Bruce Willis (The Sixth Sense, Armageddon) and Samuel L. Jackson (Deep Blue Sea, Pulp Fiction) star in a mind-shattering, suspense-filled thriller that stays with you long after the end of this riveting supernatural film. When David Dunn (Willis) emerges from a horrific train crash as the sole survivor - and without a single scratch on him - he meets a mysterious stranger, Elijah Price (Jackson), who will change David's life forever. Interrupting his life at odd moments, it's Elijah's presenc...
It's 1953, and the charming Father Brown (Mark Williams) returns to solve more mysteries in the sleepy Cotswold village of Kembleford. Based on the character created by G.K. Chesterton, the charismatic priest is joined again by Mrs McCarthy (Sorcha Cusack), Inspector Mallory (Jack Deam),Sergeant Goodfellow (John Burton), Sid Carter (Alex Price), and Bunty Windermere (Emer Kenny). In the ninth series the sleuthing priest finds himself in a race against time to unmask a mystery attacker before pernicious newcomer Lord Hawthorne has him hounded out of the parish for good. Elsewhere Sergeant Goodfellow needs Father Brown's ingenuity to solve a fiendish kidnapping. And in the thrilling 100th episode, Lady Felicia's illustrious New Year Masked Ball is marred by a killer in its midst. Could this be the last waltz for Father Brown?
Set just after the 2016 U.S. presidential election, American Horror Story: Cult follows a community torn apart by a dangerous cult leader who uses fear as a weapon. AMERICAN HORROR STORY is an anthology horror drama series created and produced by Ryan Murphy and Brad Falchuk. The Emmy® and Golden Globe®-winning franchise is produced by Twentieth Century Fox Television.
Leave it to the wildly inventive Coen brothers to concoct a fiendishly clever kidnap caper with Fargo that's simultaneously a comedy of errors, a Midwestern satire, a taut suspense thriller and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humour. At times shocking and hilarious, this is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff ShannonOn the DVD:Fargo, Special Edition presents the movie in anamorphic widescreen (16:9) with Dolby 5.1 available in a choice of English, French or Spanish. Extras include a rare 20-minute interview with the Coens and Frances McDormand, dating from the time of the movie's release, and the 27-minute retrospective documentary, "Minnesota Nice", which has more interviews with the principal cast and crew. There's a "Coen Brothers' Family Tree" listing actors who have collaborated with the duo, and an on-screen trivia track which, among other nuggets, provides a history of pancakes after Peter Stormare's character famously demands "Where is pancakes house?". Cinematographer Roger Deakins provides an intermittent commentary mostly concerned with technical issues. The text of an American Cinematographer article about Deakins and the Coens, trailers and a behind-the-scenes photo gallery complete the package. --Mark Walker
After David Dunn (Bruce Willis) emerges from a horrific train crash as the sole survivor and without a single scratch on him he meets a mysterious, unsettling stranger (Samuel L. Jackson) who believes comic book heroes walk the earth, and whose sinister, single-minded obsession will impact David's life forever Special Features Deleted Scenes With M. Night Shyamalan Behind The Scenes, Featuring Bruce Willis Comic Books And Superheroes Exclusive Feature With Samuel L. Jackson The Train Station Sequence: Multi-Angle Feature Night's First Fight Sequence
Cary Grant, Jean Arthur and Rita Hayworth star in this classic drama directed by Howard Hawks. As the San Luis ship docks into the port of Barranca to deliver supplies, cabaret singer Bonnie Lee (Arthur) seizes the opportunity to take a look around. While exploring the town she meets a group of American pilots who risk their lives on a daily basis to fly cargo planes over the Andes. As Bonnie gets to know pilot Geoff (Grant) and sparks between them fly, Geoff faces the difficult decision of whether to commit to his new love, giving up his one passion in life: his job.
Aaron Eckhart and Jennifer Aniston star in the romantic drama "Love Happens". When a self-help author arrives in Seattle to teach a sold-out seminar, he unexpectedly meets the one person who might finally be able to help him help himself.
