Halle Berry stars as a successful criminal psychologist who wakes up to find herself a patient in her own mental institution with no memory of the murder she's apparently committed.
A stunning new 4K restoration of THE ELEPHANT MAN, with both picture and sound overseen by revered director David Lynch, this release is the perfect celebration of the films 40th anniversary. Starring Anthony Hopkins and John Hurt, THE ELEPHANT MAN is an extraordinary and intensely moving true story of bravery and humanity. John Merrick (John Hurt) is The Elephant Man, forced into circus sideshows and spurned by society because of the disfiguring disabilities he was born with. Rescued by a well meaning surgeon (Anthony Hopkins), he tries to escape a life of prejudice and cruelty as he tries to fit into a world ruled by Victorian sensibilities. Beautifully shot in black and white by the incomparable Freddie Francis, THE ELEPHANT MAN is an unforgettable story of human dignity and survival. Extras: NEW - Interview with Frank Connor, Stills Photography NEW - BFI Q&A With Jonathan Sanger Interview With David Lynch Interview With John Hurt Mike Figgis Interviews David Lynch The Air Is On Fire: Interview With David Lynch at Cartier Foundation Joseph Merrick: The Real Elephant Man The Terrible Elephant Man Revealed
The Man Who Shot Liberty Valance is a late film from the long career of director John Ford that tells of the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, John Wayne and James Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
Jennifer Aniston stars as a young married woman whose mundane life takes a turn for the worse when she strikes up a passionate and illicit affair.
All five feature-length spinoffs from the classic 1960s spy series 'The Man from U.N.C.L.E'. With weapons in hand - and tongues in cheek - agents Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) carry out the bidding of U.N.C.L.E. chief Alexander Waverly (Leo G. Carroll). Guest stars include Joan Crawford, Rip Torn, Herbert Lom, Telly Savalas, Terry-Thomas, John Carradine and Leslie Nielson. Films are: 'The Spy With No Face', 'One Spy Too Many', 'Karate Killers', 'Helicopter ...
FINDING JACK CHARLTON is the definitive portrait of an extraordinary man; an English World Cup winning legend, who became an Irish hero. Directed by Gabriel Clarke (Bobby Robson: More Than A Manager; Steve McQueen: The Man & Le Mans) and Pete Thomas (Take His Legs), and shot on location in Ireland and England, the film also details Jack's previously undocumented life with dementia. The documentary features key characters from throughout Jack's career, including major figures in football, music, film, politics, and, for the first time, Jack's family. These personal perspectives, along with previously unseen archive, are an intimate window into Jack's charismatic personality, his managerial philosophy and offer a new level of understanding into FINDING JACK CHARLTON. Powerful & uplifting - Paul Doyle, The Guardian Gripping, heartbreaking, inspirational - Henry Winter, The Times Alzheimer's Society and The Alzheimer's Society of Ireland are proud official charity partners of Finding Jack Charlton. 5% of Producer s Net profit made from each product sold will be donated to Alzheimer's Society & The Alzheimer's Society of Ireland.
A recent widow invites her husband's troubled best friend to live with her and her two children. As he gradually turns his life around, he helps the family cope and confront their loss.
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! "A blood-dripping brain transplant turns a maniac into a monster!". Brain of Blood does exactly what it says on the tin. It was made in Hollywood when a Filippino blood movie fell through and the distributor needed a substitute. --Kim Newman
Three Chilling Tales of Terror...Pausing to admire a window display of his own books the distinguished horror writer Ronald Chetwynd-Hayes is attacked by a desperate vampire Eramus faint from lack of sustenance. Assuring the startled victim that his neck bite was not deep enough to bring him into the fold the grateful vampire takes him to the Monster Club where all his friends foregather. The rich selection of vampires werewolves snakemen wasp-women ghouls and other weird creatures enjoying themselves to the happy beat of pop music offers plenty of new material for the author. In addition Eramus explains to Ronald the hierarchy and basic rules of Monsterdom and illustrates his theme with three unusual tales...Released on DVD for the first time THE MONSTER CLUB is a blackly-comic horror movie starring all-time greats Vincent Price John Carradine and Donald Pleasance. This film won director Roy Ward Baker the Audience Award at the 1981 Fantafestival in Rome.
Dracula appears at Dr. Edelman's office on the pretense of a cure for his vampirism his real intention is the Doctor's beautiful female assistant...
