Dramatisation detailing the events that led to the destruction of the Light Brigade at the Crimea of the men who were sent to their death and those behind what is now recognised as one of British history's major military blunders.
The complete series of the 1960's police drama featuring the character Commander George Gideon based on the novels by John Creasey. This rarely seen series is presented here with all 26 episodes being complete and uncut. Episodes comprise: 1. State Visit 2. The V Men 3. The Firebug 4. The Big Fix 5. The Housekeeper 6. The Lady-Killer 7. To Catch A Tiger 8. Big Fish Little Fish 9. The White Rat 10. How To Retire Without Really Working 11. Subway To Revenge 12. The Great Pla
He's handsome talented and half her age. But Nina Talbot always gets what she wants. Abby and Nina: they're the best of friends - until a forbidden passionate affair threatens to devastate their friendship. Abby Hewitt has high ambitions for her 18 year old son Paul and who better to give Paul advice than glamorous free spirit Nina a hugely talented designer. Abby sends Paul to stay with Nina in San Francisco in the hope that Nina will persuade him to take up a university place in the city. But the plan backfires. Instead Paul becomes totally infatuated with Nina a woman twice his age. And Nina finds Paul the perfect companion - passionate and irresistible. It seems like the perfect secret relationship - until a horrified Abby stumbles upon the affair...
Dating from 1924 this Thief of Bagdad is justifiably billed here as "one of the truly great silent films of the 1920s." As the forerunner of generations of magical, effect-laden fantasy epics, its importance is practically immeasurable. And still, after eight decades, it has startling, thrilling qualities which the finest computer graphics would struggle to surpass. Douglas Fairbanks, co-founder of United Artists, is the eponymous hero, swindling, fighting and leaping his way to true love through a series of adventures which take him from a magnificently surreal Bagdad to enchanted forests, ocean bottoms and magic carpet rides. "Happiness must be earned," is the motto; Fairbanks and his director Raoul Walsh certainly don't short-change their audience in bringing it to life. The effects are stunning, with a particularly gruesome slaying of a monster. Every scene is crammed with detail and incident. Fairbanks is a whirlwind of muscular, balletic flamboyance. And while his princess (Julanne Johnson) is a stereotype of vapidity, there's gleamingly malevolent support from Anna May Wong as the evil Mongol Slave Girl. Over two hours of sheer enjoyment belie the notion that cinematic sophistication is a modern achievement. On the DVD: The Thief of Bagdad disc presents the restored and remastered print (the tints have a luminous quality) complete with a 1975 score by master organist Gaylord Carter--you can almost feel the Wurlitzer rising from the pit of your entertainment centre. The audio essay, written by film historian R Dixon Smith, is an invaluable extra, providing essential information on how the picture was made and how the art designers played with proportion to create many of the visual tricks and a fantastical atmosphere. --Piers Ford
He's got his homies a gun and a plan. Small time gangsta and tough Compton local Henry ""Hen"" Alabaster (writer-director Ryan Combs) is fresh out of the pen and looking to go legit by starting his own record company and producing rap records. His only problem is he needs some serious bills to bankroll the operation. Enlisting the help of three of his homies - Hump (Sean Epps) Johnny (Johnny DeaRenzo) and K.K. (Jules Dupree) - Hen hatches a plan to set up and then blackmail a corrupt
A sex symbol becomes a thing", says Marilyn Monroe, her voice being approximated by Trudi Jo Marie Keck, who also doubles as the editor of We Remember Marilyn, an historical appreciation of the life of the much-vaunted sex goddess. "I always thought symbols were things you clashed together", she continues to muse, "but if I'm going to be a symbol of anything, I'd rather it be sex than some other things there are symbols for. I know how they'll remember me: 'Here lies Marilyn Monroe, 34-24-36'. But, anyway, they'll remember me." And remember her they do, in this concoction written and directed by Ted Newsom (Ed Wood--Look Back in Angora). Newsom doesn't bother to cite the source for the above words ascribed to Ms. Monroe so it's hard to say where they came from, but they pointedly set the tone for any discussion of sex-symbol iconography. And how better to sum up a career that moved between celebrity and the highest seats of power on a vehicle of sex, and ended early and abruptly. Film clips, photos (where Marilyn the icon truly shone), and a rich array of stock footage form the backdrop for the proceedings. At one point, the voice of director John Huston enriches the soundtrack. --Jim Gay, Amazon.com
A feature film starring the legendary American artist Jean-Michel Basquiat (1960-1988) that follows him around NYC. Along the way he has encounters with Vincent Gallo Debbie Harry Melly Mel and a host of other Andy Warhol players. Downtown 81 not only captures one the most influential artists of the late twentieth century as he is poised for fame but also captures one of the most vital periods of American culture with the explosion of new wave music new painting hip hop and graffiti.
