he Arizona Territory, the 1870's. Marshal Frank Wilcox, along with a Buffalo Soldier from the U.S. Army, must galvanize a group of survivors to fight back when the living dead rise and seek the flesh of the living. It's a world gone mad and a battle against the unthinkable. Joined by an Apache Chief and an outlaw prisoner, the group must learn how to survive in a time where the dead walk.
Don Quichotte, composed by Ludwig Minkus for the Bolshoi in 1869, was relatively unknown in the West until Nureyev's new choreography--which naturally gave him centre stage as Basile--was introduced at the Vienna State Opera in 1966. A later production in 1981 forms the basis for this 2002 success by the Paris Opera. Don Quichotte is in some ways a misnomer for the ballet. Rather than being the dominant character, here the beloved hero of Cervantes' original novel and tilter at windmills is a catalyst for the troublesome events which beset the love story of Basile and Kitri. The dream in which the knight encounters the queen of the dryads becomes a glittering fault in the narrative. But there is no doubting the fluid delights of the pas de deux between Basile (Manual Legris) and Kitri (the enchanting Aurélie Dupont), always literally several steps ahead of their would-be romance spoilers, which rather overshadow the pathos of Jean-Marie Didière's Quichotte. Nureyev's triumph, though, remains the teeming ensemble dances that reaffirm the close marriage between Minkus's score and the unfolding drama, here immeasurably enhanced by Alexandre Beliaev's Goya-esque designs. Ermanno Florio's musical direction keeps the pace light and busy. On the DVD: Don Quichotte is presented in 16:9 video aspect ratio with a choice of stereo, Dolby Digital 5.1 and DTS (by far the best) soundtracks: the quality is all you'd expect of a standard modern television broadcast, although the subtleties of the theatrical lighting don't always shine through. Extras are limited to previews of other TDK releases. --Piers Ford
When the Japanese attack Pearl Harbour U.S Navy Lieutenant Richard Houston a penniless deserter decides to take a chance and re-enlist. To avoid being identified he assumes an alias 'Jim Smith' and is assigned to duty aboard a minesweeper charged with keeping the waterways clear. Packed with wartime suspense and building to a shocking climax Minesweeper is an engrossing story of friendship bravery love and honour.
Mark Blankfield stars as Navin Johnson, an orphan raised by a kindly family who found him in their mailbox. Leaving home for the very first time, Navin is a natural victim, preyed upon by people around him and life s circumstances. But Navin is also gifted- he s so intensely good that only good things happen to him. In the midst of all the chaos, Navin always lands feet first, sometimes leaving a trail of destruction behind him.
The links family has made it to Mars on a wing and a prayer but their troubles are far from over! For this rescue mission they need a hero and fast! James Links doesn't want to be a hero except to his wife and children but he'll have plenty of chances to practice for the role on Mars! Championing the people of a planet on the verge of insurrection with the authorities still hot on his trail this space trucker has more on his mind than any one man should have to cope with!
When Bernardo Bertolucci went to the Himalayas to film Little Buddha, so the anecdote runs, he was disappointed by the scenery. Somehow, the real thing didn't quite live up to what he'd been led to expect by Powell and Pressburger's Black Narcissus. It's not hard to see why he felt let down. Their film is almost ridiculously gorgeous--a procession of saturated Technicolor, Expressionist angles, theatrical lighting and overwrought design. It has a good claim to being the high watermark of lushness in the British cinema (and, incidentally, every original foot of it was actually shot in Britain). No wonder it took the Oscar for colour cinematography (shot by Jack Cardiff) as well as for art direction and set decoration (created by Alfred Junge).Audiences loved it on its first release, but the critics were cooler: hadn't the story been upstaged by the baroque images? Well, probably, but that's not altogether a bad thing, since the plot--quite faithful to Rumer Godden's popular novel --isn't wholly free of corn. A group of five Anglican nuns, led by Sister Clodagh (Deborah Kerr) establish a school and hospital in a former harem among the Himalayan peaks. The wind blows, the drums pound, the Old Gods stir, and one by one the celibate sisters succumb to unchaste thoughts, above all Sister Ruth (Kathleen Byron, terrific in the role), so consumed by erotic yearning for the one Englishman in sight (David Farraar) she puts on crimson lipstick, wears her wimple-free tresses like an early Goth and takes a downward turn. (Black Narcissus features the greatest scene involving a nun and a high place this side of Hitchcock's Vertigo and Jacques Rivette's La Religieuse.) Silly, to be sure, but also sublime at times and as curiously entertaining as it is picturesque. --Kevin Jackson
A dowdy nurse Leah (Josiane Balasko) is in love with her boss (Richard Berry) but he only has eyes for bimbos. She sells her soul to the Devil's apprentice Abargadon (Daniel Auteuil) in return for a new bimbo makeover to snare her boss...
John Schlesinger directs Placido Domingo in Verdi's opera...