A wimpy remake of an already anaemic movie (the 1947 Rita Hayworth vehicle Down to Earth), this glitzy musical from 1980 improbably stars Olivia Newton-John as a heavenly muse sent here to help open a roller-derby disco. Gene Kelly is mixed up in this well-meaning but goofy effort to fuse nostalgia with late-70s glitter-ball trendiness, and he looks just plain silly. Directed by Robert Greenwald, the film doesn't even work as decent kitsch. --Tom Keogh, Amazon.com
For anyone who travels the congested roads of Britain these days the utterly delightful Genevieve will provoke a wistful, nostalgic sigh of regret for times gone by when there were no motorways, traffic jams were almost non-existent and friendly police motorcyclists riding classic Nortons (without helmets) cheerfully let people driving vintage cars race each other along country lanes. Even in 1953, Henry Cornelius gentle comedy must have seemed pleasingly old-fashioned, concerned as it is with the antics of two obsessive enthusiasts on the annual London to Brighton classic car rally. The principal quartet could hardly be bettered: though John Gregson is something of a cold fish as Genevieves proud owner, the radiant warmth of Dinah Sheridan as his long-suffering wife more than compensates. Kenneth More is ideally cast in the role of boastful rival enthusiast and Kay Kendall has possibly the best comic moment of all when she astonishes everyone with her drunken trumpet playing. Cornelius also directed Ealings Passport to Pimlico, so his sure eye for gently mocking and celebrating British eccentricities is never in doubt. The screenplay by (American writer) William Rose now seems like an elegy to a way of life long disappeared: the pivotal moment when Gregson stops to humour a passing old buffer about his love of classic cars comes from a vanished era of politeness before road rage; as does the priceless exchange between hotel owner Joyce Grenfell and her aged resident: "No ones ever complained before", says the mystified Grenfell after Gregson and Sheridan moan about the facilities, "Are they Americans?" asks the old lady, unable to conceive that anyone British could say such things. Genevieve is both a wonderful period comedy and a nostalgic portrait of England the way it used to be. On the DVD: the "Special Edition" version of Genevieve has a decent new documentary with reminiscences from Dinah Sheridan (still radiant), the director of photography and the films editor, who talk about the challenges of filming on location. Most treasurable of all, though, is legendary harmonica player Larry Adler, who remembers his distinctive score with much fondness and is not at all embittered by his Hollywood blacklisting, which meant he was denied an Academy Award nomination. Theres also a short piece on some of the locations used (which for economic reasons were mostly in the lanes around Pinewood studios), cast biographies and a gallery of stills. The 4:3 ratio colour picture looks pretty good for its age and the mono sound is adequate. --Mark Walker
Blues Brothers/Blues Brothers 2000
Salvador recounts the conflict between the peasant revolution and the US-backed death squads in El Salvador in the early 1980s as seen through the eyes of American journalist Richard Boyle. Telling unpalatable truths condensed into intense fiction, Oliver Stone's film is typically confrontational, the real Boyle writing the source material for Stone's savage screenplay. The journalist is brought to life by James Woods in a brilliant hyper-kinetic performance: his powerful commitment to the truth balances his self-destructive, drink, drugs and danger-fuelled personality. Providing excellent support is James Belushi as partner in debauchery Dr Rock, while Stone delivers the most spectacular $4 million movie imaginable by conning the El Salvadorian military into lending tanks, planes and helicopters for a film which brands many of their leaders as war criminals. Genuinely radical cinema, Salvador blisters with moral fury, setting it beside The Killing Fields (1984) as a modern classic. On the DVD: Without spoiling the plot, the original trailer is so compelling it makes you want to watch the film again even if you've just seen it. The are four deleted/extended scenes which add a little more political background--unfortunately the legendary orgy/severed-ears seen is not among them. Parts, though not the whole of this scene, appear in the exceptionally good 62-minute retrospective documentary which covers the extraordinary making of the film and the horrors of the political background in depth (a technical advisor was shot dead on a tennis court). Oliver Stone delivers the best commentary tracks around and this is no exception as he presents a masterclass in gonzo-guerrilla filmmaking. There is also a gallery of 46 behind-the-scenes stills. Given the circumstances, Robert Richardson's cinematography is miraculously accomplished and, excepting some grain, transfers to DVD, anamorphically enhanced at 1.77:1, very well. The original low-budget sound has made the transition to three-channel Dolby Digital with style, George Delerue's machine-gun score having real urgency and the action being appropriately chaotic. --Gary S Dalkin
America's Funniest Family In Their 1966 First Full Length Feature Film The first family of fright from the popular 1964-1966 sitcom series Herman (Fred Gwynne), Lily (Yvonne De Carlo), Grandpa (Al Lewis), Eddie (Butch Patrick) and Marilyn (Debbie Watson) hit the big screen as Herman becomes Lord Munster when he inherits an estate from an English uncle. With Spot guarding 1313 Mockingbird Lane, Herman leaves his job at Gateman Goodbury & Graves Morticians for Munster Hall, he uncovers a counterfeit ring, and upholds the family honour driving his Drag-u-la special in the annual road race. Produced and co-written by series creators Joe Connelly and Bob Mosher (Leave It To Beaver),this frantically funny fright-fest features british comedians Terry Thomas and Hermione Gingold, legendary horror star John Carradine and Family Feud host Richard Dawson. Special Feature Theatrical Trailer
In his book, Robert C. O'Brien called his brave widow mouse "Mrs. Frisby", but Disney escapee animator Don Bluth must have thought children would laugh the wrong way at that. They renamed her "Mrs. Brisby" for The Secret of NIMH. That acronym stands for the National Institute of Mental Health, and the rats that live near Mrs. Brisby came from NIMH--they have strange ways. But they're the only ones who can save her house and her children, so Brisby seeks them out with the help of a humorous crow (Dom DeLuise). The magic gets laid on a little thick but this is Don Bluth's most successful attempt to achieve a complete, sincere, animated film. It's often forgotten, but it's a true surprise and a rare treat in the vast wasteland of insubstantial children's fare. --Keith Simanton, Amazon.com
An archaic document found in a bombsite reveals that the London district of Pimlico has for centuries technically been part of France. The local residents embrace their new found continental status seeing it as a way to avoid the drabness austerity and rationing of post-war England. The authorities do not however share their enthusiasm... A whimsical and charming British film 'Passport To Pimlico' is one of the finest examples of the classic Ealing comedies.
From acclaimed filmmaker Gus Van Sant comes the moving story of a violent incident that rocks the students and faculty at a high school in Portland, Oregon.
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