Season 1 and 2 of The Walking Dead: Dead City. Lauren Cohan and Jeffrey Dean Morgan returning to their respective iconic roles as Maggie Greene Rhee and Negan Smith. Special Features: Season 1: 2023 Wondercon Panel
See Watchmen: The Ultimate Cut like never before in this exquisitely remastered version that intertwines the animated Tales of the Black Freighter into The Director's Cut of Watchmen. The year is 1985, and society's most famous superheroes are in danger. After the mysterious murder of Comedian, his former colleagues team up for the fi rst time in years to investigate and survive. The secrets they uncover could jeopardise the entire world, but can they save us if they can't save themselves? Dive into this acclaimed, thrilling adaptation of the graphic novel that forever changed how we look at heroes. Special Features: The Phenomenon: The Comic That Changed Comics Real Super Heroes, Real Vigilantes Mechanics: Technologies of a Fantastic World 11 Watchmen Making of' Webisodes My Chemical Romance Desolation Row' Music Video
GIRL, INTERRUPTED is the searing true story of Susanna Kaysen, a young woman who finds herself at a renowned mental institution for troubled young women
Set during the 1950s blacklist a young Hollywood screenwriter (Jim Carrey) loses his job and memory after a car accident, only to fall in love with a new woman in the heart of a small town.
DO NOT TRUST ANYONE. Since its first publication in 1955, Jack Finney's classic sci-fi/horror novel The Body Snatchers has inspired numerous adaptations and created a whole subgenre of era-defining alien doppelgangers in books, film, and TV. 2007's The Invasion was ahead of the curve, its eerily predictive shift toward a virus-like contagion more frighteningly resonant in a post-pandemic world. A space shuttle crashes to Earth carrying an alien organism. Soon people are changing, becoming detached and emotionless. People like CDC director Tucker Kaufman (Jeremy Northam) who is investigating the crash. Meanwhile his ex-wife, psychiatrist Carol Bennell (Nicole Kidman), sees the same behaviour in a friend of their son, and a patient claims that her husband is no longer her husband. As people all across Washington D.C. become infected and the insidious epidemic spreads, Carol must fight to protect herself and her son, who might just hold the key to stopping the escalating invasion. Produced by Joel Silver, and also starring Daniel Craig, Jeffrey Wright, and Veronica Cartwright, this edge-of-your-seat thriller makes its debut on 4K UHD with a wealth of new and archival extras. 4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS ¢ 4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible) ¢ Original lossless DTS-HD MA 5.1 audio ¢ Optional English subtitles for the deaf and hard of hearing ¢ Brand new audio commentary by film critics Andrea Subisati and Alexandra West, co-hosts of The Faculty of Horror podcast ¢ Body Snatchers and Beyond, a new visual essay by film scholar Alexandra Heller Nicholas ¢ That Bug That's Going Around, a new visual essay exploring The Invasion as pandemic prophecy by film scholar Josh Nelson ¢ We've Been Snatched Before, an archival featurette from 2007 ¢ The Invasion: A New Story, an archival featurette from 2007 ¢ The Invasion: On the Set, an archival featurette from 2007 ¢ The Invasion: Snatched, an archival featurette from 2007 ¢ Theatrical trailer ¢ Image gallery ¢ Illustrated collector's booklet featuring new writing by film critics William Bibbiani and Sally Christie ¢ Reversible sleeve with original and newly commissioned artwork by Tommy Pocket ¢ Double-sided fold out poster featuring original and newly commissioned artwork by Tommy Pocket
Jim Carrey is up to all his old tricks (and some nifty new ones) in The Grinch Who Stole Christmas, a live-action film of Dr Seuss's holiday classic. Under a thick carpet of green-dyed yak fur and wonderfully expressive Rick Baker makeup, he commands the title role with equal parts madness, mayhem, pathos and improvisational genius, channelling Grinchness through his own screen persona so smoothly that fans of both Carrey and Dr Seuss will be thoroughly satisfied. Adding to the fun is a perfectly pitched back-story sequence (accompanied by Anthony Hopkins's narration) that explains how the Grinch came to hate Christmas, with a heart "two sizes too small". Ron Howard proves a fine choice for the director's chair with a keen balance of comedy, sentiment and light-hearted Seussian whimsy. Production designer Michael Corenblith gloriously realises the wackiness of Whoville architecture, and his rendition of the Grinch's Mt Crumpit lair is a marvel of cartoonish, subterranean grime. Then there's Cindy Lou Who (Taylor Momsen), the thoughtful imp who rallies her village to recapture the pure spirit of Christmas and melts the gift-stealing Grinch's cold, cold heart. You've even got a dog (the Grinch's good-natured mongrel, Max) who's been perfectly cast, so what's not to like about