Created by one of Britain's most exciting screenwriting talents, Howard Overman (Misfits) and based on the books by Douglas Adams, Dirk Gently is a dramatic, witty and intelligent series with plots that delight, surprise, but ultimately satisfy. With two characters at the heart of each story that you just want to spend time with, brilliantly portrayed by Stephen Mangan and Darren Boyd, the series also boasts a sensational cast of regulars returning from the pilot - Helen Baxendale as Macduff's girlfriend Susan, Jason Watkins as Det. Insp Gilks with Lisa Jackson returning as the unpaid, unloved and quite deeply disturbed receptionist Janice Pearce across the series.Stephen Mangan stars as Douglas Adams' self-styled Holistic Detective, Dirk Gently. Perennially broke and morally dubious, Dirk's methods are based on 'The Fundamental Interconnectedness of All Things'. Darren Boyd stars as Dirk's business partner, Richard Macduff, who attempts to rein in Dirk's more tangential decisions, keep them both out of prison and generally restore order to the chaos that Dirk creates.The pilot episode features Dirk's attempts to solve the disappearance of a billionaire inventor, taking in quantum mechanics, unrequited love and an old lady's missing cat. In Episode 1 of this new three-part series, Dirk discovers the connection between two unrelated cases; a client who believes the Pentagon are trying to kill him and another who's horoscopes appear to be coming true. In Episode 2 Dirk is called back to his old university to protect a valuable robot but within 24 hours it has been stolen and a dead body discovered, with Dirk & Macduff the prime suspect. In Episode 3 they are alarmed to discover that Dirk's old clients are being randomly murdered with Dirk as the only link. Rather than talk to the police, Dirk elects to leave the country but is waylaid by a series of seemingly unconnected events.
A dramatisation that traces former U.K. prime minister Tony Blair's relationships with Bill Clinton and George W. Bush.
On Saturday 14th February 1900 a party of schoolgirls from Appleyard College took a trip to Hanging Rock near Mt. Macedon in the state of Victoria. During the idyllic sun-drenched afternoon some of the party left the rest of the group and having climbed higher stopped to rest and fell asleep. They awoke as though still in a dream and silently ventured further through a passage in the imposing rock face. Some of the girls were never seen again. The film that established Peter Weir as a major filmmaker is a critically acclaimed classic of Australian cinema. With BAFTA-winning photography and a memorably haunting score Picnic at Hanging Rock remains one of the most chillingly atmospheric and beautifully enigmatic films ever made.
London's Burning was one of LWT's most popular and enduring series. Featuring the firefighters of Blackwall Station's Blue Watch the dramatic and sometimes tragic situations encountered by the team were often based on real-life events and always counterpointed by the more private stories of the firefighters. It is this combination of famously realistic action scenes and personal issues that made London's Burning a huge ratings hit with its quirky and very human characters finding great affection among viewers throughout its 16-year span. For the first time this set collects every episode of Series Eight to Fourteen of the award-winning and memorable drama originally screened between 1995 and 2001.
These are not your ordinary wereolf stories! A three part anthology in gothic urban and sci-fi milieu titled 'Blood Reunion' 'Old Blood' and 'Manbeast'.
Woody Allen's gentlest and most unassuming movie, Radio Days isn't so much a story as a series of anecdotes loosely linked together by a voice-over spoken by the director. The film is strongly autobiographical in tone, presenting the memories of a young lad Joe (clearly a stand-in for Allen himself) growing up in a working-class Jewish family in the seafront Brooklyn suburb of Rockaway during the late 1930s and early 40s. In this pre-TV era the radio is ubiquitous, a constant accompaniment churning out quiz shows, soap operas, dance music, news flashes and Joe's favourite, the exploits of the Masked Avenger. Given Allen's well-publicised gallery of neuroses, you might expect childhood traumas. But no, everything here is rose-tinted and even the outbreak of war makes little impact on the easygoing, protective tenor of family life. Now and then Allen counterpoints his family album with the doings of the radio folk themselves (blink, and you'll miss a young William H Macy in the studio scene when the news of Pearl Harbour comes through). The rise to fame of Sally (Mia Farrow), a former night-club cigarette girl turned crooner, is the nearest the film comes to a coherent storyline. But most of the time Allen is content to coast on a flow of easy nostalgia, poking affectionate fun at the broadcasting conventions of the period and basking in the mildly rueful Jewish humour and small domestic crises of Joe's extended family. There aren't even any of his snappy one-liners, and the humour is kept low-key, raising at most an indulgent smile. A touch of Allen's usual acerbity wouldn't have come amiss. But for anyone who shares these memories, Radio Days will surely be a delight. On the DVD: Not much besides the theatrical trailer, scene menu and a choice of languages. The screen's the full original ratio, but nothing seems to have been done to enhance the soundtrack, and the dialogue's not always clear. A boost in volume may help.--Philip Kemp