Due to governmental red tape the patients most in need of care are denied treatment. Two doctors become con artists subverting the government by making all of their patients' ailments appear to be war-related so they receive free health benefits...
John Cusack and James Spader star in this dramatic absorbing story of two friends who move from law school to Washington's corridors of power. Cusack plays Peter a lower-class go-getter who climbs to the position of congressman by betraying everyone who ever trusted him including his idealistic blue-blood pal Tim. Tim of course would never cross a friend. Unless it was to avenge his own betrayal...
In 1984 and 1985, The Tripods was the show that the BBC used to fill its traditional Saturday teatime Doctor Who slot. Adapted from the first two books in John Christopher's "Tripods" trilogy, the show frustratingly failed to deliver the final story that winds everything up. This release collects the first series of 13 episodes, which covers the first book (The White Mountains). In 2089, the human race lives a peaceful, agrarian existence in post-technological communities under the rule of the Tripods, vast alien machines that look like the Martians from War of the Worlds. In a small English village, teenage cousins Will (John Shackley) and Henry (Will Baker) are troubled as they near the age at which they will be "capped", fitted by the local Tripod with a metallic hairnet which will turn them into docile, uncreative, happy servants of the invaders. A wily vagrant tells the boys that far to the south, a community of uncapped freemen resists the Tripods, and they set off on a 13-episode journey that takes them to the coast, across the English Channel and down through France, with stop-offs in the impressive ruins of Paris, at a medieval-style chateau and on a vineyard in the Jura. Along the way, the lads fall in with "Bean Pole" (Ceri Seel), a gangling, bespectacled French rebel who is fascinated with the lost arts of machine-making, but at each of their stopovers there are temptations, mostly in the forms of appealing French girls, to settle down and become happy conformists, but in the end they do join up with the rebels, ready for a mission to the city of the Tripods that comes in Series Two. With production values significantly higher than Doctor Who at that time, the show conserves its effects and makes them count, with the Tripods only rarely intervening directly. Watched at a sitting, it seems padded and the three lead actors are variable, but taken in single-episode chunks it works quite well, with a subtly unsettling depiction of a backward world where everyone seems happy but actually isn't and actual villainy comes as a relief amidst the overwhelming niceness. The English and French locations are very well used, and the production design and costuming (lots of hats to cover the "caps") is imaginative without being panto-like. --Kim Newman
Be afraid. Be very afraid... The Fly (1958) A brilliant scientist becomes obsessed with perfecting a device that can transmit matter from one location to another. Successful in his initial tests he experiments with a human guinea pig - himself. But an ordinary housefly makes the journey with him and when they emerge both creatures have been extraordinarily changed. This is the chilling story of a man fighting to retain his humanity and a desperate woman's attempt to
Little PrincessSara Crewe (Liesel Matthews) shares a life of wonder in exotic India with her devoted father (Liam Cunningham). But war draws Sara's father into the military and Sara is sent to a new York boarding school run by the strict Miss Minchin (Eleanor Bron) to whom exuberant Sara is a troublemaker. But with courage imagination and kindness Sara overcomes her hardships - and changes her life and the fortunes of those around her. Experience this jewel of a movie (Leonard Maltin) for anyone who ever wishes are dreams. Secret GardenIt's a special garden where friendships blossom illnesses fade away and sorrows flee. There troubled orphan Mary (Kate Maberly) her spoiled sickly cousin Colin (Heydon Prowse) and kindly country boy Dickon (Andrew Knott) discover that a world of caring can make a world of difference. Black BeautyWritten and directed by Caroline Thompson this is the most faithful of the book's several filmings. You'll cherish rebellious filly Ginger mischievous pony Merrylegs and gallant Beauty Whose generous heart guides him under caretakers both kindly and harsh from Farmer Grey (Sean Bean) and young groom Joe Green (Andrew Knott) to sweet-natured cabbie Jerry Barker (David Thewlis).