this dazzling yuletide movie? The production gets a bit overwhelmed by its own ambition, and the citizens of Whoville (including Jeffrey Tambor, Christine Baranski, Molly Shannon and Bill Irwin) pale in comparison to Carrey's inspired lunacy, but who cares? If a film can unleash Jim Carrey at his finest, revamp the Grinch story and still pay tribute to the legacy of Dr Seuss, you can bet it qualifies as rousing entertainment. (Ages five and older.) --Jeff Shannon, Amazon.com.On the DVD: You'd be hard pushed to cram any more special features on to this disc: as well as four deleted scenes, there's over an hour of behind the scenes featurettes. From a documentary about the stunts, the Oscar-winning make-up and how the team visually translated Dr Suess' festive tale to the screen, to a segment on the visual effects and CGI, allowing you to follow the filmmaker's process from beginning to end. And just when you think you have filled up on Grinchy extras there's another menu with the cinema trailer, "Wholiday" recipes, statistics about the film, cast and crew biographies, a trailer for the PlayStation game and the Faith Hill music video "Where are you Christmas". In a bid not to exclude the kids in this DVD bonanza, the Grinch's canine chum takes you through "Max's Playhouse" including interactive games and music, Dress the Grinch, a read-along story and a rhyming game. The candy-cane colours of the Christmas-obsessed town of Whoville shine brightly in anamorphic widescreen; the Dolby 5.1 Soundtrack will fill your house with festive cheer; and the intelligent commentary from Ron Howard give you some great behind the scenes info. --Kristen Bowditch
A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the Director's Cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes". Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill-will towards Salieri when she discovers him at her husband's deathbed: he has insulted and degraded her after she came to him for help. We also see deeper into the reasons why Mozart has no pupils: not only has Salieri poisoned the Emperor's mind against him, but the only promisingly lucrative teaching job he can find ends disastrously when he realises that the master of the house just wants music to quiet his barking dogs. In a humiliating coda to that episode, a drunk and desperate Wolfgang returns later to beg for money only to be coldly rejected. The structure of the picture is otherwise unaltered. On the DVD: Amadeus--The Director's Cut finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc (the original single-disc DVD release was that crime against the format, a "flipper"). Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerised by the movie to do much more than offer the odd anecdote. Disc 2 contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner and all the main actors, taking in the scriptwriting, choice of music, casting and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker
HellboyIn the ongoing deluge of comic-book adaptations, Hellboy ranks well above average. Having turned down an offer to helm Harry Potter and the Prisoner of Azkaban in favour of bringing Hellboy's origin story to the big screen, the gifted Mexican director Guillermo del Toro compensates for the excesses of Blade II with a moodily effective, consistently entertaining action-packed fantasy, beginning in 1944 when the mad monk Rasputin--in cahoots with occult-buff Hitler and his Nazi thugs--opens a transdimensional portal through which a baby demon emerges, capable of destroying the world with his powers. Instead, the aptly named Hellboy is raised by the benevolent Prof. Bloom, founder of the Bureau for Paranormal Research and Defense, whose allied forces enlist the adult Hellboy (Ron Perlman, perfectly cast) to battle evil at every turn. While nursing a melancholy love for the comely firestarter Liz (Selma Blair), Hellboy files his demonic horns ("to fit in," says Bloom) and wreaks havoc on the bad guys. The action is occasionally routine (the movie suffers when compared to the similar X-Men blockbusters), but del Toro and Perlman have honored Mike Mignola's original Dark Horse comics with a lavish and loyal interpretation, retaining the amusing and sympathetic quirks of character that made the comic-book Hellboy a pop-culture original. He's red as a lobster, puffs stogies like Groucho Marx, and fights the good fight with a kind but troubled heart. What's not to like? --Jeff ShannonHellboy 2: The Golden ArmyThe feverish Hellboy 2: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy 2 a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh
Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex and money. Think of the story as a twist on John Grisham's The Firm, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. --Jim Emerson
Eddie Murphy returns as the modern day Doctor Dolittle, a man who can truly talk to the animals. This time round its up to him to save a forest, and an endangered bear.
