From master-of-horror Alexandre Aja (The Hills Have Eyes Piranha 3D) comes this supernatural offbeat thriller starring beloved British actor Daniel Radcliffe (Harry Potter franchise The Woman in Black) and the talented Juno Temple (Magic Magic Sin City: A Dame to Kill For). Ig Perrish (Daniel Radcliffe) is accused of the murder of his girlfriend Merrin Williams (Juno Temple). After a hard night of drinking Ig awakens hung-over to find horns growing out of his head; they have the ability to drive people to confess sins and give in to selfish impulses. Ig decides to use this effective tool to discover the circumstances of his girlfriend's death and to seek revenge by finding the true murderer. Daniel and Juno lead an all-star cast with strong support from David Morse (The Green Mile The Hurt Locker) and Heather Graham (The Hangover I and III Boogie Nights). Horns is based on the dark fantasy novel of the same name from New York Times best-selling author Joe Hill (Heart Shaped Box) with a screenplay by Keith Burnin. Alexandre Aja Riza Aziz Joey McFarland and Cathy Schulman produce.
Shot during the group's 35th Anniversary European Tour, Yesspeak offers a 169-minute documentary about the classic progressive rock band Yes, together with an audio-only presentation of their 2003 set. The feature, narrated by Roger Daltrey, is a refreshingly straightforward affair, with a near three-hour running time allowing rather more depth than the usual rockumentary. Divided into 10 chapters the programme systematically covers the background, history and outlook of the group before an extended interview with each of the five members of the classic line-up: Jon Anderson (vocals), Steve Howe (guitar), Chris Squire (bass), Alan White (drums), and Rick Wakeman (keys). Finally there are more general sections on touring and the band's music. Archive material and glimpses of the 2003 tour are interwoven with the interviews, but this is very much a documentary, not a concert (to see Yes at their modern best watch Yes: Symphonic Live, 2002). The documentary puts a positive spin on a sometimes chequered past, and it's clearly aimed at long-term fans, but for those who have followed Yes through the decades this is satisfyingly comprehensive and thoroughly enjoyable; from Steve Howe's famous but still entertaining guitar/Concord story, to Rick Wakeman's tea break during a typically expansive prog-rock solo. On the DVD: Yesspeak comes as a two-disc set. Disc 1 offers the first five chapters and 89 minutes of the documentary, while the remaining 80 minutes are featured on Disc 2. The picture is an excellent amamorphically enhanced 16:9 widescreen presentation, though by necessity the archive material is of variable quality. Switches into black and white and slow motion are a typically unnecessary distraction of the rock documentary format, but the DVD handles them well. There are excellent Dolby Digital 5.1 and DTS soundtracks and optional French, Dutch, Italian and Spanish subtitles. Disc 2 also showcases 126 minutes of concert audio. This is accompanied by concert photos but the sound is only Dolby Digital 5.1, without a DTS option. Although the sound is good it does not match the crystal clear quality of the same music as heard in fragments during the documentary itself. Presumably a DVD of the concerts will follow with much better sound, and the audio here will simply serve as a trailer for that release? --Gary S Dalkin
'Last Train From Gun Hill' is the ultimate revenge tale set in an unlawful Old West... The Marshal's trail to find his wife's murderer leads him to the town of Gun Hill where he discovers the son of an old ally is responsible for the crime. A dangerous game of cat-and-mouse unfolds as the Marshall is trapped in a race against time to avenge his wife's death before he can catch the last train out of town...
The British Are Coming! Britain's finest athletes have begun their quest for glory in the 1924 Olympic Games. Success brings honour to their nation. For two runners the honour at stake is personal... and their challenge one from within. Winner of four 1981 Academy Awards including Best Picture 'Chariots Of Fire' is the inspiring true story of Harold Abrahams Eric Liddell and the team that brought Britain one of its greatest sports victories. Ben Cross Ian Charleson Nigel Havers Nicholas Farrell and Alice Krige enjoyed their first major movie roles in this debut theatrical feature for director Hugh Hudson. Producer David Puttnam blended those talents to shape a film of unique and lasting impact. From its awesome footage of competition to its Oscar-winning Vangelis score 'Chariots Of Fire' has blazed its way into the hearts of movie lovers everywhere.
