This 14-disc Blu-ray collection contains Michael Haneke's entire feature filmography, many available on Blu-ray for the first time in the UK, plus newly restored TV works from the acclaimed director. This limited edition also includes an 80-page booklet with two essays by Haneke and new essays by Catherine Wheatley and Ian Haydn Smith, as well as 3 reversible posters.From his Glaciation Trilogy to the shock of Funny Games and subsequent Palme d'Or-winning films The White Ribbon and Amour, Haneke has developed a style that articulately fuses social critique with a cinema of transcendent beauty in its precision, purpose and humanity. With formal disruption and sly reminders of artifice, as well as empathy and dark humour, Haneke stares where others fear to glance. In his worlds, we are all complicit even him, even you.Films included:Three Paths to the Lake (1976)Lemmings 1: Arcadia (1979)Lemmings 2: Injuries (1979)The Seventh Continent (1989)Benny's Video (1992)The Rebellion (1993)71 Fragments Of A Chronology Of Chance (1994)Funny Games (1997)The Castle (1997)Code Unknown (2000)The Piano Teacher (2001)Time of the Wolf (2003)Hidden (2005)Funny Games U.S. (2007)The White Ribbon (2009)Amour (2012)Happy End (2017)
Being attacked in her home by an unknown assailant changes Michele's life forever. When she resolutely tracks the man down, they are both drawn into a curious and thrilling game--a game that may, at any moment, spiral out of control.
Home, starring Isabelle Huppert and Olivier Gourmet is about a family living on the side of an abandoned motorway. A road movie in reverse, Home charts what happens to them when their lives progress from normal and fun to strange and absurd.
17 year old Pierre heads off to spend his summer holidays on the Canary Islands with his parents. However when his father is killed in a car accident the grieving Pierre is left alone with his prostitute mother (Huppert) who along with her partners in crime Rea (Preiss) and Hansi (de Caunes) inducts her son into a world of sexual transgression illicit desire and taboo-busting libertinism... Christophe Honore handles this heady philosophical blend of eroticism spiritualism and m
The Lacemaker (La Denteliere)
Frances (Chloë Grace Moretz), a sweet, naïve young woman trying to make it on her own in New York City, doesn't think twice about returning the handbag she fi nds on the subway to its rightful owner. That owner is Greta (Isabelle Huppert), an eccentric French piano teacher with a love for classical music and an aching loneliness. Having recently lost her mother, Frances quickly grows closer to widowed Greta. The two become fast friends but Greta's maternal charms begin to dissolve and grow increasingly disturbing as Frances discovers that nothing in Greta's life is what it seems in this suspense thriller directed by Academy Award® winner Neil Jordan.
Perhaps best known as the writer of Alain Resnais' classic cine-conundrum Last Year of Marienbad, Alain Robbe-Grillet was also the director a number of stylish, controversial and erotic films which starred such icons of French cinema as Jean-Louis Trinignant (Haneke's Amour, Bertolucci's The Conformist), Marie-France Pisier (Truffaut's Stolen Kisses and Bed and Board) and Isabelle Huppert (Claire Denis' White Material, Haneke's Amour). Impossible to see for decades, these enigmatic, sexually.
Based on the Johnson County War of 1892 Michael Cimino's epic western is now hailed as a masterpiece of American Cinema and is presented here in its newly and definitive director's cut. Harvard graduate James Averill has returned to Wyoming as a Marshall and is facing growing divisions and escalating tensions in the local community. The powerful government-backed cattle barons are waging war on the immigrant settlers they brand 'thieves and anarchists' and are drawing up a 'death list' for their hired mercenaries to act upon. As hostilities mount the inevitability of a full-scale and blood war edges even closer. Special Features: New Interview with Jeff Bridges New Interview with Cinematographer Vilmos Zsigmond Extracts from 'Final Cut: The Making and Unmaking of Heaven's Gate' - Michael Epstein's Acclaimed Documentary Based on Steven's Bach book
An unexpected critical (Grand Prix at Cannes) and commercial (three months in London's West End) success on its release in 2001, The Piano Teacher is a provocative, but ultimately frustrating, film. The intensifying relationship between Erika Kohut, a Viennese piano teacher whose musical focus is gradually undone by sexual repression, and Walter Klemmer, her uninhibited but unsuspecting student and admirer, lacks an underlying motivation, either physical or emotional, to sustain the tortuous encounters of the film's later stages. Director Michael Haneke powerfully evokes the claustrophobic décor of the flat that Kohut shares with her dictatorial yet ineffectual mother, with whom her relationship progresses from the pitiful to the farcical. And farce of the blackest kind is what the film descends to, as Kohut and Klemmer play out a vicious game of sado-masochistic control with an intriguing but indecisive conclusion. Isabelle Huppert is magnificently assured as Kohut, but Benoît Magimel often seems confused as Klemmer, while Annie Girardot resorts to a caricature of the mother. Fans of classical piano will enjoy the masterclass and rehearsal sequences during the first hour, though music is then relegated to a minor role--its deeper relevance to the film being ultimately difficult to define. English subtitles are provided, and the monochrome shades in which the scenes abound come through with suitably wan intensity. Yet it's hard not to feel that a more profound inquiry into the darker side of sexual desire has been lost along the way. --Richard Whitehouse
This collection of films directed by the phenomenally talented Claire Denis serve as a showcase of her decade-spanning, award-winning career, beginning with her international breakthrough Chocolat and carrying through to her most recent work White Material. Brave, challenging and frequently controversial, Claire Denis is one of the most important French filmmakers of her generation and is the most critically acclaimed female director working in the world today. Also includes Beau Travail and Nnette et Boni.