Offenbach's 1867 La Vie Parisienne is perhaps the quintessential French comic operetta: a broad satire on Paris society set against the backdrop of the 1867 Exposition and the descent of easily lampooned foreigners on to the city; sharp moments that Molière would be proud of; undercurrents of quick-fire farce, confusion, lust and mistaken identity; and a rich cast of characters racing inexorably to a can-can finale. This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable. On the DVD: La Vie Parisienne has the usual, excellent booklet notes of ArtHaus DVD releases, which go some way to compensate for a disappointing lack of extras. Time, surely, to introduce some on-screen history or cross-references to other relevant works. The picture quality is good and sharp, although the 4:3 format does little justice to Carlo Tommasi's sweeping, stylish sets. The PCM Stereo soundtrack provides an adequate orchestral experience while managing to muffle much of the spoken dialogue. --Piers Ford
Coronation Street was first broadcast in December of 1960 and since then has gone from strength to strength in establishing itself as the nation's favourite soap opera. With a more light hearted slant on the genre Coronation Street has always drawn viewers from across the generations and its longevity is tribute to it's across the board appeal. On this DVD we take a look back to 1973 and eight classic episodes from that year.
The Salieri opera peformed at the 1988 Schwetzinger Festspiele. 'Tarare' tells the story of the Spirit Of Nature who creates new people in an attempt to cleanse the human race. The results bring love and jealousy. Sung in French.
Available for the first time on DVD! Things look bad for Laurel when her ex-husband's pretty new and much younger wife Melanie is murdered after the two have a fight. Her lawyer is frustrated because he knows Laurel is innocent but her lies keep her the number one suspect. Laurel has a secret which she is not prepared to reveal - that Melanie seduced Laurel's 16-year-old son and was pregnant to him. The son enraged that she would choose his father over him shot her. But will Laurel continue to take the blame for her son even to the chair?
Coronation Street was first broadcast in December of 1960 and since then has gone from strength to strength in establishing itself as the nation's favourite soap opera. With a more light hearted slant on the genre Coronation Street has always drawn viewers from across the generations and its longevity is tribute to it's across the board appeal. On this DVD we take a look back to 1977 and eight classic episodes from that year.
Featuring 3 winners of the Cannes Film Festival's highest honour. Christian Mungui's 2007 winner 4 Months 3 Weeks and 2 Days is a compelling drama set in the twilight years of Communist Romania. Jean-Pierre and Luc Dardenne's 2005 winner The Child (L'Enfant) is a gripping and suspenseful tale of guilt and redemption. Emir Kusturica's Underground is an epic tale of love friendship and betrayal set against the complex historical backdrop of the former Yugoslavia.
In a distant apocalyptic future conventional society has reached a state of collapse. Grain is now used as currency and meat has become a rare commodity. Meanwhile an unemployed clown finds work as a maintenance man in a squalid apartment block situated above a butcher's shop. Having fallen in love with the owner's daughter he soon discovers the sinister truth behind the ominous landlord's unsavoury intentions. Between blossoming romance and disappearing tenants his only hope for survival could be the members of a subterranean militia of vegetarian freedom fighters. Or is it too late already? With its iconic surreal imagery gallows humour and its cast of warped characters Delicatessen marked the breakthrough collaboration between celebrated directors Marc Caro (Dante 01) and Jean-Pierre Jeunet (Amelie A Very Long Engagement Micmacs). Equal parts horror comedy and dystopian fantasia Delicatessen is still one of the most original and influential films of its time.
Based freely on the classic novels by C.S. Forester, Hornblower is a series of TV films following the progress of a young officer through the ranks of the British navy during the Napoleonic Wars. The series greatest asset is the handsome and charismatic Ioan Gruffudd in the lead role, surely a major star in the making. For television films the production values are very good, though as Titanic, Waterworld and The Perfect Storm demonstrated, filming an aquatic adventure is a very expensive business, and it is clear that the Hornblower dramas simply make the best of comparatively small budgets. No more faithful to Forester's books than the 1951 Gregory Peck classic Captain Horatio Hornblower, the real inspiration seems to have come from the success of Sharpe, starring Sean Bean, which likewise featured a British hero in the Napoleonic Wars. Nevertheless, while rather more easy going than the real British navy of the time, the Hornblower saga delivers an entertaining adventure, greatly enhanced by the presence of such guest stars as Denis Lawson, Cheri Lunghi, Ronald Pickup and Anthony Sher. "The Duchess and the Devil" has Hornblower and his men taken prisoners of war.--Gary S Dalkin
Police Lt. Diamond is told to close his surveillance of suspected mob boss Mr. Brown because it's costing the department too much money with no results. Diamond makes one last attempt to uncover evidence against Brown by going to Brown's girlfriend, Susan Lowell.
Louis Malle's film Les Amants (The Lovers) tells the story of a bored neglected bourgeois house wife who falls for an irreverent young student.
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