Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind.
This is a film about art; not the history of art or the academic study of art or the fluctuations in the art market or the latest exhibition but it is about what starts artists off and what keeps them going. It's about instinct, temperaments and practicalities, about perseverance. About how work occurs and how, from working life to working life, art is passed on.
The historical rivalry between two of Britain's most fascinating monarchs is brought brilliantly to life in this thrilling period drama. When the Catholic Mary, Queen of Scots (Vanessa Redgrave) returns to her homeland to claim her throne, the court of her cousin, the Protestant Elizabeth I (Glenda Jackson) in neighbouring England, is thrown into turmoil, as the question of succession becomes an ever-pressing concern to the ˜Virgin Queen'. Political machinations and intrigue abound as the competing camps jostle for dominance, with the threat of the executioner's axe looming large. Stunning performances by Oscar-winners Vanessa Redgrave and Glenda Jackson are supported by a stellar ensemble cast including Trevor Howard, Ian Holm and Timothy Dalton, and an Oscar-nominated score by John Barry. Product Features Isolated John Barry score with commentary from film historians Nick Redman and Jon Burlingame Includes original overture and musical intermission Original promotional trailer Other extras TBC Newly commissioned reversible sleeve art by David Downton **FIRST PRESSING ONLY** Illustrated booklet with new essays by Ellen Cheshire and John Oliver
Director Ridley Scott's new cut of his 1979 sci-fi classic about a lifeform that is perfectly evolved to annihilate mankind. In space no-one can hear you scream.
Winner of four Academy Awards including Best Picture this internationally acclaimed motion picture recounts the poignant true story of two British sprinters vying for gold in the 1924 Paris Olympic Games. Harold Abrahams (Ben Cross) a driven athlete of Jewish ancestry runs to overcome prejudice and to achieve personal fame; his rival Eric Liddell (Ian Charleson) a devout Scottish missionary competes for the glory of God. An inspirational story of spirit and strength in the face of enormous odds the film combines the finest elements of athletic competition and human drama to create a compelling and timeless cinematic classic.
It's all about women.... and their men! From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cyni
Taken from the novel by Erich Maria Remarque, All Quiet on the Western Front is a devastating portrait of a small group of German soldiers during World War I. In this 1979 made-for-TV version the star-studded cast is lead by Richard Thomas (The Waltons) as Paul Baumer, strongly supported by screen veterans Ernest Borgnine, Ian Holm and Patricia Neal. As both narrator and star, Thomas occasionally seems to reincarnate his familiar John-Boy persona, but does at least succeed in creating a character that has more levels than his television alter ego. After watching all of his high school buddies loose their lives, Paul returns home a changed man, conflicted in his feelings about the Army and war, and altered from an idealistic schoolboy into a fearful and humble veteran. Although Lewis Milestone's 1930 films remains the cinema's definitive version, director Delbert Mann (Desire Under the Elms, Marty) has done a workmanlike job bringing the novel to the screen. The scenery and costuming in this period piece are well done, and surely contributed to its winning the Golden Globe for Best Motion Picture Made for TV. Also exceptional are the cinematography and special effects that, while realistically gruesome, truly emphasise the horrors of war. --Zachary Lively, Amazon.com
Director David Cronenberg's eXistenZ is a stew of corporate espionage, virtual reality gaming, and thriller elements, marinated in Cronenberg's favourite Crock-Pot juices of technology, physiology and sexual metaphor. Jennifer Jason Leigh is game designer Allegra Geller, responsible for the new state-of-the-art eXistenZ game system; along with PR newbie Ted Pikul (Jude Law), they take the beta version of the game for a test drive and are immersed in a dangerous alternate reality. The game isn't quite like PlayStation, though; it's a latexy pod made from the guts of mutant amphibians and plugs via an umbilical cord directly into the user's spinal column (through a BioPort). It powers up through the player's own nervous system and taps into the subconscious; with several players it networks their brains together. Geller and Pikul's adventures in the game reality uncover more espionage and an antigaming, proreality insurrection. The game world makes it increasingly difficult to discern between reality and the game, either through the game's perspective or the human's. More accessible than Crash, eXistenZ is a complicated sci-fi opus, often confusing, and with an ending that leaves itself wide open for a sequel. Fans of Cronenberg's work will recognize his recurring themes and will eat this up. Others will find its shallow characterisations and near-incomprehensible plot twists a little tedious. --Jerry Renshaw, Amazon.com
Victor Hugo's classic tale of pursuit, uprising and redemption, on which the musical sensation is based, is presented here in a lavishly restored edition. Jean Valjean (Richard Jordan - The Hunt for Red October), a handsome young woodcutter, is cruelly sent to prison for stealing a loaf of bread to feed his starving family. Released from prison many years later, he faces freedom with an urge for revenge until he encounters the benevolent Bishop Myriel, who convinces him to become an honest man and to perform good deeds for others. However, Javert (Anthony Perkins - Psycho), the ice-cold Inspector of Prisoners, relentlessly purses Valjean and is determined to put him back in prison... Les Miserables weaves a tale of courage, daring, escape, and the indomitable human spirit. Filmed in extravagant locations throughout France and elsewhere in Europe, it is truly a masterpiece of production. Special Features: Original Theatrical Trailer Textless Material Image Gallery Production Information and Script
Jean Valjean (Richard Jordan), convicted of stealing bread, is hounded for several decades by the relentless and cruel Policeman Javert (Anthony Perkins).
An arms dealer on the run from an Interpol agent re-evaluates the morality of his work.
It's all about women.... and their men! From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cynical drama critic (Oscar winner George Sanders) sees through Eve admiring her audacity and perfect pattern of deceit. Thelma Ritter and Marilyn Monroe co-star in this brilliantly scripted acclaimed classic which won six Academy Awards and received the most nominations (fourteen) in film history.
