From acclaimed director Ridley Scott (Gladiator Prometheus) comes the epic adventure EXODUS: GODS AND KINGS the story of one man’s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton) setting 400 000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.
PROBLEM CHILD- Ben Healy (John Ritter) and his social climbing wife Flo adopt Junior a fun-loving seven year old. But they soon discover he's a little monster as he turns a camping trip, a birthday party and even a baseball game into comic nightmares. PROBELM CHILD 2- Junior the monster is now back as him and Ben, his adoptive father, move to Mortville, 'the world's capital of divorce'. There, Ben falls in love with a beautiful but mean-minded rich woman, Lawanda Dumore, who wants to marry him and eliminate Junior. PROBLEM CHILD 3- That little devil Junior is back once more and he's just as naughty as ever! In this, the third edition in the hilarious Problem Child series, Junior is persuaded to join in with other children in various fun activities - including dancing.
Even by the standards of a genre not characterised by restraint, the 1974 rock opera Tommy is endearingly barmy, a bizarre combination of Pete Townshend's disturbed inspiration and director Ken Russell's wildly eccentric vision. Even if you gamely try and read allegorical meaning into it, the story is frankly odd: a child becomes psychosomatically deaf, dumb and blind after witnessing the murder of his father by his stepdad and goes on to become rich and famous as the world pinball champion (since when was pinball a world-class competitor sport?), before setting himself up as a latter-day messiah. It's about the travails of the post-war generation, the disaffection of youth, the trauma of childhood abuse, the sham nature of new-age cults, and many other things besides. At least, that's what Townshend and Russell would have you believe. But what's really important is the many wonderful, utterly bonkers set-pieces--effectively a string of pop videos--that occur along the way, performed by great guest stars: Tina Turner as the Acid Queen, Eric Clapton as the Preacher, Keith Moon as Uncle Ernie, Elton John's mighty rendition of "Pinball Wizard", even Jack Nicholson doing a turn as a suave specialist. Roger Daltrey is iconic in his signature role, and Oliver Reed makes up for a complete inability to sing with a bravura performance as his sleazy stepdad, but best of all is Ann-Margret as Tommy's mother Nora: her charismatic presence holds the loose narrative together and she richly deserved her Academy Award nomination; the sight of her in a nylon cat suit being drenched in baked beans and chocolate from an exploding TV set is worth the price of admission alone. On the DVD: Tommy comes to DVD in a two-disc set, with the feature on disc one accompanied by three audio tracks: Dolby Stereo or 5.1 surround, as well as the original "Quintaphonic" surround mix--a unique experience with effectively two pairs of stereo tracks plus a centre track for the vocals. The anamorphic picture adequately recreates the original theatrical ratio. The second disc has a series of lengthy and illuminating new interviews with the main (surviving) players: Townshend, Russell, Daltrey and Ann-Margret, in which we learn among other things, that Daltrey wasn't Townshend's first choice for the role, that Stevie Wonder was the original preference for the Pinball Wizard, and that Ken Russell had never heard of any of these rock stars before agreeing to helm the movie. There's also a feature on the original sound mix and its restoration for DVD. All in all, a satisfying package for fans of one of the daftest chapters in the annals of rock music. --Mark Walker
Adapted from the beloved novel by Walter Farley, The Black Stallion is a 1979 family classic that was hailed by no less than hard-to-please critic Pauline Kael as "may be the greatest children's movie ever made". A visual feast from start to finish, the timeless tale plays out on almost mythic terms. A young boy survives a shipwreck and is stranded on a deserted island with a graceful black stallion, with whom the boy develops an almost empathic friendship. After being rescued and returning home, the two make a winning team as jockey and lightning-fast racehorse under the tutelage of a passionate trainer, played by Mickey Rooney in an Oscar-nominated role. From its serenely hypnotic island sequence to the breathtaking race scenes, this delightful film is guaranteed to enthral any viewer, regardless of age. The Black Stallion is a genuine masterpiece of family entertainment.--Jeff Shannon, Amazon.com
THE MUMMY'S HAND In this acclaimed follow-up to the popular original, an expedition of American archaeologists, headed by Steve Banning (Dick Foran) and Baby Jenson (Wallace Ford), travels to Egypt in search of the undiscovered tomb of the Princess Ananka. There they soon discover the clues that lead them to a 3000-year-old mummy, who is guarded by a sinister high priest (Eduardo Ciannelli). Reluctantly funded by a magician (Cecil Kellaway) and his beautiful daughter (Peggy Moran), the expedition has its hands full battling the mummy, who goes on a killing rampage during each full moon, in this frightening chiller masterpiece. THE MUMMY'S TOMB The ancient Egyptian Mummy, Kharis, is transported from his homeland with the high priest Mehemet (Turhan Bey) to wreak vengeance on the family who has defiled thE sacred bomb of his beloved Princess Ananka. Compassionately portrayed by Lon Chaney Jr., Kharis travels to the United States, with companion Mehemet, to seek archaeologist Stephen A. Banning (Dick Foran). Systematically, the last surviving members of the original expedition are killed while Mehemet falls in love with Isobel Evans (Elyse Knox), Banning's beautiful fiancee. He futilely tries to use the Mummy to ensnare Isobel to be his high priestess, but is prevented by a fiery mob which destroys him and the mummy in this classic chiller.
