Howard is a mild-mannered young man who drives a truck for a commercial laundry. He's also a mother-obsessed psycho who picks up young female hitchhikers rapes them and kills them. As the bodies start piling up the police finally begin to investigate.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
""I am Gareth Blackstock. I am seriously unpleasant. My bark is worse than my bite and my bark is atrocious!"" Introducing Gareth ""I don't do reasonable"" Blackstock (Lenny Henry) the 2 Michellin starred chef/slavedriver of 'Le Chateau Anglais'. Woe betide anyone who gets in the way of his pursuit of gastronomic perfection... This release contains all the deliciously funny episodes from the first series of the smash hit TV sitcom! Episodes comprise: 1. Personnel 2. Bey
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Directed by visionary filmmaker Bernardo Bertolucci (Last Tango In Paris Stealing Beauty The Last Emperor) and based upon the celebrated existential novel by cult writer Paul Bowles The Sheltering Sky stars Debra Winger (An Officer And A Gentleman Terms Of Endearment) John Malkovich (Burn After Reading Dangerous Liaisons) Campbell Scott (Roger Dodger The Spanish Prisoner) and Timothy Spall (The Last Samurai Secrets And Lies) in an unforgettable dangerous and erotic journey across North Africa and into the dark depths of the human soul. Pseudo-bohemian American couple Port And Kit Moresby believe that a tourist is someone who thinks about home as soon as they arrive somewhere whereas a true traveller never knows when they'll return. In an attempt to spice up their marriage they venture aimlessly across the beautiful but hazardous landscape of North Africa in search of new experiences. But as they journey deeper into the Sahara desert their indulgent dreams slowly evolve into a sinister nightmare of insanity and death.
Cross it at your peril. The warrior is the perfect soldier. Adopted by Warlord Ruechang he is a trained killer. What he must become is the perfect warrior. As a soldier he is taught only to obey. But his loyalties are swayed when he meets a young princess fated to marry Ruechang and rule over the oppressed people. When she flees the marriage Ruechang sends the warrior in pursuit. Now the perfect killing machine must find the humanity within that will guide him towards rebellion and justice. His quest for honor will make him a true warrior. But before he takes that path he must first defeat the forces of the man who saved his life and finally face Ruechang in an explosive bloody fight to the finish.
The world's greatest story seen from the eyes of the Virgin Mary as she watches her infant son Jesus grow to manhood inspiring the known world with his miracles and teachings on the Word of God. The Angel Gabriel visits the 16 year-old Mary and tells her that she has been chosen to give birth to the Son of God. The child is born in Bethlehem and so begins a very human and touching story of love sacrifice and inspirational faith highlighting a real mother's concern for a son who knows that he must die on the cross so he can be born again.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
'That ain't no kindergarten. That's a jungle. The swamps of Borneo with their lurking crocodiles and head-hunters have got nothing on that lot...' A 1960s forerunner to EastEnders, this highly engaging series captures all of the camaraderie and humour, rivalry and chicanery, graft and greed of a bustling Soho market where stalls may be inherited, bought, or 'acquired'. This set contains the complete first series from 1967 - all that remains of this well-remembered and high popular str...
A farce set in an old hospital that alarmingly resembles Britain at its most chaotic. Everything starts to go wrong when the medical administrators are faced with a threatened strike angry scenes and a Royal visit.
In the autumn of 2000 Wilco entered the studio to record a highly anticipated fourth album. How was it that merely one year later that with completed record in hand the band found itself rejected by its corporate label and missing two of its members? First time filmmaker and award-winning photographer Sam Jones was on hand to chronicle this turbulent chapter in Wilco's history as it unfolded. Throughout the film Jones tempers the backstage drama and unfathomable corporate shenani
Dramatisation detailing the events that led to the destruction of the Light Brigade at the Crimea of the men who were sent to their death and those behind what is now recognised as one of British history's major military blunders.
Isaac's Return is the sixth and newest bone-chilling chapteriin the thrilling 'Children Of The Corn' series! On a trip to find her birth mother Hannah Martin picks up a dark stranger who kicks off a mysterious chain of events. Little does Hannah know that her journey may help fulfill a sinister prophecy made 19 years earlier by Isaac the cult's original evil leader! It's a hair-raising movie event you don't want to miss as Isaac makes his terrifying return and the frightening child
Filmed amongst the ruins of the Crystal Palace Gardens The Pleasure Garden tells of the efforts of Colonel Pall to suppress romance and free expression and his battle against the Fairy Godmother who is a champion of lovers artists and the Pleasure Principle. Starring British stalwarts John Le Mesurier and Hatti Jacques the film won the Prix de Fantasie Poetique at the Cannes Film Festival of 1954.
Robin Williams returns as the voice of the hyperactive genie in this, the second direct-to-video sequel to Disney's hit animated feature. Aladdin, the street beggar turned Prince, risks all to find his father among the cut-throat 40 thieves and joins his quest to find a Midas-like stone that turns everything it touches into gold. A significant cut above most made-for-video animation, this energetic adventure largely leaves Princess Jasmine and the genie behind for a father-and-son quest. Guest voice Jerry Orbach suggests Sean Connery with his thick-as-molasses delivery as the master thief Sa'luk and, despite his limited screen time, Williams once again delights with his wild flights of fantasy as the big blue Genie. A rousing tale full of last-minute escapes and spectacular, kid-sized thrills that even parents will find entertaining. --Sean Axmaker, Amazon.com
A 5 DVD box set containing: 'Dr Terror's House of Horrors 'The House That Dripped Blood' 'Now the Screaming Starts' 'The Beast Must Die' and 'Asylum'.
Every morning Daniel Pascoe (McGann) pilots his seaplane from his luxury home to the Docklands - the financial capital of the world. Pascoe is a city high flier and high roller. A man used to winning. But when things go wrong he has to pay the price. That's when he discovers he's merely another pawn in the game that's far bigger than he could ever imagine. To stay in the game he decides to take the biggest gamble of his life. Dealers is a yuppie thriller that cleverly evokes the be
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