In this French comedy a man is murdered. The suspects: eight different woman from his life.
Too often overlooked and undervalued, Claude Chabrol was the first of the Cahiers du Cinema critics to release a feature film and would be among the most prolific. The sneaky anarchist of the French New Wave, he embraced genre as a means of lifting the lid on human nature. Nothing is sacred and nothing is certain in the films of Claude Chabrol: anything can be corrupted, and usually will be. The hidden meaness of provincial life is at the heart of Cop Au Vin (Poulet au vinaigre), as deaths and disappearances intersect around the attempt by a corrupt syndicate of property developers to force a disabled woman and her son from their home. Actor Jean Poiret would prove so compelling as the laconic Detective Inspector Lavardin good cop/bad cop all in one that the sequel would be titled after him. Inspector Lavardin sees the titular detective investigating the murder of a wealthy and respected catholic author, renowned for his outspoken views against indecency, whose body is found naked and dead on the beach. In Madame Bovary, Chabrol directs one of his greatest collaborators, actress Isabelle Huppert, in perhaps the definitive depiction of Flaubert's classic heroine. Meanwhile Betty, adapted from the novel of the same name by Maigret author Georges Simenon, is a scathing attack on the uppermiddle classes, featuring an extraordinary performance by Marie Trintignant as a woman spiraling into alcoholism, but fighting to redefine herself. Finally, in Torment (L'enfer) Chabrol picks up a project abandoned by Henri Georges Clouzot, in which a husband's jealousy and suspicion of his wife drive him to appalling extremes. Francois Cluzet and Emmanuelle Beart give career best performances as the husband and wife tearing each other apart. With brand new digital restorations, this inaugural Arrow Video collection of Claude Chabrol on Bluray brings together a wealth of passionate contributors and archival extras to shed fresh light on the films and the filmmaker. Dark, witty, ruthless, mischievous: if you've never seen Chabrol before, you're in for a treat. If you have, they've never looked better. Limited Edition Contents: High definition (1080p) Bluray presentations of all five films New 4K restorations of Madame Bovary, Betty, and Torment (L'enfer) Original lossless French PCM mono audio on Cop Au Vin (Poulet au vinaigre), Inspector Lavardin, Madame Bovary, and Betty Original lossless French PCM stereo audio on Torment (L'enfer) Optional English Subtitles Fully illustrated 80page collector's booklet of new writing on the films by film critics Martyn Conterio, Kat Ellinger, Philip Kemp, and Sam Wigley plus select archival material Limited edition packaging featuring newly commissioned artwork by Tony Stella Disc One: Brand new commentary by film critic Ben Sachs An Interview with Ian Christie, a brand new interview with film historian Ian Christie about the cinema of Claude Chabrol Claude Chabrol at the BFI, Chabrol discusses his career in this hour long archival interview conducted onstage at the National Film Theatre in 1994 Claude Chabrol, Jean Poiret & Stephane Audran in conversation, an archival Swiss TV episode in which the director and cast discuss Cop Au Vin (Poulet au vinaigre) Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Two: Brand new commentary by film critic Ben Sachs Why Chabrol?, a brand new interview with film critic Sam Wigley about why the films of Claude Chabrol remain essential viewing Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Three: Brand new commentary by film critic Kat Ellinger Imagining Emma: Madame Bovary on screen, a brand new visual essay by film historian Pamela Hutchinson Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Four: Brand new commentary by film critic Kat Ellinger Betty, from Simenon to Chabrol, a brand new visual essay by French Cinema historian Ginette Vincendeau An Interview with Ros Schwartz, a brand new interview with the English translator of the Georges Simenon novel on which the film is based Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery Disc Five: Brand new commentary by film critics Alexandra HellerNicholas and Josh Nelson On Henri Georges Clouzot, an archival interview with Claude Chabrol in which he talks about fellow director Henri Georges Clouzot (Les diaboliques), whose original attempt to make L'enfer was abandoned, and how the project came to Chabrol An Interview with Marin Karmitz, an archival interview with Marin Karmitz, Chabrol's most frequent producer Archive introduction by film scholar Joël Magny Select scene commentaries by Claude Chabrol Theatrical Trailer Image Gallery
Victor (Colin Farrell), a rising gangland player, has infiltrated the crime empire run by ruthless kingpin Alphonse (Terrence Howard) with the single purpose of making him pay for destroying his once happy life.