When a nasty storm hits a hotel, ten strangers are stranded within and as they begin to know each other, they discover they are being killed off one by one.
What do you do if your father a former all-star shortstop and mod-bomber anarchist breaks out of Jail? You go after him of course. Even if his trail leads straight into being caught. Two brothers trek through deepest darkest Long Island only to discover that sometimes even the oddest things really are just what they seem.
The life story of one of Britain's most notorious bare-knuckle fighters, Lenny McLean, also known as the Guv'nor.
Before coming to America to make such acclaimed films as Tender Mercies and Driving Miss Daisy, Australian director Bruce Beresford made a lasting impression with this compelling courtroom drama, considered one the finest films of the Australian new wave of the late 1970s and early 1980s. Based on a true story about three soldiers in the Boer War who are served up as political scapegoats of the British Empire, the film uses a flashback structure to dramatise the courtroom testimony. It begins when the three Australian soldiers are railroaded for the justified killing of a German missionary and placed on trial for court-martial not as a matter of justice, but to mollify the German government for the sake of political expediency. Burdened with a competent but inexperienced and hopelessly disadvantaged lawyer, the soldiers realise that their fate has been sealed and the outcome of their trial is a fait accompli. Unfolding with urgent precision and a riveting focus on its well-drawn characters, Breaker Morant was the all-time box-office hit in Australia at the time of its release in 1980, and it remains one of the very best historical dramas ever made. --Jeff Shannon, Amazon.com
Watch the nation's favourite couples in the BAFTA award winning drama series as it celebrates its 20th anniversary.
'Witty, insightful, beautifully observed and heartbreakingly accurate' Time Out Newly restored from the original camera negative the BFI are excited to announce a new Blu-ray release of Bill Forsyth's much-loved coming-of-age comedy Gregory's Girl. Gregory (John Gordon Sinclair) and his friends are starting to notice girls particularly Dorothy (Dee Hepburn), not least because she's on the football team and is a better player than all the boys. With counselling from his younger sister, Gregory finally asks Dorothy out, but turns up to the date only to discover that the girls at school have other plans for him. A huge breakout hit on its original release in 1981, Gregory's Girl was nominated for four Bafta's, winning for Best Original Screenplay. Bill Forsyth's classic comedy remains to this day the ultimate depiction of coming-of-age awkwardness and an enduring favourite of Scottish cinema. Product Features Newly restored by the BFI and presented in High Definition Limited edition with slipcase Newly recorded audio commentary with Robert Buchanan, Alan Love, Douglas Sannachan and Caroline Guthrie Audio commentary with Bill Forsyth and Mark Kermode Bill Forsyth: The Early Years - an interview with the director Gregory's Girl Memories - an interview with Clare Grogan Dee Hepburn, Clare Grogan and John Gordon Sinclair in Conversation (2015, 31 mins): the stars of Gregory's Girl are interviewed on stage by Sue Harris to mark the film's 25th anniversary Isolated Score Colin Tully's never previously released score to Gregory's Girl Alternative US audio soundtrack Original trailer Illustrated booklet with new essays on the film and its director All extras are TBC and subject to change
Tom Hardy (Bruce Willis) is a fifth generation Pittsburgh cop. Formerly a homicide detective he publicly challenged the police department including several of his family members about the identity of the serial killer who took his father's life. Convinced that a newly active serial killer is the same gunman who murdered his father - despite the fact that another man is already behind bars for that crime - Hardy is working out of his jurisdiction to catch the killer. The maverick
When a massive power outage plunges the city of Detroit into total darkness a disparate group of individuals find themselves alone. The entire city's population has vanished into thin air leaving behind heaps of empty clothing abandoned cars and lengthening shadows. Soon the daylight begins to disappear completely and as the survivors gather in an abandoned tavern they realise the darkness is out to get them. But as their light fades how long can they survive before the shadows devour them?
