The MummyIf you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by. The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny BrownThe Mummy Returns Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath). John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff ShannonThe Mummy: Tomb of the Dragon Emperor The third film in the The Mummy series freshens the franchise up by setting the action in China. There, the discovery of an ancient emperor's elaborate tomb proves a feather in the cap of Alex O'Connell (Luke Ford), a young archaeologist and son of Rick O'Connell (Brendan Fraser) and his wife Evelyn (Maria Bello, taking over the role from Rachel Weisz). Unfortunately, a curse that turned the emperor (Jet Li) and his army into terra cotta warriors buried for centuries is lifted, and the old guy prepares for world domination by seeking immortality at Shangri La. The O'Connells barely stay a step ahead of him (climbing through the Himalaya mountains with apparent ease), but the action inevitably leads to a showdown between two armies of mummies in a Chinese desert. The Mummy: Tomb of the Dragon Emperor has a lot to offer: a supporting cast that includes the elegant Michelle Yeoh, Russell Wong, and Liam Cunningham, the unexpected appearance of several Yeti, and a climactic battle sequence that is nightmarishly weird but compelling. On the downside, the charm so desperately sought in romantic relationships, as well as comic turns by John Hannah (as Evelyn's rascal brother), is not only absent but often annoying. Rarely have witty asides in the thick of battle been more unwelcome in a movie. Rob Cohen's direction is largely crisp if sometimes curious (a fight between Fraser and Jet Li keeps varying in speed for some reason), but his vision of Shangri La, in the Hollywood tradition, is certainly attractive. --Tom Keogh
In 19th-century England a peasant named John Durbeyfield discovers that he descends from a noble family the d'Urbervilles. He sends his eldest daughter Tess to live with Alec d'Urberville a rich cousin. It soon emerges that the illustrious name was purchased by Alec's father and emotional entanglements soon spiral out of control...
The Bus of the title is the world's first nuclear-powered coach and this fabulous parody of early 70's disaster movies hits the mark with misfit stereotyped passengers rediscovering God sex and the will to live a saboteur from the oil companies and a cannibalistic driver all coming together for the maiden voyage of the block-long super-coach. The passengers on this fun-filled ride from New York to Denver including ensure that the one-liners come thick and fast in this very funn
There's something inescapably appealing about Krull, a camp Star Wars-meets-The Lord of the Rings knock-off, that encourages the viewer to overlook it's very many silly shortcomings and simply enjoy the fun. James Horner's rollicking music score--written soon after his similarly memorable contribution to Star Trek II: The Wrath of Khan--certainly helps, as does the epic-scale CinemaScope photography of the breathtaking Italian landscapes. The costumes and extravagant production design are also great to look at, and much of Derek Meddings' visual effects work still looks striking if not exactly state-of-the-art. Of the cast, Freddie Jones stands head and shoulders above all others as the Obi Wan Kenobi-meets-Gandalf character Ynyr: his trip to the centre of the spider's web is both genuinely scary and genuinely touching. The two romantic leads, Ken Marshall as the Luke Skywalker-meets-King Arthur clone Prince Colwyn and Lysette Anthony (with an overdubbed American voice) as his Leia-Guinevere Princess Lyssa, are mere formalities on which to hang the plot. Ironic fun can be had with the all-British supporting cast, which includes Todd Carty of Eastenders fame and Carry On's Bernard Bresslaw, as well as Robbie Coltrane, Liam Neeson and the gorgeous Francesca Annis. On the DVD: Krull comes to DVD in an anamorphic widescreen print, preserving the luscious CinemaScope look of the theatrical release. The Dolby 5.1 sound lives up to the picture. There are two commentary tracks: on the first, director Peter Yates talks through the movie, with contributions from other crew members and leads Ken Marshall and Lysette Anthony. Oddly, the second audio track is just a reading of an article that originally appeared in the November 1982 issue of Cinefantastique magazine. There's also a half-hour "making-of" featurette originally produced to promote the movie at the time, the usual trailer, stills gallery and three talent profiles. --Mark Walker
Shia LaBeouf stars as a budding Wall Street broker taken under the wing of the financial district's prodigal son, Gordon Gekko (Michael Douglas).
