A dark odyssey about the fate of sentient life on earth, the Emmy® winning series WESTWORLD returns for its eight-episode fourth season with new worlds, conflicts, and complex characters fans will love. Evan Rachel Wood, Emmy® winner Thandiwe Newton, Ed Harris, Jeffrey Wright, Tessa Thompson, Luke Hemsworth, Aaron Paul, and Angela Sarafyan return to the cast.
All 30 episodes of David Lynch's landmark murder mystery series. Twin Peaks (population 51,201), a sleepy everytown USA where everyone's lives intersect with everyone else's, lies just five miles from the Canadian border. The town wakes up one morning to find one of its brightest young inhabitants, beautiful Laura Palmer (Sheryl Lee) murdered and wrapped in plastic down by the river. Local Sheriff Harry S. Truman (Michael Ontkean) and tearful Deputy Andy (Harry Goaz) are out of their depth with such a murder case and an FBI agent is assigned to investigate. Youthful, charismatic and somewhat otherworldy in his approach to policing, Agent Dale Cooper (Kyle MacLachlan) arrives to try and solve the case. Cooper's appearance causes ripples in the community and in turn he discovers that Twin Peaks is a small town full of secrets.
Rod Steiger and James Coburn will blow you apart in ""A Fistful of Dynamite"" (""Duck You Sucker"") by the master of adventure Sergio Leone! On the run from the British government in Mexico Sean Mallory (Coburn) an IRA explosives expert is befriended by Juan Miranda (Steiger) the leader of a bandit family. Upon witnessing Mallory's skills with explosives Juan asks Sean to join his gang to raid the bank of Mesa Verde but before long he's caught up in the Mexican revolution!
Based on terrifying true events, The Amityville Horror tells the story of George and Kathy Lutz who believe they have found the perfect family home on the coast of Long Island. But the house has a shocking history and within its walls a demonic presence lies in wait that will turn the Lutz's lives into a living nightmare. Their only hope is to get out before it's too late! Features: Brolin Thunder' A New Interview with Actor James Brolin Child's Play' A New Interview with Actor Meeno Peluce Amityville Scribe' A New Interview with Screenwriter Sandor Stern The Devil in The Music' A New Interview with Composer Lalo Schifrin My Amityville Horror' Feature-Length Documentary with Daniel Lutz For God's Sake Get Out' Archive Interviews with James Brolin and Margot Kidder Intro by Dr Hans Holzer, PhD. in Parapsychology (Author of Murder in Amityville') Audio Commentary by Dr Hans Holzer Original Trailer, TV Spot, Radio Spots DTS-HD Master Audio 5.1 and Uncompressed Stereo Audio Options New Optional English Subtitles for the Hearing Impaired
It was an event that every fan had waited a decade for: the first Star Trek movie. But after its cinema release in 1979 Star Trek: The Motion Picture was quickly dubbed "The Slow-Motion Picture". In the opinion of general audiences, fans and critics alike, the snail-like pace of the film was a crippling flaw. It bothered one person even more, though: but Robert Wise finally got to scratch that itch when preparing this Director's Edition. In an unprecedented display of confidence from a movie studio, Wise has been allowed to re-edit the film and commission new visual effects sequences that were planned but unrealised for the original release. The result is frankly mind-boggling. Finally we are now able to see how Vulcan was supposed to amaze and alienate us, how integral the B-crew's role was to the mission, and just how spectacular the V'ger ship was imagined to be. Is the pace problem addressed? Undoubtedly it is. Scenes are trimmed and a new "busier" effects soundtrack helps considerably. Does it look better? Definitely. The shades of beige and puce have never seemed more crisply defined. Does it sound better? Jerry Goldsmith's music score (arguably one of the best ever written) is as majestically represented as the Enterprise herself. On the DVD: Star Trek: The Motion Picture two-disc set has oodles of extra features, including a complete library of all scenes deleted from both the original and new versions. The picture quality varies throughout, but it's worth putting up with for the (Wise-ly) excised material such as the unfinished effects work. An audio commentary from Wise, special effects director John Dykstra, composer Jerry Goldsmith and Commander Decker himself (Stephen Collins) provides an appraisal for movie aficionados more than Trek fans: the latter will be far more interested in a text commentary from Trek author and scholar Mike Okuda, who points out endless amounts of in-trivia. Better even than all these are three new documentaries that chronicle the film's history from then to now. Each is brightly put together (they don't drag), informative without being overly technical, and exude a pride without bragging. --Paul Tonks
Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristocrat Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, or unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. --David Stubbs
It's not quite as clever as it tries to be, but The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age. He's locked in the cage of his own misery until his rebellious younger brother (Sean Penn) presents him with a birthday invitation to play "The Game" (described as "an experiential Book of the Month Club")--a mysterious offering from a company called Consumer Recreation Services. Before he knows the game has even begun, Douglas is caught up in a series of unexplained events designed to strip him of his tenuous security and cast him into a maelstrom of chaos. How do you play a game that hasn't any rules? That's what Douglas has to figure out, and he can't always rely on his intelligence to form logic out of what's happening to him. Seemingly cast as the fall guy in a conspiracy thriller, he encounters a waitress (Deborah Unger) who may or may not be trustworthy, and nothing can be taken at face value in a world turned upside down. Douglas is great at conveying the sheer panic of his character's dilemma, and despite some lapses in credibility and an anticlimactic ending, The Game remains a thinking person's thriller that grabs and holds your attention. Thematic resonance abounds between this and Seven and Fight Club, two of the other films by The Game 's director David Fincher. -- Jeff Shannon, Amazon.com
The Long Island colonial house on the rivers edge seemed perfect. Quaint spacious and affordable it was just what George and Kathy Lutz had been looking for. But looks can be deceiving...and their new dream home soon becomes a hellish nightmare as the walls begin to drip blood and satanic forces haunt them with sheer unbridled evil. Now with their lives - and their souls - in danger the Lutz's must run as fast as they can from the home they once lived...or fall prey to its terri
The mystical tale of a World War One veteran (Matt Damon) and championship golfer who returns to his sport with the aid of his caddy (Will Smith) who teaches him how to master any challenge in life.
There's really been only one rival to James Bond: Derek Flint in the swinging-60s action-comedies Our Man Flint (1966) and In Like Flint (1967). That's because of James Coburn's special brand of American cool. He's so cool, in fact, that he doesn't care to save the world. That is, until he's personally threatened. He's a true libertarian, with more gadgets and girls than Bond, but with none of his stress or responsibility. Our Man Flint finds our unflappable hero thwarting mad scientists who control the weather--and an island of pleasure drones. Lee J Cobb costars as Flint's flustered superior, and Edward Mulhare plays a British nemesis with snob appeal. For fans of Austin Powers, incidentally, the funny-sounding phone comes from the Flint films. However, Our Man Flint's best gadget remains the watch that enables Flint to feign death. There's a great Jerry Goldsmith score, too. There was bound to be a sequel, and In Like Flint delivers the same kind of zany fun as its predecessor. Flint is recruited once again by Lee J Cobb to be the government's top secret agent, this time to solve a mishap involving the President. It turns out, the Chief Executive has been replaced by an evil duplicate. The new plan for world domination involves feminine aggression, and Flint, with his overpowering charisma, is just the man to turn the hostile forces around. In Like Flint is still over the top, but some of the novelty has worn off, and it doesn't have quite the same edge as the original. Even Jerry Goldsmith's score is a bit more subdued. But the film still has James Coburn and that funny phone. --Bill Desowitz
For decades, ex-government Raymond Red Reddington has been one of the FBI's most wanted fugitives. Brokering shadowy deals for criminals across the globe, Red was known by many as The Concierge of Crime. Last season, he mysteriously surrendered to the FBI but now the FBI works for him as he identifies a blacklist of politicians, mobsters, spies and International terrorists. He will help catch them all with the caveat that Elizabeth Keen continues to work as his partner. Red will teach Liz to think like a criminal and see the bigger picture whether she wants to or not.Features:Featurettes: Raymond Reddington: Man of the World and Building a Blacklister: Vanessa CruzClick Images to Enlarge
Tobey Maguire returns as mild-mannered Peter Parker whose double life as college student and superhuman crime fighter gets even more complicated when the maniacal and multi-tentacled "Doc Ock" turns up on the scene.