Born Yesterday was the box-office comedy hit of 1950 and won a Best Actress Oscar for the exceptional Judy Holliday, recreating her long-running Broadway triumph as Billie Dawn, the quintessential dumb blonde who finally gets herself some smarts. The film resonates with the sophisticated sparring in Garson Kanin's script and there are tightly controlled performances from William Holden as the cynical journalist hired to polish Billie up for Washington society and Broderick Crawford as Harry Brock, her rough, crooked and ambitious boyfriend. But Born Yesterday is Holliday's picture, as she runs the gamut from brassy insouciance to tentative, vulnerable enlightenment. She hasn't thought of her estranged father in five years: "It's nothing against him. I haven't thought of anything in five years." Her gradual awakening to the realisation that she is a stooge for Brock's corrupt business deals, and the way she sheds her chorus girl's intellect in the face of growing political awareness, are brilliantly traced. Holliday's dead-pan delivery makes the pathos of her self-discovery both hilarious and deeply touching; it's the hallmark of a comic genius, which makes the sparseness of her subsequent film appearances all the more regrettable. On the DVD: Born Yesterday is presented in full screen (1.33:1) ratio. Like the mono soundtrack, the black and white picture quality has triumphantly survived its more than half century. Extras include a gallery of vintage advertisements and an original theatrical trailer, plus filmographies and welcome, comprehensive booklet notes. --Piers Ford
Films comprise: 1. I Was Monty's Double (Dir. John Guillermin 1958) 2. Ice Cold In Alex (Dir. J. Lee Thompson 1958) 3. Went The Day Well? (Dir. Alberto Cavalcanti 1942)
Moulin Rouge (1 Disc Edition): A spectacle beyond anything you've ever witnessed. An experience beyond everything you've ever imagined. Behind the red velvet curtain the ultimate seduction of your senses is about to begin. Welcome to the Moulin Rouge! Nicole Kidman and Ewan McGregor sing dance and scale the heights of passionate abandon in this most talked-about movie from visionary director Baz Luhrmann (William Shakespeare's Romeo + Juliet Strictly Ballroom). Enter a tanta
This complex 1996 drama directed by Harold Becker (Sea of Love) attempts to explore big-city corruption and the flexibility of what's right and wrong in the political arena. John Cusack plays the senior aide to mayor John Pappas (Al Pacino), a popular and seasoned politician whose administration is threatened when what seems to be an accidental shooting of a child reveals a nest of corruption and lifelong personal debts. This tests Cusack's loyalty to the man he thought he knew. Pacino turns in a finely textured performance as a man who has his own lofty ideals, but whose pragmatism sets in motion a series of events with tragic results. Cusack admirably captures the essence of someone polished and savvy at his job but must cope with fundamental disillusionment. This political thriller suffers at times from a lack of focus, but still offers an insightful and poignant treatise on the quagmire of politics in the modern age and the human toll it sometimes exacts. --Robert Lane
A BRAND NEW RESTORATION COMMEMORATING THE 75TH ANNIVERSARY OF THE ORIGINAL WWII RAID A much-loved British classic, Michael Anderson's 1955 drama captures the tension and bravery of an audacious raid on the center of Nazi Germany's industrial complex and the quintessentially English combination of inventiveness and dogged determination. Split into two distinct sections, the film deals first with the fraught, but the ultimately successful development of a new bomb, by Dr. Barnes N. Wallis (Michael Redgrave). The second deals with the mission itself during the British raid on the Ruhr Dams, and its associated costs for the enemy and for the British airmen. Adapted by R.C. Sherriff from Paul Brickhill's book Enemy Coast AheadĀ and featuring superlative special effects photography by Gilbert Taylor (to say nothing of Eric Coates' stirring theme tune), The Dam Busters was Britain's biggest box office the success of 1955. Collector's Edition Includes a 64-page booklet with brand new essays, and photographs, plus a rare print of an ariel photograph of the Mohne dam post raid, signed by the original 617 squadron Features: RAF poster of the Chastise Lancaster's
Mike Wazowski and James P. Sullivan are an inseparable pair, but that wasn't always the case. Monsters University unlocks the door to how Mike and Sulley overcame their differences and became the best of friends.
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