Newspaper editor Nick Condon (James Cagney) is the crusading chief of the Tokyo Chronicle in 1920s Japan. He has his suspicions about Japanese plans for future expansion suspicions that are confirmed when he runs an article accusing Japanese Premier Tanaka (John Emery) and Colonel Tojo (Robert Armstrong) of planning world conquest and gets a visit from the Imperial Police. Then one of his reporters Ollie Miller (Wallace Ford) and his wife Edith (Rosemary DeCamp) are murdered shortly
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
A shady L.A. detective (Sheffer) finds himself lost in a darkly nightmarish world of evil when he solves the mysterious puzzle box that releases the diabolical demon Pinhead! As those around him begin to meet tragic fates he sets out to conquer the horrifying Pinhead and escape eternal hell!
Deservedly acclaimed as one of 1998's best films, this sequel to the beloved 1995 live-action fantasy proved a commercial catastrophe and a source of dismay to parents expecting another bucolic, sweet-natured fable. Every bit as sly and visually stunning as its predecessor, Babe: Pig in the City is otherwise a jolting ride beyond the Hoggetts' farm into a no less vivid but far darker world--the allegorical city of the title, which for the diminutive "sheep pig" proves truly nightmarish. Australian filmmaker George Miller (Mad Max, The Road Warrior), who produced and cowrote the first film, this time takes the director's reins, and he ratchets up the pace and the peril as effectively as he did on his influential trilogy of apocalyptic, outback sci-fi thrillers. From the opening scene, Babe: Pig in the City means to disrupt the reassuring calm achieved by the conclusion of the previous film. Babe's prior triumph proves short-lived, and within moments Miller has us literally peering into the depths as he sets up a horrific well accident that nearly kills the taciturn but good-hearted Farmer Hoggett (James Cromwell), Babe's beloved "Boss." Journeying with the equally pink, even plumper Mrs. Hoggett (Magda Szubanski), the young pig finds himself in a city where animals are outcasts, staying in the lone hotel that allows pets. When Mrs. Hoggett is detained, Babe must contend with the suspicions and rivalries of the hotel's other four-legged guests. The film's G status doesn't fully telegraph the shock Miller induces: bad things happen to good animals, and Babe's new acquaintances are a far cry from his colleagues on the farm. In particular, he must contend with a cynical family of chimps given wonderful, dead-pan voice characterisations by Steven Wright and Glenne Headly. Miller's use of effects to transform his animals into "actors" is even more seamlessly integrated than in Babe. The sequel's production design is crucial to the creation of a complete, absorbing world, and purely visual ideas--such as a deluge of blue balloons during the climactic ballroom battle--achieve a splendour and originality that a room full of computer-graphics desktops couldn't muster. Ultimately, though, the film does more than amaze: as Babe's compassion and courage transform those around him, we're moved in ways that purveyors of by-the-numbers family fare can only dream of. --Sam Sutherland
Join bayleaf, sicknote, charisma and the rest of team as blue watch take to the streets in this pilot movie of the hit ITV Drama London's Burning
Danny Boyle directs this story about saints, miracles and the way a child's imagination can help sort out the mysteries of life.
