Michael J. Fox and James Woods team up for hilarious action-adventure from director John Badham. Nick Lang (Fox) is a popular actor who seeks out obsessive detective Moss (Woods) in order to research a new part and break out of his 'nice guy' screen image. On the trail of a ruthless serial killer the last thing Moss needs is a pampered Hollywood sidekick...
MARLON BRANDO (The Godfather) gives the performance of his career as the tough prizefighter-turnedlongshoreman Terry Malloy in this masterpiece of urban poetry, a raggedly emotional tale of individual failure and institutional corruption. On the Waterfront charts Terry's deepening moral crisis as he must choose whether to remain loyal to the mob-connected union boss Johnny Friendly (12 Angry Men's LEE J. COBB) and Johnny's right-hand man, Terry's brother, Charley (In the Heat of the Night's ROD STEIGER), as the authorities close in on them. Driven by the vivid, naturalistic direction of ELIA KAZAN (Gentlemen's Agreement) and savory, streetwise dialogue by BUDD S CHULBERG (A Face in the Crowd), On the Waterfront was an instant sensation, winning eight Oscars, including for best picture, director, actor, supporting actress (North by Northwest's EVA MARIE SAINT), and screenplay. Special Edition Features: New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray edition Alternate presentations of the feature restoration in two additional aspect ratios: 1.85:1 (widescreen) and 1.33:1 (full-screen) Alternate 5.1 surround soundtrack, presented in DTS -HD Master Audio on the Blu-ray edition Commentary featuring authors Richard Schickel and Jeff Young New conversation between filmmaker Martin Scorsese and critic Kent Jones Elia Kazan: Outsider (1982), an hour-long documentary New documentary on the making of the film, featuring interviews with scholar Leo Braudy, critic David Thomson, and others New interview with actress Eva Marie Saint Interview with director Elia Kazan from 2001 Contender, a 2001 documentary on the film's most famous scene New interview with longshoreman Thomas Hanley, an actor in the film New interview with author James T. Fisher (On the Irish Waterfront) about the real-life people and places behind the film Visual essay on Leonard Bernstein's score Trailer PLUS : A booklet featuring an essay by critic Michael Almereyda and reprints of Kazan's 1952 ad in the New York Times defending his testimony before the House Un-American Activities Committee, one of the 1948 New York Sun articles by Malcolm Johnson on which the film was based, and a 1953 Commonweal piece by screenwriter Budd Schulberg
When Gimme Gimme Gimme first hit the television screen in 1998, it immediately divided the critics. Plenty loathed it, but it soon acquired cult comedy status in the BBC2 post-watershed tradition. Since then it has gone mainstream on BBC1 but as the first series shows, its appeal lies in a surreal anarchy. Linda (Kathy Burke, brilliant) and Tom (James Dreyfus, who went on to star with Bette Midler in her ill-fated sitcom) live in a world of self-delusion. They are the ultimate misfits; a grotesque ladette who thinks she is "gorgeous" and worships Liam Gallagher and a neurotic gay actor who can't land a decent part for toffee but cherishes a secret passion for Simon Shephard, the smooth star of popular television dramas such as Peak Practice. They trade non-PC insults like most people make small talk (Linda: "There's no such thing as gay. It's just laziness."), yet are totally reliant on each other. It's vulgar, coarse, often outrageous and certainly not for the faint-hearted. But in most parts it is extremely funny. And if the self-regarding cuteness of so many US comedy imports turns your stomach, you'll love it. This is Will and Grace, on cocaine, in a parallel universe. On the DVD: presented in standard 14:9 format with stereo soundtrack, this disk simply gives you the first series of Gimme Gimme Gimme exactly as it appeared on television. So the picture and sound quality are fine. Just select your favourite episode from the index and laugh away. The lack of extras is disappointing. There must be some great outtakes, which would have added a bit of value; so would biographies of the stars and writer Jonathan Harvey, who has become one of the UK's best young playwrights. --Piers Ford
Most notable for being the debut feature of 17-year-old Academy Award winner Nicole Kidman BMX Bandits is also one of the best-loved and most fondly remembered children's films of the 1980s and is now available on DVD for the first time in the UK. Packed with amazing BMX action from rad wheelies to awesome airs chases slapstick humour and crazy adventure this madcap caper inspired an entire generation of kids across the world to get out on their bikes and let loose. More
Will Smith stars in this sci-fi action thriller suggested by the classic short story collection by Isaac Asimov, and brought to the big screen by visionary director Alex Proyas ("The Crow").
It is a time of economic depression and returning from World War One, Jack Ford (James Bolam) finds his home town of Gallowshields gripped by decline and unemployment. Jack seems destined to always land on his feet and, through some dubious activities, soon has money to spare even though everyone else in the area is feeling the effects of the pitman's strike.
