The House of Batiatus is on the rise, basking in the glow of its infamous champion Gannicus, whose skill with a sword is matched only by his thirst for wine and women. These are the times a young Batiatus has been waiting for. Poised to overthrow his father and take control, he’ll freely betray anyone to ensure his gladiators are in the highest demand. And he’ll have his loyal and calculating wife Lucretia by his side for every underhanded scheme, drawing on the brazen talents of her seductive friend Gaia when it counts. Together, they will stop at nothing to deceive the masses, seize power, and bleed Capua dry in this audacious prequel to “Spartacus: Blood and Sand.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
While the couple keep the affair under wraps other stars struggle to conceal their own ghosts. Former Queen of Soap Jane Adams is the victim of a violent and jealous husband but can she resist throwing herself into the arms of her co-star Zack Taylor? Sex-symbol Bill Warwick lands his first major role but then his success is marred by a police investigation into the suspicious death of his wife? Amidst all the scandal and the cover up the show must go on.... but can it?
Opposites attract in Fools Rush In, a conventional but refreshingly unpredictable romantic comedy. New York nightclub designer (Matthew Perry, from television's Friends) is in Las Vegas to supervise the construction of a new project when he meets a fiery Mexican beauty (Salma Hayek). It's lust at first sight, and their one-night stand takes an unexpected turn when she shows up three months later to announce that she's pregnant. They're determined to do right for each other, so they get married in a Vegas chapel with an Elvis impersonator as their witness. Then comes the hard part--trying to figure out if they're actually compatible. The plot complications are mostly familiar, but Perry and Hayek throw some bright sparks as their initial bliss turns to more realistic concerns for family and future. Along the way there's some sharp dialogue and a few good laughs to give this all-too-human comedy an enjoyable spin. --Jeff Shannon, Amazon.com
Meet The Killer: Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami). Jekyll And Hyde: Slim and Tubby are American cops in London to study police tactics. They wind up in jail and are bailed out by Dr. Jekyll. Jekyll has been murdering fellow doctors who laugh at his experiments. He has more murders in mind. At one point the serum that turns Jekyll into the murderous Hyde gets injected into Tubby.
There's hilarity at Grace Brothers the High Street department store with a difference. Join in the fun as limp-wristed Mr Humphries and that blue-rinsed battle axe Mrs Slocombe lead the outrageous department store staff through a second series of outrageously funny episodes! Episodes comprise: 1. The Clock 2. Cold Comfort 3. The Think Tank 4. Big Brother 5. Hoorah For The Holidays
There's hilarity at Grace Brothers the High Street department store with a difference. Join in the fun as limp-wristed Mr Humphries and that blue-rinsed batle axe Mrs Slocombe lead the outrageous department store staff through a sixth series of outrageously funny episodes! Episodes Comprise: 1. By Appointment 2. The Club 3. Do You Take This Man? 4. Shedding The Load 5. A Bliss Girl 6. Happy Returns
There's hilarity at Grace Brothers the High Street department store with a difference. Join in the fun as limp-wristed Mr Humphries and that blue-rinsed batle axe Mrs Slocombe lead the outrageous department store staff through a third series of outrageously funny episodes! Episodes comprise: 1. The Hand Of Fate 2. Coffee Morning 3. Up Captain Peacock 4. Cold Store 5. Wedding Bells 6. German Week 7. Shoulder To Shoulder 8. New Look 9. Christmas Crackers
Like all the best celebrity tributes, Dame Elizabeth Taylor: A Musical Celebration (2001) combines the essence of its subject--in this case, charity work for HIV and AIDS research and a legendary career in movies, both meriting every ounce of recognition--with the fascination of a spectacular car smash. The highlights are the screenings of trailers for some of her best films, including Giant and Butterfield 8 (she won an Oscar but derided the picture) and an archive interview in which she memorably describes a tiresome gossip columnist as "a frustrated old biddy". The live entertainment is far shakier than the event's inspiration, though. Presented by David Frost and Stephen Fry--an uneasy, fawning partnership-- there is some real quality: Andrea Bocelli (sending the guest of honour into transports of delight), John Barry conducting a couple of his most symphonic Bond themes and Reba McEntire, the powerhouse country and western diva-turned-Broadway actress. On the down side, Marti Pellow's self-congratulatory posing would make Robbie Williams seem a model of modesty, Jay Kay's attempts to jazz up a standard are woeful and Ute Lemper is at her most pretentious for a cacophonic "Mack the Knife". Michael Jackson's mute presence at Taylor's side emphasises the hypnotic strangeness of the whole affair, though the Dame herself takes the entire marvellously lurid spectacle in her stride. On the DVD: Dame Elizabeth Taylor: A Musical Celebration comes to DVD with no extra features. A Taylor filmography would have been useful. Otherwise, the 4:3 video aspect ratio reproduces the television gala feel and for sound quality, you can choose between LPCM stereo, Dolby Digital 5.2 and DTS surround sound (best for that authentic, muddy Royal Albert Hall acoustic).--Piers Ford