From J.J. Abrams (Lost), Roberto Orci and Alex Kurtzman - the team that brought you Star Trek, Mission Impossible: III and Alias - and executive producers Jeff Pinkner and Bryan Burk comes a new drama that will thrill, terrify and explore the blurring line between science fiction and reality.When an international flight lands at Boston's Logan Airport and the passengers and crew have all died grisly deaths, FBI Special Agent Olivia Dunham is called in to investigate. When the search nearly kills her partner, Special Agent John Scott, a desperate Olivia searches frantically for someone to help, leading her to Dr. Walter Bishop, our generation's Einstein. There's only one catch: He's been institutionalized for the last 20 years, and the only way to question him requires pulling his estranged son, Peter (Joshua Jackson), in to help. Under Special Agent Phillip Broyles, our trio will discover that what happened on that fatal flight is only a small piece of a larger, more shocking truth.
New Iberia Louisiana. Detective Dave Robicheaux (Tommy Lee Jones) is on the hunt for a serial killer who preys on young women. Driving home from another gruesome crime scene Dave meets glamorous Hollywood star Elrod Sykes (Peter Sarsgaard). Sykes is in town shooting his new movie with backing from local crime kingpin Baby Feet Balboni (John Goodman). He tells Dave he saw a body lying in a swamp - the decomposed corpse of a black man in chains. The discovery brings memories hurtling out of Dave's past. He senses the two cases are linked. But as Dave gets closer to the murderer the murderer gets closer to Dave and his family...
John Cleese, at his harried best in this hilarious British comedy, plays a school headmaster obsessed with punctuality. His best laid plans to attend a headmasters' conference go wrong when he boards the wrong train. He turns back to find alternative means of transport, hijacking one of his pupils who is taking the afternoon off school in her father's car. As the journey descends into further chaos, the head begins to lose his schoolmasterly poise. Extras: Interview with Michael Frayn Clock watching with Mr. Cleese Stills gallery
The Texas Chainsaw Massacre
Rebus: John Hannah (Four Weddings and a Funeral Sliding Doors The Mummy McCallum) stars as Detective Inspector Rebus in these four primetime two hour film dramas for SMG Television from Clerkenwell Films. Adapted from the novels by acclaimed writer Ian Rankin the Rebus stories have been applauded for their intricate plots keen characterisation and flawless sense of place. Rebus himself is an enigma fighting his own weaknesses while dealing with the sad consequences of human frailty. He has seen it all before but his cynicism is redeemed by an unexpected humanity that reveals he is more disillusioned with himself than others. Dead Souls: Rebus is working with a colleague when they catch site of a known convicted paedophile taking photographs at the zoo. It transpires that he has been released early from prison is under police protection and is to be the key witness in the trial of two suspected abusers. The next day Rebus' colleague is found dead in the centre of Edinburgh. Rebus is devastated
Rebus: John Hannah (Four Weddings and a Funeral Sliding Doors The Mummy McCallum) stars as Detective Inspector Rebus in these four primetime two hour film dramas for SMG Television from Clerkenwell Films. Adapted from the novels by acclaimed writer Ian Rankin the Rebus stories have been applauded for their intricate plots keen characterisation and flawless sense of place. Rebus himself is an enigma fighting his own weaknesses while dealing with the sad consequences of human frailty. He has seen it all before but his cynicism is redeemed by an unexpected humanity that reveals he is more disillusioned with himself than others. The Hanging Garden: Rebus pieces together the trail of a war criminal who may have gone to ground in a very respectable part of town. But then he becomes drawn into a vicious running battle between two rival gangs after rescuing a young Chechen girl from a local gangster. Rebus takes his work personally. But when his daughter is deliberately run down in the street it's plain that he will stop at nothing to find the man responsible even if it kills him.
Fresh off winning his record-tying 16th World Title, The Champ will compete against the Superstar he defeated for the championship at Royal Rumble, AJ Styles, plus Bray Wyatt, Intercontinental Champion Dean Ambrose, Baron Corbin and The Miz, inside the treacherous Elimination Chamber! Plus Alexa Bliss defends her WWE SmackDown Women s Championship against Naomi and American Alpha must defend the titles against 5 other Tag Teams in a Tag Team Turmoil Match, plus more from all your favourite SmackDown Superstars! Despite falling short in the Royal Rumble Match, the iconic former World Heavyweight Champion will, indeed, make one last run at a World Championship when he challenges Kevin Owens for the WWE Universal Title. Plus the rest of the RAW Superstars are in action at the final stop before WrestleMania, Fastlane 2017!
