A contemporary evocation of Judas Iscariot trying to escape from his own guilt after betraying his best friend. He wanders into a forest and lost in himself, meets a mysterious young man. The young companion will accompany him on this path of repentance and penance and help him deal with his feelings, understand his guilt and cope with he has done. This is the story of the last three days of a repentant.
Jack Arnold's High School Confidential stars Russ Tamblyn as Tony, a troubled street kid sent to live with his hot-to-trot aunt (Mamie Van Doren). After enrolling in school, he quickly becomes wrapped up in the local drug scene, culminating in a surprise ending.
Stay Lucky: Series 1
Perhaps the most unclassifiable of filmmaker George A. Romero's works, 1972's Season of the Witch sees the Night of the Living Dead filmmaker returning to the realm of the supernatural for this bewitching tale of a housewife driven to an interest in the dark arts. On the surface, Joan Mitchell has it all family, friends, and a beautiful home equipped with all the latest appliances. But when a neighbor educates her on the practice of witchcraft, Joan believes she's discovered the perfect antidote to her monotonous suburban existence, and embarks upon a dark path that will lead to a shocking conclusion. Filmed as Jack's Wife and subsequently cut down and retitled Hungry Wives for its theatrical release in an attempt to market it as a sexploitation film, Season of the Witch is arguably one of Romero's most overlooked films an intimate and thought-provoking character study that serves as the perfect companion piece to his later Martin. Features: Brand new 4K restoration of the original theatrical version from the camera negative [90 mins] Alternate extended version [104 mins] High Definition Blu-ray (1080p) presentation Original Uncompressed PCM Mono Audio English subtitles for the deaf and hard of hearing Brand new audio commentary by Travis Crawford When Romero Met Del Toro filmmaker Guillermo Del Toro in conversation with George Romero The Secret Life of Jack's Wife archive interview with actress Jan White Alternate Opening Titles Location Gallery with audio commentary by Romero historian Lawrence DeVincentz Memorabilia Gallery Trailers Reversible sleeve featuring original and newly-commissioned artwork by Gilles Vranckx
Hard-hitting action cross-country adventure...and a government conspiracy that goes all the way to the top! In this pulse-pounding political thriller action-superstar - the late - Charles Bronson is at his rugged best as a man on a mission to protect the First Lady from ruthless assassins who'll stop at nothing to kill her! When veteran Secret Service Agent Jay Killian (Bronson) is assigned to protect the president's pampered and difficult wife (Jill Ireland) he knows she will be
Dennis Waterman stars as Thomas Gynn a London gangland refugee who heads north to escape old demons and attempt to carve out a new life in this popular light-hearted drama series from Yorkshire Television. This second series also features appearances by Warren Clarke Stephen Marcus Tony Melody and Shirley Stelfox. Thomas has formed an unlikely friendship with feisty local businesswoman Sally Hardcastle (Just Good Friends star Jan Francis) and the two continue to attract more than their share of drama. From saving the life of Europe's number-one hit-man to getting caught in the crossfire of a disastrous marriage from taking on Big Business and corruption to meeting the other Mrs Hardcastle a series of unsought adventures confirms that a quiet life was never on the cards for Thomas and Sally...
It's time for bed! After a long and busy day young children need to calm down before getting ready for bed. This fully animated collection of films is the perfect way to end the day and make bedtime fun! Featuring stories from the best-loved children's writers and illustrator such as Penelope Lively Colin & Jacqui Hawkins and Tony Ross each eppisode has its own theme. Episodes Comprise: 1. Dad! I Can't Sleep 2. Bedtime Story 3. Get Into Bed 4. Go To Sleep! 5. Little Princess' Bedtime 6. Sleep Tight 7. I'm Not Sleepy 8. Goodnight Everyone
Notable neither for its director nor its stars, 20 Million Miles to Earth has been given the widescreen spit 'n' polish treatment because of its special-effects man, the legendary Ray Harryhausen. And it's his work here that makes this daft slice of hokum so watchable. When a group of Italian boat fishermen investigate a crash-landed space rocket returned from a trip to Venus, they find one surviving all-American hero and an alien in aspic: the Emere, a tiny homunculus hungry for sulphur and growing faster than a teenager on steroids. Cue man-vs-alien mayhem, screenfuls of avuncular patriarchs and the gratuitous destruction of Rome. A by-numbers B-movie, Harryhausen's sixth feature isn't a patch on his later Technicolor masterpieces, but the unusual Italian setting ("I wanted a trip to Europe") adds an exotic quality and his effects are as solid and convincing as ever. The film only really begins to crackle when his stop-motion creation is onscreen. Like a scaly King Kong, he's as likely to engender sympathy as fear: surely anyone who's been bombed, blasted, burnt, electrocuted, shot at by trigger-happy squaddies and involved in a punch-up with a pachyderm is entitled to lose their rag a little. And fans will enjoy spotting in the Emere the flowerings of Harryhausen's later and greater creations, Sinbad's Cyclops and The Titans' Calibos and Kraken. The denouement, with the creature atop the Colosseum, is as effective as that of Kong's. It wasn't beauty who killed the beast here, however, it was bombs. On the DVD: 20 Million Miles to Earth's black and white picture is clean and crisp in this anamorphic 1.85:1 widescreen transfer, and the Dolby digital mono soundtrack is clear enough. The theatrical trailer will please fans of kitsch, as will the featurette "This Is Dynamation" produced at the same time as the first Sinbad movie. The real corker here, though, is the generously lengthed documentary "The Harryhausen Chronicles". Narrated by Leonard Nimoy, this features a stellar cast of devotees (George Lucas among them) waxing lyrical about the influence of Harryhausen's films, and allows the man himself to ramble fascinatingly over clips of his filmic canon. The claw-slash menu marker is a nice touch, too. If you're a fan, this disc is Harryhausen heaven. --Paul Eisinger