Bio-engineered the spacecraft Lexx is a powerful weapon which is capable of destroying a planet with ease. Grown in The Cluster under the rule of His Shadow Lexx is stolen by fugitives: security guard Stanley Tweedle the love slave Zev and Kai the last of the Brunnen-G and the one man prophesied to destroy His Shadow's order. Running from The Cluster and the wrath of His Shadow the fugitives take Lexx through the fractal core to the Dark Zone a universe of evil and chaos. Now they are looking for a new home...
Betty Thomas directs and Eddie Murphy stars in Doctor Dolittle, the 1998 hit film which, while ostensibly aimed at children, has a high quotient of hip and even mildly gross humour. Murphy stars as John Dolittle, whom we see as a child talking to a neighbourhood dog who explains that the reason mutts sniff each others' butts is to assess their characters when first meeting them. Little John promptly tries this out on being introduced to his school principal. Warned off such social eccentricity, Dolittle stops talking to animals and as an adult becomes a respectable doctor running his own medical practice--until a bump on the head revives his capacity to understand animals, whereupon mayhem, mortification and a menagerie of needy and freeloading creatures are heaped upon his ordered existence. Murphy plays it relatively straight. It's the animals, some of them vividly enhanced by Jim Henson's animating team, who provide the real laughs here, and a thoroughly worldly, wisecracking bunch of characters they prove to be. There's a couple of hard-boiled, squabbling rats, a pigeon who complains of impotence, Rocky the guinea pig (voiced by Chris Rock) with a neat line in hip backchat, while Albert Brooks voices the gruff, melancholy tiger whose life Dolittle must try to save. A sweet but by no means saccharine comedy. On the DVD: The DVD edition features scene selection and a trailer. --David Stubbs
Dark Horse Comics' popular cult superhero Hellboy makes the leap from the comic book pages to the big screen in this fantasy action adventure. In the final days of World War II, the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where the ceremony is taking place, but not before a demon - Hellboy (Ron Perlman) - has already been conjured. Joining the Allied forces, Hellboy eventually grows to adulthood under the supervision of his adopted 'father', Professor Broom (John Hurt), serving the cause of good rather than evil. When the powerful and evil Nazi wizard who unleashed Hellboy suddenly reappears in modern times, he discovers that Hellboy is now working as a paranormal investigator at a secret U.S. government agency dedicated to protecting humanity from the forces of darkness. Now, Hellboy must fight to prevent the destruction of mankind.
Jason Bateman (the Horrible Bosses films, TV's Arrested Development, Ozark) and Oscar nominee Rachel McAdams (Spotlight, Dr. Strange) team up in New Line Cinema's action comedy Game Night. John Francis Daley & Jonathan Goldstein are directing the film, marking their second film as co-directors, following Vacation. Joining Bateman and McAdams in the cast are Billy Magnussen (Bridge of Spies, TV's American Crime Story), Sharon Horgan (Amazon's Catastrophe), Lamorne Morris (TV's New Girl), Kylie Bunbury (TV's Pitch, Under the Dome), Jesse Plemons (Black Mass, TV's Fargo), Danny Huston (Wonder Woman, X-Men Origins: Wolverine), Chelsea Peretti (TV's Brooklyn Nine-Nine), with Michael C. Hall (TV's Dexter and Six Feet Under) and Kyle Chandler (Manchester by the Sea, TV's Bloodline). Bateman and McAdams star as Max and Annie, whose weekly couples game night gets kicked up a notch when Max's charismatic brother, Brooks (Chandler), arranges a murder mystery party, complete with fake thugs and faux federal agents. So when Brooks gets kidnapped, it's all part of the game right? But as the six uber-competitive gamers set out to solve the case and win, they begin to discover that neither this gamenor Brooksare what they seem to be. Over the course of one chaotic night, the friends find themselves increasingly in over their heads as each twist leads to another unexpected turn. With no rules, no points, and no idea who all the players are, this could turn out to be the most fun they've ever had or game over.
