"When their best friend Alison mysteriously vanishes, four girls believe their secrets are safe forever. But when they begin to receive threatening messages from someone named ""A,"" the truth may be only one text away. Filled with mystery, scandal, intrigue and nail-biting suspense, PRETTY LITTLE LIARS is based on the best-selling book series for young adults from Alloy. Set one year after the disappearance of Alison, the manipulative and vindictive queen bee, the one-hour drama revolves around four 16-year-old girlfriends -- Aria, Hanna, Spencer and Emily -- who have lost touch with one another until each begins to receive mysterious messages suggesting that Alison is watching them and knows their most private details they are desperate to keep hidden. Suddenly, living in their picturesque suburban community is far from perfect as secrets, lies and betrayals threaten everything they hold dear. Even after Alison's body is discovered, the messages don't stop...."
It seems the grumpiness is acute - and chronic. The bad mood is no longer in remission. All the symptoms are there: the truculence the tactlessness the caustic take on everyone and everything. Martin Clunes is back as Doc Martin the man whose bedside manner leaves a lot to be desired in ITV 1's prime-time award-winning comedy drama Doc Martin: Series 3. Series 3 follows the ongoing accidents emergencies and comic mishaps in Portwenn as the good doctor bumbles through life all the while trying to pursue his burgeoning but seemingly ill-fated romance with headmistress Louisa Glasson (Caroline Catz). Martin's clumsy attempts to woo her have so far failed. But could a breakthrough in their turbulent relationship mean wedding bells? Aunt Joan (Stephanie Cole) is still trying her best to provide him with emotional support in the face of the villagers' disquiet. But even she despairs at his caustic comments especially when romance blossoms for her with a new man in the village. While son Al (Joe Absalom) travels the world Bert Large (Ian MacNeice) decides it's time to abandon Portwenn's plumbing troubles and pursue a new career - as a restaurateur with disastrous consequences. Pauline Lamb (Katherine Parkinson) the feisty surgery receptionist is bored with her job and needs a new challenge. So the doctor arranges for her to train as a phlebotomist - but a dangerous addiction threatens to ruin her life. And new to Portwenn this time is PC Joe Penhale (John Marquez) who has ideas way above his station. And agoraphobia. And narcolepsy. Not great for a policeman. So book your appointment with Doc Martin - if you dare. (To be taken in moderation after dinner with a nice cup of tea. Keep out of the reach of anyone with a fragile ego.)
Robin Hood (Connery) is an old man when he returns with his best friend Little John to England after the Crusades. Maid Marian (Hepburn) has entered a nunnery King Richard is a raving lunatic his Brother John a moron and the age of great adventure has seemed to have passed Robin by. But when The Sheriff of Nottingham (Shaw) once again threatens Sherwood Robin gathers his faithful men and band of peasants to fight oppression in this high-spirited adventure in which Robin Hood and Maid Marian rediscover their love...
John Wick When a retired hit man is forced back into action by a brutal Russian mobster, he hunts down his adversaries with the ruthlessness that made him a crime underworld legend in John Wick, a stylish tale of revenge and redemption. After the sudden death of his beloved wife, John Wick receives one last gift from her, a beagle puppy named Daisy, and a note imploring him not to forget how to love. But John's mourning is interrupted when his 1969 Boss Mustang catches the eye of sadistic thug Iosef Tarasov who breaks into his house and steals it, beating John unconscious and leaving Daisy dead. Unwittingly, they have just reawakened one of the most brutal assassins the underworld has ever seen. John's search for his stolen vehicle takes him to a side of New York City that tourists never see, a hyper-real, super-secret criminal community, where John Wick was once the baddest guy of all. John Wick: Chapter Two In this next chapter following the 2015 hit, legendary hitman John Wick [Keanu Reeves] is forced back out of retirement by a former associate plotting to seize control of a shadowy international assassins' guild. Bound by a blood oath to help him, John travels to Rome where he squares off against some of the world's deadliest killers.
