Chef James Martin will take viewers on a journey of discovery, uncovering the history and culture of Spain's diverse regions through food for James Martin's Spanish Adventure. James will journey through Spain on the search for key ingredients, rustic eateries and traditional recipes that make the country one of the most exciting places in the world for gastronomy. Along the way James will share his own take on local dishes, setting up his mobile kitchen against backdrops of stunning scenery and also taking up residency in a Spanish 'home from home' kitchen.
From BAFTA winning director Mike Leigh with stunning performances from Timothy Spall, Lesley Manville, Ruth Sheen and Marion Bailey, All or Nothing is an incredible tale of the intertwining lives of several families on a housing estate in London. Following different tales of melancholy, alcoholism, a violent abusive boyfriend and a frustrated unemployed youth - there seems to be no hope for a brighter future and no chance of escape yet glimmers of joy and humour still prevail. Boasting first time screen performances from Sally Hawkins, Daniel Mays and James Corden this brand new restoration is an authentic and deeply enjoyable Mike Leigh classic.
The stunning BBC production of Charlotte Bronte's inspiring story is available for the first time on DVD. Jane Eyre (Zelah Clarke) is a mistreated orphan who learns to survive by relying on her independence and intelligence. Her first job in the outside world is governess to the ward of Mr. Rochester (Timothy Dalton) a man of many secrets and mercurial moods. The tentative trust between them slowly develops into romance but their hopes for happiness will soon be jeopardized by a te
Directed by Charles Crichton, who would much later direct John Cleese in A Fish Called Wanda (1988), 1951's The Lavender Hill Mob is the most ruefully thrilling of the Ealing Comedies. Alec Guinness plays a bowler-hatted escort of bullion to the refineries. His seeming timidity, weak 'r's and punctiliousness mask a typically Guinness-like patient cunning. "I was aware I was widiculed but that was pwecisely the effect I was stwiving to achieve". He's actually plotting a heist. With more conventionally cockney villains Sid James and Alfie Bass in tow, as well as the respectable but ruined Stanley Holloway, Guinness' perfect criminal plan works in exquisite detail, then unravels just as exquisitely, culminating in a nail-biting police car chase in which you can't help rooting for the villains. The Lavender Hill Mob depicts a London still up to its knees in rubble from World War II, a world of new hope but continued austerity, a budding new order in which everything seems up for grabs; as such it could be regarded as a lighter hearted cinematic cousin to Carol Reed's 1949 masterpiece The Third Man. The Lavender Hill Mob also sees the first, fleeting on-screen appearance of Audrey Hepburn in the opening sequence. --David Stubbs
Streets Of Laredo is the third title in the Lonesome Dove Saga. An exhilarating tale of legend and heroism continues the epic of the waning years of the Texas Rangers. Captain Woodrow Call is long in the tooth but still a legendary hunter. He is hired to track down a young Mexican train robber and killer Joey Garza. Riding with Call are an Eastern city slicker a witless deputy and one of the last remaining members of the Hat Creek outfit Pea-Eye Parker. Their long chase leads the
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
The 18th century, with its frills and bawds, was ideal territory for the Carry On team: Carry On Dick is one of the few of the series where one notices the quality of the art direction in intervals between terrible old Talbot Rothwell jokes and the creaking of standard farce moments. Captain Fancy (Kenneth Williams) is sent to the remote village of Upper Denture to arrest Big Dick Turpin (Sid James) and makes the mistake of confiding in the local Rector, the Reverend Flasher (who is Big Dick's secret alter ego). Dick has troubles of his own: his liaison with his housemaid and henchperson Harriet (Barbara Windsor) is perpetually interrupted by his amorous housekeeper (Hattie Jacques). Meanwhile, Joan Sims struts around the plot as the proprietor of a touring show of scantily clad young women. This is not one of the best of the series--a certain mean-spiritedness creeps in to the humour as does the self-conscious awareness that 1974 was a date a little late for some of the more sexist jokes--but any film with Kenneth Williams discussing satin coats with his tailor has something going for it. --Roz Kaveney
From acclaimed director Richard Kelly, "The Box" stars Cameron Diaz as Norma Lewis and James Marsden as Arthur Lewis, a suburban couple with a young child who receive a simple wooden box as a gift that turns into a nightmare.
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure.
From director David S. Goyer comes this supernatural thriller that follows a young woman pulled into a world of nightmares when a demonic spirit haunts her and threatens everyone she loves.
When LeBron James and his son are trapped in a digital space by a rogue A.I., it's Tunes vs Goons in the higheststakes challenge of his life that will redefine the bond with his son.
With the integrityand depth of an epic,Shenandoah tells the dramatic story of a mancaught in a dilemma. James Stewart stars as a Virginia farmer during the Civil War.He refuses to support the Confederacy because he is opposed to slavery, yet he will not support the Union because he is deeply opposed to war. When his son is taken prisoner, Stewart goes to search for the boy.Seeing first-hand the horrors of war, he is at last forced to take his stand.