Packed with more than 750 dazzling visual effects, this US$70 million adventure does more (and less) than give the 1965-68 TV series a state-of-the-art face-lift. Aimed at an audience that wasn't born when the series originally aired, the sci-fi extravaganza doesn't even require familiarity, despite cameo appearances by several of the TV show's original cast members. Instead it's a high-tech hybrid of the original premise with enough sensory overload to qualify as a spectacular big-screen video game, supported by a time-travel premise that's adequately clever but hardly original. Lost in Space is certainly never boring, and visually it's an occasionally awesome demonstration of special effects technology. But in its attempt to be all things to all demographics, the movie's more of a marketing ploy than a satisfying adventure, thankfully dispensing with the TV show's cheesy camp but otherwise squandering a promising cast in favour of eye-candy and ephemeral storytelling. --Jeff Shannon
A pair of ten-year-olds find an abandoned cop car in a field but when they take it for a joyride it seems like they could kill themselves at any moment. But things only get worse when the small town sheriff goes looking for his missing car. The kids find themselves in the centre of a deadly game of cat and mouse they don’t understand and the only way out is to go as fast as their cop car can take them. Bonus Features: Cop Car Tour (20m 16s) Their First & Last Ride: The Making of Cop Car (2m 57s)
Don't let the cheesy title put you off, because Jammin' with the Blues Greats, essentially a roadshow headed up by John Mayall's Bluesbreakers, is quality stuff, managing to convey all the virtues of the music without sacrificing one ounce of the atmosphere of what must have been an extraordinary gig. It's pretty much impossible to identify any one contributor as outshining the others, given that there are as many takes on the music here as there are practitioners, but it's worth noting Mayall's ongoing commitment to the form as the Bluesbreakers deliver "An Eye for an Eye", "Room to Move" and several other tunes. Buddy Guy and Junior Wells get a couple of numbers ("Messin' with the Kid" is wonderful), BB King gets three and Etta James just one. However, despite everyone getting the opportunity to cut loose on the finale ("CC Rider Jam"), the whole circus is totally upstaged by the 83-year-old Sippie Wallace, who is gently led onstage, leans on the piano and sings "Shorty George" with the kind of conviction that makes everyone else look like upstarts. On the DVD: Jammin' with the Blues Greats is presented in 4:3 aspect ratio and has only one extra feature, a John Mayall discography. --Roger Thomas
Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner dazzles in Ridley Scott's definitive Final Cut, including extended scenes and special effects. In a signature role as 21st-century detective Rick Deckard, Harrison Ford bring his masculine-yet-vulnerable presence to this stylish noir thriller. In a future of high-tech possibility soured by urban and social decay, Deckard hunts for fugitive, murderous replicants and is drawn to a mystery woman whose secrets may undermine his soul. Extras: Introduction by Ridley Scott Three Filmaker Commentaries, Including One by Ridley Scott
Before he created Westworld and Jurassic Park, Michael Crichton first blurred the line between science fiction and science fact with his breakout success The Andromeda Strain. Two years after the novel s publication, Robert Wise (The Haunting) directed the film adaptation, a nail-biting blend of clinically-realised docudrama and astonishing sci-fi visuals that ushered in a new subgenre: the killer virus biological thriller. A government satellite crashes outside a small town in New Mexico and within minutes, every inhabitant of the town is dead, except for a crying baby and an elderly derelict. The satellite and the two survivors are sent to Wildfire, a top-secret underground laboratory equipped with a nuclear self-destruct mechanism to prevent the spread of infection in case of an outbreak. Realising that the satellite brought back a lethal organism from another world, a team of government scientists race against the clock to understand the extraterrestrial virus codenamed Andromeda before it can wipe out all life on the planet. Aided by innovative visual effects by Douglas Trumbull (2001: A Space Odyssey, Silent Running) and an unforgettable avant-garde electronic music score by Gil Melle (The Sentinel), Wise s suspense classic still haunts to this day, and is presented here in a stunning, exclusive new restoration from the original negative. Special Edition Contents: New restoration by Arrow Films from a 4K scan of the original camera negative High Definition (1080p) Blu-Ray presentation Original uncompressed mono audio, newly remastered for this release Optional English subtitles for the deaf and hard of hearing Audio commentary by critic Bryan Reesman A New Strain of Science Fiction, a newly-filmed appreciation by critic Kim Newman The Andromeda Strain: Making The Film, an archive featurette from 2001 directed by Laurent Bouzereau and featuring interviews with director Robert Wise and screenwriter Nelson Gidding A Portrait of Michael Crichton, an archive featurette from 2001 directed by Laurent Bouzereau and featuring an interview with author Michael Crichton Cinescript Gallery, highlights from the annotated and illustrated shooting script by Nelson Gidding Theatrical trailer, TV spots and radio spots Image gallery BD-ROM: PDF of the 192-page cinescript with diagrams and production designs Reversible sleeve featuring original and newly commissioned artwork by Corey Brickley FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by Peter Tonguette and archive publicity materials
