California Street is a classic Neil Simon comedy that takes place at the Beverly Hills Hotel during the weekend of the Academy Awards celebration. Herb Ross's film follows the misadventures of four groups of guests including a divorced couple battling over the custody of their daughter (Jane Fonda and Alan Alda) a husband who gets caught with a hooker in his room by his wife (Walter Matthau and Elaine May) a British actress nominated for an Oscar and her straying gay husband (Maggie Smith and Michael Caine) and two competing doctors and their wives forced to share a hotel room (Bill Cosby and Richard Pryor).
After learning their ex-husbands plan to marry one another, lifelong rivals Grace and Frankie have bonded in an uneasy friendship. The second season of this acclaimed comedy series brings more laughs and surprises as Grace and Frankie tackle the challenges of family and relationships while driving each other crazy on a regular basis!
When a reporter and cameraman are assigned to cover the daily routine of a nuclear power plant, they witness and record an accident which could have wiped out the whole of Southern California, but their bosses refuse to broadcast the footage. Starring Jane Fonda (The Chase, Klute) Jack Lemmon (Some Like It Hot, Missing) and Michael Douglas (Basic Instinct, The Game), this daring and controversial thriller was nominated for four Academy Awards®, and proved to be horrifyingly prescient when the real-life Three Mile Island accident happened at a nuclear generator in Pennsylvania just 12 days after it was released in US cinemas. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES: High Definition remaster Original mono audio Alternative 5.1 surround sound track A Fusion of Talent (1999, 28 mins): documentary about the making of the film, featuring interviews with cast and crew, including Jane Fonda, actor-producer Michael Douglas, executive producer Bruce Gilbert, and actor Jack Larson, partner of director James Bridges Creating a Controversy (1999, 30 mins): documentary about the controversy surrounding the film and the real-life events which occurred just after its release Deleted scenes Theatrical Trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Neil Sinyard, an overview of contemporary critical responses and historic articles on the film UK premiere on Blu-ray Limited Edition of 3,000 copies ...MORE TBC All extras subject to change
Fellini's film is an adaptation set in contemporary Rome of Poe's Never Bet the Devil Your Head published in 1841. Poe's work is a brief comic satire of the transcendentalist movements that were then popular in Europe and America. Fellini's work takes two elements from Poe's story: First the plot of a drunk who confronts a mysterious stranger on a bridge and bets him his head; the man fails to see that the stranger is the devil who subsequently wins the bet. Second Fellini takes the name Toby Dammit, Toby being an English slang term for ass in Poe's time. (1) In short Toby Dammit is a dammed ass. Included is the 2008, Toby Dammit cinema version restored under the personal supervision of its renowned cinematographer Giuseppe Rotunno. Screened at the Tribeca Film Festival, where it was widely acclaimed by the press as a lost Fellini masterpiece.
A breathless explosive story! When a convict (Robert Redford) escapes from the state penitentiary heads for home and becomes involved in a murder the peace of a small Texas town is shattered. Most of the citizens led by a banker/oil tycoon (E.G. Marshall) see him as a criminal to be hounded and brought to justice. Only the town sheriff (Brando) believes him to be innocent and prepares to stand by him; but when the mob decide to take the law into their own hands even he is power
As one of the most acclaimed films of its time Sydney Pollack's dance marathon masterpiece picked up an amazing 9 Academy Award nominations in 1969. With dazzling performances from the entire cast it is easy to see why this film is universally regarded as a true movie classic. In the dark days of the depression dance marathons became a way for desperate people to compete for prize money. Events would last for days as contestants pushed themselves beyond the point of exhaustion while the barbarous crowds watched on wagering money for sport and profit. Against this backdrop the lives of a disparate group of contestants become intertwined. Brought together by chance they move relentlessly around the dance floor in search of a dream... the clock ticks on... which of them will survive?