Get mindless for awhile with this 1997 disaster flick, starring the La Brea Tar Pits in Los Angeles as a funky place for lava to spew, plus Tommy Lee Jones and Anne Heche as the brave souls who know how to shut off the spout. Director Mick Jackson (The Bodyguard) wastes no time getting to the good stuff--it's happening in Volcano even before opening credits are over--and neither should anyone in the mood for technical efficiency without the burden of art. --Tom Keogh
Mission Impossible y'know for kids! This Hollywood remake of the Danish blockbuster 'Klatretosen' sees 12 year old Maddy (Kristen Stewart) and her friends using all their skills to raise money (by 'appropriating' money from a bank's vault protected by hi-tech security!) for an operation that may help Maddy's father walk again...
The incredible true story of how Ray Kroc (Academy Award nominee Michael Keaton, Spotlight, Birdman), a salesman from Illinois, met Mac (John Carroll Lynch, Jackie) and Dick McDonald (Nick Offerman, 22 Jump Street), who were running a burger operation in 1950s Southern California. So impressed by the brothers' 'speedy system' Kroc risked his marriage, bankruptcy and his reputation to create a billion-dollar empire that revolutionised the world. From director John Lee Hancock (Saving Mr. Banks, The Blind Side) and writer Robert D. Siegel (The Wrestler) comes a stunning and shocking portrayal of the man whose hunger for the American Dream ate away everything he knew.
When Terms of Endearment was released in 1983, director and writer James L Brooks was lauded for his depiction of a complex mother/daughter relationship. For his leading ladies he chose actresses with two of the strongest personalities in Hollywood, but armed with an exceptionally witty script and endless patience he eventually drew magnificent performances from Shirley Maclaine as Aurora and Debra Winger as her daugher Emma, assisted considerably by Jack Nicholson's considerate professionalism. As the philandering retired astronaut who beds Maclaine and then provides her with surprising support in the film's dark later moments, Nicholson shines with comic brilliance which earned him an Oscar. It was no secret that Maclaine and Winger could barely contain a mutual antipathy on set. Yet they strike sparks off each other on screen. When comedy turns to tragedy with the development of Emma's cancer, the laughs continue even while the tear ducts are being given a good work out. In the glory days of Hollywood, this would have been acknowledged a great "women's picture" and its weepy credentials are impeccable. It stands out as a warm, accessible work that admirably rejects sugary sentiment in favour of the realistic rough edges that characterise most human relationships. On the DVD: Presented in 1.78:1 anamorphic widescreen with a Dolby Digital 5.1 soundtrack, this DVD is ideal for home cinema viewing. The picture and sound quality are fine, benefiting Michael Gore's gentle, memorable music and bringing the best out of Andrzej Bartkowiak's luminous photography. In addition to the original theatrical trailer, the major extra is the director's commentary in which James L Brooks reminisces with coproducer Penney Finkelman and production designer Polly Platt. They look back at their impressive work with a touching degree of wonder and apprentice directors should take note when Brooks recalls his steep learning curve in managing his leading ladies. --Piers Ford
One of Alfred Hitchcock's finest pre-Hollywood films, the 1936 Secret Agent stars a young John Gielgud as a British spy whose death is faked by his intelligence superiors. Reinvented with a new identity and outfitted with a wife (Madeleine Carroll), Gielgud's character is sent on assignment with a cold-blooded accomplice (Peter Lorre) to assassinate a German agent. En route, the counterfeit couple keeps company with an affable American (Robert Young), who turns out to be more than he seems after the wrong man is murdered by Gielgud and Lorre. Dense with interwoven ideas about false names and real identities, about appearances as lies and the brutality of the hidden, and about the complicity of those who watch the anarchy that others do, Secret Agent declared that Alfred Hitchcock was well along the road to mastery as a filmmaker and, more importantly, knew what it was he wanted to say for the rest of his career. --Tom Keogh
The incredible true story of how Ray Kroc (Academy Award nominee Michael Keaton, Spotlight, Birdman), a salesman from Illinois, met Mac (John Carroll Lynch, Jackie) and Dick McDonald (Nick Offerman, 22 Jump Street), who were running a burger operation in 1950s Southern California. So impressed by the brothers' 'speedy system' Kroc risked his marriage, bankruptcy and his reputation to create a billion-dollar empire that revolutionised the world. From director John Lee Hancock (Saving Mr. Banks, The Blind Side) and writer Robert D. Siegel (The Wrestler) comes a stunning and shocking portrayal of the man whose hunger for the American Dream ate away everything he knew.
