One of the most underrated British films produced between the end of the swinging sixties and the beginning of the hippy seventies. Leonard Whiting (Romeo from Franco Zeffirelli's Romeo and Juliet) plays a young dreamer who is trapped in a working class existence: living in a council house with a father who has no horizon higher than working in the local factory. Jean Simmons is the mature woman living in a leafy Surrey house with her stockbroker husband and two children but desperately unhappy. When the two unlikely lovers meet on a train to London Whiting ignores the come-on from Susan Penhaligon by saying 'today I am going to climb Mount Everest ' and so begins his charm offensive of the mature woman across London's 1970s landscape. Beautifully written and with expert filming by Geoffrey Unsworth Say Hello To Yesterday is one of the most insightful British films of its day.
On the eve of the biggest LGBT blowout of the year five gay and lesbian couples find themselves having to make reservations at the secluded Sahara Salvation Inn. A leather daddy a closeted drag queen a fag-hag lipstick lesbians pink pound yuppies a sugar daddy and his twink and a country singer and her baby-dyke girlfriend all check in to the creepy hotel oblivious to the peril that lurks. What should have been the party of the century quickly turns into every gay and lesbians worst nightmare when they discover that the hotel's proprietor is a god-fearing gay-basher with a penchant for mincemeat muffins! If that wasn't bad enough a snarling homosexual-eating Republican mutant starts to pick them off one by one. Feather boas and strap-ons fly when the gays and the freaks go to battle but who will make it out alive? A hilarious grindhouse splat-fest in the spirit of Benny Hill and The Texas Chainsaw Massacre The Gay Bed and Breakfast of Terror will have you clutching your pearls for dear life. Just keep repeating 'It's only a movie it's only a movie it's only a movie!
Perhaps the most accessible of Robert Bresson's films, this story of a 14-year-old schoolgirl at the mercy of the world around her is like a melodrama stripped of flourish. Mouchette is an angry adolescent in the French provinces, the daughter of a drunken bootlegger and a dying, bedridden mother, a pariah in school and a figure of village gossip. She rebels in typically adolescent ways, lobbing mud at teasing classmates and defying wagging tongues with a wilful stare, but her deep pain and loneliness pour from her hollow, sad eyes. There's no sentimentality in Bresson's portrait of village life but for a few brief moments the film explodes with energy and emotion. Mouchette rides the bumper cars at a local fair, flirting with a young boy in loving bumps and deliberate rams, and her dour expression flowers in a smile as the fairground speakers blare a rock & roll tune... until her father's heavy hand slaps her back to reality. It's a moment unlike any other in a Bresson film, a joyous reprieve from the monotony of her life, but if the rest of her existence is glum and hopeless, the film is unexpectedly beautiful. The style is often fragmented--the film opens on a stunning play of hands, feet and spying eyes as poacher and police both wait for their prey--but the beauty of the forests and meadows creates an idyllic naturalism that leavens Bresson's harsh portrait of the human condition. --Sean Axmaker
Paul Jensen has taken a job as society-pages editor of Moscow Match. Whilst Investigating a story, Paul witnesses the murder of a respected reporter critical of the Russian regime - and when the magazine kills his colleagues story on the suspicious circumstances surrounding the journalist's death, Paul suggests that the piece run as part of his celebrity coverage never suspecting this will land him in the middle of a terrorist plot.
Brigitte Bardot plays Chouchou a successful model infatuated with Michel the editor of a fashion magazine but Michel seems unaware of her interest in him. The harder Chouchou tries to make herself noticed the less Michel seems to understand until she takes drastic measures by making him chase her through the woods while she wears sheer lingerie which leaves little to the imagination.
This is a box set featuring three of Robert De Niro's most renowned films from the MGM stable. Raging Bull: Based on the life and career of boxer Jake LaMotta Raging Bull focuses on Jake's rage and violence that makes him virtually unstoppable in the ring. The same anger also drives Jake to beat his wife and his brother Joey and sends Jake down a self-destructive spiral of paranoia and rage. Ronin: A woman assembles a team of professional killers from all over the world to get a hold on a certain case with some mysterious content. The case is in the hands of some ex-KGB spies and there are many people and organizations that will do anything to get their hands on it. True Confessions: De Niro (a Catholic Priest) and Duvall (a homicide Detective) play brothers drawn together after many years apart in the aftermath of the brutal murder of a young prostitute.