The Deuce chronicles the rise of the porn industry that began in New York City in 1971-72, driven by the gradual legalization of porn and a politically motivated effort to clean up Times Square. Seizing the chance to cash in on the nascent porn business (and sometimes being consumed by it) are a vivid assortment of characters, including: Vincent Martino (James Franco), a bartender with vision and connections; Frankie Martino, Vincent's identical twin, a dangerously freewheeling counterpart to his entrepreneurial brother; Candy (Maggie Gyllenhaal), a self-made, on-the-street sex worker eying a new career in porn filmmaking; pimps C.C. (Gary Carr) and Larry Brown (Gbenga Akinnagbe); young prostitutes Darlene (Dominique Fishback) and Lori (Emily Meade); midtown cop Chris Alston (Lawrence Gilliard, Jr.); newspaper reporter Sandra Washington (Natalie Paul); mob capo Rudy Pipilo (Michael Rispoli); disillusioned college student Abby Parker (Margarita Levieva); and others. Over the course of eight S1 episodes, viewers will get an up-close look at a gritty world of sex, crime, high times and sudden violence, as the porn business begins its climb to legitimacy, cultural permanence and billion-dollar profitability.
These bootcut jeans from Red Herring come in dark blue, inspired by classic denim style to complete your casual wardrobe.
A space ship stops at an intergalactic fuel station. While the captain's refueling one of his idiotic companions plays with the controls and accidently starts the ship and crashes into the earth. This causes a sensation: the media celebrates the extraterrestrials the military interrogates them for eternal wisdom. However soon they recognize that the fellows are dumb as bricks - although some generals believe it's just a mask.
Dark Passions explode in this steamy sinister love story starring Rachel Ward and Jeff Bridges. Terry Brogan (Bridges) a cynical ex-football star is hired to find Jessie Wyler (Ward) the runaway mistress of a ruthless LA nightclub owner Jake Wise (James Woods). According to Jake Jessie had stabbed him and vanishes with $50 000. But Terry's mission is soon forgotten when he tracks down and falls in love with the beautiful Jessie on a Mexican Island. Trouble brews however when Jake dispatches his henchman Hank Sully (Alex Karras) to bring the lovers back. Driven by passion for the mysterious young woman. Terry quickly finds himself trapped in a complex web of corruption betrayal and murder. Packed with riveting excitement and vivid sensuality. Against All Odds grabs you and never lets go.
A powerful, atmospheric thriller and a major box-office hit for director Leslie Arliss, The Night Has Eyes boasts a supremely accomplished cast and crew, including Wilfrid Lawson, a youthful James Mason and British femme fatale Joyce Howard; Gunther Krampf's skilful cinematography is ably complemented by Charles Williams' evocative score. This memorable, highly acclaimed film is featured here in brand-new transfer from the original film elements in its as-exhibited aspect ratio. Schoolteacher Marian Ives visits the Yorkshire moors where her friend, Evelyn, disappeared a year ago. Caught in a violent storm, she takes refuge in a large, lonely house to which she is grudgingly admitted by Stephen Deremid, a reclusive pianist traumatised by his experiences in the Spanish Civil War. While Marian finds herself attracted to Stephen, she also begins to suspect that he may have had something to do with her friend's disappearance... SPECIAL FEATURES: Image Gallery Promotional Material PDF
When veteran detective, Danny Frater (played by James Nesbitt), turns up at a hospital mortuary for what he thinks is a routine ID check on a young woman's body, he gets a devastating shock; the corpse turns out to be his estranged daughter, Christina (played by Imogen King). Danny is traumatized by the news that according to the post-mortem report, she's taken her own life. Danny and Christina had a complicated father-daughter relationship in recent years, but he refuses to accept that she would have ended her own life. He sets out on a mission for the truth, retracing her last days and hours, in an agonising crusade to discover what really happened to his only child.
Few actresses have dominated the camera as powerfully as Dorothy Dandridge in Carmen Jones. Her polished beauty plays in irresistible contrast to her title character's leonine sexuality and fluid emotions; a man can't decide from moment to moment if he wants to save her from doom, build her a castle, or never let her out of bed. Of course, that's the problem with the boys in this semi-experimental adaptation of Bizet's opera, Carmen. Straight-arrow Joe (a strapping Harry Belafonte), an obedient corporal on a southern military base during World War II, is all set to go to flight school and marry his hometown sweetie, Cindy Lou (Olga James), when his troublemaking sergeant orders him to accompany Carmen to a civilian court. In short order, Joe is swept up in Carmen's carnal anarchy and her craving for release from lousy options in life. An impulsive act of violence ensures that Joe's future is gone forever, putting Carmen in the difficult position of destroying their relationship to save him. Oscar Hammerstein II took Bizet's music in 1943 and rewrote the book and lyrics. The result is largely a smashing success with a few missteps (the bullfighter in Bizet's piece becomes a heavyweight boxer here, which breaks up a certain grace in the story) and a couple of perfect stretches (the long prelude to Carmen and Joe's first embrace, set on Carmen's hoodoo-ish home turf). Despite the fact that both Dandridge and Belafonte were singers, their vocal performances were dubbed by LeVern Hutcherson and Marilyn Horne. (Yes, it is a little disconcerting to hear another voice coming out of the more familiar Belafonte's mouth.) Otto Preminger directed with his usual eye on economy of action and production, as the numerous musical numbers tend to be shot in lengthy, single, carefully choreographed takes. The result can be a little visually static at times, but the passion behind the singing pulls everything through.--Tom Keogh
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