EO, a grey donkey with melancholic eyes and a curious spirit, begins his life as a circus performer before escaping on a trek across the Polish and Italian countryside. During his travels, he encounters an eclectic cast of characters, including a countess, a young Italian priest and a riotous Polish football team. EO's journey speaks to the world around us, an equine hero boldly pointing out societal ills and serving as warning to the dangers of neglect and inaction, all while on a quest for freedom. Directed by the veteran Polish director (Deep End, The Shout, Moonlighting), EO won the Jury Prize at the 2022 Cannes Film Festival, before being nominated for Best International Feature at the 2023 Academy Awards ®. Product Features Interview with Jerzy Skolimowski and Ewa Piaskowska (2022): Jerzy Skolimowski and Ewa Piaskowska (the co-writer of EO) in conversation. Recorded at the Lincoln Centre in New York. High Rise Donkey (1980, 56 mins): in this Children's Film Foundation adventure, three children who live in a high-rise tower block try to save a donkey from two small-time crooks UK trailer **FIRST PRESSING ONLY** Fully illustrated booklet with new essays by Michael Brooke, Ewa Mazierska and the BFI's Vic Pratt and full film credits
Starring iconic actress Isabelle Huppert in a career-defining role, Elle is already one of the most acclaimed films of the year. Huppert is Michèle LeBlanc; founder and CEO of a successful video game company, who is attacked in her own home. Taking what appears to be a desire to shrug off the terrifying incident, she locks the door after her attacker and refuses to tell the police. Upending our expectations, Michèle begins to track down her assailant, and soon they are both drawn into a curious and thrilling game, one that at any moment may spiral out of control. From legendary filmmaker Paul Verhoeven, Elle is a gripping psychological noir thriller. Exhilarating and multi-layered, the film recalls the ambience of Hitchcock, De Palma and Polanski, with a thrilling cerebral edge.
Based on the Johnson County War of 1892 Michael Cimino's epic western is now hailed as a masterpiece of American Cinema and is presented here in its newly and definitive director's cut. Harvard graduate James Averill has returned to Wyoming as a Marshall and is facing growing divisions and escalating tensions in the local community. The powerful government-backed cattle barons are waging war on the immigrant settlers they brand 'thieves and anarchists' and are drawing up a 'death list' for their hired mercenaries to act upon. As hostilities mount the inevitability of a full-scale and blood war edges even closer. Special Features: New Interview with Jeff Bridges New Interview with Cinematographer Vilmos Zsigmond Extracts from 'Final Cut: The Making and Unmaking of Heaven's Gate' - Michael Epstein's Acclaimed Documentary Based on Steven's Bach book
Focusing on the lives of an elderly couple and the strain their relationship undergoes after one of them suffers a mild stroke, Amour is one of the most powerfully moving, emotionally devastating pieces of cinema ever made. From one of, if not the greatest director working today – Michael Haneke. Winner of the 2012 Palme d'Or at the Cannes Film Festival.
This deluxe box set features ten of Haneke's masterpieces - now including the Palme d'Or-winning 'The White Ribbon' - and follows the sell-out success of 2009's 'Essential Michael Haneke' collection.71 Fragments of a Chronology of ChanceBenny's VideoThe CastleCode UnknownFunny GamesHiddenThe Piano TeacherThe Seventh ContinentTime of the WolfThe White Ribbon
Master auteur Michael Haneke (Amour, The White Ribbon, Hidden) returns with a biting satire on bourgeois family values set in the shadow of the European refugee crisis. Featuring a cast of top acting talent, including Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz and Toby Jones, it's a piercing dark comedy on the blind preoccupations of middle-class angst. Nominated for the Palme d'Or at the 2017 Cannes Film Festival, Happy End bears all the hallmarks of Haneke's uniquely stark and unsympathetic style. Pairing pitch-black humour with chillingly precise direction, it's proof if we ever needed it that he remains one of modern cinema's true visionaries. Read more at https://www.curzonartificialeye.com/happy-end/#HiJoRqmElwrKDZ6e.99
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