An intense study of the clash between medical ideals the first full-length work from Georges Franju (Les yeux sans visage Judex) is a gripping examination of postwar psychiatric care boasting a memorable cast including Pierre Brasseur Anouk Aim''e Charles Aznavour Paul Meurisse and Jean-Pierre Mocky. Mocky plays Fran''ois G''rane an aimless young man whose delinquent tendencies cause his father to have him committed to a psychiatric ward. There under the cold command of Dr. Varmont (Brasseur) he finds himself fighting for his dignity sanity and freedom barely holding on through the new-found love of his girlfriend Stephanie (Aim''e) and the promise of rival Dr. Emery's (Meurisse) more humane techniques. Compassionate yet unflinching La T''te contre les murs is a bold precursor to the likes of Samuel Fuller's Shock Corridor and Milos Forman's One Flew over the Cuckoo's Nest revealing Franju's poetic gift for creating images both concrete and evocative and an ominous hint of the clinical horrors yet to come in Les yeux sans visage. The Masters of Cinema Series is proud to present the debut feature of a late-flowering great filmmaker.
Adapted from the riveting play by Eugene O'Neill (Long Day's Journey into Night The Iceman Cometh) 'Desire Under The Elms' is a gripping tale of two brothers at war. In a bid to take control of the family farm after the death of their father the brother's feud severs the bonds that have kept the family together and sets in motion a chain of events that will change the course of their lives forever... Starring Sophia Loren as the step-mother to the heirs of the farm and Anthony
One of Powell and Pressburger's most famous films, "The Red Shoes" is the tragic and romantic story of Vicky Page, the brilliant young dancer who must give up everything if she is to become a great ballerina.
Nikita (1990): After being convicted of killing a cop street-tough Nikita must choose between her own execution or training with a top-secret government agency to become an assassin. Given a new identity new skills and a new life by her mentor Bob (Tcheky Karyo) Nikita becomes ""Josephine "" a seductive sophisticated knockout who's also a brutally efficient killing machine. Luc Besson's Nikita is the stylish high-voltage thriller that revolutionized the action genre with a sexy gun-wielding woman as its main character. Starring Jean Reno Jean-Hughes Anglade Jeanne Moreau and Anne Parillaud in the title role (winning her a 1991 Best Actress Cesar Award) Nikita achieved cult status worldwide inspiring an American remake and a hit U.S. television series. Powered by some of the most adrenaline-pumping action scenes ever filmed Nikita redefined femme fatale for a new generation. Subway (1985): Christopher Lambert plays a hipster thief who falls in love with the bored and beautiful wife of the millionaire he just robbed. She wants her stolen papers back and he wants her heart. With gangsters and Metro police on their tail the two seek refuge in the wild labyrinth beneath the subway and team up with the strange characters including a drummer (Jean Reno) who inhabit this subterranean world. The result is Luc Besson's hilarious rocking adventure!.
At the peak of his creative powers the 29 year old Bernardo Bertolucci, eschewed the influence of mentor, Jean-Luc Godard and partnered up with Vittorio Storaro and developed his own style for one of the most visually dazzling, politically and psychologically intriguing and possibly greatest of all Italian films.Told in a non linear structure that would go on to influence The Godfather Part II (not the only influence on Coppola’s film), the story begins in Rome, 1938. Marcello (Jean-Louis Trintignant) is a young fascist who takes on the job of assassinating his former professor who has fled to Paris. With his girlfriend (Stefania Sandrelli) in tow he meets the professor and his young wife (Dominique Sanda). A thriller as well as study of Italian politics and psychological character, Bertolucci’s Oscar nominated adaptation of Alberto Moravia’s novel (an adaptation Moravia greatly admired) has gone on to influence filmmakers such as Paul Schrader, Martin Scorsese and Michael Mann and remains one of the great triumphs of world cinema.Arrow Academy is proud to present Bernardo Bertolucci’s masterpiece on DVD and Blu-ray for the first time in the UK.
