In Arthur Penn's adaptation of Thomas Berger's novel Little Big Man, Dustin Hoffman stars as Jack Crabb, the only white survivor of the Battle of Little Big Horn. Giving a bravura performance, Hoffman plays Jack from teen years into old age in this picaresque fable of the Old West. Jack's story is a fantastic one: captured by Indians as a boy, reared as an Indian, shuttling back and forth between the white and Indian worlds. In the process, he befriends everyone from Wild Bill Hickock to George Armstrong Custer and is a gunslinger, a snake-oil salesman and an Army scout. This is a solid blend of comedy and tragedy, making a strong statement about America's treatment of Native Americans without sermonising. A terrific cast includes Faye Dunaway, Martin Balsam and Richard Mulligan, but this show is all Hoffman's. --Marshall Fine
A ratings hit for eight seasons on CBS, the action-mystery series Magnum, P.I. makes its DVD boxed set debut in an impressive five-disc package that offers not only the entire first season, but some rarely seen episodes. Positioned in the old Hawaii Five-O time slot (Thursdays at 9) in December of 1980, Magnum quickly became a hit, thanks to the combination of smart and witty scripting, gorgeous locations, and the considerable charm of lead Tom Selleck as former Naval Intelligence officer Thomas Magnum, who gives up his position to become a private investigator on Oahu with the help of fellow Vietnam vets T.C. (Roger E. Mosley) and Rick (Larry Manetti). Magnum also provided security for the lavish estate of wealthy (and never-seen) mystery writer Robin Masters, which gave him access to the author's expensive vehicles (including a prized Ferrari), much to the disapproval of Masters's manservant Higgins (Jonathan Hillerman). A rare series that skillfully blended action, humor, drama, and suspense, Magnum, P.I.'s first season gets the boxed set treatment its fans have been hoping for, with all 18 first-season episodes (including the two-part pilot, "Don't Eat the Snow in Hawaii") included on four discs. The fifth disc contains four rarely shown bonus episodes, including season 3's "Ki'ls Don't Lie," which featured a crossover plot with Simon and Simon, as well as its conclusion ("Emeralds Are Not a Girl's Best Friend"), which kicked off S&S's second season; the latter episode has never been aired as part of Magnum's syndicated package, which is another reason for fans to pick up and enjoy this long-awaited set. --Paul Gaita
Fed up with city life Sandrine (Mathilde Seigner) decides to leave Paris and live out her dream of becoming a farmer. It's love at first sight when she comes across a farmstead on the Vercors plateau which she takes over from cantankerous farming veteran Adrien (Michel Serrault). Sandrine is confident she can run the farm by herself but Adrien is sceptical; the trials of the oncoming winter will prove them both wrong... Set against a backdrop of beautiful French Alpine countrysid
Jonathan Demme's outstanding documentary on Jean Dominique a Haitian radio journalist and human rights activist. Jean Dominique whose Radio Haiti was celebrated in his native land provided a much needed democratic voice for the Haitian people during an oppressive and violent political climate. Cut together from over fifteen years of footage The Agronomist records the turbulent times of Radio Haiti and Jean Dominique himself who was forced into exile twice during his life. Combi
A silent film production company and cast make a difficult transition to sound.
Details TBC
The cult film with martial arts legend Jean-Claude Van Damme now in a newly restored version. In his youth, American Frank Dux (Jean-Claude Van Damme) was taught the art of ninjitsu by Japanese martial arts master Senzo Tanaka. When he finds out Tanaka is dying, Dux travels to Hong Kong in his honor to participate in the Kumite - a secret full-contact competition in which fighters from all over the world put their lives on the line. He has only one goal in mind; to leave the arena as the winner Product Features 2-disc Limited Collector's Edition with film in 4k Ultra HD with Dolby Vision for the FIRST TIME EVER WORLDWIDE and these exciting Bonus Features: An Uppercut Into the Action Movie A-List A Knock out Interview with Jean-Claude Van Damme Blood Writes Writing a Cannon Classic with Sheldon Lettich; Wham! Bam! Thank You, Van Damme! - Back in The Ring with Director of Photography David Worth A Sporting Chance Blood, Sweat, and Stunts with Paulo Tocha Tunes to Tap Out to The Music of Paul Hertzog Audio Commentary with Sheldon Lettich, Paulo Tocha and James Bennett Theatrical Trailer 24-page Booklet
Bruce Lee fan Jason Stillwell is not the best student in his martial arts class. Beaten numerous times he is horrified when the local crime syndicate runs his teacher out of town. Training hard using pearls of wisdom from the ghost of Lee Stillwell sets his newly acquired skills upon the syndicate and its' champion the deadly Ivan (Van Damme)...
