Howards End is E M Forster's beautifully subtle story of the criss-crossing paths of the privileged and those they disdain--and of a remarkable pair of women who can see beyond class distinctions. Dramatic and tragic but also surprisingly funny, this James Ivory film focuses on a pair of unmarried sisters (Emma Thompson, who won an Oscar, and Helena Bonham Carter) who befriend a poor young clerk (Sam West) and, without meaning to, ruin his life. Meanwhile, Thompson also makes the acquaintance of a dying neighbour (Vanessa Redgrave), who leaves her a family home in her will--which her husband (Anthony Hopkins) destroys. But, ironically, he meets and falls in love with Thompson, even as their paths once more intersect with the increasingly miserable young clerk. Ruth Prawer Jhabvala's beautifully economical script also won an Oscar.--Marshall Fine
""Only Connect"". This famous command is the catalyst which brings together two very different Edwardian families - the one passionate and progressive the other hidebound by wealth and social status - with irreversible and devastating consequences. A dying woman's impulsive wish marks a turning point in the relationship between the cosmopolitan Schlegel sisters Margaret and Helen and the wealthy Wilcox family when Ruth Wilcox bequeaths her idyllic country house Howards End to Margaret (Emma Thompson). Convinced that he is acting in the best interests of his family the patriarcal Henry Wilcox destroys his wife's ""unofficial"" will. But as the lonely repressed Henry falls in love with Margaret and Helen's willful attacks on class and convention strike at the very heart of the Wilcox family fate decrees that Henry must pay dearly for his deceit.
Jamie Dornan (50 Shades of Grey The Fall) plays Joe the friend and unconventional carer for Hannah played by Oscar winner Jean Simmons (Spartacus Guys and Dolls) as she spends her later years alone in her Norfolk country home. When Hannah's son Robert (James Wilby) arrives with his teenage daughter played by Ophelia Lovibond (Guardians of the Galaxy) and younger son he becomes shocked with his mother's intimacy with her young friend. Emotions and tensions between the group begin to surface and it might take a tragic incident to bring them together. Writer/director David Rocksavage has produced this unique drama that explores the complexities of family relationships.
Set against the stifling conformity of pre-World War I English society E.M. Forster's Maurice is a story of coming to terms with one's sexuality and identity in the face of disapproval and misunderstanding. Maurice Hall and Clive Durham find themselves falling in love at Cambridge. In a time when homosexuality was punishable by imprisonment the two must keep their feelings for one another a complete secret. After a friend is arrested and disgraced for 'the unspeakable vice of the Greeks' Clive abandons his forbidden love and marries a young woman. Maurice however struggles with questions of his identity and self-confidence seeking the help of a hypnotist to rid himself of his undeniable urges. But while staying with Clive and his shallow wife Anne Maurice is seduced by the affectionate and yearning servant Alec Scudder an event that brings about profound changes in Maurice's life and outlook. Sparkling direction by James Ivory distinguished performances from the ensemble cast and a charged score by Richard Robbins all combine to create a film of immense power one that is romantic moving and a story of love and self-discovery for all audiences.
Titanic is a four part serial created by BAFTA-winning producer Nigel Stafford-Clark (Warriors; The Way We Live Now; Bleak House) and written by Oscar and Emmy winner Julian Fellowes (Gosford Park; Downton Abbey) to mark the hundredth anniversary of the world's most famous maritime disaster in April 1912. It sets out to tell the story not just of a single ship, but of an entire society - one that was heading towards its own nemesis in the shape of the First World War as carelessly as Titanic towards the iceberg.This world, soon to vanish forever, is brought alive by a cast of over 80, featuring the cream of acting talent from Britain and beyond, including Linus Roache (Law & Order; Batman Begins), Geraldine Somerville (Harry Potter; Cracker), Celia Imrie (Bridget Jones's Diary; Kingdom), Toby Jones (My Week with Marilyn; Tinker Tailor Soldier Spy; Captain America), Maria Doyle Kennedy (The Tudors; The Commitments), Perdita Weeks (The Promise; The Tudors; Lost in Austen), Jenna-Louise Coleman (Waterloo Road; Emmerdale), Steven Waddington (Sleepy Hollow; Last of the Mohicans), Lyndsey Marshal (Hereafter; Being Human; Rome), Ruth Bradley (Primeval), Peter McDonald (The Damned United; City of Vice) and Timothy West (Bleak House; Ever After; The Day of the Jackal) amongst many others.All human life is on Titanic as she sets out on her maiden voyage. The upper-class family with their suffragette daughter and their warring servants; the wealthy elite of American society; the Irish lawyer in Second Class with his embittered wife; the young cabin steward and the impetuous Italian waiter who falls for her; the Catholic engineer fleeing Belfast with his wife and family to escape the sectarian conflict; the mysterious stranger in Steerage fleeing who knows what. And then there are the officers and crew. As their stories interweave and we find our first impressions are often undermined by what we learn, there is one thing that we know for certain and they do not - that not all of them will survive.