Made in 1975 and directed by Paul Verhoeven, Katie Tippel ("Katie the Streetwalker") is a handsome period drama set in 19th-century Holland, based on a true story. The second eldest daughter in a poor, Friesland family who move to Amsterdam, Katie (Monique Van de Ven) must find whatever work is going to make ends meet. She has already learnt to have no faith in her weak father. Now, as she enters a succession of jobs in which she experiences both exploitation and sexual harassment, she learns that men want her only for one thing. Duly, at the behest of her own mother, she enters into prostitution. However, when she becomes model to an artist, she is finally able to escape the poverty trap and ascend the social ladder, particularly when banker Hugo (Rutger Hauer) takes her as his lover. All this is set against a backdrop of social foment as the workers' impatience at poor social conditions increases. Although director Verhoeven, as well as Hauer and cinematographer Jan De Bont eventually became involved in mainstream American movies, Katie Tippel is very much of the European school of filmmaking: episodic and harsh in its depiction of everyday poverty. The dead puppy at the beginning definitely marks it out as being contrary to Hollywood's near-zero canine mortality rate. The sexual scenes are graphic to the point of gratuitousness but always grimly non-titillating. Budgetary limits cramp some of the mass street scenes, but generally the film is beautifully shot and ageless in feel. A far cry, certainly, from Showgirls, for which Verhoeven was later responsible. --David Stubbs
A 5 disc box set of hazy cult comedies from Cheech and Chong. Includes: Born In East L.A: Rudy is an American of Mexican descent who is caught up in an immigration raid on a factory. Deported to Mexico as an illegal immigrant he has no way of proving that he is in fact an American citizen and is forced to rely on his cunning to sneak his way back home. Sound: Dolby (1.0) Mono Languages: English Duration: 1 hour and 21 minutes Aspect Ratio: 1.85:1 Anamorphic Widescr
Reputedly based on an incident in the life of its screenwriter, Ingmar Bergman, Faithless is a powerful film that investigates the consequences of adultery, betrayal and grief and the long-term implications for everyone involved. Directed by Bergman's former muse and actress-turned-director, Liv Ullman, the story begins when an old man who lives by the sea, just like Bergman himself, ransacks his memories for material for his writing. He conjures up the beautiful Marianne (Lena Endre) who recounts a major turning point in her life: her affair with her husband's best friend. Her story is captured both in flashback and through Marianne's dialogue, as the camera lingers on her expressive face and his rapt, silent countenance. Not surprisingly the story is an intense and convoluted one and what ensues is a tale of guilt, pain and enduring damage as "simple things become complicated". The remote shore-side confessional location adds to the mystery: just what is their relationship? Is Marianne a figment of his imagination? As the film progresses, the truth begins to dawn. Lena Endre gives a vividly emotional performance, particularly during the poignant scenes concerning her beautiful but increasingly withdrawn daughter (luminescently acted by Michelle Gylemo). Without seeming to judge her, Endre brilliantly portrays a woman who knows that what she is doing is wrong, but does it all the same. The rawness of the erupting emotions is reinforced by an almost total lack of background music and the film becomes ever more involving to watch, even if the key characters seem to have brought about their misfortune themselves. If there is a weakness here it is that the performances of the men are somewhat overshadowed. Lover David, enigmatically portrayed by Krister Henrekssen, looks older than his allocated years and his motivations are unclear; Thomas Hanzon, playing Markus the charismatic husband, seems too restrained in his role and the viewer longs for him to do something wrong to justify his wife's affair. When he eventually does, the ramifications are enormous. Faithless is riveting and very much in keeping with the Bergman oeuvre, here expressed through the sensitive, restrained direction of Liv Ullman. --Christina McLoughlin
Desecrated graves, dead bodies dug up and left arranged in show-homes... Every time, the same ritual: a woman, a man, a teenager, who weren't related but who form a macabre family. Amid the bodies a photo of Paul Maisonneuve is placed, a Crime Squad legend in the North of France, now retired but forced to return to duty. Who is digging up the bodies? Who is leaving them in these show-homes and why? Young female detective Sandra Winckler, in charge of the case, must work with Paul to find out who is behind these disturbing human tableaus. During her investigation, she will have to delve into Paul's past, always sensing that he is hiding something. Because that's where the truth must lie: somewhere in Paul's past. For the detective and the ex-cop, life will never be the same... For in the shadows is a man who will stop at nothing to satisfy his thirst for a long and drawn-out revenge...
