Jackie Chan's Adventures is the exciting new animated series from world-famous action hero Jackie Chan. You've never seen Jackie like this! Episode titles: The Dark Hand The Power Within The Mask of El Toro Fuerte Enter...The Viper Project A for Astral Shell Game Bullies Tough Break The Rock The Dog and Piggy Show The Jade Monkey The Tiger and the Pussycat Day of the Dragon.
Five brave teens set out on an exciting global treasure hunt to track down five long-lost jewels from the Corona Aurora Crown of the Gods. They must decode mind-crunching puzzles embark on mythical adventures and overcome spectacular battles or Dark Forces will wear the Crown and evil will be unstoppable. The Entire universe's fate rests in the hands of Power Rangers: Operation Overdrive.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
The Good The Bad And The Ugly Director Sergio Leone substitutes for the upright puritan Protestant ethos so familiar in Hollywood westerns a seedy cynical standpoint towards death and mortality as a team of brutal bandits battle to unearth a fortune buried beneath an unmarked grave. Joining Clint clearly The Good is the irredeemably Bad Lee and the resolutely Ugly Eli Wallach. The complete plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of World War One to end in the climatic Dance Of Death. The Magnificent Seven Yul Brynner stars as one of seven master gunmen who aid the helpless farmers of an isolated village pitted against an army of marauding bandits in this rousing action tale based on Akira Kurosawa's classic 'Seven Samurai'. Released in 1960 John Sturges' masterpiece garnered an Oscar nomination for Elmer Bernstein (for Best Score) and launched the film careers of Steve McQueen Charles Bronson Robert Vaughn and James Coburn. The Alamo At the Alamo a crumbling adobe mission 185 exceptional men joined together in a sacred pact: they would stand firm against an army of 7 000 and willingly give their lives for freedom. Filmed entirely in Texas only a few miles from the site of the actual battle 'The Alamo' is a visually stunning and historically accurate celebration of courage and honour. John Wayne produces directs and stars in this larger than life chronicle of one of the most remarkable events in American history.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Sid James plays Sid Abbott - Mr Average Married Man. A representative for a stationery firm. Sid's interest in life are the three C's: Chelsea Courage bitter and Crumpet and not necessarily in that order. In common with most married men however he finds these ambitions constatnly thwarted by his wife son and daughter also not necessarily in that order. Sid likes to think he is with it but in actual fact he would not know it if he saw it. Diana Coupland plays his attractive
The name says it all--Star Trek III: The Search for Spock--so you didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness". So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease of life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise ... as if he were ever really gone. With Kirk's wilful destruction of the USS Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff Shannon, Amazon.com
In an isolated coastal community, Rachel Wade is sent down an emotionally destructive path after the tragic death of her mother. Forced to leave home, Rachel and her younger sister return years later to find their father missing and the community deserted. What starts as a search for answers quickly turns into a race for survival. In order to escape, Rachel must face her family's dark history and a mysterious figure with sinister intentions.
Celluloid Man is a tribute to an extraordinary man called P. K. Nair. Mr Nair's fascination with cinema began as a child. He would collect ticket stubs, lobby cards, posters and finally film cans. He grew up to be a great collector of films - and so the Nation Film Archive of India was born. He built the Archive can by can in a country where film preservation was regarded as unimportant. Thanks to Nair's passion, the Archive has been able to preserve precious pieces of film history that woul...
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Meet Raymond Chase (Hulk Hogan) bespectacled badly dressed toy storeowner and source of constant embarrassment to his young son Jeremy. If only Jeremy knew this goofy idiot of a father is really a disguise for the world's best secret agent enlisted specifically by the President of the United States to carry out a daring mission and snatch the Weapon of Weapons from the clutches of the evil Eve (Lesley Anne Down) and her giant steel legged henchman Wrecks (Richard Moll). Jeremy stumbles on his fathers true identity and starts the Secret Agent Club recruiting his friends to help his father!