Maurice Maurice Hall and Clive Durham find themselves falling in love at Cambridge. In a time when homosexuality was punishable by imprisonment, the two must keep their feelings for one another a complete secret. After a friend is arrested and disgraced for 'the unspeakable vice of the Greeks', Clive abandons his forbidden love and marries a young woman. Maurice however, struggles with questions of his identity and self-confidence, seeking the help of a hypnotist to rid himself of his ...
A portrayal of the life of Queen Elizabeth the Queen Mother focusing on her courtship with the future King George VI the birth of their daughters Elizabeth and Margaret and the war years finally leading to Bertie's early death in 1952.
The second of the Merchant/Ivory films (A Room with a View, Howard's End), Maurice deals with a theme few period pieces dare mention--a young man's struggle with his homosexuality. It's not just a gay coming-of-age story, however. The hero wrestles with British class society as much as his personal and sexual identity.The film opens on a stormy, windswept beach, as an older man awkwardly instructs young, fatherless Maurice Hall (James Wilby) in the "sacred mysteries" of sex. The same turbulent, wordless struggle with passion lasts throughout this slowly evolving, beautifully filmed story. Novelist E M Forster's brainy, British melodrama hinges on choice and compulsion, as the pensive hero falls for two completely different men. First comes frail, suppressed Clive (Hugh Grant), who wants nothing more than classical Platonic harmony ... and a straight lifestyle. (Grant's performance is so convincing, one wonders how he ever became a heterosexual sex symbol.) After Clive's wedding, Maurice turns to hypnosis to cure his unspeakable longings. Unfortunately, his "cure" is interrupted by Clive's lustful, brooding, barely literate gamekeeper Scudder (Rupert Graves), a worker more at home gutting rabbits than discussing the classics. Maurice's love for a "social inferior" forces him to confront his illicit desire and his ingrained class snobbery. --Grant Balfour
A Western couple (played by Melissa Leo and James Wilby) working in Pakistan visit an unconventional holy shrine to harness its spiritual powers to help them conceive a child. They are lavished with the attentions of the shrine's leader (an exceptional performance from Zia Mohyeddin Lawrence of Arabia, Khartoum) and her followers, but their methods and motives are not all that they seem, and the couple's lives are plunged into darkness. This ravishing, unsettling film from director Jamil Dehlavi (The Blood of Hussain, Born of Fire) is a deeply personal work which raises questions of cultural and sexual identity, religious fanaticism and the abuses of power. The brand-new 2K restoration from the original negative was supervised and approved by Dehlavi and cinematographer Nic Knowland. INDICATOR LIMITED BLU-RAY EDITION SPECIAL FEATURES: New 2K restoration by Powerhouse Films from the original negative, supervised and approved by director Jamil Dehlavi and cinematographer Nic Knowland Original stereo audio Alternative original mono mix Saints and Sinners (2019, 6 mins): a new interview with writer, producer, director Jamil Dehlavi A Dangerous Picture (2019, 20 mins): celebrated actor James Wilby recalls the difficulty and good fortune involved with the production of the film Leap of Faith (2019, 22 mins): actor Ronny Jhutti remembers the experience of working on his feature-film debut Exotic Warmth (2019, 17 mins): Nic Knowland reflects on the challenges of making the film on location Original trailer New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 28-page booklet with a new essay by Naman Ramachandran, Jeff Billington on Nic Knowland, Jamil Dehlavi on Immaculate Conception, an overview of contemporary critical responses, and film credits World premiere on Blu-ray Limited Edition of 3,000 copies
Tony and Brenda appear to be the perfect married couple - with money, position, a great house and an adored son, John Andrew. When Tony invites John Beaver to stay for the weekend, he sets in motion a series of events which drastically disrupts the course of all their lives.
