When a retired hit man is forced back into action by a brutal Russian mobster, he hunts down his adversaries with the ruthlessness that made him a crime underworld legend in John Wick, a stylish tale of revenge and redemption. After the sudden death of his beloved wife, John Wick receives one last gift from her, a beagle puppy named Daisy, and a note imploring him not to forget how to love. But John's mourning is interrupted when his 1969 Boss Mustang catches the eye of sadistic thug Iosef Tarasov who breaks into his house and steals it, beating John unconscious and leaving Daisy dead. Unwittingly, they have just reawakened one of the most brutal assassins the underworld has ever seen. John's search for his stolen vehicle takes him to a side of New York City that tourists never see, a hyper-real, super-secret criminal community, where John Wick was once the baddest guy of all.
From The Ashes is the incredible story of English cricket's greatest ever comeback. It's the summer of 1981 and in the midst of a heated Ashes battle iconic all-rounder Ian Botham is sacked as England Captain with England 1-0 after two tests. Having been told by selectors that if he hadn't resigned he would have been sacked anyway not only is his career on a tightrope but English cricket is on the verge of total humiliation.
A woman's life is turned upside down when it is revealed that her husband a member of the British Parliament has been having an affair with a former prostitute.
With a never-before-seen alternate cut of the film plus a host of incredible special features X-Men: Days of Future Past - The Rogue Cut takes you deeper into the X-Men universe than ever before. Rogue makes her return as the all-star characters from the original X-Men film trilogy join forces with their younger selves and unite to battle armies of murderous Sentinel robots who are hunting down mutants and humans alike!
Oscar-winning actor Sandy Dennis gives an acclaimed performance alongside Ian McKellen in this thoughtful 1960s drama about the complications arising from a young woman's sexual awakening. Written by Margaret Drabble from her own novel The Millstone, A Touch of Love is featured here as a brand-new High Definition remaster from original film elements in its original theatrical aspect ratio. Rosamund, a determined but unworldly student, accidentally becomes pregnant during a casual encounter. As the reality of her situation hits home, Rosamund seems locked into one of two unappealing options until she decides that there's a third way.
The escapades of Peter Rabbit and Mrs. Tittlemouse and other favourite characters come to life on screen in these stunning animated stories. Features the following stories: 1. The Tale of Peter Rabbit & Benjamin Bunny 2. The Tale of the Flopsy Bunnies and Mrs. Tittlemouse 3. The Tale of Tom Kitten & Jemima Puddle-Duck
Fin has to go back in time to rejoin his shark-battling friends to stop the first Sharknado and save humanity.
Pioneering, enormously influential and often challenging, Armchair Theatre was ITV's flagship drama anthology series. Bringing high-quality contemporary drama to a wider viewing public, the series easily demonstrated the network's potential to rival the BBC's drama output with diverse and powerful plays by some of Britain's most gifted writers. This set comprises twelve plays taken from the series' first incarnation, produced by ABC and broadcast in the 1950s and '60s. An astonishing roll-call of writers includes J.B. Priestley, James Mitchell, Fay Weldon and Alun Owen; Patrick McGoohan, Stanley Baker, Billie Whitelaw, Colin Blakely, Judy Cornwell and Hugh Griffith are among the celebrated and accomplished actors appearing in groundbreaking dramas ranging from the playful to the poignant.