Both a critical and ratings success on its original ITV transmission The Sandbaggers was lauded in 2003 by the New York Times as being ""The best spy series in TV history"". 'The Sandbaggers' is a nickname for the Special Section of the British Secret Service - a team of special agents who were deployed during the Cold War. Run by the dour single-minded Neil Burnside (Roy Marsden) the 'Sandbaggers' are headed by the brash but conscientious Willie Caine (Ray Lonnen). In
Zombies! Werewolves! Atomic Mutation! Intergalactic Avians! Let this quartet of classic terrors take you back to the golden age of B-Movie Monsters! A mob boss hires an ex-Nazi scientist to reanimate his dead thugs in Creature with the Atom Brain. An auto-accident survivor is used as an experimental subject to create a vaccine for nuclear fall-out with hair-raising side-effects in The Werewolf. Treasure hunters get more than they bargained for in the search for a cargo of diamonds that went down with a sunken ship when they discover the zombified crew members are guarding the loot in Zombies of Mora Tau. Meanwhile, an enormous bird from outer-space descends to chow down on the people of planet Earth in The Giant Claw! Four fantastic feature presentations from prolific producer Sam Katzman with a bounty of brand new extras and a raft of new writing by a range of respected raconteurs. These Cold War Creatures are coming for you! Special Features: High Definition Blu-ray (1080p) presentations of all 4 films Original uncompressed mono audio for all films Optional English subtitles for the deaf and hard of hearing Fully illustrated 60-page collector's book featuring extensive new writing by Laura Drazin Boyes, Neil Mitchell, Barry Forshaw, Jon Towlson and Jackson Cooper 80-page collector's art book featuring reproduction stills and artwork from each film and new writing by historian and critic Stephen R. Bissette 2 double-sided posters featuring newly commissioned artwork by Matt Griffin Reversible sleeves featuring original and newly commissioned artwork for each film by Matt Griffin Disc 1 - Create with the Atom Brain Brand-new introduction by historian and critic Kim Newman Brand-new audio commentary by critic Russell Dyball Sam Katzman: Before and Beyond the Cold War Creatures, a brand-new feature-length illustrated presentation on the life, career and films of Sam Katzman by historian and critic Stephen R. Bissette Condensed Super 8mm version of Creature with the Atom Brain, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 2 - The Werewolf Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Lee Gambin Beyond Window Dressing, a brand-new visual essay exploring the oft-overlooked role of women in the films of Sam Katzman by historian and critic Alexandra Heller-Nicholas Condensed Super 8mm version of The Werewolf, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 3 - The Zombies of Mora Tau Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Kat Ellinger Atomic Terror: Genre in Transformation, a brand-new visual essay exploring the intersection of mythical horror creatures and the rational world of science in the films of Sam Katzman by critic Josh Hurtado. Theatrical Trailer Image Gallery Disc 4 - The Giant Claw Brand-new introduction by critic Kim Newman Brand-new audio commentary by critics Emma Westwood and Cerise Howard Family Endangered!, a brand-new visual essay examining the theme of Cold War paranoia in Sam Katzman monster movies, by critic Mike White Condensed Super 8mm version of The Giant Claw, produced for home cinema viewing. Theatrical Trailer Image Gallery
Big budget sci-fi action based on the original film series of the late 1960s and early 1970s. James Franco stars as Will Rodman, a genetic engineer working in present-day San Francisco who is performing scientific tests on apes in his attempt to find a cure for Alzheimer's. His first test subject is Caesar (Andy Serkis), the prototype of a new breed of apes with human-like intelligence. But when Caesar breaks free, a revolution is triggered and an epic war for supremacy breaks out between humankind and the primates of the world.
Mulberry is a stylish charming witty and poignant sitcom from the celebrated writing team of John Esmonde and Bob Larbey creators of classic comedies including 'Brush Strokes' 'The Good Life' and 'Ever Decreasing Circles'. It stars Karl Howman of 'Brush Strokes' and Geraldine McEwan of TV's 'Miss Marple' fame together with comedy stalwarts Tony Selby and Lill Roughley who have starred in many a sitcom over the years including such hits as 'Get Some in' 'Love Hurts' and 'My Hero'. Mulberry (Karl Howman) the cheerful cockney son of Death and Springtime starts his 'career' as the Grim Reaper's apprentice when he is sent to collect the dour snooty acid-tongued grumpy and reclusive Miss Farnaby (Geraldine McEwan). He instead sweet talks his way in to joining the staff of Bert (Tony Selby) and Alice (Lill Roughley) in her creaky old manor house and soon becomes her personal servant. Suddenly the dull old house is not dull anymore as Mulberry endeavors to help Miss Farnaby enjoy her life during the three month extension grudgingly granted by his dad. Laughs abound as Mulberry tries to do his best for everyone concerned despite often upsetting the devoted Bert and Alice and without anyone finding out the secret of his true identity and his reasons for being there. A must see comic masterpiece that's pure enjoyment for all the family.
