Prepare to be corrupted and depraved once more as Nucleus Films releases the definitive guide to the Video Nasties phenomenon - one of the most extraordinary and scandalous eras in the history of British film. For the first time ever on DVD trailers to all 72 films that fell foul of the Director of Public Prosecutions are featured with specially filmed intros for each title in a lavish three-disc collector's edition box-set alongside the critically acclaimed documentary Video Nasties: Moral Panic Censorship And Videotape. Disc One: The era-defining and critically acclaimed documentary Video Nasties: Moral Panic Censorship And Videotape directed by Jake (Doghouse) West and produced by Marc Morris features interviews with filmmakers Neil Marshall ('The Descent' 'Doomsday') Christopher Smith ('Severance' 'Black Death') and MP Graham Bright as well as rare archive footage featuring James Ferman (director of the BBFC 1975-1999) & Mary Whitehouse. Taking in the explosion of home video the erosion of civil liberties the introduction of draconian censorship measures hysterical press campaigns and the birth of many careers born in blood and videotape West's documentary also reflects on the influence this peculiar era still exerts on us today. Disc Two: Presents the 39 titles that were successfully prosecuted in UK courts and deemed liable to deprave and corrupt. These included: 'Absurd' 'Cannibal Holocaust' 'The Driller Killer' 'I Spit on Your Grave' 'Nightmares in a Damaged Brain' 'Snuff' & 'Zombie Flesh-Eaters'. Disc Three: Presents the 33 titles that were initially banned but then subsequently acquitted and removed from the DPP's list. These included: 'Death Trap' 'Deep River Savages' 'The Evil Dead' 'Human Experiments' 'The Toolbox Murders' & Zombie Creeping Flesh.
The British spy with a licence to kill takes on his dark underworld double, a classy assassin who kills with golden bullets at £1 million a hit. Roger Moore, in his second outing as James Bond, meets Christopher Lee's Scaramanga, one of the most magnetic villains in the entire series, in this entertaining but rather wan entry in the 007 sweepstakes. Bond's globetrotting search takes him to Hong Kong, Bangkok, and finally China, where Scaramanga turns his island retreat into a twisted theme park for a deadly game of wits between the gunmen, moderated by Scaramanga's diminutive man Friday Nick Nack (Fantasy Island's Hervé Villechaize). Britt Ekland does her best as an embarrassingly inept Bond girl, a clumsy, dim agent named Mary Goodnight who looks fetching in a bikini, while Maud Adams is Scaramanga's tough but haunted lover and assistant. Clifton James, the redneck sheriff from Live and Let Die, makes an ill-advised appearance as a racist tourist. He briefly teams up with 007 in what is otherwise the film's highlight, a high-energy chase through the crowded streets of Bangkok that climaxes with a breathtaking mid-air corkscrew jump. Bond and company are let down by a lazy script, but Moore balances the overplayed humour with a steely performance and Lee's charm and enthusiasm makes Scaramanga a cool, deadly, and thoroughly enchanting adversary. --Sean Axmaker, Amazon.com
The Match is a contemporary romantic comedy, set in the idyllic Highland village of Inverdoune.
Welcome to the muddy funny and marvellous Top Gear Africa special in which Clarkson Hammond and May saddle up three tired old estate cars and set off to find the source of the Nile. Their journey starts with insane traffic jams and mountainous speed bumps takes in dubious hotels and ingenious modifications before entering an epic odyssey of treacherous mud impenetrable forests vicious crocodiles and truly breathtaking scenery building to a brilliant brutal climax and a glorious landmark discovery. Special Features: Over 20 Minutes of Previously Unseen Idiocy
Emmerdale Soap Bubble
A powerful, atmospheric thriller and a major box-office hit for director Leslie Arliss, The Night Has Eyes boasts a supremely accomplished cast and crew, including Wilfrid Lawson, a youthful James Mason and British femme fatale Joyce Howard; Gunther Krampf s skilful cinematography is ably complemented by Charles Williams evocative score. This memorable, highly acclaimed film is featured here in High Definition transfer from the original film elements in its as-exhibited aspect ratio. Schoolteacher Marian Ives visits the Yorkshire moors where her friend, Evelyn, disappeared a year ago. Caught in a violent storm, she takes refuge in a large, lonely house to which she is grudgingly admitted by Stephen Deremid, a reclusive pianist traumatised by his experiences in the Spanish Civil War. While Marian finds herself attracted to Stephen, she also begins to suspect that he may have had something to do with her friend's disappearance... SPECIAL FEATURES: Image Gallery Promotional Material PDF
Like giant monuments to good old-fashioned star quality, Funny Girl (1968) and Funny Lady (1975) hark back to the golden days of American vaudeville, while essentially celebrating one of the great, egotistical show-business talents of all time. Viewed end to end, these two films, which tell the story of Ziegfeld comedienne Fanny Brice, run for almost five hours. That's a lot of biopic. But with the greatest of respect to Brice, undoubtedly a formidable star of her time, the talent really in the spotlight here belongs to Barbra Streisand. Streisand created the role of Fanny Brice in the 1964 Broadway stage musical and her performance for the big screen is a tour de force, fully deserving the Best Actress Oscar which she received. As a biopic, Funny Girl is superior fare, full of sumptuous production numbers. Brice's glory days are explored against the background of her turbulent private life with her flawed playboy husband Nicky Arnstein (a sympathetic performance from Omar Sharif) with considerable attention to the details of her inner turmoil. More rambling and less cohesive, Funny Lady finds Fanny divorced but still in love with Arnstein (Sharif also revisiting his role), drifting