On Golden Pond Family tensions explode for a loving couple Ethel and Norman Thayer (Katharine Hepburn and Henry Fonda in Academy Award winning performance) at their New England summer cabin on Golden Pond. Their daughter Chelsea (Jane Fonda) has come to visit with her new lover Bill (Dabney Coleman) and his tough young son Billy (Doug McKeon). The three generations collide. But what begins as a stubborn battle of wills between Norman and Billy slowly turns into a relationship that Chelsea always wanted with her father and Norman discovers how much he has missed by denying his daughter's love. African Queen The boozing smoking cussing captain of a tramp steamer Charlie Allnut saves prim and proper Rose Sayer after her brother is killed by German soldiers at the beginning of World War I in Africa. Many quarrels later the two set sail on the Ulonga-Bora in order to sabotage a German ship. Based on the 1935 novel by C.S. Forester the wonderful combination of Hepburn and Bogart makes this a thoroughly enjoyable blend of comedy and adventure. The Iron Petticoat A US Air Force captain forces down a Russian MIG only to be confronted by a Russian fighter ace. The Captain is tasked with converting her to capitalism.
Some people need love spelled out for them. An illiterate cook (Robert De Niro) at a company cafeteria tries for the attention of a newly widowed woman (Jane Fonda). As they get to know one another she discovers his inability to read. When he is fired she takes on trying to teach him to read in her kitchen each night....
In 1972 newly radicalized Hollywood star Jane Fonda joined forces with cinematic innovator Jean-Luc Godard and collaborator Jean-Pierre Gorin in an unholy artistic alliance that resulted in Tout Va Bien (Everything's Alright). This free-ranging assault on consumer capitalism and the establishment left tells the story of a wildcat strike at a sausage factory as witnessed by an American reporter (Fonda) and her has-been New Wave film director husband (Yves Montand).
This Broadway hit gets a solid film treatment by director Norman Jewison but that can't make up for the weaknesses of the script (which were as true onstage as they are here). Jane Fonda plays a chain-smoking shrink sent to a convent to do a psychological evaluation of a novice (Meg Tilly) who gave birth to a baby and then killed it in her little room. Was it a virgin birth? A miracle? And what of the bloody stigmata that seem to spontaneously appear on her hands? Fonda also finds herself clashing with the Mother Superior (Anne Bancroft) over the line between faith and science. But writer John Pielmeier can't flesh this out beyond an idea; in the end, the solution is a disappointingly earthbound one that even the strong acting in this film can't elevate. --Marshall Fine
They Shoot Horses Don't They? is set in the dark years of the l930s, when dance marathons became popular as a way for desperate people to compete for prize money. Sometimes the events would drag on for weeks as contestants pushed themselves far beyond the point of physical, mental and emotional exhaustion, the dancers shambling around the floor in a half-dead stupor. People would then pay to sit in the bleachers, watch the event and cheer on their favourites. Taken from hard-boiled pulp writer Horace McCoy's novel of the same name, Jane Fonda plays a bitter young woman paired up with Michael Sarrazin for the ordeal. Gig Young portrays the unctuous MC of the event, bringing equal parts compassion and sleaze to his role. Many of the film's images are unforgettable, such as "the derby", a heel-and-toe race around the dance floor with bouncy, light-hearted music to accompany the miserable spectacle. It's a powerful, tragic period piece that reminds us of the privations of the Great Depression. In the largest sense, the film has existential overtones that go far beyond the story of enervated dancers staying on their feet for a month or more. This film brought home a string of Academy Award nominations for the cast and director Sydney Pollack and a win for Young. --Jerry Renshaw, Amazon.com On the DVD: The disc offers film trivia and notes on the main cast and director, along with a short slide show and original publicity notes in an attempt to furnish valuable information about the film. However the layout is visually unimpressive and the information is merely standard film trivia offering little insight into the film itself--the quotes from Jane Fonda are surely aimed at hardcore fans of the actress only. It all feels like a selection put together in a bit of a rush. --Nikki Disney
