Set in the late 1920's Lydia Aspen is a provincial heiress who develops from a bashful teenager to a wild flapper while toying with the affections of the men who are around her.
Long Lost Comedy Classics is a collection of films from a golden age of British Cinema remembered for timeless stars and some unique movies that have stood the test of time. So why not take a trip down memory lane and see how cinema used to be? The Love Match (1955) (Dir. David Paltenghi): After being arrested for assaulting a football referee desperate train driver Bill raids the railwaymen's holiday fund to cover his fine. Now he has to get the money back by hook or by crook! Make Me An Offer (1955) (Dir. Cyril Frankel): A struggling antiques dealer finds the answer to his financial problems when he stumbles across a precious vase - but needs to pull out every trick in the book to win his prize! Orders Are Orders (1954) (Dir. David Paltenghi): A sleepy army barracks is about to be overrun by a film company shooting a science fiction caper - much to the annoyance of the Divisional Commander who decides to make a surprise inspection. Time Gentlemen Please (1952) (Dir. Lewis Gilbert): The PM is planning a celebration visit to the model village of Little Hayhoe. However local lay-about Dan Dance refuses to work so he's shipped off to the local almshouse where he awaits an uncertain yet very funny future. John And Julie (1955) (Dir. William Fairchild): This timeless film records the adventures of two young children who runaway to watch the coronation of Queen Elizabeth II 1953 meeting various English eccentrics along the way. Miss Robin Hood (1952) (Dir. John Guillermin): A newspaper columnist conspires with an elderly fan to steal a secret whiskey formula from a wealthy distiller. However it's not long before Scotland Yard is on the case!
Sam Marlowe travels to the States with the intention of convincing his aunt to let him rent out her summer house in England. But when the aunt discovers that Eustace Sam's cousin is planning to secretly marry she sends them back to England. On the return trip Sam meets and falls for Eustace's ex-fiancee Billie with hilarious results. Adapted from the P.G. Wodehouse novel.
Orlando Bloom stars as a stranger in a strange land in this epic Crusades adventure.
Sheila Hancock Rhys Ifans and Bob Hoskins star in three very different takes on and insights into life and death - each one poignant and compelling tinged with sadness and humour. A dying woman (Sheila Hancock) waits to receive drugs to take her own life. A farmer (Rhys Ifans) tries to find a way to free himself from the yoke of a dominating mother. An assassin (Bob Hoskins) waits in a public lavatory for his next target. These three people don''t know each other but they have one thing in common: they are all about to kill or be killed''
Dorzak: A spaceship lands on the moon. A beautiful young woman emerges from inside seeking medical attention for a colleague who was injured by a criminal that they had captured. The criminal turns out to be a man from Maya's home planet Psychon named Dorzac and persuades Maya that he was not responsible for the injury signalling the start of the troubles to come. Devil's Planet: Answering a distress signal Koenig and Blake Maine go to Entra. The first thing they see is a man being chased by three beautiful girls carrying long electric whips! Maine is killed and then Koenig imprisoned. Can he escape? The Immunity Syndrome: On a seemingly inhabitable planet a series of misfortunes befall Alpha's advance party. Tony Verdeschi is rendered insane by a piercing sound. The metal in the Eagle corrodes and the craft starts to fall apart. Two Alphans die after drinking spring water. Then a skeleton is found inside a geodetic structure with a video beside it explaining how any future visitors might survive. The Dorcons: A huge alien Dorcon ship materialises nearby. When the three leaders demand Maya be sent to them Koenig refuses. A leader comes aboard the spaceship and takes Maya and Alpha by force. But Koenig manages to come along too and using the power struggle between the three leaders tries to rescue Maya.
Made for televison comedy which follows the antics of trio anxious to make it big on the greyhound racing circuit...
Direct from Brazil comes this deeply appreciative musical tribute to Antonio Carlos Jobim (1927-94) co-founder and leading composer of the Bossa Nova. With hundreds of songs to his credit Jobim virtually single handedly brought the Bossa Nova to the world where it became a staple ingredient in the jazz cookbook. Jobim's new sound adapted the rhythmic variety and percussive excitement of the samba to the intimacy of syncopated guitar while echoing the melodies and harmonies of co
This trio of piano grandmaster Herbie Hancock, bass legend Ron Carter and fusion drummer par excellence Billy Cobham gets branded "jazz-rock" by the booklet-note writer in World of Rhythm--Live. Well, perhaps such a description might have fitted when the form first came to prominence as the first wave of hard bop was dissipating, but these days this just comes across as a very, very good straightahead jazz gig. Furthermore, the music sounds as fresh as it no doubt sounded in 1983, when this concert was recorded in Lugano. There are a few meditative passages, but this is mostly crisp, assertive stuff, with Cobham's snappy boogaloo style propelling the proceedings along. Look out, though, for a short interlude of nearly free improvisation, which seems to come as a pleasant surprise to the band as much as to the audience. On the DVD: Herbie Hancock, Ron Carter and Billy Cobham's World of Rhythm--Live is reasonably well-served by this DVD release. The 4:3 ratio picture is accompanied by stereo and surround options, plus a small extra text-only biographical feature. Overall, though, the sheer quality of both sound and vision makes any extras seem superfluous. --Roger Thomas
Chocky: The first series tells the story of young Matthew Gore an intelligent lad who is chosen by a mysterious extra-terrestrial visitor Chocky as a source of information about life on earth. As Matthew's schoolwork and artistic talent improve dramatically his parents become concerned about the strange changes in his behaviour and refer him to a child psychiatrist. But his dubious social connections lead to Matthew's subsequent kidnap as a ruthless businessman tries to ta
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
When it was made there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm, which causes the moon to break away from Earth orbit and travel endlessly through space. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for the premise of the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to any physical laws. And in "Earthbound" aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are valid complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena the crew encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
The first five episodes of the lavish ITV costume drama series set in the late 1920s as Lydia Aspen a provincial heiress who develops from an awkward teenager into a wild flapper toys with the affections of the men around her...
The Metamorph: Koenig goes to rescue two captured pilots from the planet Psychon but comes to meet Mentor a man lording over a world of virtual zombies who work for him as miners. Koenig believes he is capable of defeating Mentor and preventing him using a biological computer that feeds on the minds and bodies of his slaves. The Exiles: Travelling through space are fifty cylinder-shaped objects. When Koenig recovers one inside is a young man named Cantar. This is the mark of the trouble to come as Cantar and his wife force their way into the power station and use its energy to transport them to their own planet from which they were exiled. One Moment of Humanity: Zamara a striking alien woman materialises aboard Moonbase and takes two people back to her own planet. However Zamara and her accomplice Zarl are in fact super-androids developed by successive generations of self-reproducing computers and want to wipe out the humans who invented them. All That Glisters: After scanning a planet which contains Milgonite a rare mineral vital to Alpha's life support system the Alphans are eager to visit it. However by the time that they discover that there is no Milgonite only a deceptive lethal drug it is too late. The deadly rock is already aboard Alpha.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds, an astounding amount, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. The moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, and has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound," aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
Set in the late 1920's Lydia Aspen is a provincial heiress who develops from a bashful teenager to a wild flapper while toying with the affections of the men who are around her. Originally broadcast on ITV this double DVD presents the final four episodes of the lavish costume drama.
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