Powerful and sweeping the critically acclaimed Cradle Will Rock starring John Cusack Bill Murray Susan Sarandon Hank Azaria and Joan Cusack takes a kaleidoscopic look at the extraordinary events of 1930s America. From high society to life on the streets director Tim Robbins (Dead Man Walking) brings Depression-era New York City to vivid life. A time when da Vincis are given to millionaires who help fund the Mussolini war effort. And Nelson Rockefeller commissions Mexican artis
Just when you thought it was safe to go back to camp: here's even more heart-pounding terror! Five years after the horrible bloodbath at Camp Crystal Lake all that remains is the legend of Jason Voorhees and his demented mother who had murdered seven camp counsellors. At a nearby summer camp the new counsellors are unconcerned about the warnings to stay away from the infamous site. Carefree the young people roam the area not sensing the ominous lurking presence. One by one they are attacked and brutally slaughtered. Suspense and screams abound in this compelling chiller...
A rather jarring mix of period drama, trashy romance and all-star blockbuster, Duel of Hearts is a swashbuckling, bodice-ripping tale of slightly dubious quality. Based on a novel by Barbara Cartland, it provides the usual dollops of intrigue and love, although its choice of a female protagonist does at least give it some twist. The splendidly named Lady Caroline Faye (Alison Doody) is the story's plucky heroine, fighting to prove the innocence of her beau Lord Vane Brecon and discover his troubling inner turmoil. Donning a disguise that seems to consist largely of wearing her hair in a different manner, Lady Caroline places herself among the very people that would seek Brecon's undoing. Those looking for high quality drama should probably go elsewhere, but this is an entertaining enough piece of silliness, combining the history of Regency England with the production values of a daytime American soap opera. On the DVD: Duel of Hearts on DVD has had very little effort put into it, which is perhaps no surprise given the rather slapdash nature of the main feature. The sound has been digitally remastered but the picture quality hasn't, and has that dubious made-for-television look. The interactive menu is unattractive and unimaginative and there are no extras. --Phil Udell
Ricky Tomlinson and Phil Daniels star in this dark new British comedy about two neighbours whose disagreements soon escalate.
This truly magical time is given some Barney magic, when he takes BJ, Baby Bop and his friends to visit Santa Claus at the North Pole. Enjoy the excitement of looking around Santa's home with its beautiful decorations and wonderful toys. Meet Mrs Santa Claus and listen to her stories, climb aboard Santa's train for a fantastic ride, and then move on to his toy factory. With time running short the elves need help in finishing the packing, so join them in a song or two, and see how much fun working together can be. Christmas traditions are explained, and the lessons of working together and the spirit of giving are enjoyed, along with the excitement and magic that surrounds Christmas. --Mandy Wood
Welcome to Vegas...The odds are you won't leave alive! He's back! The Leprechaun is on the loose again this time trying his luck in Las Vegas. The terror begins when a young college student (Scott) gives a beautiful magician's assistant a lift into town. Once in Vegas Scott can't resist taking a turn at the roulette wheel. He has a run of bad luck and loses all his money. To win it back he decides to pawn his Rolex watch but while at the pawn shop he finds one of the Leprechaun's gold shillings. A single piece of the Leprechaun's gold he discovers will grant the fondest wish of the one who holds it. Thanks to the lucky coin Scott goes on a winning streak. Unfortunately the Leprechaun knows his coin is missing and will gladly kill to get it back.
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