into marriage number two with uncouth songwriter and impresario Billy Rose (the excellent James Caan), her successful career again juxtaposed with a less than happy personal life. Combined, both films measure Streisand's rise to greatness. In Funny Girl, the bravura of the performance as a whole masks occasional gaucheness, while if Funny Lady is the less impressive picture overall, it still marks how far she has developed as a screen actress. The rough edges are gone, replaced by a sophisticated poise and the sense of a talent that has come to terms with itself. And of course throughout she is superb in the musical numbers, which include her theme song "People" and the classic belter "Don't Rain on my Parade", as well as Brice's classic torch song, "My Man". On the DVD: this package of tremendous, old-fashioned entertainment takes the viewer back to pre-multiplex days when going to the cinema was an event you might dress up for. Funny Lady's soundtrack includes a pre-picture "Overture" to give you time to unwrap the chocolates. You really need some plush velvet curtains to swing back across the television screen. Then, guaranteeing a twinge of nostalgia, there's an intermission break. Both films are presented in their original widescreen 2.35:1 aspect ratio. Dolby Digital 5.0 (Funny Girl) and LCR (Funny Lady) soundtracks do justice to Streisand's lung power. The first disc offers the most interesting extras, including a couple of featurettes about Streisand. Both discs provide standard filmographies and song highlights so Streisand addicts can skip between numbers to their hearts' content.--Piers Ford
Ex-Sergeant Jack Ford returns home to Gallowshields on Tyneside after the end of World War One. It is a time of economic depression and Jack finds his home town gripped by decline and unemployment. Jack soon falls in with the Seaton family and is determined to make his mark on the world. Contains every episode made from all four series.
This animated feature-length life of Jesus boasts a stellar pedigree. Originally a BBC Wales production, it showcases the voices of some of Britain's finest actors in any medium: Ralph Fiennes as a brooding and humble Jesus, Miranda Richardson as Mary Magdalene, Richard E. Grant as John the Baptist and David Thewlis as Judas. The lovely, flute-heavy score is by Oscar-winner Anne Dudley (The Full Monty). And clearly a lot of expense has gone into the Claymation-like animation. But while it's hard to find fault with the rendering of this familiar story--it is respectful and definitely done, you might say, by the Book--it would have been nice if there had been a tad more joy, if it walked a bit lighter in its sandals. As it is, all the characters seem consistently subdued, whether they are expressing angst, rage, terror or bliss--none of which is helped by the figures' blank-eyed stares (if animators are becoming ever more sophisticated, why can't they get rid of those creepy blank gazes once and for all?). Still, the weight of having such formidable actors play these familiar roles lends the production a certain credibility, and parents looking for good religious videos that won't insult their kids' intelligence will be thrilled. --Anne Hurley
Jean-Claude Van Damme directs and stars in this exciting fast moving action packed film which centres around Chris Dubois (Van-Damme) and the Ghan-Gheng a legendary 'special invite only' tournament that brings together the greatest fighters of the world in a winner takes all test of skill and courage. When Debois learns of the prestiegous tournament and the prize of a solid gold statue of a dragon he calls on his ""old friend"" Dobbs (Roger Moore) to help him enter the covena
The world's most dynamic, and oddball, detective duo get more than they bargained for when they take on con-artists, masked vigilantes and Darth Vader collectibles in the wild sixth season of Psych. Fake psychic detective Shawn Spencer (James Roday) and his best bud, Burton Gus Guster (Dulé Hill), go undercover, behind the scenes and over the top to solve some of the most off the wall crimes imaginable. But how long can these super sleuths keep their psychic secret safe? Guest starring William Shatner (Boston Legal), Cary Elwes (The Princess Bride), Molly Ringwald (The Breakfast Club) and Danny Glover (Lethal Weapon franchise), relive the laughs, thrills and mind-boggling mysteries uninterrupted and back-to-back in all 16 episodes of the totally unique and unpredictable series that will keep you guessing just whodunit. Bonus Features Deleted and Extended Scenes Gag Reel Video and Audio Commentaries Montages Psychouts
The cops. The cars. The clothes. The music. From executive producer Michael Mann (Heat Collateral) comes the first season of the explosive groundbreaking detective show that redefined the word cool. Set against the seamy and steamy Miami underworld ride shotgun with suave Vice cops Sonny Crockett (Golden Globe winner Don Johnson) and Rico Tubbs (Phillip Michael Thomas) as they battle a never-ending gallery of criminals drug dealers and lowlifes. Episodes comprise: 1. Brother's Keeper (Parts 1 & 2) 2. Heart of Darkness 3. Cool Runnin' 4. The Hit List 5. Calderone's Demise 6. One-Eyed Jack 7. No Exit (a.k.a. Three-Eyed Turtle) 8. The Great McCarthy 9. Glades 10. Give a Little Take a Little 11. Little Prince 12. The Milk Run 13. Golden Triangle (Part 1) (a.k.a. Score) 14. Golden Triangle (Part 2) 15. Smuggler's Blues 16. Rites of Passage 17. The Maze 18. Made for Each Other 19. The Home Invaders 20. Nobody Lives Forever 21. Evan 22. Lombard
The complete second series of ITV's London's Burning which followed the lives and tribulations of Blackwall Fire Station's Blue Watch. Viewers loved the quirky but human characters that put their lives on the line with every episode and this set features some of the most fondly remembered including female fire-fighter Josie Ingham 'Bayleaf' 'Sicknote' and 'Charisma'. This set features all eight episodes of the second series originally transmitted in 1989.