LIFE IS LIKE A BOX OF CHOCOLATES... YOU NEVER KNOW WHAT YOU'RE GONNA GET. Experience FORREST GUMP in stunning high definition, accompanied by over two hours of dynamic bonus features. Tom Hanks gives an astonishing performance as Forrest, an everyman whose simple innocence comes to embody a generation. Alongside his mamma (Sally Field), his best friend Bubba (Mykelti Williamson), and his favourite girl Jenny (Robin Wright), Forrest has a ringside seat for the most memorable events of the second half of the 20th century. Winner of six Oscars®, including Best Picture, Best Director (Robert Zemeckis), and Best Actor (Tom Hanks), FORREST GUMP remains one of the great movie triumphs of all time. Special Features: Commentary with Robert Zemeckis, Steve Starkey and Rick Carter Commentary with Wendy Finerman Musical Signposts to History Introduction (by Ben Fong-Torres) And much much more!
Magpie (2 Disc)
A group of young urban offenders and their care workers embark on a community service weekend in the strange, remote Yorkshire village of Mortlake, which prides on keeping itself to itself. Visiting the local pub the 'Dirty Hole' which serves suspiciously hairy pork scratching, they quickly realise they've made the wrong holiday choice. When an incident with some local inbred youths rapidly escalates into a blood-soaked, deliriously warped nightmare, it's not a case of who will survive, but w...
Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity and loving, responsible parenthood. It's tempting to call this an important "message" movie that should be required viewing for children and adults alike, but this riveting courtroom drama is anything but stodgy or pedantic. As Atticus Finch, the small-town Alabama lawyer and widower father of two, Gregory Peck gives one of his finest performances with his impassioned defence of a black man (Brock Peters) wrongfully accused of the rape and assault of a young white woman. While his children, Scout (Mary Badham) and Jem (Philip Alford), learn the realities of racial prejudice and irrational hatred, they also learn to overcome their fear of the unknown as personified by their mysterious, mostly unseen neighbour Boo Radley (Robert Duvall, in his brilliant, almost completely nonverbal screen debut). What emerges from this evocative, exquisitely filmed drama is a pure distillation of the themes of Harper Lee's enduring novel, a showcase for some of the finest American acting ever assembled in one film, and a rare quality of humanitarian artistry (including Horton Foote's splendid screenplay and Elmer Bernstein's outstanding score) that seems all but lost in the chaotic morass of modern cinema. --Jeff Shannon
Dwayne Johnson and Zac Efron team up and go way beyond the call of duty in this wild and outrageous action packed comedy. When a dangerous crime wave hits the beach, legendary Lt. Mitch Buchannon (Johnson) leads his elite squad of badass lifeguards on a mission to prove you don't have to wear a badge to save the bay. Joined by a trio of hotshot recruits including former Olympian Matt Brody (Efron), th ey'll ditch the surf and go deep undercover to take down a ruthless businesswoman (Priyanka Chopra, TV's Quantico), whose devious plans threaten the future of the bay. So, suit up and dive into the action! Bonus: Meet the Lifeguards Continuing the Legacy Stunts & Training Deleted & Extended Scenes 4K UHD disc includes both original version and extended edition. Click Images to Enlarge
The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country in 'Urban Legends: Final Cut' the suspenseful follow up to the smash hit 'Urban Legend'. At Alpine University someone is determined to win the best film award at any cost - even if it means eliminating the competition. No one is safe and everyone is a suspect. 'Urban Legends: Final Cut' is an edge-of-your-seat thriller that will keep you guessing until the shocking climax.
While Urban Legends: Final Cut is not nearly as terrifying or inventive as its predecessor, the film does offer up a fairly suspenseful whodunit that fans of the teen-horror genre will likely appreciate. Amy Mayfield, the film's heroine (played by fresh-faced Jennifer Morrison), the daughter of an Oscar-winning documentary filmmaker, is trying to make a name for herself at Alpine University, "the greatest film school that ever existed". Along with several other students she is competing for the coveted Hitchcock award, which virtually guarantees the winner a successful career in Hollywood. When the film school's resident genius and likely winner of the award is found dead, suspicions arise. As other film students are killed off one by one, everyone becomes a suspect. Would someone kill to win the prestigious award? While striving to be Hitchcockian in theme (as evidenced by its multiple references to the director himself), the film never quite moves beyond cliché. Many scenes are a little too reminiscent of other popular teen-horror flicks such as Scream (the anonymous masked killer, though not nearly as frightening), The Blair Witch Project (Amy is chased through desolate woods by her stalker), and Friday the 13th (Amy hides from the killer in a lake setting eerily similar to the one where Jason lurked so many years ago). These elements seem just a little worn out. Morrison gives a serviceable performance, and Loretta Devine, from the original Urban Legend, adds humour as a Foxy Brown-worshiping security guard. The film manages to keep you guessing until its conclusion, and a sequence set in an abandoned amusement park is truly creepy. But ultimately Urban Legends: Final Cut lacks the originality to make a name for itself among the many films of its genre. --Mindy Ruehmann, Amazon.com
While attending the United States Space Camp five teenagers and their instructor are accidentally launched into space on board a shuttle. They must figure out how to bring themselves safely back to Earth.