Comedy with Stan Laurel and Oliver Hardy. Contains: Busy Bodies (b/w) Busy Bodies (colourised) Double Whoopee (b/w silent with musical score) Dirty Work (b/w) Dirty Work (colourised) The Finishing Touch The Music Box (b/w) The Music Box (colourised) Hog Wild (b/w) Hog Wild (colourised) Hats Off (stills gallery) A collection of classic shorts all of which present Stan and Ollie with a task to perform. 'Busy Bodies' is the famous film where Stan and Ollie work in a sawmill. In 'Double Whoopee' they start work at a plush Broadway hotel - and close a taxi door on Jean Harlow's dress! 'Hog Wild' concerns their efforts to fit a rooftop aerial. In 'Dirty Work' they are back on the roof this time as chimney sweeps at the home of an eccentric scientist. Stan and Ollie are in the building trade for 'The Finishing Touch' while in 'The Music Box' - perhaps their most famous film - they have to deliver a piano up a huge flight of steps. 'The Music Box' was inspired by one of their earliest comedies as a team 'Hats Off'. Sadly no copy of the film is known to survive but this DVD includes a selection of stills from this long-lost classic.
One of the world's most influential filmmakers and a leadign figure of the Nouvelle Vague movement of the 60's, Jean-Luc Godard's works have trnasformed the face of cinema. 'Weekend' remains one of the most legendary, audacious and acclaimed films of his distinguished career. It follows a bickering, scheming, bourgeois couple who leave Paris for the French countryside to claim an inheritance by nefarious means. Almost immediately, they become entangled in a cataclysmic traffic jam, which is just the beginning of a journey fraught with violent and dangerous encounters: rape, murder, pillage and even cannibalism. Famed for its virtuoso cinematography - including a stunning ten-minute tracking shot - Godard's dystopian road movie is a ferocious attack on consumerism
Robert DeNiro plays the ageing master thief persuaded to take on one final job by criminal mastermind Marlon Brando and young hotshot Edward Norton.
When Cooper became unavailable, the studio assigned the male lead to their Golden Boy sensation, William Holden. Budgeted at $2.3 million, ARIZONA was produced on a grand scale, complete with a full-sized recreation of the 1860's Tucson settlement, majestic location scenery, hundreds of extras, boisterous Apache raids and a spectacular cattle stampede. Opening on Christmas Day 1940, ARIZONA was hailed as a rip-roaring Western from a director, Wesley Ruggles, who knew how to make them (Ruggles directed the 1931 Academy Award(r)-winning Best Picture, Cimarron).
Maggie Cheung (playing herself) has been cast by a once revered but now out of touch director as the latex-clad cat-burglar in his ill-fated remake of the French classic Les Vampires. From the moment she arrives in Paris chaos ensues until the director finally has a breakdown and is replaced by another who doesnt know why she was cast in the first place. Amidst all the confusion Cheung becomes drawn to her character and is soon pulling on latex and prowling her hotel corridors at night. This critically-acclaimed satire on the world of filmmaking is one of the freshest and coolest French films of the 90's.
Hortense (Marianne Jean-Baptiste) is a young, black optometrist whose adoptive parents have recently died. Cynthia (Brenda Blethyn) is a sad, unmarried mother who works in a factory and lives in a shabby terraced house with her confrontational daughter Roxanna (Claire Rushbrook). Cynthia's brother Maurice (Timothy Spall) is a successful photographer who lives comfortably in suburbia with his wife Monica (Phyllis Logan). In a misplaced effort to re-unite the family, Maurice & Monica throw a small barbecue party for Roxanne's 21st birthday. When Cynthia brings along her new friend Hortense, chaos ensues and some painful truths are revealed.