This riveting mystery is a whodunit at its best. The legendary British sleuth Sherlock Holmes accompanied by his loyal sidekick Watson become wrapped up in yet another jewel-centered mystery when a beautiful young woman finds herself the surprised recipient of the world's second largest diamond. The master detective is summoned to figure out just who sent her the jewel and why.
The Sorcerers, the second film directed by the lost "wunderkind" of British cinema Michael Reeves, may not have the scope and visceral impact of his masterpiece, Witchfinder General (1968), but there's enough fierce originality here to show what a tragic loss it was when he died from a drugs overdose aged only 24. The film also shows the effective use he made of minimal resources, working here on a derisory budget of less than £50,000--of which £11,000 went to the film's sole "named" star, Boris Karloff. Karloff plays an elderly scientist living with his devoted wife in shabby poverty in London, dreaming of the brilliant breakthrough in hypnotic technique that will restore him to fame and fortune. Seeking a guinea-pig, he hits on Mike, a disaffected young man-about-town (Ian Ogilvy, who starred in all three of Reeves' films). But the technique has an unlooked-for side effect--not only can he and his wife make Mike do their bidding, they can vicariously experience everything that he feels. At which point, it turns out that the wife has urges and desires that her husband never suspected. Karloff, then almost at the end of his long career, brings a melancholy dignity to his role; but the revelation is the veteran actress Catherine Lacey as the seemingly sweet old lady, turning terrifyingly avid and venomous as she realises her power. The portrayal of Swinging London, with its mini-skirted dollybirds thronging nightclubs where the strongest stimulant seems to be Coke rather than coke, has an almost touching innocence, but Reeves invests it with a dream-like quality, extending it into scenes of violent death in labyrinthine dark alleys. By this stage, some ten years after it started, the British horror cycle was winding down in lazy self-parody. Reeves had the exceptional talent and vision to revive it, had he only lived. On the DVD: The Sorcerers DVD has original trailers for both this film and Witchfinder General (both woefully clumsy); filmographies for Reeves, Karloff and Ogilvy; an "image gallery" (a grab-bag of posters, stills and lobby cards); detailed written production notes by horror-movie expert Kim Newman; and an excellent 25-minute documentary on Reeves, "Blood Beast", dating from 1999. The transfer is letterboxed full-width, with acceptable sound. --Philip Kemp
Nikolai 'Kolya' Rodchenko a ballet star (Mikhail Baryshnikov) who has defected from the Soviet Union to the West finds himself unexpectedly back in the Soviet Union as a result of his airplane crash-landing in Siberia. Meanwhile Raymond Greenwood (Gregory Hines) a Harlem-born and bred professional dancer disenchanted with America after his Vietnam experiences defects to the Soviet Union. The K.G.B. blackmails the American defector to spy on Baryshnikov and to persuade him to rec
The Alien Quadrilogy is a nine-disc box set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here the films have been repackaged with vastly more extras and with upgraded sound and vision. For anyone who hasn't been in hypersleep for the last 25 years this series needs no introduction, though for the first time each film now comes in both original and "Special Edition" form. Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 Director's Cut is fiddling for the sake of it. Watch once then return to the majestic, perfectly paced original. Conversely the Special Edition of James Cameron's Aliens (1986) is the definitive version, though it's nice finally to have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered and finished-off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to the story. The ending is also subtly but significantly different. Alien Resurrection (1997) was always a mess with a handful of brilliant scenes, and the Special Edition just makes it eight minutes longer. On the DVD: Alien Quadrilogy offers all films except Alien3 with DTS soundtracks, the latter having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here--and there are subtitles for hard of hearing both for the films and the commentaries. Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented at 4:3 with clips letterboxed), thousands of photos, production stills and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including a Channel 4 hour-long documentary and even all the extras from the old Alien laserdisc. Exhaustive hardly beings to describe the Alien Quadrilogy, a set which establishes the new DVD benchmark for retrospective releases and which looks unlikely to be surpassed for some time. --Gary S Dalkin
1980s Adaptation of the classic Robert Louis Stevenson's exploration into the good versus evil side of human nature. David Hemmings takes the lead as the virtuous Dr Jekyll who discovers a formula to unleash the dark side of man. The result is Mr Edward Hyde his depraved inner demon who is let loose to enjoy the more decadent side of Victorian society. As his experiments continue Mr Hyde grows stronger as his creator struggles to control him.