Princess Mononoke has already made history as the top-grossing domestic feature ever released in Japan, where its combination of mythic themes, mystical forces, and ravishing visuals tapped deeply into cultural identity and contemporary, ecological anxieties. For international animation and anime fans, this epic, animated 1997 fantasy, represents an auspicious next step for its revered creator, Hayao Miyazaki (My Neighbor Totoro, Kiki's Delivery Service), an acknowledged anime pioneer, whose painterly style, vivid character design, and stylised approach to storytelling take ambitious, evolutionary steps here. Set in medieval Japan, Miyazaki's original story envisions a struggle between nature and man. The march of technology, embodied in the dark iron forges of the ambitious Tatara clan, threatens the natural forces explicit in the benevolent Great God of the Forest and the wide-eyed, spectral spirits he protects. When Ashitaka, a young warrior from a remote, and endangered, village clan, kills a ravenous, boar-like monster, he discovers the beast is in fact an infectious "demon god", transformed by human anger. Ashitaka's quest to solve the beast's fatal curse brings him into the midst of human political intrigues as well as the more crucial battle between man and nature. Miyazaki's convoluted fable is clearly not the stuff of kiddie matinees, nor is the often graphic violence depicted during the battles that ensue. If some younger viewers (or less attentive older ones) will wish for a diagram to sort out the players, Miyazaki's atmospheric world and its lush visual design are reasons enough to watch. For the English-language version, Miramax assembled an impressive vocal cast including Gillian Anderson, Billy Crudup (as Ashitaka), Claire Danes (as San), Minnie Driver (as Lady Eboshi), Billy Bob Thornton, and Jada Pinkett Smith. They bring added nuance to a very different kind of magic kingdom. -- Sam Sutherland, Amazon.com On the DVD: with an impressive widescreen aspect of 2.35:1 and a pleasant 5.1 Dolby digital sound, you cannot fault the transfer of this animation in any way. However, the special features leave a lot to be desired on what is a classic piece of modern anime. The "Behind the Scenes" feature holds no information on the making of Princess Mononoke in its original form--with no input from animator Hayao Miyazaki--and the trailer is taken from the American release of the movie (even though it calls itself an "original" theatrical trailer), complete with the annoyingly hyped-up voiceover that comes with US film trailers. The redeeming feature of this DVD is the ability to watch the anime in its original language with subtitles, a much more passionate and beautiful form--so much of the feeling and lyricism of the movie is lost with the transfer to English language and misplaced casting. After watching the original Japanese version of Princess Mononoke and reading the book you begin to wonder why the West has become such a solitary child of Disney. --Nikki Disney
When the totalitarian planet of Mongo decides on a whim to obliterate Earth, it's up to the quarterback Flash Gordon and his oddball companions to make the universe safe for democracy. Based on the classic (and infinitely more reputable) comic strip and its 1930s screen serialisation, this candy-coloured trash classic deserves immortality for Queen's unforgettably pulsating soundtrack alone. The legendary Max von Sydow appears to be having a blast as the evil Ming the Merciless, while Ornella Muti, as his daughter, is the living embodiment of what attracts adolescent boys to comics in the first place. (She makes Barbarella look mundane.) One of the most shamelessly entertaining movies ever made, this is a knowingly absurd sensory freak-out that'll have the viewer blissfully checking the sky afterward for signs of Hawkmen. --Andrew Wright
Artie Logan (Schlatter) is about to enter a jungle of sex sleaze and murder. He's going to college! Christopher Walken stars in this suspense-filled thriller that explores the dark and twisted obsessions of a brutal killer. The killer's world is a world where the line between right and wrong is a jagged one....
A father, who wants to redeem himself in the eyes of his son, tries to bring a world-class assassin to justice.
Steve Austin returns for three more exhilarating action-packed adventures: ""Day of the Robot"" ""Run Steve Run"" and ""Return of the Robot Maker"".
From the acclaimed director of The Blair Witch Project. When reconnaissance satellites pick a radioactive heat signature in a remote tribal region of Afghanistan CIA Agent Ben Keynes and his highly trained Special Ops team are sent in to investigate the phenomenon. Amid the bedlam of the war torn region the Agency fears that AlQaida has finally got its hands on a nuclear weapon. As the team head into the barren Afghan desert it soon becomes clear that this threat may be coming from something infinitely more powerful and definitely not human. How do you fight an enemy that is not of this world?
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