Antony Sher stars in The History Man, the BBC's critically acclaimed four-part drama series based on Malcolm Bradbury's savagely satirical novel of seventies campus life. Sher plays the moustachio'd Howard Kirk, left-wing Marxist, promiscuous womaniser and bully. An ambitious sociology lecturer, he delights in stirring up revolutionary feelings at the University of Watermouth, manipulating students, colleagues and lovers alike to further his career. The supporting cast features Geraldine Jame.
Las Vegas is back with Season 5! This fast-paced sexy drama follows the elite Las Vegas surveillance team charged with maintaining the security of one of 'Sin City's' largest resorts and casinos.
A funeral ceremony turns into a debacle of exposed family secrets and misplaced bodies.
Joe Kidd which concerns a land war in New Mexico at the turn of the century marks Clint Eastwood at the top of his form as a western hero. Filmed in 1971 Kidd brings together a veteran western Director John Sturges the classic backdrop of the High Sierras the top notch acting skills of Robert Duvall and the rugged Eastwood as a ""hired gun"" who takes action based on his own particular sense of justice. And like a very classic western it has gunfights conflicts and a slam-bang f
It's a Wild West clash of personalities in Val Verde, Texas for the warring Bishop brothers (Dean Martin and James Stewart), who must now join forces to escape a death sentence. Featuring an all-star cast, including Raquel Welch and George Kennedy, and exploding with action, Bandolero! packs a smoking six-gun wallop from its first tense show-down to its last exciting shootout.
No-one will be neutral about Plunkett and Macleane. Either you go with its notion of cheeky, stylish fun or you want to grab first-time director Jake Scott by the ear and slap him silly. Your inclination may depend on whether you recall his dad Ridley's own directing debut, The Duellists (1977), and savour the correspondences. Dad took a Joseph Conrad tale of the Napoleonic Wars, cast it with the ultra-contemporary Keith Carradine and Harvey Keitel, and filmed it with a swooping, mobile camera. Son Jake has made a feisty period piece about a pair of thieves (Robert Carlyle, Jonny Lee Miller) in 1748 London and filled it with blatant anachronisms. A decadent aristo (Alan Cumming), asked whether he "still swings both ways," replies, "I swing every way!" A ballroom full of revellers dances the minuet (or is it the gavotte?) while our ears--if not theirs--are filled with a trance ballad. And so forth. Is this sophomoric? Maybe. But it's also often fresh and inventive. Why shouldn't a filmmaker be allowed to speak directly to a contemporary consciousness, even flaunt it, as long as he also delivers startling imagery and convincing period detail? The solid cast includes Michael Gambon as a corrupt magistrate, Ken Stott as a very nasty enforcer named Mr Chance (who favours a thumb through the eye socket and into the brain as a mode of execution) and Terence Rigby as a philosophical jailer. Even Liv Tyler looks more interesting than usual. In the end pretty frivolous, Plunkett and Macleane is nonetheless a lively debut. --Richard T Jameson, Amazon.com
Set in Nazi-occupied France at the height of World War Two the story centres on a young Scottish woman (Cate Blanchett) working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot shot down behind enemy lines.
Created by Jonathan Nolan and Lisa Joy, HBO's Emmy®-nominated sci-fi drama series Westworld returns for a new season that is more ambitious, enthralling and timely than ever before. Following the aftermath of last season's Westworld massacre, Dolores, Bernard and an unknown host, occupying the body of Delos exec Charlotte Hale, begin a new chapter outside of the park exploring the real world and who they will become in the wake of their liberation. Over the course of eight hour-long episodes, Season 3 finds Dolores prepared to wage war on humanity and Bernard trying desperately to stop her, while Maeve reunites with familiar faces in a new realm and all discover that the world outside is as full of deception and predetermination as the one they've always known. With returning cast members including Evan Rachel Wood, Thandie Newton, Ed Harris, Jeffrey Wright and Tessa Thompson, along with new series regulars Aaron Paul and Vincent Cassel, Westworld continues to deliver thrilling twists and turns, while posing questions about the nature of our reality, freewill and what makes us human.
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