Winner of Best Film at the London Film Festival and Best Supporting Actress / Breakthrough Artist for Lily Gladstone at the Boston Society of Film Critics' Awards, Los Angeles Film Critics Association Awards and the Indiewire Critics' Poll. From award-winning director, Kelly Reichardt (Wendy and Lucy, Meek's Cutoff) comes CERTAIN WOMEN, winner of Best Film at the London Film Festival. Laura Dern, Kristen Stewart, Michelle Williams and Lily Gladstone star as four women striving to forge their own paths amidst the wide-open plains of the American Northwest. Laura (Dern) is a lawyer who finds herself contending with both office sexism and a hostage situation. Gina (Williams) is a wife and mother whose determination to build her dream home puts her at odds with the men in her life. And Beth (Stewart) is a young law student who forms an ambiguous bond with a lonely ranch hand (radiant newcomer Lily Gladstone). As their stories intersect in subtle but powerful ways, a portrait emerges of flawed yet strong-willed individuals in the process of defining themselves. Click Images to Enlarge
Oscar® winning* screen legend Robert Redford squares off against Emmy® winner James Gandolfini in this explosive action-thriller, remastered from a 4K film transfer supervised by director Rod Lurie. Jailed for defying a presidential order, war hero General Eugene Irwin (Redford) refuses to knuckle under to abusive prison warden Colonel Winter (Gandolfini). But when a fellow inmate is murdered, the battle of wills erupts into full-on war as Irwin and the men rise up in defiant rebellion. Now, the General is taking command again - unifying the prisoners in a desperate fight to overcome a brutally unjust system and show the world the truth.
This terrifying thriller is based on Ira Levin's best seller in which Dr. Josef Mengele (Gregory Peck) alive and living in South America gathers a group of former Nazis to work on a mysterious project. Ezra Lieberman (Laurence Olivier) begins to unravel the conspiracy and discovers that Mengele has cloned 94 young Hitlers. Suddenly the terrifying extent of Mengele's plan is revealed: twisting genetic science to become a new weapon of global horror.
Star Wars: Clone Wars will be an expansion and continuation of the similarly-named 2003 TV series which picked up where the theatrical feature Star Wars: Episode II: Attack of the Clones left off as an epic civil war rages. It will feature the various conflicts between the Galactic Republic led by Supreme Chancellor Palpatin and the Confederacy of Independent Systems led by Count Dooku and General Grievous.
For the NASA-funded research team stationed at the most desolate reaches of Antarctica it's another routine day - until the communications satellite picks up a mysterious signal coming from a strange object lodged several meters beneath the ice. Suspecting it may not be from Earth the lead scientist immediately places a call to Julian Rome (James Spader) an old friend formerly employed as a cryptologist for the U.S. government's SETI (Search for Extraterrestrial Intelligence) progr
In 1974, Leon Gast travelled to Africa to film Zaire 74, a music festival planned to accompany an unprecedented sports spectacle: the Rumble in the Jungle, in which late-career underdog Muhammad Ali would contend with the younger powerhouse George Foreman for the boxing heavyweight championship title- a fight between two blacks in a black nation, organized by blacks, as a Kinshasa billboard put it. When the main event was delayed, extending Ali's stay in Africa, Gast wound up amassing a treasure trove of footage, observing the wildly charismatic athlete training for one of the toughest bouts of his career while basking in his role as black America's proud ambassador to postcolonial Africa. Two decades in the making, When We Were Kings features interviews with Norman Mailer and George Plimpton that illustrate the sensational impact of the fight, rounding out an Academy Award-winning portrait of Ali that captures his charm, grace, and defiance. Includes interview with Leon Gast.
The ultimate collection for fans of Laurel and Hardy: 21 discs of classic comedy! Content comprises: 1. A Chump At Oxford / Related Shorts 2. Classic Shorts / Someone's Ailing 3. Way Out West / Shorts 4. Classic Shorts / Ollie And Matrimony 5. Our Relations / Dual Roles Shorts 6. Classic Shorts / Murder In The Air 7. Blockheads / Themed Shorts 8. Classic Shorts / Blackmail 9. The Bohemian Girl / Related Shorts 10. Classic Shorts / Be Big / Laughing Gravy 11. Saps At Sea / Themed Shor
If you're going to submit yourself to a dazzling example of mainstream action, this thriller is as good a choice as any. Eraser is a live-action cartoon, the kind of movie in which Arnold Schwarzenegger can survive nail bombs, hails of bullets, an attack by voracious alligators ("You're luggage," he says, after killing one of the beasts), and still emerge from the mayhem relatively intact. Arnold plays an "eraser" from the Federal Witness Protection Program, so named because he can virtually erase the existence of anyone he's been assigned to protect. His latest beneficiary is an FBI employee (Vanessa Williams) who stumbled across a secret government group involved in the sale and export of an advanced weapon capable of shooting rounds at nearly the speed of light. Fantastic action sequences are handled with flair by director Charles Russell (The Mask), so it's easy to forgive the fact that this movie is almost completely ridiculous. --Jeff Shannon
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