Tina Turner, that dynamic diva of pop/soul/R&B from the 1960s to the 90s, sings like a woman whose life story is every bit as rough and tough as her voice. And What's Love Got to Do With It, based on her autobiographical account (in I, Tina, written with Kurt Loder) of her years under the iron fist of her abusive husband and musical partner/Svengali Ike, is further proof of what we've always known about Tina: She's what you call a survivor. The movie is sort of the Disney version of Tina Turner's story--a glossy but thoroughly enjoyable, old-fashioned showbiz biopic with laughs, tears, great music, and outrageous (but faithful) period decor, costumes, makeup, and hairstyles. Our Heroine triumphs not only over the rigorous demands of her career in the music business, but finally manages to bust out of her troubled, violent marriage as well and become her own person. This is a movie that'll have you shouting at the top of your lungs: "You go, girl!" --Jim Emerson
They're baaaaack! The ghastly ghosts and edge-of-your-seat suspense that made you cringe and cower in the original return in this heart-pounding other-worldly sequel filled with jolting state-of-the-art special effects. The Freeling family may have settled into a new home... but the spirts of the dead have not given up their desire to possess Carol Anne. Led by Kane a demon disguised as a preacher the spirts attempt to convince Carol Anne to join them on ""the other side"". But when
Ever since hulking lawman Hobbs (Dwayne Johnson), a loyal agent of America's Diplomatic Security Service, and lawless outcast Shaw (Jason Statham), a former British military elite operative, first faced off in 2015's Furious 7, the duo have swapped smack talk and body blows as they've tried to take each other down. But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever and bests a brilliant and fearless rogue MI6 agent (The Crown's Vanessa Kirby), who just happens to be Shaw's sister these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves. Bonus Features Feature Commentary with Director David Leitch Alternate Opening Deleted/Extended/Alternate Scenes Johnson & Statham: Hobbs & Shaw Progress of a Fight Scene with Director David Leitch Practical Action The Bad Guy The Sister Hobbs' Family Tree The Matriarch New Friends Elevator Action Stunt Show and Tell Keeping it in the Family: A Conversation with Roman and Dwayne Blind Fury Dwayne and Hobbs: Love at First Bite Fast & Furious Spyracers UPR Theme Parks Trailer
Peaky Blinders is an epic gangster drama set in the lawless streets of post-war Birmingham on the cusp of the 1920s. Britain in 1919 is a tumultuous mix of despair and hedonism a nation cleaned out by the extravagances of the Great War. Returning soldiers newly-minted revolutionaries and criminal gangs all fight for survival in an industrial landscape gripped by economic upheaval. Thomas Shelby and his family run the most feared and powerful local gang the Peaky Blinders. Named for their practice of sewing razor blades into the peaks of their caps they make money from illegal betting protection and the black market. But Tommy’s ambitions go beyond running the streets and when a crate of guns goes missing from an arms factory he recognises an opportunity to move up in the world. Crime pays but business pays better. As rival gangs Communist revolutionaries and IRA Fenians descend on Small Heath in pursuit of the weapons; Winston Churchill dispatches a ruthless police chief from Belfast to impose order on an increasingly lawless city and recover the guns. Peaky Blinders is a dazzling picture of England taken directly from the pages of our secret history. They will now burst into life in a vibrant evocation of a hedonistic age. The Shelbys will be a family to be reckoned with.
An expanded and more polished version of Lord of the Dance, Feet of Flames was recorded at an outdoor performance in London's Hyde Park. While much of the material is familiar to Flatley fans, the production is superior in every way. It's better photographed and the editing is less frenetic. The individual segments are sharper, more self-assured, as is Flatley, who also produced and directed this version. (He also demonstrates his talents as a flutist--maybe he should call himself Lord of the Renaissance.) The outdoor setting also makes the show feel less like a Vegas act, though the proceedings have about as much relation to their Celtic folk roots as the Broadway musical Cats has to the TS Eliot children's poems on which it was based. --Richard Natale
Emma Banville, a human rights lawyer known for defending lost causes, sets out to prove the innocence of Kevin Russell, who was convicted for the murder of a school girl 14 years earlier.
Can a kid from Kansas come to New York to conquer the business world and manoeuvre his way from the mailroom to the boardroom in a matter of weeks? Michael J. Fox proves it can be done in this very funny lampoon of corporate business life. Fresh out of college, he's determined to climb New York's corporate ladder in record time by masquerading as an up and coming executive, even though he's really the new mail boy. However, Fox's plans begin to go awry when the boss's wife falls in love with him and he falls in love with a junior executive, who also happens to be the boss's mistress.