Robert Duvall and Tommy Lee Jones star as Gus McCrae and Woodrow Call, ageing cowboys and former Texas rangers, who organise a 2,500 mile cattle drive for one last great adventure in this excellent 1989 miniseries adaptation of Larry McMurtry's novel. The best friends, who steal the herd from a gang of Mexican cattle rustlers, drive their herd from Texas to Montana, battling horse thieves, angry Indian tribes, and a renegade half-breed killer named Blue Duck (Frederic Forrest) on a mission of revenge. The excellent cast also includes Robert Urich as cardsharp and former Ranger Jake Spoon, Anjelica Huston as McCrae's old flame Clara Allen, Danny Glover, Ricky Schroder, Diane Lane, Chris Cooper, DB Sweeney, Steve Buscemi, and even a small role for author Larry McMurtry. Australian director Simon Wincer shows a tremendous capacity for balancing sweeping drama and intimacy against the gorgeous landscape of the American Southwest, giving a grandly epic feel to the film despite its small-screen target and limited budget, and for forging memorable characters of even the smallest supporting parts. The heart of the drama belongs to McCrae and Call, memorably etched by Duvall and Jones as the last of the range romantics. In the age of revisionist Westerns, this excellent cattle-drive drama nicely maintains an old -fashioned feeling while still showing the dark side of the American West. --Sean Axmaker, Amazon.com
To try and please all the fans of JK Rowling's novel was a challenge that the makers of Harry Potter and the Philosopher's Stone met head on. The result of their efforts is one of the most lavish, beautiful and magical cinematic treats to hit our screens in years. Director Chris Columbus and screenwriter Steven Kloves (thankfully with the help of Rowling herself) prove that although you can't translate everybody's reading of this much-loved book onto the cinema screen--maybe Fluffy was a bit more Fluffy in your imagination or Hagrid (superbly played by Robbie Coltrane) a little more giant-like--it is nevertheless possible to transfer Harry's adventures with fidelity as well as superb energy and excitement. If there is a downside it's that the performances of the child leads tends to verge on the Sylvia Young-tastic in places. Nonetheless, the three young stars are both likable and watchable, showing great potential to grow into the parts as the adventures continue. The main disappointment is the substantial cutting of the ghost scenes and what promised to be a fine comic turn by John Cleese as Headless Nick, though with more Potter films on the way the ghosts will surely assume their rightful prominence later. There are, of course, some areas of the story that may frighten smaller children--such as the entrance of the evil Voldemort--and undoubtedly for any true Potter fan that cinematic entrance cannot live up to the images created in their imagination. All in all, though, Harry Potter and the Philosopher's Stone is what it should be: an unmissable treat for the whole family. On the DVD: Harry Potter and the Philosopher's Stone really is a magical experience in this lavish two-disc set. Disc one offers the film in all its surround-sound glory along with trailers and links to the Harry Potter Web site, but, disappointingly, there's no commentary. Disc two is where the real wizardry can be found, with a vast and beautifully designed selection of special features. Entering the Great Hall a mysterious voice invites you to explore and find the secret hidden within (though it's frustrating that in some cases you have to re-enter the Hall after viewing a feature). Various options let you tour around Harry's world: from Diagon Alley to a virtual 360-degree tour of Hogwarts. The interactive component is excellent, with real thought having been put into ensuring that, instead of just the standard behind-the-scenes stuff, there is material aplenty to keep children and adults alike entertained for hours. Throughout the emphasis is on the disc's educational value: yes there are insights to be had from the film crew, but it's in the Classroom where you will find the real precious stones! --Nikki Disney "Widescreen" vs. "Full Screen" Widescreen preserves the original theatrical picture ratio of the film (Panavision 2.35:1), which will appear in "letterboxed" format on a normal TV screen. Full Screen (or "pan and scan") crops the theatrical picture to 4:3 ratio (i.e., 4 units wide by 3 units tall), which is the shape of a standard (non-widescreen) TV screen. There is no letterboxing, but up to a third of the original picture is lost.
A best selling thriller novelist moves to a remote cottage on the Scottish coast following a tragic loss. But her demons have followed her.
Directed and produced by Doctor Who and Sherlock stalwart Mark Gatiss, these eight short monologues explore an entire century of the LGBT experience in the UK. And it does so all from one pub: everything in Queers from a returning First World War soldier recalling a forbidden love, to an anxious husband-to-be prepping his speech for one of the first gay weddings takes places in a single room. Featuring: The Man on the Platform (Ben Whishaw) A Grand Day Out (Fionn Whitehead) More Anger (Russell Tovey) Missing Alice (Rebecca Front) I Miss the War (Ian Gelder) Safest Spot in Town (Kadiff Kirwan) The Perfect Gentleman (Gemma Whelan) Something Borrowed (Alan Cumming) Includes Subtitles for the Hard Of Hearing
Features every episode from series 1-8! Starring Martin Clunes and Carline Catz, Doc Martin' follows a gruff but affable GP with a blood phobia who moves from London to the sleepy Cornish town of Portwenn where he must navigate life in a new town while attending to the needs of the town's eccentric residents.