THE SCREEN STRETCHES TO NEW HORIZONS TO TELL THE EPIC STORY OF THE SOUTHWEST! After making his first bonafide classic in Ride the High Country, director Sam Peckinpah took a step towards the epic with Major Dundee. The film would, in many ways, define the rest of his career both on screen and off, as the drama behind the camera matched the action in front of it. Charlton Heston stars as Major Amos Dundee, a vainglorious Union Cavalry officer, who mounts an expedition to hunt down Apache war chief Sierra Charriba. Building his own army of criminals, ex-slaves and Confederate POWs - among them one Captain Ben Tyreen (Richard Harris), whose intense former friendship with Dundee is tainted with a sense of betrayal on both sides - Dundee heads into Mexico, his eye fixed firmly on a last shot at greatness. Legendarily acerbic, Major Dundee would be the first time that Peckinpah had a movie taken away from him. While a director's cut may be lost to us, this Limited Edition shows us the thrilling, morally complex epic that Peckinpah was aiming for. Beautifully shot and with a stellar supporting cast including James Coburn, Warren Oates, and L.Q. Jones, it remains a stunning achievement and an essential experience for anyone interested in the life and cinema of Bloody Sam. Special Features The 136-minute Extended Version of the film from a 4K scan, as well as the original 122-minute Theatrical Version 60-page perfect bound booklet featuring new writing by Farran Nehme, Roderick Heath and Jeremy Carr plus select archive material Limited edition packaging featuring newly commissioned artwork by Tony Stella Fold out poster featuring original and newly commissioned artwork by Tony Stella DISC ONE - EXTENDED VERSION High Definition Blu-ray (1080p) presentation from a 4K scan by Sony Pictures DTS-HD MA 5.1 surround audio with new score by Christopher Caliendo Lossless original mono audio with original score by Daniele Amfitheatrof Optional English subtitles for the deaf and hard of hearing Audio commentary with Nick Redman, David Weddle, Garner Simmons, Paul Seydor Audio commentary by historian and critics Glenn Erickson & Alan K. Strode Audio commentary by historian and critic Glenn Erickson Moby Dick on Horseback, a brand new visual essay by David Cairns Passion & Poetry: The Dundee Odyssey, a feature length documentary about the making of Major Dundee by Mike Siegel, featuring James Coburn, Senta Berger, Mario Adorf, L.Q. Jones, R.G. Armstrong, Gordon Dawson Passion & Poetry: Peckinpah Anecdotes, nine actors talk about working with legendary director Sam Peckinpah, featuring Kris Kristofferson, Ernest Borgnine, James Coburn, David Warner, Ali MacGraw, L.Q. Jones, Bo Hopkins, R.G. Armstrong, Isela Vega Mike Siegel: About the Passion & Poetry Project, in which filmmaker Mike Siegel talks about his beginnings and his ongoing historical project about director Sam Peckinpah Extensive stills galleries, featuring rare on set, behind the scenes, and marketing materials 2005 re-release trailer DISC TWO - THEATRICAL VERSION (LIMITED EDITION EXCLUSIVE) High Definition Blu-ray (1080p) presentation from a 2K scan Lossless original mono audio Optional English subtitles for the deaf and hard of hearing Riding for a Fall, a vintage behind the scenes featurette Extended/deleted scenes Silent Outtakes Select extended/deleted scenes and outtakes with commentary by historian and critic Glenn Erickson giving context on how they were intended to appear in Peckinpah's vision of the film Original US, UK and German theatrical trailers Stills gallery
It's a Wild West clash of personalities in Val Verde Texas for the warring Bishop brothers (Dean Martin and James Stewart) who must now join forces to escape a death sentence. Featuring an all-star cast including Raquel Welch and George Kennedy and exploding with action Bandolero! packs a smoking six-gun wallop from its first tense show-down to its last exciting shootout.
A Star Is Born: This film marked Judy Garland's return to movies after a four year absence director George Cukor's first musical and first colour film and a showcase for the great Harold Arlen/Ira Gershwin songs in state-of-the-art stereo. One of the most beloved show business stories of all time A Star Is Born: represents a career peak for many involved. Garland is singer Esther Blodgett an undeniable talent on the rise. She catches the eye of Norman Maine (James M
The world's favorite blue hedgehog is back! Dr. Robotnik returns, this time with help from Knuckles, in search of a powerful emerald. Sonic, along with his new sidekick Tails, embarks on a journey to stop Dr. Robotnik's plans before it's too late. Introducing: Knuckles and Tails The evil Dr. Robotnik returns with the help of Knuckles the Enchidna Tails joins forces with Sonic to help fight off Dr. Robotnik and his new sidekick Knuckles.