Adapted from the novels by DH Lawrence Lady Chatterley is a passionate love story which portrays the tempestuous and scandalous affair between an aristocratic young woman and her husband's gamekeeper. Joey Richardson plays one of fiction's most famous and passionate characters Lady Chatterley and Sean Bean is Mellors the moody and intense gamekeeper with whom she falls in love.
A fatal illness mars the happiness of a young family. When the family's business also runs into problems they call on a friend to put some order into their affairs. While he manages to restore the financial well-being he inadvertently shakes the foundations of the couple's conjugal happiness...
Gillies MacKinnon's highly praised adaptation of Pat Barker's novel is a moving and powerful study of war and its devastating effects. Set in a military hospital during World War I the film tells of a real life encounter between army psychologist Dr William Rivers and the poet Siegfried Sassoon who has been institutionalised in an attempt to undermine his public disapproval of the war. It also concerns young poet Wilfred Owen who whith support from Sassoon begins to write his great war poems. Rivers whose duty it is to return shell-shocked officers to the trenches is tormented by the morality of what is being done in the name of medicine especially the treatment of working-class officer Billy Prior who has been struck dumb by the carnage he has witnessed.
1954 the Malabar Coast. British and Anglo-Indian identities blur when an English-woman with a neglectful husband births a sickly baby. Cotton Mary a hospital aide and moralizing Anglophile who claims her father was a British officer takes over the infant's care and without a word to the mother takes the baby daily to her sister to nurse. Mary moves into the English household taking over more and more duties as she plays on the mother's fatigue and lack of spousal counsel: in eff
Based on Oscar Wilde's fantastic play.
A new take on the medieval tale of the woman who defies her husband and rides naked through the streets for justice....
The second of the Merchant/Ivory films (A Room with a View, Howard's End), Maurice deals with a theme few period pieces dare mention--a young man's struggle with his homosexuality. It's not just a gay coming-of-age story, however. The hero wrestles with British class society as much as his personal and sexual identity.The film opens on a stormy, windswept beach, as an older man awkwardly instructs young, fatherless Maurice Hall (James Wilby) in the "sacred mysteries" of sex. The same turbulent, wordless struggle with passion lasts throughout this slowly evolving, beautifully filmed story. Novelist E M Forster's brainy, British melodrama hinges on choice and compulsion, as the pensive hero falls for two completely different men. First comes frail, suppressed Clive (Hugh Grant), who wants nothing more than classical Platonic harmony ... and a straight lifestyle. (Grant's performance is so convincing, one wonders how he ever became a heterosexual sex symbol.) After Clive's wedding, Maurice turns to hypnosis to cure his unspeakable longings. Unfortunately, his "cure" is interrupted by Clive's lustful, brooding, barely literate gamekeeper Scudder (Rupert Graves), a worker more at home gutting rabbits than discussing the classics. Maurice's love for a "social inferior" forces him to confront his illicit desire and his ingrained class snobbery. --Grant Balfour
Set in a remote house on the East Anglian coast in the 1960's Hannah (British-born Hollywood actress Jean Simmons - Spartacus) lives a perfectly happy life with her poetry garden and much younger friend Joe (Jamie Dornan) When Hannah's son Robert (James Wilby) arrives with his teenage daughter and younger son he becomes shocked with his mothers intimacy with her young friend. Emotions and tensions between the group begin to surface and it might take a tragic incident to bring them together. Writer/director David Rocksavage has produced this unique drama that explores the complexities of family relationships.
Adapted from Evelyn Waugh's Jazz Age satire, A Handful of Dust is a brutal story of a failed marriage with shattering consquences. James Wilby stars as a country gentleman, Tony Last, who loves rattling around his expansive estate, Hetton Abbey. Tony's wife, Brenda (Kristin Scott Thomas), however, pines for London's excitement and commences an affair in the city with penniless aristocrat John Beaver (Rupert Graves). The fallout of Brenda's betrayal includes a family tragedy and creative divorce settlement ultimately undone when fed-up Tony goes on a naturalist trek through Brazil and becomes the hostage of a mad, illiterate explorer (Alec Guinness). One might wonder whether it's more appropriate to laugh or tremble at these events, and director Charles Sturridge's handsome, graceful production ingeniously accommodates the story's streaks of dark comedy and horror. With brief, memorable supporting roles for Anjelica Huston and Stephen Fry.----Tom Keogh
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