Much like Richard Adams' wonderful novel this animated tale of wandering rabbits is not meant for small children. It is, however, rich storytelling, populated with very real individuals inhabiting a very real world. The animation is problematic, sometimes appearing out of proportion or just below par; but it seems to stem from an attempt at realism, something distinguishing the film's characters from previous, cutesy, animated animals. A band of rabbits illegally leave their warren after a prophecy of doom from a runt named Fiver (voiced by Richard Briers). In search of a place safe from humans and predators, they face all kinds of dangers, including a warren that has made a sick bargain with humankind, and a warren that is basically a fascist state. Allegories aside, Down is engaging and satisfying, and pulls off the same amazing trick that the novel did--you'll forget that this is a story about rabbits. --Keith Simanton, Amazon.com
A Scotland Yard detective investigates a mysterious mansion with a ghoulish history and a chilling fate for its occupants in these four tales of terror. One of the classic Amicus anthologies written by Psycho author Robert Bloch and starring Peter Cushing, Christopher Lee and Ingrid Pitt. Special Features: Audio Commentary with Director Peter Duffell and Author Jonathan Rigby Audio Commentary with Film Historian and Author Troy Howarth Interview with Second Assistant Director Mike Higgins A Rated Horror Film - Vintage featurette featuring interviews with Director Peter Duffell and Actors Geoffrey Bayldon, IngridPitt and Chloe Franks Theatrical Trailers Amicus Radio Spots Stills Gallery Reversible sleeve featuring new artwork by Graham Humphreys and original artwork Optional English subtitles for the hard of hearing
The words of the opening song pretty much describe the menu in A Funny Thing Happened on the Way to the Forum--"Something familiar, something peculiar, something for everyone: a comedy tonight!"--a frantic adaptation of the stage musical by Larry Gelbart and Burt Shevelove. The wild story, based on the Latin comedies of Plautus and set in ancient Rome, follows a slave named Pseudolus (Zero Mostel, snorting and gibbering) as he tries to extricate himself from an increasingly farcical situation; Mostel and a bevy of inspired clowns, including Phil Silvers, Jack Gilford and Buster Keaton, keep the slapstick and the patter perking. The cast also includes the young Michael Crawford as a love-struck innocent. This project landed in the lap of Richard Lester, then one of the hottest directors in the world after his success with the Beatles' films. Lester telescoped the material through his own joke-a-second sensibility, and also ripped out some of the songs from Stephen Sondheim's Broadway score. The result is very close to the vaudeville spirit suggested by the title--though anyone with a low tolerance for Zero Mostel's overbearing buffoonery may be in trouble. Oddly enough, amid all the frenzy, Lester creates a grungy, earthy Rome that seems closer to the real thing than countless respectable historical films on the subject. Frankie Howerd, who played Pseudolus on the London stage, kept the tradition going with his Up Pompeii TV series. --Robert Horton
When a British ship sinks in foreign waters the world's superpowers begin a feverish race to find its cargo: a nuclear submarine control system. And 007 (Roger Moore) is thrust into one of his most riveting adventures as he rushes to join the search...and prevent global devastation!
The Lakes brought writer Jimmy McGovern and actor John Simm a great deal of critical praise in 1997. Following a particularly dry period for British TV drama, the show's realistic characterisations and their painfully honest decisions hit audiences hard. Simm is a twentysomething trapped in a life of compulsive gambling, theft and being on the dole in Liverpool. On a whim he heads north to the Lake District. He expects to find the countryside quietude where his hidden poetical leanings might find a home, but instead gets caught up in a community like any other. Lies, temptation and tragedy beset every household just as much as the big city. The focus of Series 1 is Danny's relationship with Emma (Emma Cunniffe) and the consequences of having a child. As time races by, his link to the Lakes becomes an exercise in torment when the eyes of blame fall easily upon him after the accidental deaths of four schoolgirls. Stoking the flames of a series of secondary explosions in waiting are a pair of affairs, one adulterous, the other complicated by religion. On the DVD: The Lakes Series 1 comes with two separate commentary tracks for the very first episode. In interviews, John Simm fondly recalls how cold the lake water was and director David Blair recalls putting him in it. It's a shame the two weren't recorded together. It's also a shame that's all there is in this package. Even a few cast biographies would have been welcome. Picture is 4:3 and stereo sound is as you'd expect from 1990s UK TV. --Paul Tonks
Join Littlefoot Cera Spike Ducky Petrie and shy newcomer Ali on their most exciting adventure ever! It's an all-new song-filled animated classic on the continuing story of The Land Before Time. A herd of migrating Longnecks has important news of weather changes in the regions beyond the Great Valley. What was once dry land has become 'The Land of Mists'. Strange new creatures have begun to appear in these rainy marshes while still others have moved into the high trees f
Please wait. Loading...
This site uses cookies.
More details in our privacy policy