In the opening scene of Hamlet, Laurence Olivier describes the play in a voice-over as "the tragedy of a man who couldn't make up his mind". But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. The contradictions and ambiguities of the title character, who prowls cavernous sets filled with vast, ancient corridors and winding staircases, emerge as if from a dream. The plethora of tracking shots--precise enough to impress Stanley Kubrick--encircle Olivier and his tightly constructed geometry of demise. Drawing on his experience playing the Prince on stage at Elsinore in 1937, the legendary thesp provides the film with the patina of greatness and shows how the constitution of the formerly cheerful Prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's o'er-hasty marriage to uncle Claudius (Basil Sydney). Indeed, if emotions could possess ghosts, Olivier's Hamlet shows how they would manifest themselves. There is even a dollop of Freud, suggesting that Queen Gertrude (Eileen Herlie) has perhaps loved her offspring too closely--thus providing the fuel for Hamlet's actions. As Ophelia, Jeans Simmons captures the character's early spirit better than her gradual disintegration (Helena Bonham Carter fares better in Franco Zeffirelli's fine 1990 remake). Purists may bemoan the loss of Fortinbras, Rosencrantz and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. His monologues, many held in secret enclaves, glow with the dramatic markedness of a Dostoevski novel, with all of the master's irony, allusions and witticisms in place. The winner of four Oscars (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall
Shot in glorious Technicolor by award-winning cinematographer Christopher Challis (The Tales of Hoffmann, A Dandy in Aspic, Villain), this classic Gothic melodrama stars the then real-life husband and wife acting team of Stewart Granger and Jean Simmons in the tale of a murderous London businessman and the scheming housemaid who shares his dark secret. Special Features High Definition remaster Original mono audio Josephine Botting on Footsteps in the Fog' (2018): an exploration of Hollywood's fascination with Victorian England by the film expert and BFI curator Steve Chibnall on Belinda Lee (2018): a new appreciation of the tragic star by the film expert and author of British Horror Cinema Kat Ellinger on Footsteps in the Fog' (2018): Diabolique magazine's editor-in-chief explores the film's Gothic origins Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard of hearing
'Asterix and Obelix Take On Caesar' is France's second most successful film of all time and stars internationally renowned actor Gerard Depardieu as Gaulish warrior Obelix alongside Oscar winning Roberto Benigni as the wicked Detritus. Journey back 2000 years as Ancient France is on the brink of complete Roman invasion well almost complete... except for one small village of indomitable Gauls that still holds out against the invaders. It is here that Asterix and his friends are con
Richard Linklater's Slacker presents a day in the life of a subculture of marginal eccentric and overeducated citizens in and around the University of Texas at Austin. Shooting the film on 16mm for a mere 000 writer/producer/director Linklater and his close-knit crew of friends eschewed a traditional plot choosing instead to employ long takes and fluid transitions to create a tapestry of over a hundred characters each as unique as the last culminating in an episodic portrait of a distinct vernacular culture and a tribute to bohemian cerebration. Slacker is a prescient look at an emerging generation of aggressive nonparticipants and one of the keynote films of the American independent film movement of the 1990s.
ROBERT BRESSON (Au hasard Balthazar) plumbs great reservoirs of feeling with Mouchette, one of the most searing portraits of human desperation ever put on film. With a dying mother, an absent, alcoholic father, and a baby brother in need of care, the teenage Mouchette seeks solace and respite from her circumstances in the nature of the French countryside and daily routine. Bresson deploys his trademark minimalist style to heartbreaking effect in this essential work of French filmmaking, a hugely empathetic drama that elevates its trapped protagonist into one of the cinema's most memorable tragic figures. Special Features: New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary from 2006 by film scholar, critic, and festival programmer Tony Rayns Au hasard Bresson, a 1967 documentary by Theodor Kotulla, featuring director Robert Bresson on the set of Mouchette Segment of a 1967 episode of the French television series Cinéma, featuring on-set interviews with Bresson and actors Nadine Nortier and Jean-Claude Guilbert Original theatrical trailer, cut by Jean-Luc Godard PLUS: An essay by critic and poet Robert Polito
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