A story of feminism in 19th Century Salford Hobson's Choice deals with the empowering of female characters. Henry Hobson is a widower with a weakness for the pub and the owner of a successful bootmakers. In order to save his finances he denies his three daughters the right to marry. So in rebellion against her father eldest daughter Maggie starts up a relationship and rival bootmakers with Henry's star employee Will.
The Nightmare on Elm Street series continues to run out of steam, with director Stephen Hopkins (Lost in Space ) applying something approaching brilliance to a script (partly by horror novelists John Skipp and Craig Spector) that falls apart under the light. Among the impressive horror-weird sequences include a boy being absorbed by a motorbike or the characters straying into a superhero comic, but it still has boring Freddy wisecracks, a parade of indistinguishable and annoying teenage cannon fodder, an incomprehensible premise about the dreams of an unborn baby and lots of pompous would-be scariness to drag it down into the morass. Lisa Wilcox returns, but there's no particular reason to be excited about that. -- Kim Newman
This box set features the entire seventh series of the classic British Television drama Inspector Morse. Episodes comprise: 1. Deadly Slumber: Avril Steppings was left with permanent brain damage after an operation went wrong. Morse is called in when the doctor who runs the clinic where the operation was performed is found murdered... 2. Day Of The Devil: Morse is involved in a man hunt when a dangerous mental patient escapes from a high security hospital...
In this modern day, martial arts take on Romeo And Juliet Hong Kong action superstar Jet Li plays Romeo to hip-hop star Aaliyahs Juliet as an ex-cop taking on the Chinese mafia in the US.
It's 6a.m. and 20 degrees below zero in Chicago. When our cab driver picks up his first fare, his day takes a strange turn, setting the tone for the remaining fourteen hours of his shift. Each fare turns out to be an unsettling experience!
A love story set against the backdrop of the 1960s amid the turbulent years of anti-war protest, mind exploration and rock 'n roll.
Gerry and Sylvia Anderson's much-loved Supermarionation series has been remastered in High Definition from original 35mm film elements for this Blu-ray edition! The year is 2062, and World Space Patrol ship Fireball XL5 is assigned to Sector 25, where intrepid pilot Steve Zodiac, ably assisted by Doctor Venus and Professor Matthew Matic, faces such dangers as planetomic missiles, explosive gas clouds, space spies, and alien races both warlike and benign!
How do you like your blockbuster movies? If the answers loud, fast and full of big robots fighting, then youre well and truly in luck. For director Michael Bays take on Transformers, based on the toys of the same name, delivers just that. And with some style. The film stars the fast-rising Shia LaBeouf (Disturbia) as Sam, who discovers that his first car has a little more to it when it transforms into an Autobot robot called Bumblebee. Fortunately, the Autobots are the good guys, and following not far behind are a good number more, headed up by Optimus Prime. Against them are the less friendly Decepticons, with Megatron at the helm, and the two sides are set for a frenetic battle right in the middle of Planet Earth. Theres a plot sitting underneath all of this, but its pretty much given with the Transformers movie that its just a vehicle to get the film from one set piece to another. And theres little denying that the action sequences are spectacular. Boasting quite staggering special effects, the on-screen action moves with a pace and ferocity that sometimes makes it hard just to keep up with it all, as mighty robots engage is some quite staggering fights. Its quite an achievement. Paving the way for an already-in-production sequel, Transformers has little pretensions about what its going to do, and is all the better for it. This is a film about big robots, big fights, big effects and, ultimately, big, dumb grin-inducing fun. What, really, is there not to like? --Jon Foster
When a young mother is murdered Sergeant Jack Reed sets out to find her killer. But the secret world of undercover operations rears its ugly head.
Legendary silent film director Cecil B. DeMille didn't much alter the way he made movies after sound came in, and this 1956 biblical drama is proof of that. While graced with such 1950s niceties as VistaVision and Technicolor, The Ten Commandments (DeMille had already filmed an earlier version in 1923) has an anachronistic, impassioned style that finds lead actors Charlton Heston and Yul Brynner expressively posing while hundreds of extras writhe either in the presence of God's power or from orgiastic heat. DeMille, as always, plays both sides of the fence as far as sin goes, surrounding Heston's Moses with worshipful music and heavenly special effects while also making the sexy action around the cult of the Golden Calf look like fun. You have to see The Ten Commandments to understand its peculiar resonance as an old-new movie, complete with several still-impressive effects such as the parting of the Red Sea. --Tom Keogh, Amazon.com
When Shadow Moon is released from prison, he meets the mysterious Mr. Wednesday and a storm begins to brew. Little does Shadow know, this storm will change the course of his entire life. Left adrift by the recent, tragic death of his wife, and suddenly hired as Mr. Wednesday's bodyguard, Shadow finds himself in the centre of a world that he struggles to understand. It's a hidden world where magic is real, where the Old Gods fear both irrelevance and the growing power of the New Gods, like Technology and Media. Mr. Wednesday seeks to build a coalition of Old Gods to defend their existence in this new America, and reclaim some of the influence that they've lost. As Shadow travels across the country with Mr. Wednesday, he struggles to accept this new reality, and his place in it.