Inspired by true events; on an isolated stretch of land 50 miles outside of San Francisco sits the most haunted house in the world. Built by Sarah Winchester, (Academy Award ® winner Helen Mirren) heiress to the Winchester fortune, it is a house that knows no end. Constructed in an incessant twenty-four hour a day, seven day a week mania for decades, it stands seven stories tall and contains hundreds of rooms. To the outsider it looks like a monstrous monument to a disturbed woman's madness. But Sarah is not building for herself, for her niece (Sarah Snook) or for the troubled Doctor Eric Price (Jason Clarke) whom she has summoned to the house. She is building a prison, an asylum for hundreds of vengeful ghosts, and the most terrifying among them have a score to settle with the Winchesters
Peter Greenaway directs this culinary tale of passion and revenge. An arrogant gangster (Michael Gambon) invests in a popular French restaurant, which he begins to frequent with his wife (Helen Mirren) and a band of crooks. He delights in humiliating his spouse, and, when she begins an affair with another patron (Alan Howard), the restaurant's cook (Richard Bohringer) tries to protect them from her husband's wrath.
Series 6: It is now 1962, and the Nonnatus House team are as committed to caring for the people of Poplar as always. However, the social revolution in the outside world is mirrored by change and challenge much closer to home. As they strive to help mothers and families cope with the demands of childbearing, disability, disease and social prejudice, our beloved medics must make choices - and fight battles - of their own. Series six will see them laugh together, cry together, and pull together, supporting each other as never before. Also includes 2016 Christmas Special: The Christmas Special will see Call The Midwife transported to the Eastern Cape of South Africa. Nonnatus House receives an SOS from a tiny mission hospital. Understaffed, underfunded, and with a poor water supply, struggling Hope Clinic is faced with closure. Can our much-loved medics and midwives make a difference to the people whose lives depend upon its work? Far from home and everything familiar, the team are both shaken and exhilarated by the challenges they face - and by the time the mission trip is over, some lives are permanently changed.
Martin Lawrence stars in this new comedy about a menial worker at a medieval theme park who falls into the polluted moat, only to end up in fourteenth century England, a world of knights in shining armour,a wicked king, and a damsel in distress!
Academy Award winner Helen Hunt stars as the leader of a rag-tag band of tornado chasers on a perilous quest to test a new sensor device. Bill Paxton plays her fellow scientist and estranged husband who unwittingly joins her crew on this meteorologically active day. Perhaps they can make amends and salvage their marriage, but only if they can survive--the twisters. State-of-the-art special effects stir up this gripping, smash-hit action-adventure directed by the master of action himself--Jan de Bont. New: The Legacy of Twister: Taken By The Wind. Plus Feature Commentary by Director Jan De Bont, The Making of Twister, Anatomy of a Twister, Chasing the Storm: Twister Revisited - TBC
You could only see his eyes behind the layers of makeup in The Elephant Man but those expressive orbs earned John Hurt a well-deserved Oscar nomination for his moving portrayal of John Merrick, the grotesquely deformed Victorian man. Inarticulate and abused, Merrick is the virtual slave of a carnival barker (Freddie Jones) until dedicated London doctor Frederick Treves (Anthony Hopkins in a powerfully understated performance) rescues him and offers him an existence with dignity. Anne Bancroft co-stars as the actress whose visit to Merrick makes him a social curiosity, with John Gielgud and Wendy Hiller as dubious hospital staffers won over by Merrick. David Lynch earned his only Oscar nominations as director and co-writer of this sombre drama, which he shot in a rich black-and-white palette, a sometimes stark, sometimes dreamy visual style that at times recalls the offbeat expressionism of his first film, Eraserhead. It remains a perfect marriage between traditional Hollywood historical drama and Lynch's unique cinematic eye, a compassionate human tale delivered in a gothic vein. The film earned eight Oscar nominations in all and though it left the Oscar ceremony empty-handed, its dramatic power and handsome yet haunting imagery remain just as strong today. --Sean Axmaker, Amazon.com On the DVD: Being black and white, it's easier to judge the digital transfer in terms of shade and thankfully this print looks just fine. There's a little confusion over the sound, however, which is advertised as Stereo on the box but says Mono on the Audio Menu. It certainly seems to be a basic Dolby stereo but it's a shame Lynch hasn't given it the personal touch since he's obsessed with mixing his films' sound himself. From the nicely thought-out animated menus there's a gallery of 20 photos and a misguiding, dramatic theatrical trailer. The only other extra is a 64-page book of which only 10 pages relate directly to the film (the rest re-tell Lynch's career and the real Elephant Man's life). --Paul Tonks
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