When Shadow Moon is released from prison, he meets the mysterious Mr. Wednesday and a storm begins to brew. Little does Shadow know, this storm will change the course of his entire life. Left adrift by the recent, tragic death of his wife, and suddenly hired as Mr. Wednesday's bodyguard, Shadow finds himself in the centre of a world that he struggles to understand. It's a hidden world where magic is real, where the Old Gods fear both irrelevance and the growing power of the New Gods, like Technology and Media. Mr. Wednesday seeks to build a coalition of Old Gods to defend their existence in this new America, and reclaim some of the influence that they've lost. As Shadow travels across the country with Mr. Wednesday, he struggles to accept this new reality, and his place in it.
Hollywood legends Marlon Brando Frank Sinatra Jean Simmons and Vivian Blaine (from the original Broadway cast) are dazzling in this masterpiece unleashing a spectacular song-and-dance show that's loaded with entertainment. The slickest big-time New York City gamblers Sky Masterson (Brando) and Nathan Detroit (Sinatra) can't resist making or taking a bet on anything. So when a pretty missionary (Simmons) sets up shop in the neighbourhood Nathan stakes a grand that Sky can't sed
Acclaimed story of an unambitious civil servant who escapes the harsh realities of a totalitarian future with frequent daydreams. Jonathan Pryce and Robert De Niro star with Michael Palin and Bob Hoskins in this chilling black comedy directed by former Monty Python member Terry Gilliam.
Set on a Pacific island in 1942, Too Late the Hero is a hard-as-nails "men on a mission" war movie: a group of British soldiers have to traverse the New Hebrides to destroy a Japanese radio transmitter, then get back to safety while being hunted all the way. Inevitably everything goes wrong, but director Robert (The Dirty Dozen) Aldrich turns the book of WWII movie clichés on its head and springs some unnerving surprises. Even the token American star, Cliff Robertson--echoing William Holden's grafted-on role in The Bridge on the River Kwai--proves less than obviously heroic, while an outstanding Michael Caine brings considerable depth to his usual cynical cockney. Henry Fonda gets heavily billed for a brief guest appearance, but there are star performances such fine British character actors as Denholm Elliot, Ian Bannen, Ronald Fraser and Lance Percival. This portrait of battle-worn men offers greater complexity than Spielberg's Saving Private Ryan, while the jungle trek was more recently paralleled in Terrence Malick's The Thin Red Line. Only the attitudes--more 1970 than 1942--detract from Aldrich's tellingly realistic vision, which with a thoughtfully ironic script and a succession of tense set pieces and brutal firefights, builds to a harrowing climax. On the DVD: The picture is presented at approximately 1.7:1, reformatted from the original 2.2:1 70mm theatrical presentation. Despite approximately 25 per cent of the original image being missing, this loss is only really noticeable in a few scenes. Apart from the occasional fleck, the print is in superb condition, and despite the lack of anamorphic enhancement the picture is sharp, detailed and has excellent colour. The surround sound (not mono as listed on the packaging) is highly effective, with the tension being increased by a considerable amount of the music coming from the rear speakers. The special features are simply a few static pages of biographical and production notes. --Gary S. Dalkin
With much of America lying in ruins, the rest of the world braces for a global sharknado; Fin and his family must travel around the world to stop them.