Take off your thinking caps and toss 'em in a corner, 'cos you won't need 'em when you're watching this deliriously dumb thriller from 1997. Bruce Willis stars as a demoted FBI agent who comes to the aid of an autistic boy whose mind holds a potentially deadly secret. It seems that by gazing on a puzzle magazine and making order out of a hidden system of numbers, the 9-year-old autistic boy (Miko Hughes) has accidentally deciphered a sophisticated top-secret government code. This makes him the prime target of the ruthless bureaucrat (Alec Baldwin, in one of his silliest roles) and Willis comes to the rescue. This formulaic thriller sets up this plot with a lot of entertaining urgency but you can't give any thought to Mercury Rising or the whole movie collapses under the weight of its own illogic and nonsense. The redeeming values are the performances of Willis, young Hughes and newcomer Kim Dickens as a woman who agrees (perhaps too easily, it seems) to aid Willis in his plot to out manoeuvre the bad guys. Mercury Rising is not a waste of time compared to other formulaic thrillers but its entertainment value depends on how much you enjoy being smarter than the movie. --Jeff Shannon
JACKIE is a searing and intimate portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Bouvier Kennedy (Natalie Portman). JACKIE places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a psychological portrait of the First Lady as she struggles to maintain her husband's legacy and the world of Camelot that they created and loved so well.
Innocuous, innocent and somewhat idiotic, Disney's bubbleheaded road-movie comedy Bubble Boy plays as a farcical remake of the 1976 cult TV-movie melodrama The Boy in the Plastic Bubble. Jake Gyllenhaal is the good-hearted innocent raised in a sort of human Habitrail of plastic rooms and rubber tunnels. To win back the girl of his dreams (Marley Shelton), he steps out of his indoor greenhouse and into a homemade Ziplock bubble suit. It's the usual story: naive innocent bounces down the highway like a beach ball with legs and wins over the wacky supporting cast of soft-hearted bikers, zombie-like teenage cultists and orphaned "freaks" through purity and pluck. The premise wears thin after a while, but Gyllenhaal keeps the film bounding along with goofy innocence and energetic eagerness. Swoosie Kurtz costars as his religious-zealot clinging mom. Watch for Fabio in an inspired cameo. --Sean Axmaker On the DVD: Bubble Boy contains a surprising amount of special features for what is essentially a B-movie comedy. These include a long winded multi-interview about the main star of the film, the Bubble suit itself; a director's diary, charting the events around the time of filming the movie; a "Production Design Gallery" including intricate pencil drawings and a story board of the Niagara Falls sequence. Along with this, director Blair Hayes and Jake Gyllenhaal offer a gabbled conversation rather than a commentary. --Nikki Disney
A global byword for cinematic quality of a quintessentially British nature Ealing Studios made more than 150 films over a three decade period. A cherished and significant part of British film history only selected films from both the Ealing and Associated Talking Pictures strands have previously been made available on home video format - with some remaining unseen since their original theatrical release. The Ealing Rarities Collection redresses this imbalance - featuring new transfers from the best available elements in their correct aspect ratio this multi-volume collection showcases a range of scarce films from both Basil Dean's and Michael Balcon's tenure as studio head making them available once more to the general public. IT HAPPENED IN PARIS (1935) Whilst looking for artistic inspiration in Paris a millionaire's son falls for a beautiful girl. Romantic complications arise when he feigns poverty in order to win her love. Black and White / 66 mins / 1.33:1 / Mono / English AUTUMN CROCUS (1934) In his final film role Ivor Novello plays the married owner of a Tyrolean inn; Fay Compton is the holidaying schoolteacher who falls hopelessly in love with him. Black and White / 80 mins / 1.33:1 / Mono / English THE DICTATOR (1935) A drama depicting the stormy marriage of King Christian VII and his English consort Caroline Matilda and the Queen's tragic affair with the royal physician Struensee. Black and White / 82 mins / 1.33:1 / Mono / English SECRET LIVES (1937) A powerful World War I drama tracing the life of a German-born woman who is trained by the French as a spy but pays a heavy price for her apparent freedom. Black and White / 78 mins / 1.33:1 / Mono / English
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barrelled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man, while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set-piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker
An American family moves into a spooky manor house located within a wooded area in the English countryside. Before long they start to see some odd things like mirrors that don't reflect and the ghost of a blindfolded girl. The new tenants learn that 30 years ago a teenage girl who bears an uncanny resemblance to their daughter Jan disappeared nearby. Soon the supernatural presence starts contacting both sisters.
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