With the help of a courageous fellowship of friends and allies, Frodo embarks on a perilous mission to destroy the legendary One Ring Hunting Frodo are servants of the Dark Lord, Sauron, reclaims the Ring, Middle earth is doomed. Winner of four Academy Awards, this epic tale of good versus evil, friendship and sacrifice will transport you to a world beyond imagination.
One of the most artistically significant and controversial motion pictures ever made D. W. Griffith's silent epic The Birth of a Nation was a massive commercial success at the time of its release owing to its dynamic storytelling and its breakthrough developments in cinema language that have become common traits of practically every film that has since followed. However the picture's legacy is one that continues to elicit outrage over its vulgar depictions of African-Americans and its deceptive historiography of the United States in the second half of the nineteenth century. The Birth of a Nation begins depicting the amiable relationship between two families Northern and Southern and the way in which the impending Civil War intensifies the conflict of their worldviews. Following the end of the war and the assassination of President Lincoln a lawless chaos courses throughout the Reconstruction South and the Ku Klux Klan is formed to take on a rising black militia and impose a vengeful vigilante justice across their land and birthright. It's a film that's deeply divisive even to the senses of a single viewer: images of painterly beauty in composition and tonal quality often exhibit a contemptuous inflammatory coarseness with regard to subject matter; just as frequently long tracts evince an innocent terrifically lyrical grandeur. Griffith would attempt to make amends for the moral schism of this schizophrenic epic in his next film Intolerance but The Birth of a Nation cannot - and should not - remain unseen or undiscussed: it is a great and terrible masterpiece. The Masters of Cinema Series releases Griffith's three-hour epic including a series of the director's Civil War shorts for the first time on Blu-ray in the UK.
"12 and Holding" explores the complexities of children losing their innocence and adults struggling to guide them.
Ian Hart stars as David Carr an idealistic young member of the British Communist Party who decides to join the leftist forces fighting fascism in 1936 Spain in this drama from director Ken Loach. The story is told in long flashbacks framed by the perspective of Carr's granddaughter who has found her recently deceased grandfather's diaries that detail his wartime experiences.
37 Days37 Days: The Countdown to World War 1 is a masterful tense and gripping three 'part political thriller set within the corridors of power in Whitehall and Berlin tracks the unfolding crisis through the eyes of leading politicians and civil servants struggling to prevent the world's first global war. A stellar cast led by Ian McDiarmid and Tim Piggott-Smith reveal the complex behind-closed-doors story of the countdown to World War One in this political thriller following the catastrophic chain of events that led from the assassination of the Archduke Franz Ferdinand on 28th June 1914 to the declaration of war between Britain and Germany on 4th August. One Month In SummerThe British Foreign Office led by foreign secretary Sir Edward Grey receives news of an assassination in the Balkans. In Berlin the Kaiser thinks he can exploit it for his own advantage. One Week In JulyWar in Europe is becoming a real possibility. Under pressure from the cabinet the British foreign secretary unravels a tangled web of intrigue between Austria Germany Russia and France while the German military command conspires to force the Kaiser's hand. Who will gain the upper hand? One Long WeekendThe last hours of peace. With the continental powers pushed to the brink Sir Edward Grey seems unsure of whether to keep Britain out of the conflict. Desperate negotiations resignations and a battle of wills in the Cabinet reach a crescendo with Germany's ultimatum to Belgium. Which way will Britain go?
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations.But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim NewmanOn the DVD: The individual episode discs have a small selection of deleted scenes, foreign language clips and behind-the-scenes footage, but the bulk of the extra material is on the final disc. There's not a lot to get to grips with, but what there is consists of a 14-minute documentary about the making of Season Two, with contributions from Chris Carter, various directors, writers and actors (but not the two principals); Carter talking briefly about each episode in turn; a series of short TV spots and pieces about the show's FX and secondary characters; and three very short behind-the-scenes glimpses, one of which has the self-explanatory title "Gillian eats a cricket". There's also a DVD-ROM utility with Web links and a game. --Mark Walker
Feature documentary about the great West Indies cricket team of the 1970's/80's.
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