Follow the intrepid adventures of Ed Ros and Beckett as they track down hi-tech saboteurs and ruthless assassins. Episodes comprise: What Goes Up ...Must Come Down Bugged Wheat Whirling Dervish Black Out Gold Rush Schrodinger's Bomb Newton's Run The Bureau Of Weapons A Cage For Satan.
First broadcast on BBC1 in 1998 Bugs 4 is the final instalment in the seemingly never-ending exploits of Ed (Steven Houghton) who takes over the role from Craig McLachlan Ros (Jaye Griffiths) and Nick Beckett (Jesse Birdsall) who use high-tech devices to track down callous assassins ruthless organisations and brutal villians. Episodes comprise: 1. Absent Friends 2. Sacrifice to Science 3. Girl Power 4. The Two Becketts 5. Hell and High Water 6. Pandora's Box 7. Jewel
Two Christian knights arrive on a remote island intent on converting Pagan villagers to their own religion. The first seeks to win them over with understanding and humility, whilst the second relies on intimidation and violence. As a rift forms between the men, the villagers must decide which side they are on, and the men must decide how far they are willing to go for their faith. Bloodshed is inevitable and many will die.
Isabelle Huppert and Kévin Azaïs star in this romantic drama co-written and directed by Bavo Defurne. The film follows Liliane Cheverny (Huppert), a former singer now working on an assembly line at a pâté factory. After coming runner-up in the Eurovision Song Contest in 1974, Liliane's career came to an abrupt end when she split from her manager and husband Tony (Johan Leysen). However, despite her attempts to leave her old showbiz life behind, Liliane soon attracts the attention of 21-year-old co-worker and aspiring boxer Jean (Azaïs), who seems determined to help her relaunch her career.
From the producer of and writer of 'Have I Got News For You' and 'Spitting Image' watch a fourth award-winning series of cheeky wacky and outrageous sketches featuring minor and major celebrities of the day including George W. Bush and Tony Blair!
Five hundred years ago, a revolutionary priest changed the face of Christendom. Risking his life and academic reputation and facing damnation for his beliefs he challenged the teachings of the all-powerful Catholic Church and the Western World was never to be the same again. Marking the 500th anniversary of the Reformation, this stunning two-part drama from the makers of Deutschland 83 and Generation War captures the story of Martin Luther, the visionary reformer who changed the beliefs of society at a time when the Catholic Church dominated every aspect of public opinion and private life. From passionate speeches railing against corruption and oppression to sweeping battle scenes and compelling moments of intimacy, Reformation charts key events and figures in Luther's story, offering a parallel to our contemporary political situation in the form of vividly authentic historical drama. It is a timely exploration of an era of upheaval in which the path of European civilisation was changed forever.
Saved from the brink of cancellation by its loyal fanbase, Star Trek's third and final season rewarded them with a number of memorable episodes. Tight budgets and slipping creative control, however, made it the most uneven, though it did have some of the coolest episode titles ("For the World Is Hollow and I Have Touched the Sky", "Is There in Truth No Beauty", "Let That Be Your Last Battlefield"). Some of the best moments involved a gunfight at the OK Corral ("Spectre of the Gun"), a knock-down drag-out sword battle with the Klingons aboard the Enterprise ("Day of the Dove"), the ship getting caught in an ever-tightening spacial net ("The Tholian Web"), TV's first interracial kiss ("Plato's Stepchildren"), Sulu taking command ("The Savage Curtain"), and Kirk's switching bodies with an ex-love interest ("Turnabout Intruder"). Also appearing in the set as a coda are two versions of the series pilot, "The Cage", a restored color version and the original, never-aired version that alternates between color and black and white. Starring Jeffery Hunter as Captain Pike, Leonard Nimoy as a relatively emotional Spock, and Majel Barrett (the future Nurse Chapel and Mrs. Gene Roddenberry) as a frosty Number One, this pilot was rejected, but a second was commissioned, "Where No Man Has Gone Before", now considered the "official" beginning of the series. But "The Cage" is very recognizably Star Trek with its far-out concepts (telepathic aliens collecting species samples), sexy humanoid women, character development, and of course cheesy costumes and special effects. Footage was later reused in the season 1 two-parter, "The Menagerie". The best of the 63 minutes of bonus material focuses on three of the actors: Walter Koenig, George Takei, and James Doohan. Koenig discusses how he was cast and shows off his various collections, one consisting of Chekov figurines. Takei speaks movingly about the Japanese American internment and, in what is probably his last Star Trek appearance, Doohan, slowed by Alzheimer's but still with a twinkle in his eye, recalls his voiceover roles and his favorite episodes. The Easter eggs are amusingly called "Red Shirt Files" in tribute to those poor saps who everyone knew were only in the landing party so they could die. --David Horiuchi
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