The complete sixth series of ITV's hit series Soldier Soldier which followed the lives of the Kings Fusiller's regiment. In this series the Fusiller's find themselves posted at Aldershot in order to form part of the 5th Airborne Brigade. The boys have mixed feelings about the move and are warned that the training facing them is far from easy. The King's Own are put through their paces as Platoon Sergeant Chris McLeod gets them ready for their 'P' company training which
Cold Feet is the fast and funny ITV comedy drama about a group of friends which has gripped the nation. Immersing us in the lives of 3 couples who are coping with life love careers marriage friendship infidelity and of course sex. It gets to the heart of 30-something relationships like no other programme of its kind. Pilot Episode: Pete and Jenny are trying desperately to have a baby. As they have had little success Jenny begins to plot their lives around her ovulation
***WARNING***ALL DVD TITLES CONTAIN ENGLISH SUBTITLES EXCEPT FOR THE DVD TITLE - A CANTERBURY TALE*** Never in the history of British film have two figures become as iconic as those of Michael Powell and Emeric Pressburger. Reigning throughout the 40s and 50s these two magnificent filmmakers brought to life British films and continue to radiate immense critical acclaim and inspiration for all contemporary film making. Includes: 1. A Matter of Life & Death (1946) 2. The Life & Death of Colonel Blimp (1943) 3. A Canterbury Tale (1944) 4. I Know Where I am Going (1945) 5. 49th Parallel (1941) 6. The Battle of the River Plate (1956) 7. Ill Met By Moonlight (1957) 8. They're A Weird Mob (1966) 9. The Red Shoes (1948)
With hindsight, Star Trek III: The Search for Spock is the satisfactory middle instalment of a well-rounded trilogy that began with The Wrath of Kahn and ended with The Voyage Home (after which this crew really should have retired gracefully). But on its first release, few fans knew what to expect and initial impressions were disappointing. The biggest talking points were that the film was Leonard Nimoy's directorial debut and that his name wasn't in the opening credits. Naturally, the biggest question was just how would the loss of Spock affect the franchise? That question was neatly dodged and what audiences got instead was a tale of team-spiritedness, sacrifice and rebellion that ended on a question mark. In other words it was a fun ride without many answers. The centrepiece of the movie has to be stealing The Enterprise, a beautifully conceived sequence that remains at the heart of classic Trek's filmic storyline: sacrificing all for the sake of friendship, Kirk and co. set out to rescue their lost companion; this single action defines everything the characters had ever meant to each other, and has an effect on everything that followed. And if the loss of Spock had left audiences eager for more, that was as nothing compared to the loss of The Enterprise. On the DVD: Star Trek III on disc does not come in a new transfer as the previous two special edition DVDs, and you won't find any deleted or new scenes either. The extras package is fascinating, nonetheless, especially with the contributions from Nimoy. His fond reminiscences in the commentary track are priceless, with good support from writer-producer Harve Bennett, director of photography Charles Correll, and Robin Curtis (Saavik). The text commentary from the Okudas isn't as involving as the others, sadly, but this is made up for by the trivia dished out in documentaries covering: model-making, costume design, the science of Terraforming, and how to speak Klingon. The best inclusion is "Captain's Log" featuring interviews with an enthusiastic Nimoy, a sarcastic Shatner, an appreciative Curtis and the rarely seen Christopher Lloyd. --Paul Tonks
Lucky for Eddie Murphy he got hold of the rights to this 1963 Jerry Lewis classic before Jim Carrey did. Murphy had a comeback of sorts with his Jeckyll-and-Hyde-derived fable of awkward chemistry professor Sherman Klump (Murphy), who discovers a potion that transforms him into the suave, cocky lady-killer Buddy Love (also Murphy). The big difference between the two versions is that Murphy's Sherman is not only a nerdy intellectual but is also grossly obese, which provides the opportunity for some hilarious digital transformation effects, as well as some gentle satire of our culture's attitudes toward fat people. As he did in the hit Coming to America, Murphy plays multiple roles, and the scenes at the Klump family dinner table, in which he plays everybody, are brilliantly funny. (Murphy won the National Society of Film Critics' award for best actor of 1996 for these performances.) Lewis based his Buddy Love on the 1960s ideal of cool exemplified by Sinatra and the Rat Pack; Murphy stumbles a bit by playing up the oily phoniness of his latter-day Love a little too soon, but for the most part The Nutty Professor represents a welcome return to form for Eddie Murphy. --Jim Emerson
The African Queen The boozing smoking cussing captain of a tramp steamer Charlie Allnut saves prim and proper Rose Sayer after her brother is killed by German soldiers at the beginning of World War I in Africa. Many quarrels later the two set sail on the Ulonga-Bora in order to sabotage a German ship. Based on the 1935 novel by C.S. Forester the wonderful combination of Hepburn and Bogie (who won an Oscar) makes this a thoroughly enjoyable blend of comedy and adventure. Later came the book (and Clint Eastwood film) White Hunter Black Heart which chronicled screenwriter Peter Viertel's experiences observing Huston throughout the making of the picture. On Golden Pond Family tensions explode for a loving couple Ethel and Norman Thayer (Katherine Hepburn and Henry Fonda in Academy Award winning performance) at their New England summer cabin on Golden Pond. Their daughter Chelsea (Jane Fonda) has come to visit with her new lover Bill (Dabney Coleman) and his tough young son Billy (Doug McKeon). The three generations collide. But what begins as a stubborn battle of wills between Norman and Billy slowly turns into a relationship that Chelsea always wanted with her father and Norman discovers how much he has missed by denying his daughter's love. Iron Petticoat A US Air Force captain forces down a Russian MIG only to be confronted by a Russian fighter ace. The Captain is tasked with converting her to capitalism.
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