nolan's Memento. Released in 2000 after a lengthy quest for distribution, Christopher Nolan's landmark mind-bending thriller was released to universal acclaim receiving multiple Academy Award® nominations and has since gone on to become a cult classic. Following up his debut effort Following (1998) Nolan once again uses a meticulously crafted structure to place the audience inside the protagonist's mind. This time, like Leonard we can never truly tell friend from foe, as everyone around him seeks to manipulate his condition to their own ends, while he himself seeks the truth. The brilliance of Memento lies in its ability to show you something new and thrill with each viewing. Product Features Leonard (Guy Pearce) suffers from a rare brain disorder - the inability to form any new memories. He can remember in detail everything that happened before his injury, but anyone he has met or anything he has done since that fateful night simply vanishes. Who are his friends? Who are his enemies? What is the truth? In Leonard's world, the answers to these questions shift and change from second to second. And the more he tries to figure out what is true and real, the deeper he sinks into a multi-layered abyss of uncertainty and surprises. Brand New on Disc Extras: Remember - Actor Carrie-Anne Moss on Memento Keepsake - Director Christopher Nolan on Memento Memento Mori - Writer Jonathan Nolan on Memento Memories - Producer Emma Thomas on Memento A Leap into the Unknown - Producer Aaron Ryder on Memento Musical Memories - Composer David Julyan on Memento Commentary with film critics James Mottram and Sean Hogan Archive Extras: Christopher Nolan Project Remembering Memento Anatomy of a Scene IFC Interview with Christopher Nolan Director's Commentary
A riposte to the criticisms levelled at The Camp on Blood Island, Hammer's previous war picture, released a year earlier, this stark and often savage examination of how war and conflict can corrupt otherwise good men, Val Guest's Yesterday's Enemy is one of the famed studio's most hard-hitting but underappreciated productions. It posits an impossible moral dilemma is it ever justifiable to sacrifice a small number of innocent lives in the hope that thousands more will be saved? Headed by the formidable Stanley Baker (Hell Drivers, Eve), Yesterday's Enemy consciously and directly opposed the overwhelmingly patriotic spirit of British war films of the period, and remains a bleak exploration of duty, survival, and the effects of war. Special Features High Definition remaster Original mono audio Two presentations of the film: the uncensored UK theatrical version, and the US theatrical version with toned-down dialogue The Guardian Interview with Val Guest (2005, 46 mins): archival audio recording of the celebrated filmmaker in conversation with Jonathan Rigby at London's National Film Theatre Total War: Inside Yesterday's Enemy' (2018, 27 mins): documentary written and directed by Hammer expert Marcus Hearn, narrated by Claire Louise Amias, and featuring film historians Alan Barnes and Jonathan Rigby Hammer's Women: Edwina Carroll (2018, 8 mins): critic and author Becky Booth on the popular Burmese-born actress Stephen Laws Introduces Yesterday's Enemy' (2018, 9 mins): appreciation by the acclaimed horror author New Territory (2018, 13 mins): analysis of the film by British cinema expert Steve Chibnall Frontline Dispatches (2018, 8 mins): second assistant director Hugh Harlow and props chargehand Peter Allchorne recall their time working on the film Original theatrical trailer Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing
Mr Smith Goes To Washington (1939). Import from The Netherlands with English soundtrack and subtitles. Jean Arthur, James Stewart and Claude Rains star in Frank Capra's MR. SMITH GOES TO WASHINGTON, the award-winning 1939 classic about an idealistic, small town American senator who heads to Washington D.C. and suddenly finds himself single-handedly battling ruthless politicians out to destroy him. Receiving a total of eleven 1939 Oscar(r) nominations (including Best Picture and Best Director), and winning one (Best Writing, Original Story), MR. SMITH GOES TO WASHINGTON is considered one of Capra's, Stewart's and Columbia's finest films. In Frank Capra's bright, funny and beautifully paced satire Mr Smith Goes to Washington political heavyweights decide that Jefferson Smith (James Stewart), an obscure scoutmaster in a small town, would be the perfect dupe to fill a vacant US Senate chair. Surely this naïve bumpkin can be easily controlled by the senior senator (Claude Rains) from his state, a respectable yet corrupted career politician. Capra fills the film with Smith's wide-eyed wonder at the glories of Washington, all of which ring false for his cynical secretary (Jean Arthur) who doesn't believe for a minute this rube could be for real. But he is. Capra was repeating the formula of a previous film, Mr Deeds Goes to Town, but this one is even sharper. Stewart and Arthur are brilliant, and the former cowboy-star Harry Carey lends a warm presence to the role of the vice-president. Mr Smith Goes to Washington is Capra's ode to the power of innocence--an idea so potent that present-day audiences may find themselves wishing for a new Mr Smith in the halls of power. The 1939 US Congress was none too thrilled about the film's depiction of their august body, denouncing it as a caricature; but even today, Capra's jibes about vested interests and political machines look as accurate as ever.