In an American West just coming to terms with the end of World War II Jane Fonda stars as a Colorado rancher struggling to keep her independence from ruthless local land mogul Ewing. Fonda teams up with another independent rancher and war veteran Frank and Frank's partner is killed. Frank and Ella develop a romantic relationship as they battle to save Ella's land but more than the land is at stake for Ewing. His desire to expand his ranching empire must come to terms with a force e
This Broadway hit gets a solid film treatment by director Norman Jewison but that can't make up for the weaknesses of the script (which were as true onstage as they are here). Jane Fonda plays a chain-smoking shrink sent to a convent to do a psychological evaluation of a novice (Meg Tilly) who gave birth to a baby and then killed it in her little room. Was it a virgin birth? A miracle? And what of the bloody stigmata that seem to spontaneously appear on her hands? Fonda also finds herself clashing with the Mother Superior (Anne Bancroft) over the line between faith and science. But writer John Pielmeier can't flesh this out beyond an idea; in the end, the solution is a disappointingly earthbound one that even the strong acting in this film can't elevate. --Marshall Fine
A fascinating 5 disc set of half hour profiles spotlighting the personal lives and extraordinary careers of fifty legendary Hollywood leading ladies. Exotic Greta Garbo! Feisty Bette Davis! Sultry Marilyn Monroe! Brilliant Jodie Foster! Just a few of the great movie actresses featured in this definitive collection. From the early classic era of Gloria Swanson Marlene Dietrich and Joan Crawford to more contemporary cinema queens such as Faye Dunaway Jane Fonda and Kim Basinger 'Hollywood Biographies: The Leading Ladies' tells their amazing stories through rare film clips television appearances photographs and interviews.
Jane Fonda takes the lead role as Nora Helmer in this adaptation of Henrik Ibsen's play A Doll's House which caused such a scandal with its critical stance of marriage. the film was shot entirely on location in Norway and features a haunting score by Michel Legrand.
The sunny streets of Brooklyn, just after World War II. A young would-be writer named Stingo (Peter MacNicol) shares a boarding house with beautiful Polish immigrant Sophie (Meryl Streep) and her tempestuous lover, Nathan (Kevin Kline); their friendship changes his life. This adaptation of the bestselling novel by William Styron is faithful to the point of being reverential, which is not always the right way to make a film come to life. But director Alan J. Pakula (All the President's Men) provides a steady, intelligent path into the harrowing story of Sophie, whose flashback memories of the horrors of a Nazi concentration camp form the backbone of the movie. Streep's exceptional performance--flawless Polish accent and all--won her an Oscar, and effectively raised the standard for American actresses of her generation. No less impressive is Kevin Kline, in his movie debut, capturing the mercurial moods of the dangerously attractive Nathan. The two worlds of Sophie's Choice, nostalgic Brooklyn and monstrous Europe, are beautifully captured by the gifted cinematographer Néstor Almendros, whose work was Oscar-nominated but didn't win. It should have. --Robert Horton, Amazon.com
A small town pharmacist's uneventful life is turned inside out when a chance encounter with a lonely trophy wife turns into a walk on the wild side in this murderously funny dark comedy starring Sam Rockwell and Olivia Wilde. Doug Varney (Sam Rockwell) has been disregarded for years by everyone from his domineering wife Kara (Michelle Monaghan) to the goldbricking employees at the drugstore he bought from his insufferable father-in-law. When Doug embarks on an exhilarating drug-and-alcohol fuelled affair with Elizabeth (Olivia Wilde) - the most glamorous woman he has ever met - no-one is more surprised than he is.
California Street' is a classic Neil Simon comedy that takes place at the Beverly Hills Hotel during the weekend of the Academy Awards celebration. Herb Ross's film follows the misadventures of four groups of guests including a divorced couple battling over the custody of their daughter (Jane Fonda and Alan Alda) a husband who gets caught with a hooker in his room by his wife (Walter Matthau and Elaine May) a British actress nominated for an Oscar and her straying gay husband (Maggie Smith and Michael Caine) and two competing doctors and their wives forced to share a hotel room (Bill Cosby and Richard Pryor).
An American spinster (Fonda) travels to Mexico to teach the children of a wealthy landowner and to find a new life for herself. What she finds is a general in Pancho Villa's army who is the bastard son of the landowner and a journalist out for adventure...
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