The whimsical comedy-romance Heaven Can Wait is a delightful example of the small sub-genre of afterlife comedies. The film, which teams then lovers Warren Beatty and Julie Christie for a third time following McCabe and Mrs Miller (1971) and Shampoo (1975), is not a remake of the 1943 supernatural film of the same name, but of the Robert Montgomery classic Here Comes Mr Jordan (1941). Here Beatty is American football player Joe Pendleton, who accidentally dies, decades too early, and is incarnated in a new body which, until recently, was occupied by a ruthless multi-millionaire. James Mason is superb as a most authoritative angel (Mr Jordan), heading a fine cast including Charles Grodin, Buck Henry and Jack Warden. In a sub-plot paralleling The Shop Around the Corner (1940) and revisited in You've Got Mail (1998), Julie Christie plays an English woman outraged that one of the former millionaire's companies is destroying her village, while simultaneously falling in love with the man now occupying the hated millionaire's mortal coil. Much comic and romantic misunderstanding follows, as well as some appealing slapstick, courtesy of Dyan Cannon. Aided by a lovely musical score by Dave Grusin, this is a beautifully played and thoroughly charming bittersweet fantasy about the transcendent power of love. It is a joy for romantics everywhere. On the DVD: Heaven Can Wait comes to DVD in a good 1.77:1 ratio transfer which exhibits just a little grain in some darker scenes. The print shows some very minor, occasional damage, but nothing to complain about in a film of this vintage. The sound is the original mono mix, which is perfectly serviceable. The only extra is the theatrical trailer. --Gary S Dalkin
With a tantalising "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: what if a modern-era navy aircraft carrier--in this case the real-life nuclear-powered USS Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the navy's generous cooperation. That makes The Final Countdown a better navy film than a fully fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double bill with The Philadelphia Experiment. --Jeff Shannon
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Best friends Mike Locken and George Hansen are the 'Killer Elite' undertaking jobs that are too dangerous even for the CIA. But when one of the duo is betrayed by the other things get tricky...
Made-for-TV comedy drama based on the novel by Sue Townsend. Following the election of the Republican Party, the United Kingdom's new Prime Minister, Jack Barker (David Walliams), carries out his campaign promise to abolish the country's monarchy. Stripped of their vast wealth, the Royal Family is forced to relocate to a council estate in the Midlands, where they struggle to fit in and adjust to their new surroundings.
Roughnecks is the computer-animated TV spin-off from director Paul Verhoeven's live-action sci-fi shoot-'em-up Starship Troopers. Verhoeven had already seen his Robocop movie spun-off into animated television with mixed results, so when it came to Starship Troopers he wanted Roughnecks to be a little different (the director acted as Executive Producer on the series). The style of computer animation here recalls, if anything, the little green soldiers from the Toy Story movies. Backed by an unending techno-based score (despite which the series has won several awards for sound editing), the 20-minute episodes are like viewing brilliantly conceived "cut scenes" from computer games. The series concept begins by taking the movie's characters, giving them different origins---and then forgets about a bug home-world in favour of a mobile threat that can appear anywhere. With souped-up combat suits that better acknowledge Robert Heinlein's original novel, the technological look and feel also owes a significant debt to Aliens. This first collection edits together the opening five episodes to make a 100-minute self-contained movie about a crawling infestation on Pluto. You'll know where shows start and end by the narration. The story is all to do with set-up as we meet the titular Roughnecks: Rico, Dizzy, Doc, Jenkins, Higgins and Razak. Between missions of rescue and mercy, a love triangle is established, Rico's heroics and Higgins' cowardice are explored and more bugs are wasted than you can possibly keep count of. The finale's discovery of "Bug City" will test anyone for arachnophobia. --Paul Tonks
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