Hobson's Choice (1953) and The Sound Barrier (1952) is a double bill of cleverly juxtaposed films from David Lean's early canon, demonstrating that even without the landmark epics to come, British cinema would have been an infinitely poorer place without his tremendous contribution. Both films reflect his endlessly penetrating view of human behaviour and its perseverance through obstacles great and small. And both are effectively prisms that reflect all the aspects of that view, keeping the audience's sympathies constantly on the move. Hobson's Choice, based on Harold Brighouse's eternally popular 1916 comedy, boasts fine turns from Charles Laughton--at his brilliant, physical best--as the boot-shop owner with three troublesome daughters, and John Mills as the lowly boot maker, elevated and improved by the eldest daughter Maggie in a neat inversion of the Pygmalion fable. But both are kept in their place by Brenda de Banzie's portrayal of Maggie, a performance that glows with intelligence, truth and increasing warmth. The Sound Barrier is a drama about the race for a supersonic aeroplane. Superficially, its setting is quintessential post-World War II Britain: stiff upper lips, twin beds and clipped Rattigan dialogue. But it's prescient stuff. Ralph Richardson's aircraft manufacturer, sinister in his obsession, is an ominously skilful film performance. And Lean's take on the unthinkable cost of human achievement, interwoven with some spectacular cinematography, absorbs and unsettles. It's especially poignant now that the supersonic age has been summarily ended by Concorde's retirement. On the DVD: Hobson's Choice and The Sound Barrier are both black-and-white films presented in 4:3 picture format, from reasonable prints, and with a mono soundtrack of suitably robust quality for Malcolm Arnold's inventive scores. There are no extras, apart from scene indexes. --Piers Ford
Following the runaway success of Diary of a Mad Black Woman Perry thrilled fans old and new when he donned his wig glasses and super-size flowered housedresses to star as Madea in the screen adaptation of his play Madea's Family Reunion. Perry reprised two more DIARY characters: Uncle Joe Madea's not-entirely-beloved brother a flatulent curmudgeon with an eye for the ladies; and Brian Joe's level-headed attorney son. Madea's Family Reunion focuses on several related characters each engaged in a life-changing relationship: Madea struggles to forge a real bond with Nikki (Keke Palmer) a rebellious teenage runaway who has been ordered to her care; Lisa (Rochelle Aytes) Madea's niece is questioning her upcoming marriage to Carlos (Blair Underwood) her abusive fianc''; and Vanessa (Lisa Arrindell Anderson) Lisa's half-sister is grappling with her mother's (Lynn Whitfield) life-long animosity towards her while tentatively exploring a relationship with Frankie (Boris Kodjoe) a handsome bus driver. The film's emotional climax arrives at the family reunion when matriarchs Myrtle and May - played respectively by living legends Cicely Tyson and Dr. Maya Angelou -- address the clan's younger generations sounding a clarion call for responsibility renewal and pride.
In Kenneth Branagh's stylish suspense film Branagh stars as Mike Church a Los Angeles detective. Mike is drawn into the life of Grace (Emma Thompson) a woman with amnesia who is plagued by disturbing nightmares. Attempts to help her regain her memory lead them to Franklyn Madson (Derek Jacobi) a mysterious hypnotist who runs an antique shop. Under hypnosis Grace claims that in a previous life she was Margaret Strauss a concert pianist who was murdered by her jealous husband Rom
The Sequel to the hard-hitting drama Kidulthood Adulthood stars Noel Clarke Danny Dyer and Adam Deacon. Six years after Sam Peel is released from jail for killing Trife he soon realises that life is no easier on the outside than it was on the inside and he's forced to confront the people he hurt the most. Some have moved on others are stuck with the repercussions of his actions that night but one thing's for certain - everyone has been forced to grow up. Through his journey Sam struggles to deal with his sorrow and guilt and something else he didn't expect - those seeking revenge. As he's pursued by a new generation of bad boys Sam sets about trying to get the message across to his pursuers that they should stop the violence much like Trife tried to tell him all those years ago. Can Sam stop the cycle of violence and make something positive from the destruction he caused or will his journey into Adulthood end here?
1980s Italian action adventure written and directed by Michele Massimo Tarantini. When their plane crashes on a South American expedition deep in the heart of the Amazon rainforest, Kevin Hall (Michael Sopkiw) tries to lead his group of scientists and models to safety. To get back to civilization he must first fight his way through hostile slave traders, bloodthirsty cannibals and a variety of the jungle's monsters.
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