The little red-head orphan is back in this film based on the classic Harold Gray comic strip. This time she and her faithful canine Sandy visit England after Daddy Warbucks is called over to be knighted by the Queen.
The explosive boxset featuring We Still Kill The Old Way and We Still Steal The Old Way.
Michael Caine is Jack Carter, the London gangland enforcer who returns to his hometown of Newcastle to avenge his brother's death. Rarely has the criminal underworld been so realistically portrayed as in this 1971 masterpiece. Shot on location, resulting in a devastatingly authentic snapshot of life in the north east of England in the late-industrial period, Get Carter remains arguably the grittiest and greatest of all British crime films. Newly restored in 4K from the original camera negative by the BFI, and approved by director Mike Hodges, Get Carter is back, and looking and sounding better than ever. Product Features Limited edition 2-disc set Newly restored and presented in High Definition Newly recorded introduction by Michael Caine (2022) Audio commentary featuring Mike Hodges, Michael Caine and Wolfgang Suschitzky (2000) Newly recorded audio commentary featuring Kim Newman and Barry Forshaw Isolated score by Roy Budd Mike Hodges in Conversation (2022, 60 mins): the director discusses his career in this interview recorded at BFI Southbank The Sound of Roy Budd (2022, 17 mins): film music expert Jonny Trunk explores the varied career of Roy Budd, and revisits Budd's iconic, minimalist score for Get Carter Roy Budd Plays Get Carter' (1971, 4 mins) BBC Look North location report (1970, 5 mins): surviving footage of a 1971 report on Get Carter's making, from the BBC's regional news programme Don't Trust Boys (2022, 22 mins): actor Petra Markham reflects upon her career on stage and screen, and recalls her role in Get Carter Klinger on Klinger (2022, 24 mins): Tony Klinger recalls and evaluates the career of his father, Michael Klinger, Producer of Get Carter The Ship Hotel - Tyne Main (1967, 33 mins): Philip Trevelyan's evocative documentary film about a pub on the banks of the River Tyne International trailer (1971) Rerelease trailer (2022) Michael Caine's message to premiere attendees (1971, 1 min) Script gallery 80-page book featuring new writing by Mark Kermode, Tim Pelan, John Oliver and Jason Wood. Also includes Alex Cox's intro to the film's Moviedrome screening in 1990, stills, and notes on the restoration by the BFI's Douglas Weir Double-sided poster featuring the original UK quad A set of four postcards featuring iconic scenes from the film Newly created English subtitles for the Deaf and partial hearing Newly created audio description track **All extras are TBC and subject to change**
Lost Episode Rediscovered After 55 Years And Available On DVD For The First Time Tunnel Of Fear is the twentieth episode of the first series of the 1960s cult British spy-fi television series The Avengers, starring Ian Hendry, Patrick Macnee and Ingrid Hafner and was broadcast by ABC Television on 5 August 1961. It's one of only three known complete season 1 episodes to have survived since the original broadcast. Lost for 55 years, the episode came to light in a private film collection in 2016 and was recovered by the British television preservation group Kaleidoscope. Now for the first time ever Avengers fans will be able to own the episode its entirety on DVD with a host of extra content. Harry Black, an escaped convict, bursts into Dr David Keel's surgery wounded. He claims to have been framed for a crime that he did not commit and begs the doctor not to hand him over to the police. Steed arrives and ascertains that Black has links to Southend-on-Sea which might well tie in with an investigation currently being undertaken by his department. They are aware that top government secrets are being leaked from a fun fair in Southend, and Black's story, if true, could possibly lead them to the source of the operation. Can Steed and Keel bring down the operation, prove Harry's innocence and get out of Southend with their lives? Features: Big Finish Audio Play Series 1 Reconstruction - Tunnel of Fear New Interview with John Dorney writer of the Big Finish episode Ulster TV interview: Ian Hendry (1962) Ulster TV interview: Patrick Macnee (1964) Reconstructions - Series 1 Slideshows
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