The Adventures Of Mark Twain is an amazing journey of imagination humour and heart and a must for fans of Aardman Studios. The film features a series of vignettes extracted from several of Mark Twain's works built around a plot that features Twain's attempts to keep his appointment with Halley's Comet. Tom Sawyer Becky Thatcher and Huck Finn stow away with Mark Twain on an incredible journey in Twain's airship. The journey introduces the three friends to a variety of the author's characters from; The Diary of Adam and Eve Huckleberry Finn The Mysterious Stranger The Famous Jumping Frog of Caliverous County and Captain Stormfield's Visit to Heaven. The sequence based on The Mysterious Stranger reportedly received over ten million views upon being posted on YouTube. The sequence was allegedly banned from TV due to its disturbing content
A Pedigree of the Highest Degree From Dick Wolf and the team behind the Law & Order franchise comes an eye-opening new procedural drama. The series follows the inner workings of the FBI, bringing to bear all the Bureau's skills, intellect and mind-blowing technology to keep New York and the country safe.
In a gripping tale of courage resourcefulness and determination the consequences of a plane crash strip bare the morals of the survivors. The pilot of the doomed aircraft Frank Towns (James Stewart) is an aviator of the old school used to seat-of-the-pants flying distrustful of new technology. With his navigator Lew Moran (Richard Attenborough) he is piloting a cargo-cum-passenger plane high above the Arabian desert when a powerful sandstorm rises from below. Trusting his instincts Frank decides to fly through and above the storm; a risky move which leads to the starboard engine overheating and catching fire shortly followed by the demise of the port engine. Without power the plane begins a long dive towards the ground a sequence memorably intercut with the opening credits before impacting messily. Staggering from the wreckage the living find themselves deep within the Arabian desert far off their original flight plan and with little hope of rescue. Two of their number were killed instantly while a third (a young oil-worker) has been gravely wounded - right from this beginning the crosses of the dead loom over those left alive. Frank blames himself bitterly for this tragedy (correctly so from an objective perspective) but still tries to exert some authority over the rabble and provide reassurance. Since they have enough water for about ten days according to Dr.Renaud (Christian Marquand) and plenty of dates as food Frank and Lew spin the yarn that they will surely be found by search aircraft. Meanwhile a pecking order emerges among the men (a mix of oil-workers soldiers technical personnel and the aircrew) with the more learned/respected exerting control over the manual workers. As time passes the situation becomes increasingly bleak and Captain Harris (Peter Finch) decides to march to the nearest oasis with Sgt.Watson (Ronald Fraser) who is less than keen on the idea. In fact Sgt.Watson manages to fake a sprained ankle just to get out of the desert trip (a move symptomatic of his hatred of the military) and his superior leaves with another passenger. Unfortunately another survivor Trucker Cobb (Ernest Borgnine) is so deranged that he staggers after the departed pair. Frank is still so wracked with guilt that he goes after Cobb risking his own life in the brutal midday heat and fails once again in his task. Just when the situation looks irretrievably lost Heinrich Dorfmann (Hardy Kruger) comes up with an audacious idea - why not build a smaller plane from the debris of the first? Initially he is ridiculed both for being German and for having such a crackpot scheme but attitudes change slightly when he reveals that he is actually an aircraft designer. Once again there is hope no matter how slim that they won't become vulture food - just as long as the struggle for control between Frank and Heinrich doesn't destroy the entire enterprise...
James Belushi stars as Thomas Dooley an unorthodox narcotics cop who teams with an independently minded police dog in this hilarious action-comedy. Headstrong Dooley is one step away from nailing a prominent socialite in a $50 million cocaine bust. But branded as too crazy to partner with no one will work with him except Jerry Lee a superbly trained German Shepherd police dog with the best nose in the drug-busting business. The unconventional pairing pleases neither partner but a
This prequel to the popular video game stars Milla Jovovich and Michelle Rodriguez as the leaders of a command team into The Hive, a lab where where a deadly virus has killed all the scientists and, in three hours, could destroy the world.
Tom Welles (NICOLAS CAGE) is a surveillance specialist--what used to be known as a
When the Easter bunny rabbit is hit by a car the driver takes on responsibility and has to save Easter. Special Features: The World of Hop: A look at the Candy Factory A look at E.B. A look at Fred A look at the Easter Bunny A look at Carlos and Phil A look at Sam All Access with Cody Simpson Barbie Princess Charm School Teaser Trailer Parks and Resorts Orlando Trailer Thank You Anti Piracy Trailer
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh
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