Charles Desvallees has a good reason to believe that his wife is cheating on him and so hires a private detective to prove himself right! Coming up with a name of Victor Pegala he confronts the lover...
In a time when it seems that every other movie makes some claim to being a film noir, LA Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big Nowhere and White Jazz)--a compelling blend of LA history and pulp fiction that has earned it comparisons to the greatest of all Technicolour noir films, Chinatown. Kim Basinger richly deserved her Supporting Actress Oscar for her portrayal of a conflicted femme fatale; unfortunately, her male costars are so uniformly fine that they may have canceled each other out with the Academy voters: Russell Crowe, Guy Pearce, Kevin Spacey and James Cromwell play LAPD officers of varying stripes. Pearce's character is a particularly intriguing study in Hollywood amorality and ambition, a strait-laced "hero" (and son of a departmental legend) whose career goals outweigh all other moral, ethical and legal considerations. If he's a good guy, it's only because he sees it as the quickest route to a promotion. --Jim Emerson
Guy Rolfe, Michael Hordern, Ronald Shiner and Lionel Jeffries find their sea legs in this little-known but hugely engaging nautical yarn from 1958. Also featuring legendary duettist Teddy Johnson (along with early sightings of Warren Mitchell and - in his first big-screen role - Richard Briers), Girls at Sea is presented here in brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. When HMS Scotia pays a visit to the French Riviera, the office...
At the heart of Henry VIII stands a towering performance by Ray Winstone, who literally grows into the role, impressively doubling in size and ageing 40 years over the course of two feature-length episodes. Focusing on Henry's relationships with his six wives, this lavish mini-series also makes a good job of explaining the complex court intrigues of the period, detailing Henry's split with Rome and the political crisis following the creation of the Church of England. Winstone initially seems to play the King as little more than a London gangster, but he gradually unfolds a complex, brutal, manipulative, romantic, dedicated and driven man with great skill. In a role which harks back to Lady Jane (1986), Helena Bonham Carter makes an intelligent and sardonic Anne Boleyn, her bold performance contrasting strongly with Geneviève Bujold in Anne of the Thousand Days (1969). Emily Blunt impresses as the sexpot Katherine Howard, and Emilia Fox is compelling as Henry's greatest love, Jane Seymour. There's fine support from an all-star cast, including Sean Bean, Charles Dance and David Suchet. The production is unflinching, with burnings, torture, marital violence and executions graphically portrayed. If there's a weakness it lies in too-modern dialogue and an uncertain visual style, with noticeable borrowings from John Boorman's Excalibur and Ridley Scott's Gladiator, as well as setting Shakespeare in Love-style elegance against the ugly colours and graininess of reality TV. Ultimately Henry VIII plays most like a prequel to Elizabeth (1999)--right down to using the same piece of Elgar to underscore the finale--and has most of the same faults and virtues as that Oscar-winning film. --Gary S Dalkin
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