Featuring the vocal talents of Bill Murray John Belushi Christopher Guest and the son of original Tazan - Johnny Weissmuller Jr. Jungle Burger is a rare treat: an adult animated feature that is outrageously sexy unashamedly rude and decidedly earthy in dialogue! Inspired by the classic jungle duo Tarzan and Jane (not forgetting Cheeta the chimpanzee) it is an hilarious exercise in role reversal. Tarzan becomes Shame - weak cowardly and sexually inadequate. Jane becomes June - strident sexually demanding and naked most of the time. Cheeta becomes Cheapo a randy primate who delights in fondling June's breasts and swinging on Shame's genitalia. Shame is aghast when June is kidnapped by a gang of giant penises. They take her to their queen Bazonga a bald woman with fourteen breasts. After tangling with a gang of great white hunters a marauding lion and the Molar Men Shame sets off to rescue her. With only his faithful friend Cheapo at his side he heads for the dark heart of the jungle... Bush Country! First time to DVD!
John Cusack (The Prince) and Robert De Niro (Silver Linings Playbook) star in this action-packed crime thriller about a hit-man named Jack (Cusack) who takes an assignment to deliver a mysterious bag to his boss (De Niro) with strict instructions not to look inside. With the help of an elusive prostitute (Rebecca Da Costa; The Firstling) Jack battles gun-fire car chases crooked cops and unruly mobsters on a deadly quest to deliver the precious cargo and earn a big pay day. This all-action crime thriller also stars Crispin Glover Sticky Fingaz and Martin Klebba.
A 1991 comedy, Delirious stars John Candy as the head writer on a soap opera set in the fictional small town of Ashford Falls, whose naff power dressing and power wrangling is distinctly reminiscent of Dynasty. Candy has a crush on the somewhat imperious and Joan Collins-esque star of the show, played by Emma Samms, although waiting in the wings to be written into the show is the more wholesome and unaffected actress Mariel Hemingway. Delirious takes a turn when Candy is felled in an accident and awakes, supernaturally, to find himself in the very world of his own soap, with Ashford Falls a real town and its fictional characters, including Samms, now real people. Candy discovers, however, that in this world he has the power to "write" situations as they suit him--in this case, by casting himself as a dashing, wealthy and mysterious Wall Street hero, able to sweep Samms off her feet. The film is in some ways a precursor of Pleasantville (in which two teens are sucked into the world of a "Honey, I'm home" black and white 1950s sitcom). However, between them the star, writers and director (Tom Mankiewicz) make a ham fist of Delirious. The parody of soap mores is quite well done but quickly palls in its obviousness; Candy's performance is misjudged, as if trying too hard to make the best of a bad job; while overall, the film feels cheap, tacky and broad, once again raising the question why in the 1980s and 90s America produced such great sitcoms but such poor film comedies. On the DVD: Delirious is presented in 1.85:1 anamorphic widescreen. It's a decent enough edition but looks its age in places, in terms of colour definition in particular. The only extra is the original trailer. --David Stubbs
The Man Who Shot Liberty Valance is a late film from the long career of director John Ford that tells of the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, John Wayne and James Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
November 1902. Fog and shadows engulf the city. The murky world of the menacing London docks collide with the glamour and glitter of Edwardian high society as sleuth Sherlock Holmes and Dr John H Watson are reunited to solve a case which threatens to overwhelm the privilege and tranquillity of aristocratic society. When the murder of a penniless shop-girl is linked to the body of debutante Lady Alice Burnham Holmes immediately begins to piece together the clues: a pair of dancing sho
A Sequel to Justice League Dark (2017) involving Jack Kirby's New Gods.
From Kathryn Bigelow, the Academy Award® winning director of THE HURT LOCKER and ZERO DARK THIRTY, DETROIT tells the gripping story of one of the darkest moments during the civil unrest that rocked Detroit in the summer of 67.
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