United Kingdom released, Blu-Ray/Region B DVD: LANGUAGES: French ( Dolby Digital 2.0 ), French ( Dolby Linear PCM ), English ( Subtitles ), WIDESCREEN (1.66:1), SPECIAL FEATURES: Black & White, Commentary, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers that Marie-Christine Vercel, Julien's wife, was Massoulier's mistress, Julien is very suspected. But his secretary, Barbara Becker, while not quite convinced he is innocent, defends him and leads her private investigations... SCREENED/AWARDED AT: BAFTA Awards, Ceasar Awards, ...Finally, Sunday ( Vivement dimanche! ) ( Confidentially Yours (Finally, Sunday!) ) (Blu-Ray)
Bud (Charlie Sheen) and Larry (Thomas Hadden Church) aren't the brightest of men. Their twin girlfriends say that they are pregnant and before they know it they have been moved into the family home. Their father-in-law walrus-like warden Sven Swede Sorenson (Marlon Brando) runs a prison murders convicts who escape and subsequently has the FBI on his trail in the form of Agent Karen Polarski (Mira Sorvino). Things are complicated further as she also happens to be the daughter of corrupt town judge (Donald Sutherland). The boys are in trouble. They need fast cash for a fast escape. How difficult can it be to rob a train?
An airliner, Flight 65 from Washington D.C., crashes on landing. When rescuers arrive they find the plane completely empty. The crew and passengers have all vanished - and the Falcon finds himself embarking on the strangest case he has ever investigated!Among the missing passengers are top industrialist Stanley Palmer (Clarence Kolb) and his assistant Wally Fairchild (Robert E. Keane). The mystery deepens as the Palmer family start receiving ransom notes. Is the motive really kidnapping and extortion? Or has it got something to do with the big government war contract Palmer was pitching for?As The Falcon goes searching for the truth he finds that Palmer's family all seem to have their own guilty secrets - and it's not long before the shooting starts...
Action mega star Jean-Claude Van Damme is back with a vengeance in Maximum Risk - an exhilarating thrill-packed adventure also starring Natasha Henstridge. Alain Moreau's (Van Damme) investigation into the death of his identical twin brother leads him from the south of France to the mean streets of New York City... and into the arms of his brother's beautiful girlfriend. Pursued by ruthless Russian mobsters and renegade FBI agents the duo race against time to solve his brother's murder and expose an international conspiracy. There's only one problem: all traces of his brother's life are rapidly disappearing and the one person who knew him best may not be telling all she knows.
It's the end of the Christmas term and Jake (Andrew Lee Potts) and Steven (Bobby Barry) set off with their English teacher on a school skiing trip. One of their friends has brought along a videocam and is making a documentary about them all: what they want who they want and how they're going to get it - an adolescent wish-list of big ambitions and small rebellions. The group is larking about for the camera off-piste when they are all suddenly engulfed by a freak avalanche. Later Ja
In the role of Eurydice Natalie Dessay begins at once with a display of vocal and verbal pyrotechnics which are then taken up by Yann Beuron as Orpheus. Together they give us an ideal of the developments to follow. Dancers and singers melt into a unit. The stage setting and an unconventional choreography sparkle with inventiveness. When Pluto for example arrives on skis from the underworld onto Mt. Olympus and Offenbach quotes the famous can-can right in the middle of Pluto's aria it seems to be a parody of his own work. The production offers a wealth of material for modern interpretations and immorality. Thus we see a bored Eurydice lying on the sofa in her apartment as she zaps her way through the TV channels constantly looking for diversion showing us how timeless an opera buff can really be. Sometimes she sings upside down hopping around - a vocal masterpiece. Laurent Naouri also captivates in the role of Jupiter and costumed as a fly demonstrates his vocal and acting talent with Jacques Offenbach's Buzz aria. To sum up; the present production is a fountain-of-youth cure for Offenbach's operetta classic. A cascade of ideas and ironic allusions turns this ingenious work into a feast for eyes and ears.
Anne Wiazemsky (Godard's then-wife) plays a philosophy student who sympathizes with a group of Maoist supporters. Their fanaticism is heightened by their inability to see beyond the propaganda and iconography of the cause. Godard explores the degree of their fanaticism in typical non-linear style...
British Secret Service agent John Rennie becomes a liability to the Agency after a harrowing mission in Argentina. His ex-wife and children receive death threats and marked for murder he returns to Argentina with a plan that will either protect his family and the woman he loves or destroy them.
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