The escapades of Peter Rabbit and Mrs. Tittlemouse and other favourite characters come to life on screen in these stunning animated stories. Features the following stories: 1. The Tale of Peter Rabbit & Benjamin Bunny 2. The Tale of the Flopsy Bunnies and Mrs. Tittlemouse 3. The Tale of Tom Kitten & Jemima Puddle-Duck
An arms dealer on the run from an Interpol agent re-evaluates the morality of his work.
With Time Bandits, only his second movie as director, Terry Gilliam's barbed humour and hyperactive visual imagination got themselves gloriously into full gear. Sketched out in a matter of weeks over Michael Palin's kitchen table while Gilliam struggled to get his dream project Brazil off the ground, this is a children's film made by a director who "hates kid films" and all the "mawkish sentimental crap" that goes with them. The 11-year-old hero, Kevin, finds himself lugged out of his suburban bedroom and off through a series of wormholes in time and space by a gang of rapacious, bickering midgets in search of loot, en route encountering (and casually despoiling) a gallery of eminent historical figures that include Agamemnon, Napoleon and Robin Hood, along with assorted ogres, giants and monsters. As co-screenwriters, Gilliam and Palin cheerfully filch ideas from everyone from Homer and Jonathan Swift to Lewis Carroll and Walt Disney, while the sets--as always with Gilliam--ingeniously work towering miracles on puny budgets. "The whole point of fairy tales", according to Gilliam, "is to frighten the kids" and Time Bandits taps into some archetypal nightmare imagery. But the whole farrago is much too good-humoured to be seriously scary. Not least of the movie's pleasures are a series of ripe cameos from the likes of Ian Holm as an irascible Bonaparte, Sean Connery good-humouredly spoofing his own image as Agamemnon, John Cleese's version of Robin Hood as inanely condescending minor royalty ("So you're a robber too! Jolly good!"), David Warner hamming it up gleefully as the Evil Genius, and the great Ralph Richardson playing the Supreme Being as a tetchy public-school headmaster. On the DVD: Time Bandits on disc comes with a generous wealth of extras. Along with the expected trailer--sent up Python-style by a disaffected voice-over--we get excerpts from Gilliam's storyboard and notated script, filmographies for Gilliam, Palin, Connery and David Rappaport (the leader of the vertically challenged gang), stills, production shots, a scrapbook with cast photos and drawings, notes on the film and plenty more background data, plus a cheerfully relaxed 27-minute interview with Gilliam and Palin. There's also an informative and appealingly unpretentious full-length commentary shared between Gilliam, Palin, Cleese, Warner and Craig Warnock, who played Kevin. The transfer, clean and crisp, is in the original full-width ratio, and there's a choice of Dolby Stereo or Dolby 5.1 sound. --Philip Kemp
High Society: Beautiful aloof Newport heiress Tracy Lord (Kelly) is about to marry bland businessman George Kittredge (John Lund) but matters become complicated when her ex-husband C K Dexter-Haven (Crosby) moves to her neighbourhood determined to win back her hand. Things go from bad to worse for Tracy when journalist Mike Connor (Sinatra) arrives to cover the wedding for Spy Magazine. When Tracy is forced to choose between her suitors will she realise that ""safe"" doesn't a
This magical live-action adaptation of Lewis Carrol's classic tale features an all-star cast headed by Kate Beckinsale Steve Coogan Ian Holm and Geoffrey Palmer. Alice returns to the strange world of Wonderland where she joins the Red Queen in a giant game of chess and once again encounters all the weird and wonderful characters: the odd-ball twins Tweedledum and Tweedledee the White Queen the Red and White Knights Humpty Dumpty and the scary Jabberwocky. As she continues her adventure things become curiouser and curiouser.
Robin Hood (Connery) is an old man when he returns with his best friend Little John to England after the Crusades. Maid Marian (Hepburn) has entered a nunnery King Richard is a raving lunatic his Brother John a moron and the age of great adventure has seemed to have passed Robin by. But when The Sheriff of Nottingham (Shaw) once again threatens Sherwood Robin gathers his faithful men and band of peasants to fight oppression in this high-spirited adventure in which Robin Hood and Maid Marian rediscover their love...
The Alien Quadrilogy is a nine-disc box set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here the films have been repackaged with vastly more extras and with upgraded sound and vision. For anyone who hasn't been in hypersleep for the last 25 years this series needs no introduction, though for the first time each film now comes in both original and "Special Edition" form. Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 Director's Cut is fiddling for the sake of it. Watch once then return to the majestic, perfectly paced original. Conversely the Special Edition of James Cameron's Aliens (1986) is the definitive version, though it's nice finally to have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered and finished-off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to the story. The ending is also subtly but significantly different. Alien Resurrection (1997) was always a mess with a handful of brilliant scenes, and the Special Edition just makes it eight minutes longer. On the DVD: Alien Quadrilogy offers all films except Alien3 with DTS soundtracks, the latter having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here--and there are subtitles for hard of hearing both for the films and the commentaries. Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented at 4:3 with clips letterboxed), thousands of photos, production stills and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including a Channel 4 hour-long documentary and even all the extras from the old Alien laserdisc. Exhaustive hardly beings to describe the Alien Quadrilogy, a set which establishes the new DVD benchmark for retrospective releases and which looks unlikely to be surpassed for some time. --Gary S Dalkin
Acclaimed story of an unambitious civil servant who escapes the harsh realities of a totalitarian future with frequent daydreams. Jonathan Pryce and Robert De Niro star with Michael Palin and Bob Hoskins in this chilling black comedy directed by former Monty Python member Terry Gilliam.
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