The significance of Ed Wood, both man and movie, on the career of Tim Burton cannot be emphasised enough. Here Burton regurgitates and pays homage to the influences of his youth, just as he would continue to do with Mars Attacks! and Sleepy Hollow. Everything is just right, from the decision to shoot in black and white, the performances of Johnny Depp (as Ed) and Martin Landau (as Bela Lugosi), the re-creation of 1950s Hollywood and the evocative score by Howard (Lord of the Rings) Shore. The plot struck a poignant familiar chord with Burton, who saw the relationship between the Ed and Lugosi mirroring his own with Vincent Price. Most importantly Burton responded to the story of the struggling, misunderstood artist. For all Burton's big-budget blockbusters (Batman, Planet of the Apes), he still somehow retains the mantle of the kooky niche director. And in the mid-90s, this film actually represented the last vestiges of his independent film production. Fans can only hope he'll soon return to those roots soon. On the DVD: Ed Wood on disc has a good group commentary in which Burton is interviewed rather than expected to hold forth on his own, making his insights alongside the screenwriters, Landau, and various production heads very worthwhile. Also worthy are the featurettes on Landau's Oscar-winning make-up, the FX and the Theremin instrument employed in the score. Best of all is an extremely exotic Music Video based on that score. This doesn't seem to be a new transfer of the film, but in black and white you're less likely to notice. --Paul Tonks
Before Harrison Ford assumed the mantle of playing Tom Clancy's Jack Ryan hero in Patriot Games, Alec Baldwin took a swing at the character in this John McTiernan film and hit one to the fence. If less instantly sympathetic than Ford, Baldwin is in some respects more interesting and nuanced as Ryan, and drawing comparisons between both actors' performances can make for some interesting post-movie discussion. That aside, The Hunt for Red October stands alone as a uniquely exciting adventure with a fantastic co-star: Sean Connery as a Russian nuclear submarine captain attempting to defect to the West on his ship. Ryan must figure out his true motives for approaching the US. McTiernan (Predator, Die Hard) made an exceptionally handsome movie here with action sequences that really do take one's breath away. --Tom Keogh
A senator arranges for his son a rich white kid who fancies himself black to be kidnapped by a couple of black actors pretending to be murderers to try and shock him out of his plans to become a rapper...
The Wild West has gone to Hell, literally, and the world's best hope of being saved lies in the gun-slinging hands of Sheriff Roy Pulsipher (Jeffrey Donovan) as he becomes the newest officer for the Rest In Peace Department (R.I.P.D.) enforcing the afterlife's laws. If the Old West was wild while he was alive, wait until Roy sees how weird it gets once he dies. Roy thought joining the R.I.P.D. would give him a chance to revisit his daughter and solve the mystery of his murder. Instead, he has his holsters full with havoc and hellfire when he's given a mission to stop a dangerous demon from opening a portal to the underworld. The fate of the living and the dead now depends on Roy and his partner Jeanne (Penelope Mitchell), a mysterious swordswoman, as cowboys clash with creatures and undead insanity unleashes apocalyptic chaos.
A fantastic box set featuring some of the best westerns ever made at the Warner Brothers studio. Includes: 1. Rio Bravo (Dir. Howard Hawks 1958) 2. Chisum (Dir. Andrew V. McLaglen 1970) 3. Pale Rider (Dir. Clint Eastwood 1985) 4. Wild Bunch (Dir. Sam Peckinpah 1969) 5. The Searchers (Dir. John Ford 1956) 6. Outlaw Josey Wales (Dir. Clint Eastwood 1976) 7. Pat Garrett & Billy The Kid (Dir. Sam Peckinpah 1973) 8. Unforgiven (Dir. Clint Eastwood 1992)
Based on the New York Times best-seller, THE SECRET LIFE OF MARILYN MONROE begins with the young Norma Jeane Mortenson as she battles a lonely, loveless existence with an absent and mentally ill mother. She ultimately reinvents herself as the sex symbol of an era. A fragile artist, she is very different from the larger-than-life image she portrayed. The great secret of Marilyn's life is that her mother, Gladys (Oscar® winner* Susan Sarandon), remained a vital and troubling part of her world. Her marriages to Joe DiMaggio (Jeffrey Dean Morgan) and Arthur Miller collapse in part due to her own inner demons and the onslaught of her mother's illness. As Marilyn cares for her mother, her obsession with President John F. Kennedy leads to a breakdown and hospitalization. Still, she gives the performance of her life as Marilyn Monroe. Features Kelli Garner (The Aviator) as Marilyn, and Emily Watson (The Book Thief) as Marilyn's legal guardian, Grace McKee.
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